The words on this page
May 18
ELA's B-Day
Tom Jensen
January 27, 1999
Creative Writing
A Hard Rain's Gonna Fall
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The smoke from a half lit cigarette waves aimlessly through the air. A light brown guitar sits in the corner awaiting the delicate touch of it's master. Three empty notebooks sit atop the table curiously wondering what will fill their blank pages. Will there be small sketches of beautiful young women or perhaps some silly verses about how everybody must get stoned? An old weathered, green chair, still feeling the pain of a dropped cigarette, reminisces about the time it's owner, the master, once sat for what seemed like an eternity trying to capture the soul of a man named Hollis Brown. An old, rusty razor lays, forgotten, in a corner clutching on to one last piece of cocaine. A broken guitar string sits beneath a pile of trash still humming the melody of what it prays comes true in "Forever Young", and in the state of mind that it will never be thrown away.
A familiar face appears from behind a closed door. All of the objects in the room experience a buzz of excitement. Perhaps one of them will receive their master's attention, if even only for an instant. The master sits upon the green chair and sighs. "Must be another sad love song", the chair thinks to itself. The razor, on the other hand says, "I think he's angry at the world, I hope he's not as angry as that 'Masters of war' song... You know, the one that goes:
And I hope that you die
And you're death'll come soon
I will follow your casket
In the pale afternoon
And I'll watch while you're lowered
Down to your deathbed
And I'll stand o'er your grave
'Til I'm sure that you're dead
The master grabs the yellow notebook and begins jotting down a few lines. The guitar waits patiently, for it knows that the master always uses him and the notebook together. As plain as bread and
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butter and as sweet as peanut butter and jelly. After a little while, just like clockwork, the notebook is set
aside and the inevitable happens. A quick tuning and he's off. "What'd he write, can you see?" asks the
guitar, even though he'll be one of the first ones to hear. To which the notebook responds, "It's kinda hard
to see considering everything's upside down but it looks like it says..." At that very instance the master
begins strumming along and starts singing softly:
Close your eyes, close the door
You don't have to worry any more.
I'll be your baby tonight.
"Boy, were we off!" shouts the guitar, over the loud playing. "Sounds like a happy song."
After a quick cigarette and a half of joint the master begins to think to himself. He wonders to
himself if all of the pain and sacrifice of all his endless nights of writing and playing are worth
it. He wonders what will fill the next blank page. He remembers the night he turned heads as his audience
watched (some in anger that he "sold out" and others in enjoyment) as he magically blended folk and
rock into one. He remembers the boos, the cheers, and all the fans over the years. A smile is brought to
his face as he thinks of going from playing in corner coffee shops in New York all the way to the big time.
He thinks of the night in the Chelsea Hotel writing "Sad-eyed Lady of the lowlands" for his wife Sarah.
The master sits back in his chair, puts his feet on the table and stares at his pen. He stares deliberately at
his pen as if looking for inspiration. The pens screams out inaudibly, "I love you, man!" But alas. The
master cannot hear these words of love, though, he just continues staring at the pen.
The master then begins thinking about his almost fateful motorcycle crash and begins humming
something about "knocking on heaven's door". The old, rusty razor yells with pride, "He used me that
night, my God! I didn't sleep for a week!" The notebook, always of good humor, responds, "HELL, you
could have killed him right there!" The master is always the center of attention in this room, as you might
expect. Of course, being the greatest of all time can have that effect on people, er... things.
As the master was about to take a little rest he began to pick up a magazine in which he has been
quoted. He ponders the ups and downs of being famous and all of the expectations that come with it. He
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reads his dialogue from an article about him, "You can't try to come up with songs that people will think
is all hip and cool, you have to write for yourself. There are too many phonies out there and all the one hit
wonders. They come up with a gimmick catch phrase, write some mumbo jumbo and the people love it.
Six months later they've blown all their dough and the fans never even knew who they were."
As he gazes out the window at the pouring rain out side the master wonders again who exactly he is
writing for, who are the ones who really enjoy his work. He doesn't realize that his biggest fan is sitting
right here in this room, it is actually his guitar. The two make a marvelous pair, not unlike the guitar and
the notebook.
Sometimes in this world in which we live in things are not always what they seem. This is the
reason that the master continues with his work- to explain the unseen, to show what is right, what is pure
and true and consequentially, what is wrong and needs to be changed. So with his aging face, fading voice
and wearing guitar he carries on with no direction home, like a rolling stone. He knows how it feels to
have to seek shelter from the storm. He is aware that the times they are a'changing and he's spreading the
word to the uninformed. With that thought he begins to sing a few verses from one of his songs:
Stake my future on a hell of a past
Looks like tomorrow is coming on fast
Ain't complainin' 'bout what I got
Seen better times but who has not....
The guitar understands the master's thoughts as they have been partners for many years. If not for
anyone else, he has been touched by their many nights together. The guitar has experienced what life
outside the room is like through the master's music and is happy inside the dry, warm room. For the master
has predicted that a hard rain's gonna fall and when you're made of wood you can't really hold an umbrella
can you?
As the master is getting ready to lay down for a night's rest he happens to realize that he was
sitting on one of his albums: SELF PORTRAIT by Bob Dylan. And on that note he falls asleep contently
remembering what someone once said to him, "Don't think twice, it's alright."