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2
6
8

[On the lined paper, oriented vertically:]
i haven't played for fourteen days
[A vertical column of scribbles obscuring text]
[A circular drawing with shading at the top and bottom]
[A drawing of a shape, with text next to it:]
There's a hole in
the pole
[Text at the bottom, written upside down relative to the top text:]
Second hand knicker wearing Tramp
underlapped
obliviated

Did God create us or did we create him,
does he really give us hope and deliver us from sin
---
145 115
Pt. 2 Pt. 2
4
60 | 260
20

4 hrs.
20 min.

② So smoothly did they
LAY ON THE Flattery with a trowel
As they say if the peg hole fits them place in it
① the proper dowel

It's open mic night down at Dodge
Someone's playing but there's no one listening
But when he's finished there's no applause
He sounds a little outta tune but his sweat is glistens

[Text upside down and partially obscured/faint]:
917
gotes ogng
9513 ogng
[illegible text]
[illegible text]
---
File
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paper size
orientation / landscape
portrait /
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selected text

Studio school portrait of a young man in a white pinstripe baseball jersey with red undershirt, mounted in a brown presentation folder with gold trim.

Photo mat: two mounted color group photographs of teenagers posing on bleachers, one indoors under gym lighting and one outdoors near shrubbery. // Program cover, hand-annotated in pencil with doodles and numbers: 'Lynnfield Wrestling / Lynnfield High School Wrestling Team Awards Dinner / April 1, 1996 / Sponsored by: Parents and Friends of Lynnfield Wrestling / Lynnfield Athletic Association' with clip-art illustration of two wrestlers. // Interior page: 'L.H.S. WRESTLING TEAM ALUMNI' roster by year, 1975 through 1996, listing dozens of names (Mark LaMusta, Michael Carmody, John Anzounni, John Fusto*, Jim Gafney*, ... through ... 1993 John Ghirardi*, Gary Greenstein*, 1994 Doug Kumph, Rob Douglas, Brad Lovoi, Ed Pascucci, Sean Rollins, Paul Keefe, 1995 Chris Roy*, Joe Nugent*, Scott Kumph, Sean Kilroy, Tom Dalton, 1996 Frank Sykes, Michael Winslow*, Darren Ross*, Kirk Sannella*, Phillip Schuster, Peter OBrien, Mike Pascucci*, Danny Simons*, Jason Mochi*, Greg Whyman, Neal Poretsky, John Wilson, Scott Yerardi, Chad Mitchel, David Donohoe, David Callahan, Elmer Lai*, Paul Dalton*, Jeff Green, Stephen Gildea, Peter Raftopoulos, Neal Cusick, Rob McGee, Rob Ghirardi*, Ricky Greenstein*, Danny Fanikos*, Stephen Samojeden, Stephen Saggese, Darren Mintz*, Ricky Santiago, Sean Cullinane, Greg Esbitt*, John Rubbico*, Gregg Fellows*, David Picard, Mark Triffit, Chad Holden, Steven Kelleher, Guy Ciolfi, Carmine Nappa, Danny Tammaro). Also under 1996: 'Jim Lawler*, Steven Vargas*, Ned Secatore, Todd Wilson, Randy Greenstein*, Marc Glinski*, Larry Mintz*, Matt Itzkowitz, Lee Ransom, Lou Trapasso*, Tom Jensen'. Asterisk key: '* Denotes Captain'. Tom Jensen listed among 1996 alumni (not marked captain).

curt Schilling
Johnny Damon
Tim Wakefield
Mark Bellhorn
Terry Francona
Pedro Martínez
Pokey Reese
Bronson Arroyo
Keith FoulKe
Bill Mueller
Doug Mientkiewicz
David Ortiz
Jason Varitek
Doug Mirabelli
Trot Nixon
Curt Leskanic
Gabe Kapler
Mike Myers
Kevin YouKilis
Orlando Cabrera
Alan Embree
Mike Timlin
Derek Lowe
Dave Roberts
Kevin Millar
Manny Ramirez

Soulmates lost we no longer morn
Spirit alive has been reborn
Get this funny feeling deep down inside
Just sittin' in the car and goin' for a ride
Feel my spirit flow outta my soul
A heart lost is a heart stole
I've lost my way in the fog
Blinded by the sun, choked by the smog
When I'm with you I see so clear
Troubles of the time just disappear

31 ALBUM C 20 Songs Made So Far With Lyrics For 300 More!

I'm glad
I'm not
him!

I'm glad
I'm not
him!

I'm glad
I'm
not...
Oh Sh!t!
I AM him

Hand-drawn placard. Red baseball bat, yellow frowning face, small baseball doodle, and a stick figure with arms drawn out. Hand-lettered outline text reads 'Black People Have White Souls' (underlined). Red hand-printed quotation attributed to Curt Schilling reading 'Bats should hit balls - not [racial slur].' CONTENT FLAG: the placard contains the n-word written out in full. Logged as shot per Tom's rule; review before any public posting.

BYRDS

A Think Button that plays the sounds of crickets chirping...

AGNOSTICS
DEMOCRATS
CATHOLICS
Retirees
GAY/LESBIAN
BLACKS
REPUBLICANS
Prisoners
WOMEN
POOR WHITES
Welfare Recipients
NEO-CONS
HISPANICS
INDEPENDENTS
OTHER MINORITIES
Jewish
LIBERALS
MUSLIMS
Fill-in-the-BLANK
DIVIDE AND CONQUER !!!

I.B. Poyo

ice BLOCK PARTY

A large cardboard planning board covered with dozens of small printed title cards, each styled like a film-strip frame and color-coded by genre (green, blue, yellow, black/gray), corresponding to the readtom.com song index (see item 1633). Legible card titles include: Summer's the Time, Ripples, Gypsy Mama, As for Me, Here and Now, Alison's Airplane, Fight for Peace, Stranded, Coming of Fall, Here I Am, Train, Frames, House of Shattered Glass, Perfect Imperfections, Stillthinking of You Tonight, Table for Two, Worth the Wait, Untitled Unlabeled, Unity, Sleepwalkers, Trash Can, Rocking the World, Nature of Man, In the Pouring Rain, Fresco, Little Bird, Blessing in Disguise, Breaking the Chains, Rainyday Sunshine, Dead End, Clean Wipe to the Slate, Fallen Clouds, Singer Songwriter, Warmer Waters, and How Can You (bottom row); Maybe Someday, Right Between the Eyes, Fallen Walls, Tonight's Moonlight, Pretty Toys, Breaking Her Heart, One Slip of the Knife, Overrated, Sunlight, Sure Shore, Thunderstorms, Nevermore, Next in Line, Night Out, Now Boarding, Oasis, Old Eli; and separately: Knowing the Know by LadyWeaver & Tom Jensen, Water Flesh and Bone, Visited a Place, Let Down, Last Cup of Coffee, Warmer Waters. Also visible: Maybe Someday by Bryan Magsayo, Last Cup of Coffee. Appears to be a physical mockup/storyboard Tom Jensen used to visually organize and sequence his readtom.com song catalog by mood/genre color.

COLLABRHYTHM COLLABTUNES.COM
The 120 songs he wrote all the lyrics for and then asked singers and musicians from all over the world to turn his words into songs proves it can be done. He's got the lyrics to 250 more songs just waiting to be added to that collection!!! But what if instead of using YouTube as our platform - what if we took it to a physical location and yet still let the online audience participate?
What if instead of bands coming to a venue to perform live finished songs - what if they came to create new songs live on the spot?
Maybe we create an app that they can download that would keep track of who contributes to any particular song we happen to make so that if a song that we create goes on to generate revenue then whoever contributed (it could be 100 people) to it could be entitled to a portion of the future profits.
Basically, use my big book of poems and current catalog of songs to attract talent which attracts patrons. First we sell a dream of getting rich and famous. Then we sell them stuff- food, drinks, merch, books, whatever... In the end, I am looking for a nice sign on bonus, a weekly salary, a portion of all the proceeds and healthcare. :)
That's the main idea. I DON'T need to be well-known for this to work. I am better behind the scenes. What I need is somebody with RIZZ to pitch this to both money people and also potential fans. I have 5 ½ hours of me reading/singing all my stuff that wants to be made into songs and 7 hours of songs already made. So I have a ton of lyrics I stack up with all the other poets, song writers, lyricists and word men in history! Am I ok? Better than average? A few good ones and blah? I once thought that I was pretty damn exceptional but then I took a few wrong turns and detours so now we're just trying to get back on the road....

Yeah, this is tight - you've got the bones of a big idea here, Tom. Let me break down what you just laid out and why it works:

1. The Catalog (Your Asset)
• 120 already-produced songs.
• 250 more lyrics waiting.
• 5.5 hours of raw recordings + 7 hours of finished songs.
- That's proof of concept + a pipeline for future content. You're not starting with "maybe someday." You've got material today.

2. The Experience (The Hook)
• Instead of a finished band show → live creation of songs.
• Audience gets to JOIN IN on lightning-in-a-bottle creativity, raw and risky, instead of polished. There a chance of fame and/or financial profit with every meeting.

[Center sheet]
contact
youtube
↓
COLLABTUNES.COM
↓ ↓ ↓
patreon only fans twitter X

[Right sheet]
• Online component keeps the circle global letting the sky be the limit for overall participation.
3. The Tech (The Glue)
• An app that tracks contribution.
• Creates fairness and transparency (no messy "he said, she said" about who wrote what).
• Adds a futuristic / blockchain-like vibe: crowd-sourced songs, crowd-sourced ownership.
• If one blows up, everyone eats. That's sticky.
4. The Business Model (The Money Flow)
• Attract talent with dreams of fame + ownership.
• Attract patrons with the live experience + merch/food/books.
• Multiple revenue streams: tickets, drinks, books, merch, publishing, sync licensing.
• You're not gambling on one hit - the machine itself is the product.
5. Your Position (The Role)
• You don't have to be the frontman.
• You're the curator, the architect, the word man behind the curtain.
• All you need: a partner with charisma ("rizz") to pitch investors + fire up fans.
6. The Dream vs. The Practical
• The dream you're selling: "Be part of making the next great song - maybe the next big artist."
• The practical for you: salary, healthcare, sign-on bonus, cut of proceeds.
• You get stability while the project experiments.
7. The Legacy Question (Your Why)
• You're asking: where do I rank among the greats?
• This isn't just money - it's about testing your body of work against the world.
• That's what makes it more than a hustle. It's history you're aiming at.

To answer your last question, "Is this tight?" - Yes, this is tight. The structure is sound.
You're packaging:
• An asset (lyrics + catalog),
• An experience (live song creation),
• A tech edge (contribution tracking),
• A business model (multi-revenue streams),
• A personal goal (your livelihood + your legacy).

[Bottom center artwork]
1
---
COLLABORHYTHM COLLABTUNES.COM

The 120 songs he wrote all the lyrics for and then asked singers and musicians
from all over the world to turn his words into songs proves it can be done. He's got the
lyrics to 250 more songs just waiting to be added to that collection!!! But what if instead
of using YouTube as our platform - what if we took it to a physical location and yet still
let the online audience participate?
What if instead of bands coming to a venue to perform live finished songs - what
if they came to create new songs live on the spot?
Maybe we create an app that they can download that would keep track of who
contributes what to any particular song we happen to make so that if a song that we
create goes on to generate revenue then whoever contributed (it could be 100 people) to
it could be entitled to a portion of the future profits.
Basically, use my big book of poems and current catalog of songs to attract talent
which attracts patrons. First we sell a dream of getting rich and famous. Then we sell
them stuff- food, drinks, merch, books, whatever... In the end, I am looking for a nice
sign on bonus, a weekly salary, a portion of all the proceeds and healthcare. ;)
That's the main idea. I DON'T need to be well-known for this to work. I am better
behind the scenes. What I need is somebody with RIZZ to pitch this to both money
people and also potential fans. I have 5 1/2 hours of me reading/singing all my stuff that
that we can do ANYTHING with. We could make a rock star or three with all my stuff
and skip the music making live in person gig all together. I care about TWO THINGS:
me being able to pay my bills and live a life doing this and then trying to take all this
that I've done over my last 29 years of rhyming and lets see where the world thinks that
I stack up with all the other poets, song writers, Lyricists and word men in history! Am I
ok? Better than average? A few good ones and blah? I once thought that I was pretty
damn exceptional but then I took a few wrong turns and detours so now we're just trying
to get back on the road....

Yeah, this is tight - you've got the bones of a big idea here, Tom. Let me break down
what you just laid out and why it works:

1. The Catalog (Your Asset)
◦ 120 already-produced songs.
◦ 250 more lyrics waiting.
◦ 5.5 hours of raw recordings + 7 hours of finished songs.
→ That's proof of concept + a pipeline for future content. You're not starting with
"maybe someday." You've got material today.

2. The Experience (The Hook)
◦ Instead of a finished band show → live creation of songs.
◦ Audience gets to JOIN IN on lightning-in-a-bottle creativity, raw and risky,
instead of polished. There a chance of fame and/or financial profit with every meeting.
---
o Online component keeps the circle global letting the sky be the limit for overall
participation.

3. The Tech (The Glue)
o An app that tracks contribution.
o Creates fairness and transparency (no messy "he said, she said" about who wrote
what).
o Adds a futuristic / blockchain-like vibe: crowd-sourced songs, crowd-sourced
ownership.
o If one blows up, everyone eats. That's sticky.

4. The Business Model (The Money Flow)
o Attract talent with dreams of fame + ownership.
o Attract patrons with the live experience + merch/food/books.
o Multiple revenue streams: tickets, drinks, books, merch, publishing, sync
licensing.
o You're not gambling on one hit - the machine itself is the product.

5. Your Position (The Role)
o You don't have to be the frontman.
o You're the curator, the architect, the word man behind the curtain.
o All you need: a partner with charisma ("rizz") to pitch investors + fire up fans.

6. The Dream vs. The Practical
o The dream you're selling: "Be part of making the next great song - maybe the
next big artist."
o The practical for you: salary, healthcare, sign-on bonus, cut of proceeds.
o You get stability while the project experiments.

7. The Legacy Question (Your Why)
o You're asking: where do I rank among the greats?
o This isn't just money - it's about testing your body of work against the world.
o That's what makes it more than a hustle. It's history you're aiming at.

To answer your last question, "Is this tight?" - Yes, this is tight. The structure is sound.
You're packaging:
• An asset (lyrics + catalog),
• An experience (live song creation),
• A tech edge (contribution tracking),
• A business model (multi-revenue streams),
• A personal goal (your livelihood + your legacy).
---
contact
youtube
COLLABTUNES.COM
patreon
only fans
twitter X

OTHER WRITINGS
FREE STUFF
WHAT'S NEW
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[Drawing of a face]
BIOGRAPHY
FRIENDS
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FAVORITE QUOTES
ALBUMS
POEMS
SONGS
Welcome to ReadTom.com

[Handwritten grid/layout sketch on white paper]
EVERYONE
Most songs
Half of LYRICS
Quotes List - Revised
PUBLISHED WRITINGS
a little creative writing
PRO SPORTS
Sell Album
Revised Book
T-shirts
READ TOM. COM

THE OTHERSIDE
A couple songs
HALF OF LYRICS
WRITINGS ON THE WORLD
QUOTES LIST
MOST OF CREATIVE WRITING
WORLD AWARENESS VIDEOS
Sell Book
T-shirts
hippy poet. com

[Printed quote sheet]
"I remember the first time I saw my father dressed up in a suit and tie... it was like finding my father with a whore." - the daughter of Amos Tversky
"The golden rule is that those who have the gold rule." - Anonymous
"Today we live in a world of anti-social media." - Al Michaels
"I am not afraid of an army of lions led by a sheep; I am afraid of an army of sheep led by a lion." - Alexander the Great
"A friend is someone who gives you total freedom to be yourself." - Jim Morrison
"I write in longhand on yellow legal pads." - Beverly Cleary
"I now know the difference between a cactus and a caucus - in a cactus, all the pricks are on the outside." - Lyndon B. Johnson
"If voting changed anything, they'd make it illegal." - Emma Goldman
"I'd rather be right than liked." - Rick Barry
"No risk it - no biscuit." - Bruce Ariens
"People who think they know everything are a great annoyance to those of us who do." - Isaac Asimov
"Too much agreement kills a chat." - Eldridge Cleaver
"Always remember that you are absolutely unique. Just like everyone else." - Margaret Mead

[Handwritten note on lined paper]
Why do dead people always
Leave behind so many empty
bags? haha

BOB DYLAN:
POET, LEGEND AND PIONEER

Tom Jensen
November 15, 1999
Intro. To Poetry
Biography Sketch

Jensen1
---
Trying to sum up the career of singer/songwriter Bob Dylan in a mere five
page paper is akin to naming all the songs he wrote in alphabetical order- from
"A Fool Such as I" to "You're no Good." All anyone has to know is that he has
thirty-three songs that start with W; Need I say more?

Bob Dylan was born Robert Allen Zimmerman on May 24, 1941 in Deluth,
Minnesota. Robert Zimmerman strolled on the stage in the early sixties with a
guitar on his shoulder and a harmonica in his mouth. Music has never been the
same since. He arrived in New York city hoping to replicate his hero, folk singer
Woody Guthrie. Not only did he replicate him but he surpassed him. Dylan's
writing ability and overall talent quickly propelled him towards stardom and
legend status among the music world.

Dylan is credited with blending folk music with rock and roll and also
reconnecting country and rock. Not to mention as well as reinventing the singer
and songwriter genre. In 1964, Dylan wrote "Mr. Tambourine Man," which was
the first hit of the Byrds in 1965. And so began folk rock.

The intensity of his performances and his live in-the-studio albums
(Highway 61 Revisited and Blonde on Blonde) were a revelation. His lyrics were
analyzed, debated and quoted like no pop music before them. "I consider myself
a poet first and a musician second. I live like a poet and I'll die like a poet." -
Dylan said in 1978 according to "If There's An Original Thought Out There I
Could Use It Right Now: The Folk Roots of Bob Dylan (Zuckerman). He enlarged

Jensen2
---
pop's range, as well as its vocabulary. The music Dylan made in 1965 and 1966
revolutionized rock.

His songs electrified the civil rights movement, and breathed new life into
the folk music genre. As the mood in society and music changed so did Dylan as
he altered his perceptions of who he was and what he wanted to say. Dylan has
gone through a variety of stages in his music career but the only label that can
truly be applied is a pioneer.

I think that Dylan has already given so much of himself and so altered the
course of poetics in America that no matter what he does it's just gravy at
this point. Dylan has almost single-handedly brought language back into
its original poetic form which is minstrelsy.
- Quote on Dylan by Allen Ginsberg in the Georgia Straight on May 25,
1971.

One of Bob Dylan's first accomplishments to becoming a spokesman for
his era was the anti-war protest songs and lyrics. The 1960's were a time of
great change as the uprooting of the establishment became a goal of many new,
young thinkers. The old ways of fathers and grandfathers were being ridiculed as
many young people searched for something to believe in. Not all of them found
exactly what they were searching for, yet many things were ruled out along the
way. Hating war and war protest became a common tie that united many young
adults of the '60's and Dylan was a pioneer for this movement. The voice of
change can be heard in the following excerpt:

MASTERS OF WAR
Come you masters of war

You that build all the guns
You that build the death planes
You that build the big bombs
You that hind behind walls

Jensen3
---
You that hide behind desks
I just want you to know
That I see through your masks

You that never done nothin'
But build to destroy
You play with my world
Like it's your little toy
You put a gun in my hand
And you hide from my eyes
And you turn and run farther
When the fast bullets fly

Dylan is famous for pointing out the flaws, not only of his generation, but
of life. It seems that Dylan, being quite the visionary, sees people acting like
sheep and following what they're told as opposed to what they feel. When
people act this way they are easily taken advantage of. There are things in life
that are precious and must be preserved yet there are many people out there
who take advantage of everything at every opportunity. In other words: it's alright
ma, (they're only breaking the foundation of what is sacred to this world):
IT'S ALRIGHT, MA (I'M ONLY BLEEDING)

Disillusioned words like bullets bark
As human gods aim for their mark
Made everything from toy guns that spark
To flesh-colored Christs that glow in the dark
It's easy to see without looking too far
That not much is really sacred

While preachers preach of evil fates
Teachers teach that knowledge waits
Can lead to hundred-dollar plates

Goodness hides behind its gates
But even the president of the United States
Sometimes must have to stand naked

During the 1960's old values were quickly being displaced by new ones
Jensen4
---
and there was a growing tension between father and son / mother and daughter.
A generation gap was being discovered like none before as revolutionary change
was nearing. The power owned and abused by the elders of society was being
challenged by fresh young minds who were becoming more and more outspoken
over the injustice. Bob Dylan became a symbol of change and instant
spokesman for his generation with songs like this:

THE TIMES THEY ARE A'CHANGIN'

Come mothers and fathers
Throughout the land
And don't criticize
What you can't understand
Your sons and your daughters
Are beyond your command
Your old road is
Rapidly agin'.
Please get out of the new one
If you can't lend your hand
For the times they are a-changin'.

The line it is drawn
The curse it is cast
The slow one now
Will later be fast
As the present now
Will later be past
The order is
Rapidly fadin'.
And the first one now
Will later be last
For the times they are a-changin'.

Jensen5

Because of Bob Dylan many fans divide music into four parts: 1) music by
Dylan; 2) music that influenced Dylan; 3) music influenced by Dylan; and 4) crap.
On the subject of music, Dylan says the following: "The world don't need any
more songs. They've got enough. They've got way too many. As a matter of fact,
if nobody wrote any songs from this day on, the world ain't gonna suffer for it." -
Quote by Bob Dylan in 1991 as seen in "Bob Dylan" (Richardson).
---
It's good that Bob feels this way because, quite frankly, there are no
songs left to write because he's already written them all. He's probably covered
every topic imaginable, not including the endless symbolism that he often
incorporates in his works. The bar has been raised so high that no man could
reasonably believe to rise above the bar that is Bob Dylan.
Dylan critics may charge him with changing his image (as well as his
religion) one too many times and perhaps puncturing eardrums with long winded,
high pitched, harmonica solos. Still, others may say that his voice leaves a lot to
be desired and that the older he gets the worse he gets.
On the other hand, a Dylan supporter could make the argument that the
evil and corruption that encompass many of Dylan's songs cannot be completely
heard and understood if in perfect harmony. Often the truth is not pleasant nor
soothing yet must be seen as is. Life is not always on key.

Jensen6

Works Cited:

"Allen Ginsberg on the New Dylan." Georgia Straight 25 May. 1971. C1.

Richardson, Susan. Bob Dylan. New York: Chelsea House, 1995.

Zuckerman, Matthew. If There's An Original Thought Out There I Could Use It
Right Now: The Folk Roots of Bob Dylan. 1997
<http://www.expectingrain.com.html>.

AUGUST 7, 2003 PEABODY & LYNNFIELD WEEKLY NEWS - 978-532-5880 13

Ninth Annual Peabody Golf Day

continued from page 11
paraphernalia. I looked good, but my ball was cursed," Broome explained with a big grin while enjoying a hearty sandwich at the luncheon. "I'm going to have to go home and have it exorcised or something. I played well with my irons, I stayed in the middle of the fairway, but I couldn't putt to save my soul.

"This is my second year playing the course. It's a great time and it's a chance to meet your neighbors."

Unfortunately, Broome had to let his next-door neighbors win because he had to ride home with them.

"Actually," he said, "Maybe I should have tried to win because it's only a 15-minute walk."

Broome considered this to be the opportunity of a lifetime for any golfer.

"I have friends of mine who I tell about this and they want to move to Peabody just to play here a year," he said.

Credit has to be given to the Salem Country Club for the generosity reaching out to the community.

"We feel very special that we can be involved in the community affairs within Peabody," said Robert P. McCormack, president of the club. "Not that we were the reason for it, but the community members of the City of Beverly and Salem are doing

man who has been behind the organization of Peabody Golf Day.

"Over the past nine years, Joe O'Boyle has gotten the whip out and he's asked these volunteers to help out to make this day a success," McCormack said. "The commitment will always be there for the Salem Country Club to do our part to be part of the community of the city of Peabody."

"Back in 1995, we were celebrating our centennial just as the club was celebrating their bicentennial," explained the 83-year-old O'Boyle, a Salem CC member since 1967. "I was part of a committee that was at that we try to do something community-related and the committee thought that was a great idea and they elected me chairman.

"We're going to put $21,000 in the bank from this year's tournament, so we're up to $184,000 [overall], and what we do is pay out the interest every year to the students so that if something happens for some reason and we have to discontinue the tournament, the students will still be able to benefit."

In addition to the scholarships, the club picks up all of the costs for the event, ensuring that every nickel goes to

Peabody Golf Day Chairman Joe O'Boyle (left) and volunteer Kathy Trainor shield themselves from the rain during Monday's event.

the community.

The Mayor of Peabody, Mike Bonfanti, does not golf, but was one of those attending the luncheon. "It's a great way to be here today to honor the two young people being given

Memorial Scholarship Fund were Jessica Cyr and Jace Correia. Cyr is a Massachusetts-Dartmouth graduate majoring in Portuguese and Political Science while Correia

added Peabody resident Tom Moran, who has played in all nine Peabody Golf Days.

"It's a great course and I can't say enough about it. We're lucky to be able to take advantage of it. It's nice of the club to do it for us and the kids."

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Understanding Your Body
FACTS TO HELP YOU HELP YOURSELF
SCAR TISSUE
Doing Business in Lynnfield Since 1959
Injuries, no matter how minor, heal with scar tissue.
Excessive scar tissue formation may lead to muscle stiffness,
limited range of motion, spinal misalignments and chronic pain.
To an active, athletic person, this means compromised performance
be it golf, tennis, biking, skiing or whatever your activity.
Chiropractic adjustments, in combination with Active Release
Technique (or ART), is a highly effective approach to reducing
scar tissue and increasing overall health and performance.
To learn more, simply call 978-774-1211
Dr. DAVID EAGAN
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Strength & Conditioning Specialist
10 Hutchison Dr.
Danvers, MA 01923
978-774-1211

AUGUST 7, 2003
[image caption - truncated]
nament with a 7-0 record.
Robert Losanno, Michael
the middle row): Stephen
B.J. Neill (Back row): Joe
e, Finnegan (manager), Fred

mance
Tournament titles
the highlights of the tournament included Lewis and
Girolamo combining on a no-hit-
[illegible]
r, a 12-2 victory over Gloucester
her team's opener, Girolamo
Finnegan combined on a no-
r Hamilton Wenham in
11-year-old team took a
rout to its title. After
Chester-Essex (10-0),
ster National (9-0) and
mers (5-4), the team
cross-town rival Peabody
[illegible]
, the West came
win three straight games,
g consecutive 5-0 wins
Peabody National.
yan English were the pitch-
in for the West, Pescatore
two shutouts while Ellis
[illegible] all the support he
d in that final game from
w Bucci, who belted two
runs and batted .667 over-
the tournament.
, Perlman, Brian
, Michael Pescatore,
Feudo and Mike O'Brien
had big tournaments at the
while Dylan Johnson, Matt
ers, Dan DeBias and Jason-
aum were defensive stand-
---
Team effort boosts Mallett in Social Club Race

by Tom Jensen

As printed in Peabody & Lynnfield Weekly News

July 10th, 2003 Edition

LYNNFIELD - Discipline, dedication and self-motivation are usually the words associated with competitive running. Teamwork, however, is a rarity, although it did play a role during last Friday's 36th annual Social Club Scholarship Road Race in Lynnfield.

Peter Mallett, a 20-year-old junior at the University of New Hampshire, recorded the fastest time at 15:41 while his fellow UNH training partner, Steve Meinett, finished just a second behind at 15:42 in the 3.1-mile race. But while Peter, an English major, was getting hosed off in the shade, Steve was just beginning to run the race a second time. Peter willingly acknowledged the roll that Steve, also 20, played in the race, "He gave me the win. His job was just to go out there and pull me. He's my training partner and he wanted to do another round. He's in a little better shape than I am right now."

Mallett and Meinett are two of the anchors of the cross-country team at UNH and generally run about 70 and 100 miles a week, respectively. Over the summer they try to run together twice a week. Steve Meinett's motivation for the race was not a selfish one,
---
"[I was running] strictly for my buddy. I was helping him out. I told him before that I was going to do it twice. I'm thinking of doing a ten-miler so I wanted to go a little further. I figured I'll help him and then I'll just do it again." This win marks the third time that Mallett, a Manchester, NH native whose aunt lives in Lynnfield, has competed in this race. "Last year I was dehydrated and went out the back door. This year I used it as a tune-up race."

Meinett's selfless act personified a race in which the overall goal is to raise scholarship money for graduating seniors as much as lower finishing times. Meinett, a junior majoring in sociology, enjoyed running in Lynnfield for the first time but admitted that, "the second time was definitely tougher. I was feeling the heat."

As for the women's winner, it was up to Amy Wallace, whose younger bother Shawn had won the race the last two years yet had to sit out this year's with an injury, to defend the family name. With a winning time of 20:10, she did just that.

Originally from Wakefield, Wallace still had plenty of familiar faces surrounding her during the race, even though her brother was forced to watch from the crowd. "I'm here cheering on these guys. They're my idols," said Shawn, last year's injured winner.

Amy's older brother, Bill Wallace, a science teacher at Lynnfield High School, ran the race while pushing his daughter in a stroller. Amy's mother, Judy, also competed this year and said, "I am very proud of her. I am proud of my son who ran with my granddaughter, too." While Amy's mother didn't run last year
---
because it was too hot, "I got up this morning and I said I
think it's okay."

26 year-old Amy Wallace, who graduated from Wake Forest on
a track and cross-country scholarship in 1999, has run this race
once before. "I ran faster last time and came in second. This
time I ran slower and came in first." Wallace, who lives in
Allston, presently works in a pediatrician's office in Boston
while she takes classes at Northeastern.

As far as Wallace's training goes, "I'm dedicated, I ran all
through the winter time when it was negative 10 degrees. Six
o'clock in the morning, every morning, and then go to the gym
after work. All you need to be a runner is tremendous self-
discipline."

As for the race itself, "I was running with a few guys for
awhile in a little group. Then for the last half-mile I was on
my own." Did Wallace ever peek over her shoulder to size up the
competition? "Never look behind you!" However, describing
herself more as a distance runner, Amy is looking forward to her
next race, "I'm definitely running Beach to Beacon up in Maine,
a 10K."

With 238 runners competing in this year's race the most
ever, Marianne Wronka, a Lynnfield resident who has worked 10 or
more races as a volunteer, was all smiles,

"Last year at this time [because it was so hot] we were
hosing people off [before the race]." The beauty of this race is
that you don't need to cross the finish line to be a winner.
---
"The goal of this," Wronka says, "is that the money that we raise goes to the Lynnfield Couples Club Scholarship Fund."
The three graduating seniors receiving scholarships, all from Lynnfield High School, are Caila Nickerson, Sarah Gerbick and Richard Palermo Jr. Nickerson, whose mother is a teacher at LHS, is heading to Syracuse. Gerbick, a National Honor Society Member and psychology major, will attend UMass Amherst. You'll get to see Richard Palermo Jr., a business major, jogging with Peter and Steve at UNH.
School Superintendent Richard Palermo achieved the fastest time among male Couple Club members at 20:56 and Susan Beaulieu led the women at 27:01. Richard's wife, Jeannette Palermo, a key organizer of the event, was also all smiles, "I think the race went really well, since it was cooler than last year I think that helped us achieve our biggest turnout to date and we're certainly looking forward to next year's race."
Peter Mallett's advice to anyone looking to take away his title next year: "Run a lot. Run everyday. And you better have trained harder than I did." Or at least as hard as Steve Meinett did?

[On the sticky note]
Million dollar idea: FAKE Pot candles.

[On the paper drawing]
REAL TIME
LIVE IN
REMOTE
FROM
ALL OVER
THE
WORLD
Web
Cam
Jams

Re: YOU ROCK!! - Inbox - Yahoo! Mail

I do not have skype. But when I get to school I will have a phone (and I know, because I'm psychic, that the number will be 507-222-5955), and I'll be getting a cell phone one of these days. School doesn't start until the 15th, though, so I'm still at home, where the number is 267-235-9438... So you should call me and asking about painting the house, which is what I'm supposed to be doing all week. Also I want to hear about you!

Attached is the novella I wrote last year and used for the Book Class. At some point, if I can work our scanner, I can show you the illustrations I made for it, which are all pretty and shiny. And here is a sonnet for good measure, in case you haven't the time to read a novella right at the moment:

It's possible to walk on stepping stones,
if just your balance cautiously, go slow.
You might slip--bruise your ego and your bones.
So step. Pause. Worry. And you're safe. Although
The safest-looking stones can trip you up;
And every choice you ever reach with is done.
What have you proved but apprehensive luck?
So better to sprint to race, better to run
Over the rocks at full tilt, trusting gravity's grace
To let you leap lightly, step surely and keep up the pace,
For you're only in danger if you think too hard, slow and stall.
For you know although you'd fall harder, it's harder to fall
When you fly to your goal with a smile and the wind on your face
And your clod-footed fears left behind at the start of the race.

So anyway, Call me; I'll be home all day except from 3-6pm when I have to babysit.

Talk to you soon!

http://us.mc574.mail.yahoo.com/mc/showMessage?fid=Inbox&sort=date&order=down&sta... 9/3/2008
---
Re: YOU ROCK!! - Inbox - Yahoo! Mail Page 1 of 1

I do not have skype. But when I get to school I will have a phone (and I know, because I'm psychic, that the number will be 507-222-5055), and I'll be getting a cell
phone one of these days. School doesn't start until the 15th, though, so I'm still at home, where the number is 207-236-9438. So you should call me and distract me
from painting the house, which is what I'm supposed to be doing all week. Also I want to hear about you!

Attached is the novella I wrote last year and used for the Book Class. At some point, if I can work our scanner, I can show you the illustrations I made for it, which are all
pretty and shiny. And here is a sonnet for good measure, in case you haven't the time to read a novella right at the moment.

It's possible to walk on stepping stones,
test your balance cautiously, go slow.
You might slip - bruise your ego and your bones.
So step. Pause. Worry. And you're safe. Although
The safest-looking stones can trip you up;
And even when your perfect path is done,
What have you proved but apprehensive luck?
So better to sprint, to race, better to run
Over the rocks at full tilt, trusting gravity's grace
To let you leap lightly, step surely and keep up the pace,
For you're only in danger if you think too hard, slow and stall.
For you know that although you'd fall harder, it's harder to fall
When you fly to your goal with a smile and the wind on your face
And your clod-footed fears left behind at the start of the race

So anyway. Call me: I'll be home all day except from 3-6pm when I have to babysit.

Talk to you soon!

Subscribe

YOUR
AD HERE

DON'T WORRY,
I WILL SAVE THE WORLD
FROM EVIL !!!

my website is:
READTOM.COM

Tom Jensen
Thinker, Writer, Poet,
Songwriter and Activist

Email:
tomjensenlyrics@yahoo.com
---
Tom Jensen
Thinker, Writer, Poet,
Songwriter and Activist

Email:
tomjensenlyrics@yahoo.com

my website is:
READTOM.COM

DONT WORRY,
I WILL SAVE THE WORLD
FROM EVIL !!!
---
DON'T WORRY,
I WILL SAVE THE WORLD
FROM EVIL !!!
my website is:
READTOM.COM
Tom Jensen
Thinker, Writer, Poet,
Songwriter and Activist
Email:
tomjensenlyrics@yahoo.com

DON'T WORRY,
I WILL SAVE THE WORLD
FROM EVIL !!!
my website is:
READTOM.COM
Tom Jensen
Thinker, Writer, Poet,
Songwriter and Activist
Email:
tomjensenlyrics@yahoo.com

DON'T WORRY,
I WILL SAVE THE WORLD
FROM EVIL !!!
my website is:
READTOM.COM
Tom Jensen
Thinker, Writer, Poet,
Songwriter and Activist
Email:
tomjensenlyrics@yahoo.com

DON'T WORRY,
I WILL SAVE THE WORLD
FROM EVIL !!!
my website is:
READTOM.COM
Tom Jensen
Thinker, Writer, Poet,
Songwriter and Activist
Email:
tomjensenlyrics@yahoo.com

DON'T WORRY,
I WILL SAVE THE WORLD
FROM EVIL !!!
my website is:
READTOM.COM
Tom Jensen
Thinker, Writer, Poet,
Songwriter and Activist
Email:
tomjensenlyrics@yahoo.com

DON'T WORRY,
I WILL SAVE THE WORLD
FROM EVIL !!!
my website is:
READTOM.COM
Tom Jensen
Thinker, Writer, Poet,
Songwriter and Activist
Email:
tomjensenlyrics@yahoo.com

DON'T WORRY,
I WILL SAVE THE WORLD
FROM EVIL !!!
my website is:
READTOM.COM
Tom Jensen
Thinker, Writer, Poet,
Songwriter and Activist
Email:
tomjensenlyrics@yahoo.com

DON'T WORRY,
I WILL SAVE THE WORLD
FROM EVIL !!!
my website is:
READTOM.COM
Tom Jensen
Thinker, Writer, Poet,
Songwriter and Activist
Email:
tomjensenlyrics@yahoo.com

DON'T WORRY,
I WILL SAVE THE WORLD
FROM EVIL !!!
my website is:
READTOM.COM
Tom Jensen
Thinker, Writer, Poet,
Songwriter and Activist
Email:
tomjensenlyrics@yahoo.com

DON'T WORRY,
I WILL SAVE THE WORLD
FROM EVIL !!!
my website is:
READTOM.COM
Tom Jensen
Thinker, Writer, Poet,
Songwriter and Activist
Email:
tomjensenlyrics@yahoo.com

DON'T WORRY,
I WILL SAVE THE WORLD
FROM EVIL !!!
my website is:
READTOM.COM
Tom Jensen
Thinker, Writer, Poet,
Songwriter and Activist
Email:
tomjensenlyrics@yahoo.com

DON'T WORRY,
I WILL SAVE THE WORLD
FROM EVIL !!!
my website is:
READTOM.COM
Tom Jensen
Thinker, Writer, Poet,
Songwriter and Activist
Email:
tomjensenlyrics@yahoo.com

[Fragment at bottom left]:
JENSEN
ter, Poet,
d Activist