================================================================================
BLACK CLAUDE 1 — MASTER SESSION DUMP
COLLABORHYTHM / COLLABTUNES ARCHIVE QA PIPELINE
================================================================================
Generated: Active session — May 8, 2026
Role: Verification / Quality Control / Metadata Auditing / Canon Stabilization
Source Documents:
  PRIMARY:   34_ALBUMS_BOOKS_1_and_2_back_to_back.pdf (903 pages)
  REFERENCE: 194_PAGES_TO_FINISH_OUR_SHIT_PLAN_on_PDF.pdf (208 pages)
Pipeline Counterpart: White Claude 2 (Extraction / Assembly / Generation)
Creative Director / Canon Authority: Tom Jensen
================================================================================

TABLE OF CONTENTS
-----------------
SECTION 1:  SESSION INITIALIZATION & ROLE DEFINITION
SECTION 2:  ARCHITECTURE & CANON RULES (LOCKED)
SECTION 3:  CANON RULE UPDATE — CONTENT > PLACEMENT/ORDER
SECTION 4:  GX SCORING SYSTEM — FULL DEFINITION
SECTION 5:  SET LIST 6 — DEFINITELY NOT LOVE — FULL QA REPORT
SECTION 6:  SET LIST 7 — TRAIN OFF THE TRACKS — FULL QA REPORT
SECTION 7:  ROLLING STONE EDITORIAL INVESTIGATION — FULL FINDINGS
SECTION 8:  GX DISCREPANCY INVESTIGATION — FULL ANALYSIS
SECTION 9:  CANONICAL SPELLING STABILIZATION LOG
SECTION 10: CATEGORY ASSIGNMENT VERIFICATION LOG
SECTION 11: PARTIAL LYRIC NOTATION — PATTERN INVESTIGATION
SECTION 12: OPEN CANON FLAGS — UNRESOLVED ITEMS
SECTION 13: CUMULATIVE SYSTEMIC PATTERN LOG
SECTION 14: PIPELINE OBSERVATIONS & ARCHIVE BEHAVIOR DISCOVERIES
SECTION 15: VERIFICATION LOGIC & METHODOLOGY


================================================================================
SECTION 1: SESSION INITIALIZATION & ROLE DEFINITION
================================================================================

DOCUMENTS LOADED:
  194-page planning PDF confirmed loaded as:
    - canonical architecture reference
    - metadata philosophy reference
    - anti-drift reference
    - QA stabilization reference

ARCHITECTURE CONFIRMED FROM 194-PAGE DOCUMENT:
  - ALL-IN-ONE philosophy confirmed
  - navigation-after-generation logic confirmed
  - architecture freeze rules confirmed
  - generator-first workflow confirmed

BLACK CLAUDE 1 ROLE ASSIGNMENT (from 194-page source, confirmed in 903-page source):
  Role: Verification / Quality Control / Metadata Auditing / Canon Stabilization
  Responsibilities:
    - Verify lyrics
    - Verify track order
    - Verify GX totals
    - Verify categories
    - Verify trigger warnings
    - Verify artist credits
    - Detect spelling inconsistencies
    - Detect metadata corruption
    - Detect propagated copy-paste errors
    - Detect category contamination
    - Identify systemic archive problems

WHITE CLAUDE 2 ROLE (counterpart, for reference):
  Role: Extraction / Assembly / Content Building / ALL-IN-ONE page generation
  Responsibilities:
    - Pull lyrics
    - Build structured pages
    - Generate trigger warnings
    - Generate summaries
    - Generate Rolling Stone reviews
    - Assemble Quick Guides
    - Organize themes / moods / metadata
    - Prepare navigation structures
    - Maintain locked formatting

PIPELINE STATUS AT SESSION START:
  Completed prior to this session:
    - Song Lists 1–10: extracted + QA verified
    - Set Lists 1–5: QA verified
    - Set Lists 3–5: ALL-IN-ONE extracted
    - Set List 6: extraction begun (not completed)
  Current verification target: SET LIST 6 — ALL-IN-ONE, then sequential


================================================================================
SECTION 2: ARCHITECTURE & CANON RULES (LOCKED)
================================================================================

LOCKED NAMING CONVENTIONS:
  SONG LIST # — TITLE — ALL-IN-ONE
  SET LIST # — TITLE — ALL-IN-ONE
  These are LOCKED permanently.
  Reasons: readable, scalable, searchable, SEO-friendly, internally linkable,
           visually clean, good for PDFs, impossible to confuse later.

NUMBERING SYSTEMS:
  Song Lists: 1–10 (separate numbering)
  Set Lists:  1–24 (separate numbering)
  Cross-links allowed. Numbering NEVER merges.

ALL-IN-ONE BLOCK STRUCTURE (LOCKED ORDER):
  BLOCK 1  — HEADER
  BLOCK 2  — PAGE TITLE
  BLOCK 3  — VIDEO
  BLOCK 4  — ALBUM IDENTITY
  BLOCK 5  — LADY WEAVER NOTE
  BLOCK 6  — FULL TRACK LIST WITH DATA
  BLOCK 7  — FULL TEXT LYRICS
  BLOCK 8  — TRIGGER WARNINGS
  BLOCK 9  — QUICK GUIDE
  BLOCK 10 — ROLLING STONE REVIEW
  BLOCK 11 — TRACKS BY CATEGORY
  BLOCK 12 — THEMES / MOOD / PROFANITY
  BLOCK 13 — WHAT COMMUNITY SAYS
  BLOCK 14 — FAST BUTTONS

CRITICAL CODE RULES (NON-NEGOTIABLE):
  1. Yola hamburger menu ALWAYS has precedence over all code.
  2. Headers disappear on scroll.
  3. Font minimum: 14pt or larger for all new website content.
  4. All-In-One pages have zero outbound links. Completely isolated.
  5. Single giant code block for generators.
  6. Ten social media header HTML to be uploaded by Tom.
  7. Dark backgrounds everywhere — Batman's bedroom. White boxes only for
     high-contrast clickable sections.
  8. Generator pulls from explicit URL list first. Fallback = 5 TXT source files.
  9. After All-In-One pages generated: FREEZE. No more new pages.
  10. STOP EXPANSION LOOPS. Finish systems first.

ARCHITECTURE PHILOSOPHY:
  All-In-One pages = fully isolated ("the monastery"). No outbound links.
  Regular Song List pages = interconnected ("the city").
  Three parallel systems:
    1. Standard interconnected website
    2. Fast-scroll/switchboard utility layer
    3. Isolated binge-style All-In-One pages

BUILD ORDER (LOCKED):
  1. Finalize generators
  2. Build missing pages
  3. Ensure search visibility
  4. Crawl/map
  5. Repair navigation
  6. Black-theme conversion
  7. PG-13+/adult index


================================================================================
SECTION 3: CANON RULE UPDATE — CONTENT > PLACEMENT/ORDER
================================================================================

RULE ISSUED BY TOM DURING SESSION:
  Books 1 and 2 may contain:
    - outdated section numbering
    - outdated ordering
    - migrated section placement
    - reorganized album positioning
  HOWEVER: The CONTENT itself is still considered valid/canonical once identified.

  Therefore:
    - Prioritize title/content matching over section numbers
    - Prioritize lyrics/metadata consistency over placement
    - Do NOT assume older ordering is authoritative
    - Use newest ALL-IN-ONE architecture as structural authority
    - Use actual repeated content as canon anchor

  CORE RULE: CONTENT > placement/order

  If conflicts occur: Newest confirmed naming + repeated source consistency wins.

IMMEDIATE APPLICATION:
  This rule was applied to resolve the Set List 6 editorial conflict immediately
  upon receipt. See Section 5 and Section 7 for full application details.

  This rule also partially applied to Set List 7 title conflict (Extremes vs
  Train Off the Tracks) — resolved by source frequency + content authority.


================================================================================
SECTION 4: GX SCORING SYSTEM — FULL DEFINITION
================================================================================

SOURCE: Master Quick Guide section of 34_ALBUMS source PDF (line ~33310)

RATING POINT TABLE:
  G     = 0 points  — Inoffensive / Loving. Safe for all ages. Wholesome,
                       spiritual, universally positive. No profanity, no sexual
                       content, no violence.
  PG    = 1 point   — Mild themes. Rare mild profanity. Romantic themes without
                       explicit detail. No drug glorification.
  PG-13 = 2 points  — Default for serious work. Strong language allowed.
                       Addiction, depression, trauma, war, political critique,
                       implied violence, sexual innuendo. Artistic intent.
                       Anti-glorification.
  R     = 3 points  — First-person narrator committing crimes without clear
                       anti-glorification framing. Reserved for severe cases only.
  NC-17 = 4 points  — Explicit content with artistic merit. Not pornographic.
                       Serious topics depicted with gravity and artistic intent.
  X     = 5 points  — Pornographic intent. Degradation as primary purpose.
                       Shock without artistic framing.

COLLECTION TOTAL = sum of all individual track point values.

VERIFIED SET LIST GX TOTALS (this session):
  Set List 4: 12 × PG-13(2) = 24. Source states 24. EXACT MATCH. ✅
  Set List 5: Mic Drop(X=5) + 8×PG-13(2) + Fifty Ways(X=5) +
              She Don't Come Easy(X=5) + Cinnabon Girl(PG-13=2) = 33.
              Source states 33. EXACT MATCH. ✅
  Set List 6: 13 × PG-13(2) = 26. Source states 26. EXACT MATCH. ✅
  Set List 7: Per index listings: 8×PG-13(2) + 4×NC-17(4) = 32.
              Source states 30. DISCREPANCY = +2. See Section 8. ⚠️

GX DISCOVERY (from prior session, documented in 194-page reference):
  Black Claude 1 previously discovered repeated GX scoring discrepancies across
  multiple Song Lists. Many albums showed Source total: X / Calculated total: X-1.
  Pattern repeated consistently across earlier sets.
  NOTE: This session found SL4, SL5, SL6 all exact. SL7 discrepancy is +2 not +1,
  and the prior session's systemic pattern (X-1) does NOT appear to be active
  in the sets verified this session. SL7's discrepancy may be isolated.


================================================================================
SECTION 5: SET LIST 6 — DEFINITELY NOT LOVE — FULL QA REPORT
================================================================================

--------------------------------------------------------------------------------
5.1 TITLE RESOLUTION
--------------------------------------------------------------------------------

STATUS: ✅ CONFIRMED CANONICAL

Multiple source appearances for Set List 6 title:
  - "Definitely Not Love" appears as Set List 6 title in:
    Line 3193 (quick-ref index 1)
    Line 19574 (full-text section header)
    Line 19628 (repeated full-text listing)
    Line 38022 (master index section)
  - Total: 4 consistent appearances across independent source sections.

CANONICAL TITLE: SET LIST 6 — DEFINITELY NOT LOVE — ALL-IN-ONE

--------------------------------------------------------------------------------
5.2 TRACK VERIFICATION
--------------------------------------------------------------------------------

SOURCE LOCATIONS CROSS-REFERENCED:
  Location A: Line 3193 (quick-ref index 1)
  Location B: Line 19574 (full-text section header)
  Location C: Line 19628 (full-text repeated listing)
  Location D: Line 36180 (second quick-ref index)
  Location E: Line 38022 (master index section)

TRACK LIST — ALL 5 LOCATIONS CONFIRMED IDENTICAL:

  Track 1:  Expired                [NOTE: "beginning part" notation in B and C only]
  Track 2:  Face To Face
  Track 3:  Cry Me a River
  Track 4:  Nothing At All
  Track 5:  Matches To Burn
  Track 6:  Heart Strings          [NOTE: spelling variant — see Section 9]
  Track 7:  Endless Chorus
  Track 8:  Nameless
  Track 9:  Below Zero
  Track 10: Lament
  Track 11: He Said She Said
  Track 12: Half Told
  Track 13: Jewelry Box

TRACK COUNT: 13 ✅

ALL TRACKS HAVE FULL LYRICS CONFIRMED IN SOURCE: ✅
  Exception: Track 1 — Expired — partial only. See Section 11.

FOUR-WORD SUMMARIES (confirmed consistent across all source appearances):
  1.  Expired              — Time has finally faded
  2.  Face To Face         — Meeting truth directly
  3.  Cry Me a River       — Warm tears, cold heart
  4.  Nothing At All       — Empty promises, no delivery
  5.  Matches To Burn      — Igniting the final bridge
  6.  Heart Strings        — Pulling until they snap
  7.  Endless Chorus       — Repeating the same pain
  8.  Nameless             — Losing identity in love
  9.  Below Zero           — Freezing out the past
  10. Lament               — Mourning what is gone
  11. He Said She Said     — Echoes of unresolved talk
  12. Half Told            — Stories left without end
  13. Jewelry Box          — Promise contained

--------------------------------------------------------------------------------
5.3 GX VERIFICATION
--------------------------------------------------------------------------------

RATINGS: All 13 tracks rated PG-13 across all source appearances. ✅
CALCULATION: 13 × PG-13(2) = 26
SOURCE STATED TOTAL: 26
RESULT: EXACT MATCH ✅
LEAD RATING: PG-13 ✅

--------------------------------------------------------------------------------
5.4 ARTIST COMPARISONS
--------------------------------------------------------------------------------

Confirmed consistent across all 3 summary appearances:
  Damien Rice / Elliott Smith / Leonard Cohen ✅

--------------------------------------------------------------------------------
5.5 STRATEGIC ARC
--------------------------------------------------------------------------------

Source: "Romantic collapse, emotional betrayal, psychological erosion."
Confirmed consistent across all appearances. ✅

--------------------------------------------------------------------------------
5.6 COLLECTION SUMMARY
--------------------------------------------------------------------------------

Source: "A set about what lingers after love fails — grief without spectacle,
pain without permission, and healing not yet begun. These songs document the
slow collapse of intimate relationships."
Confirmed consistent. ✅

--------------------------------------------------------------------------------
5.7 TRIGGER WARNINGS
--------------------------------------------------------------------------------

Core statement (all appearances): Romantic collapse, emotional betrayal,
psychological erosion, grief, identity fatigue, emotional coercion.

Extended trigger warning (line 19588) adds:
  - Despair adjacent to suicidal ideation
  - Emotional coercion
  - Identity disintegration
  - Emotional abandonment
  - Implied surveillance / boundary-crossing behavior (Face To Face)
  - Alcohol as emotional anesthesia

Consistent with full lyric content as verified. ✅
Extended warning appropriately supplements core warning. No conflict.

--------------------------------------------------------------------------------
5.8 LYRICS CONTENT VERIFICATION
--------------------------------------------------------------------------------

Full lyrics extracted and verified for tracks 2–13.
Content confirmed consistent with strategic arc (romantic collapse, grief,
post-relationship deterioration).

Notable content notes:
  - Face To Face: narrator waits outside partner's home — boundary-crossing
    behavior, correctly flagged in trigger warning.
  - He Said She Said: bridge-burning language, ambiguous survival imagery —
    correctly flagged.
  - Below Zero: emotional self-erasure, loss of identity — correctly classified
    INTERNAL STRUGGLE and DEPRESSING.
  - Jewelry Box: ends on note of hard-won peace — the only track with forward
    momentum. Correctly placed in DEPRESSING (not INSPIRING).

Track 1 — Expired: 9 lines, one stanza. Conspicuously shorter than all other
tracks. See Section 11 for full partial lyric investigation.

--------------------------------------------------------------------------------
5.9 CATEGORY ASSIGNMENTS
--------------------------------------------------------------------------------

Confirmed from master category index:

  RELATIONSHIPS:
    Cry Me a River, Endless Chorus, Face To Face, Half Told,
    He Said She Said, Heartstrings, Jewelry Box, Lament,
    Matches To Burn, Nameless, Nothing At All ✅

  INTERNAL STRUGGLE:
    Below Zero, Face To Face, Half Told, Heartstrings,
    Matches To Burn, Nameless, Nothing At All ✅

  DEPRESSING:
    Below Zero, Endless Chorus, Jewelry Box, Lament, Nothing At All ✅

  LONELINESS:
    Lament, Nameless ✅

  MISSING CATEGORY ASSIGNMENT:
    ⚠️ Expired — does not appear in ANY category section of the master index.
    Appears only in track listings. This is a metadata gap.
    Possible cause: partial lyric status may have prevented categorization.
    Flag for pipeline resolution.

--------------------------------------------------------------------------------
5.10 ROLLING STONE EDITORIAL — INVESTIGATION & RESOLUTION
--------------------------------------------------------------------------------

See Section 7 for full investigation. Summary:

The Rolling Stone-style editorial section labeled "SET LIST SIX — DEFINITELY
NOT LOVE" at line 32589 describes the following tracks:
  Hideaway, Look Her Up, No Thanks Babe, In a Jiffy, Fifty Ways,
  She Don't Cum Easy

These tracks were confirmed to belong to SET LIST 5 — LIVING À LA MODE
(confirmed at line 22844 — "LIVING A LA MODE / SET LIST FIVE (5)").

VERDICT: The Set List 6 editorial slot contains mislabeled Set List 5 content.
This is an editorial migration artifact — Set List 5 content migrated forward
one slot, leaving Set List 6 without a valid Rolling Stone editorial.

Under CONTENT > placement/order: The content belongs to SL5. Discard as SL6.

PIPELINE INSTRUCTION:
  White Claude 2: Set List 6 has NO valid Rolling Stone editorial in the source.
  The editorial block must either be generated fresh or flagged for Tom to write.

--------------------------------------------------------------------------------
5.11 SET LIST 6 FINAL STATUS SUMMARY
--------------------------------------------------------------------------------

  Track count (13):               ✅
  GX total (26):                  ✅
  All ratings PG-13:              ✅
  Artist comparisons confirmed:   ✅
  Trigger warnings confirmed:     ✅
  Full lyrics present:            ⚠️ 12/13 complete — Expired partial only
  Category assignments:           ⚠️ Expired uncategorized — metadata gap
  Rolling Stone editorial:        ⚠️ SL5 content mislabeled as SL6 — true SL6
                                     editorial absent
  Canonical spelling:             ⚠️ Heart Strings vs Heartstrings — see Sec. 9
  Four-word summaries:            ✅

SET LIST 6 — VERIFIED ✅
OPEN ITEMS: 3 flags for pipeline + 1 spelling flag


================================================================================
SECTION 6: SET LIST 7 — TRAIN OFF THE TRACKS — FULL QA REPORT
================================================================================

--------------------------------------------------------------------------------
6.1 TITLE RESOLUTION
--------------------------------------------------------------------------------

CONFLICT DETECTED: Two competing titles in source document.

  "Train Off the Tracks" appearances:
    Line 21481 — full-text section header: "TRAIN OFF THE TRACKS / SET LIST SEVEN (7)"
    Line 21570 — repeated full-text listing
    Line 32605 — Rolling Stone editorial header: "SET LIST SEVEN — TRAIN OFF THE TRACKS"
    Line 33190 — summary section: "Set List 7 — Train Off the Tracks"
    Line 38036 — master index section: "SET LIST 7: TRAIN OFF THE TRACKS"
    TOTAL: 5 appearances in full-text and editorial sections

  "Extremes" appearances:
    Line 3551 — quick-ref index 1: "Set List 7 — Extremes"
    Line 36514 — quick-ref index 2: "Set List 7 — Extremes"
    TOTAL: 2 appearances, both in quick-reference index sections only

RESOLUTION UNDER CONTENT > PLACEMENT/ORDER RULE:
  "Train Off the Tracks" wins by:
    - Higher source frequency (5 vs 2)
    - Appears in full-text sections (higher authority)
    - Appears in Rolling Stone editorial (highest editorial authority)
    - Appears in master index section
    - "Extremes" appears only in older quick-reference index sections (lower authority)

CANONICAL TITLE: SET LIST 7 — TRAIN OFF THE TRACKS — ALL-IN-ONE ✅

ADDITIONAL TYPO NOTED:
  Line 21553: "TRAIN OF THE TRACKS" (missing "OFF")
  Single occurrence. Discard — extraction/transcription typo, not a title variant.

--------------------------------------------------------------------------------
6.2 TRACK VERIFICATION
--------------------------------------------------------------------------------

SOURCE LOCATIONS CROSS-REFERENCED:
  Location A: Line 21481 (full-text section header)
  Location B: Line 21563 (full-text repeated listing with lyrics)
  Location C: Line 38036 (master index section)
  Location D: Line 3551 (quick-ref index 1 — "Extremes" label)
  Location E: Line 36514 (quick-ref index 2 — "Extremes" label)

TRACK LIST — ALL 5 LOCATIONS CONFIRMED IDENTICAL:

  Track 1:  Corey Story
  Track 2:  Daddy Taught Me
  Track 3:  Shadow Of Smoke          [title-case variant — see Section 9]
  Track 4:  Wheat and Chaff          [title-case variant — see Section 9]
  Track 5:  Midas Touch
  Track 6:  Sniper's Song
  Track 7:  Quest For Immortality
  Track 8:  Innocence Lost
  Track 9:  Betrayal
  Track 10: A Cop Asked the Witnesses [article variant — see Section 9]
  Track 11: Dirt
  Track 12: Either Way               [NOTE: "first Part" notation — see Section 11]

TRACK COUNT: 12 ✅

NOTE ON TRACK 10 NAMING:
  "A Cop Asked the Witnesses" — full-text listings (authority)
  "Cop Asked the Witnesses" — quick-ref indexes (no article)
  "COP ASKED THE WITNESSES" — master index section (no article, all-caps)
  Canonical per full-text listings: "A Cop Asked the Witnesses"

FOUR-WORD SUMMARIES (confirmed consistent across all 3 independent index sources):
  1.  Corey Story                — Where the problem is
  2.  Daddy Taught Me            — As my daddy taught
  3.  Shadow Of Smoke            — What you see disappears
  4.  Wheat and Chaff            — What can't be taken
  5.  Midas Touch                — Turned me into gold
  6.  Sniper's Song              — You are all prey
  7.  Quest For Immortality      — Lifts the final curtain
  8.  Innocence Lost             — As soon as you're high
  9.  Betrayal                   — Betrayed by a kiss
  10. A Cop Asked the Witnesses  — She couldn't go far
  11. Dirt                       — Your little secret's worth
  12. Either Way                 — Vessel of violence live

CROSS-SOURCE SUMMARY CONSISTENCY: PERFECT ALIGNMENT across all 3 indexes ✅

--------------------------------------------------------------------------------
6.3 GX VERIFICATION — FULL INVESTIGATION
--------------------------------------------------------------------------------

See Section 8 for complete GX investigation. Summary here:

RATINGS FROM BOTH QUICK-REF INDEXES (identical):
  Track 1:  Corey Story                PG-13 (2)
  Track 2:  Daddy Taught Me            PG-13 (2)
  Track 3:  Shadow Of Smoke            PG-13 (2)
  Track 4:  Wheat and Chaff            PG-13 (2)
  Track 5:  Midas Touch                PG-13 (2)
  Track 6:  Sniper's Song              NC-17 (4)
  Track 7:  Quest For Immortality      NC-17 (4)
  Track 8:  Innocence Lost             PG-13 (2)
  Track 9:  Betrayal                   NC-17 (4)
  Track 10: A Cop Asked the Witnesses  PG-13 (2)
  Track 11: Dirt                       PG-13 (2)
  Track 12: Either Way                 NC-17 (4)

CALCULATED TOTAL: 8×PG-13(2) + 4×NC-17(4) = 16 + 16 = 32
SOURCE STATED TOTAL (all 4 source appearances): 30
DISCREPANCY: +2 (calculated exceeds stated by 2)

DISCREPANCY CONFIRMED: All 4 source appearances state 30. No source gives 32.
This means the individual ratings as listed in the index contain at least one
error — not the stated total.

GX COMPARISON ACROSS VERIFIED SET LISTS:
  SL4: calculated 24, stated 24 — EXACT MATCH ✅
  SL5: calculated 33, stated 33 — EXACT MATCH ✅
  SL6: calculated 26, stated 26 — EXACT MATCH ✅
  SL7: calculated 32, stated 30 — DISCREPANCY ⚠️

CONCLUSION: SL7 discrepancy is NOT systemic across the pipeline. It is isolated
to SL7 only. The prior session's X-1 systemic pattern does not appear active in
SL4–SL6.

ROOT CAUSE ANALYSIS:
  For stated total of 30 to be correct, exactly 2 points must be removed.
  Options:
    A) Two NC-17(4) tracks should actually be R(3) — saves 2 points = 30 ✅
    B) One NC-17(4) should be R(3) AND one PG-13(2) should be PG(1) — saves 2 = 30 ✅
    C) One NC-17(4) should be PG-13(2) — saves 2 points = 30 ✅ (less likely — large jump)

  Option A is most probable. Candidates for R(3) vs NC-17(4):

  EITHER WAY (Track 12):
    Four-word summary: "Vessel of violence" — suggests NC-17
    Actual lyric content: emotional isolation, identity struggle, fatalism,
    no explicit violence enacted by narrator. Ends with romantic longing.
    Category placements: DEPRESSING and LONELINESS only.
    No violence-related category placement.
    Rating system definition check: NC-17 = "explicit content with artistic merit"
    R = "First-person narrator committing crimes without clear anti-glorification framing"
    Assessment: Either Way's lyrics do not depict a narrator committing crimes.
    The "vessel of violence" summary may be metaphorical/figurative.
    PROBABLE ACTUAL RATING: R(3)

  QUEST FOR IMMORTALITY (Track 7):
    Four-word summary: "Lifts the final curtain" — ambiguous
    Actual lyric content: Opens with violent ideation ("drop the bomb," "people in
    the oven") but narrator explicitly retreats mid-poem: "Nah, I told myself / I've
    got to give in / And live on the same grid as the competition" and "maybe my
    hatred would mend / So I'll keep on searching for another solution."
    The violent language is framed as a temptation being resisted, not enacted.
    Narrator ends in self-doubt and resignation, not violence.
    Category placements: INTERNAL STRUGGLE and TOM LEGACY.
    No violence or death category placement.
    Assessment: Violent ideation without enacted violence, with explicit retreat.
    PROBABLE ACTUAL RATING: R(3)

  SNIPER'S SONG (Track 6):
    First-person sniper narrator, mass violence enacted throughout.
    "I am God, I am death" — no anti-glorification framing.
    Lifted from DC Sniper case (per Rolling Stone editorial).
    Category placements: DEATH, SOCIAL ISSUES, CONTROVERSIAL, HISTORICAL.
    This is definitively NC-17(4). No change recommended.

  BETRAYAL (Track 9):
    Explicit sexual assault of a minor, physical violence, pregnancy from rape.
    Definitively NC-17(4). No change recommended.

  COMBINED ASSESSMENT:
    If Either Way = R(3) AND Quest For Immortality = R(3):
    8×PG-13(2) + 2×NC-17(4) + 2×R(3) = 16 + 8 + 6 = 30 ✅ EXACT MATCH

STATUS: ⏸️ ESCALATED TO TOM
  Confirm whether Either Way and Quest For Immortality are R(3) or NC-17(4).
  If both are R, GX = 30 exactly and discrepancy is fully resolved.

--------------------------------------------------------------------------------
6.4 ARTIST COMPARISONS
--------------------------------------------------------------------------------

Randy Newman, Tom Waits, Bruce Springsteen — consistent across all appearances ✅
One appearance adds "Bruce Springsteen (Nebraska)" — parenthetical album
reference is supplementary context, not a conflicting entry.

--------------------------------------------------------------------------------
6.5 STRATEGIC ARC
--------------------------------------------------------------------------------

Source: "Mass violence fantasies, child sexual assault, sniper imagery. NC-17 heavy."
  [Note: This description uses "NC-17 heavy" which may indicate some tracks are
  not NC-17 — supports the R-downgrade analysis above.]
Confirmed consistent across all 4 appearances. ✅

--------------------------------------------------------------------------------
6.6 COLLECTION SUMMARY
--------------------------------------------------------------------------------

Source: "The most severe, confrontational, and psychologically destabilizing set
in the catalog. This material refuses comfort, resolution, or moral framing —
existing as documentation of human damage as it occurs."
Confirmed consistent across all 4 appearances. ✅

--------------------------------------------------------------------------------
6.7 TRIGGER WARNINGS
--------------------------------------------------------------------------------

EXTREME CONTENT WARNING — SET LIST SEVEN (7) [confirmed line 21498]

Major and severe triggers present:
  - Explicit and graphic depictions of sexual assault and rape
  - Child abuse, grooming behaviors, exploitation, and ideological indoctrination
  - Suicide, self-annihilation ideation, and fixation on death
  - Mass violence fantasies, gun violence, sniper imagery, and premeditated harm
  - Domestic violence, coercive control, and emotional imprisonment
  - Religious extremism, spiritual abuse, and authoritarian belief systems
  - Dissociation, psychological fragmentation, psychosis, and identity collapse
  - Moral nihilism, dehumanization, and ethical disintegration

Additional distress factors:
  - Prolonged exposure to threatening or violent inner monologues
  - Lack of narrative closure or moral positioning
  - Repetition of harmful imagery without relief
  - Emotional detachment that may feel cold, clinical, or invasive

Important note: "Set List Seven does not offer healing, insight, or reconciliation."
  This is intentional and integral to the structure of the set.

Listener advisory: "Listener discretion is not optional — it is mandatory."

Confirmed consistent and appropriate to lyric content. ✅

--------------------------------------------------------------------------------
6.8 LYRICS CONTENT VERIFICATION
--------------------------------------------------------------------------------

Full lyrics extracted and verified for tracks 1–11.
Track 12 — Either Way — partial only (see Section 11).

Notable content verification notes by track:

  Track 1 — Corey Story: Domestic neglect, absent parenting, class commentary.
    "All you need's a @#$% to be a father but it takes balls to be a dad."
    Clean narrative PG-13 — rating confirmed appropriate.

  Track 2 — Daddy Taught Me: KKK indoctrination from childhood perspective.
    Narrator unaware they are describing hate crimes ("We'd march in parades /
    Then we'd set fire to the crosses we made"). Deeply disturbing via naivety.
    "I love the Halloween... we had it twenty times a year / For some reason I
    was always a ghost." PG-13 rating confirmed — no explicit violence depicted,
    indoctrination implied not enacted.

  Track 3 — Shadow Of Smoke: Grief, isolation, vanishing identity.
    "I've lost my soul through the horrors I've seen." PG-13 appropriate.

  Track 4 — Wheat and Chaff: Suicide elegy, clearly Anthony Bourdain reference
    per RS editorial ("haunted by the quiet collapse of Anthony Bourdain").
    "Your suicide was glorified like a police chase on the news."
    PG-13 appropriate — death by suicide referenced, not depicted.

  Track 5 — Midas Touch: Death, transformation, life/death duality.
    "A face once beautiful is now pale and blue." PG-13 appropriate.

  Track 6 — Sniper's Song: First-person mass shooter perspective. Episodic
    time structure (8 AM, 9 AM, 10 AM). Based on DC Sniper case per RS editorial.
    "I am God, I am death, I am your old age." NC-17 confirmed.

  Track 7 — Quest For Immortality: Violent ideation with retreat/self-doubt.
    Bomb imagery, "people in the oven" — but narrator pulls back: "Nah, I told
    myself I've got to give in." Ends: "Better go and grab the gun / And see
    how fast these clowns can run" — then immediately: "No, not everybody's
    presence is a gift / Yet still you've got to learn to live with it."
    Ambiguous final stance. See GX investigation above.

  Track 8 — Innocence Lost: Park meditation, loss of childhood wonder.
    "As soon as you're high / Something brings you down." Melancholic but not
    extreme. PG-13 appropriate. No evidence of sexual content despite title —
    "innocence" refers to childhood naivety, not sexual innocence.

  Track 9 — Betrayal: Explicit rape of a minor, physical assault, resulting
    pregnancy. Victim's perspective throughout. Haunting final stanza about
    a voice "that will speak no more" — suicidal ideation implied.
    NC-17 confirmed and appropriate.

  Track 10 — A Cop Asked the Witnesses: Hit-and-run death narrative.
    Father killed, family destroyed. "It's hard to be rejoiceful when daddy
    didn't live." PG-13 appropriate.

  Track 11 — Dirt: Secrets, shame, exposure. Metaphorical/indirect content.
    "Who's got the dirt on you?" No explicit violence. PG-13 appropriate.

  Track 12 — Either Way: Partial lyrics only — see Section 11.

--------------------------------------------------------------------------------
6.9 CATEGORY ASSIGNMENTS
--------------------------------------------------------------------------------

Confirmed from master category index:

  INTERNAL STRUGGLE:
    Midas Touch, Shadow Of Smoke, Quest For Immortality ✅

  DEPRESSING:
    Betrayal, Corey Story, Daddy Taught Me, Dirt, Innocence Lost,
    Midas Touch, Shadow Of Smoke, Wheat And Chaff, Either Way ✅

  DEATH:
    Betrayal, Corey Story, Sniper's Song, Wheat And Chaff ✅

  SOCIAL ISSUES:
    Betrayal, Cop Asked The Witnesses, Corey Story, Daddy Taught Me,
    Innocence Lost, Midas Touch, Sniper's Song, Wheat And Chaff ✅

  HISTORICAL:
    Cop Asked The Witnesses, Daddy Taught Me, Sniper's Song ✅

  CONTROVERSIAL:
    Sniper's Song ✅

  LONELINESS:
    Either Way ✅

  TOM LEGACY:
    Midas Touch, Quest For Immortality ✅

  RELATIONSHIPS:
    Betrayal ✅

  NOTE: Sniper's Song appears in SOCIAL ISSUES across two separate index
  sections (appears twice in that category). This is a duplicate entry in
  the index, not a conflict. Flag for cleanup but not a corruption issue.

--------------------------------------------------------------------------------
6.10 ROLLING STONE EDITORIAL
--------------------------------------------------------------------------------

STATUS: ✅ VALID — with flag

  Location: Line 32605 — correctly labeled "SET LIST SEVEN — TRAIN OFF THE TRACKS"
  No mislabeling or migration artifact detected.

  Tracks covered in editorial: 1–6 only
    (Corey Story, Daddy Taught Me, Shadow of Smoke, Wheat and Chaff,
    Midas Touch, Sniper's Song)

  Tracks NOT covered: 7–12
    (Quest For Immortality, Innocence Lost, Betrayal, A Cop Asked the Witnesses,
    Dirt, Either Way)

  CRITICAL OBSERVATION: The editorial says "Sniper's Song lands LAST and coldest."
  Sniper's Song is Track 6 of 12, not last. This language indicates the editorial
  was written when Set List 7 contained only 6 tracks. Tracks 7–12 were added
  to the set after the editorial was written and the editorial was never updated.

  PIPELINE INSTRUCTION for White Claude 2:
    Rolling Stone editorial is valid for tracks 1–6.
    Tracks 7–12 have no editorial coverage in the source.
    Either generate supplemental editorial language or flag for Tom.

--------------------------------------------------------------------------------
6.11 SET LIST 7 FINAL STATUS SUMMARY
--------------------------------------------------------------------------------

  Title confirmed (Train Off the Tracks): ✅
  Track count (12):                       ✅
  GX total:                               ⚠️ Stated: 30 / Calculated: 32
                                             Either Way + Quest For Immortality
                                             probable R(3) not NC-17(4)
  Four-word summaries:                    ✅ Perfect cross-source consistency
  Artist comparisons:                     ✅
  Trigger warnings:                       ✅
  Full lyrics:                            ⚠️ Either Way partial only
  Category assignments:                   ✅
  Rolling Stone editorial:                ⚠️ Valid but covers tracks 1–6 only
  Canonical spellings:                    ✅ minor title-case variants only

SET LIST 7 — VERIFIED ✅
OPEN ITEMS: 3 flags for Tom + 1 pipeline note


================================================================================
SECTION 7: ROLLING STONE EDITORIAL INVESTIGATION — FULL FINDINGS
================================================================================

--------------------------------------------------------------------------------
7.1 SET LIST 6 EDITORIAL INVESTIGATION
--------------------------------------------------------------------------------

ANOMALY DETECTED:
  The Rolling Stone-style editorial section in the source document labeled
  "SET LIST SIX — DEFINITELY NOT LOVE" (line 32589) does not describe the
  tracks belonging to Set List 6.

EDITORIAL CONTENT:
  The editorial references: Hideaway, Look Her Up, No Thanks Babe, In a Jiffy,
  Fifty Ways, She Don't Cum Easy.

  The tone is: "women, booze, and total denial," humor with underlying bruises,
  temptation, isolation, longing, "fifty raw, graphic, wildly inventive ways to
  copulate with your lover, straddling the line between satire and softcore
  instruction manual."

INVESTIGATION PROCESS:
  Black Claude 1 searched for all appearances of each track named in the editorial:
    - Hideaway: found at line 3854, 22846, 32074, 32593, 36809
    - Look Her Up: found at line 3846, 22845, 32595, 36801
    - No Thanks Babe: found at line 3838, 22844, 32595, 36793
    - In a Jiffy: found at line 3862, 22848, 32598, 36817
    - Fifty Ways: found at line 3872, 22849, 32582, 36825
    - She Don't Cum Easy: found at line 22851

DEFINITIVE CONFIRMATION:
  All tracks named in the editorial confirmed as belonging to
  SET LIST 5 — LIVING À LA MODE.
  Confirmed at line 22844: "LIVING A LA MODE / SET LIST FIVE (5)" followed by
  track list including No Thanks Babe, Look Her Up, Hideaway, In a Jiffy,
  Fifty Ways, She Don't Cum Easy in sequence.

ROOT CAUSE DETERMINATION:
  The Rolling Stone editorial section appears to have been written sequentially
  and the Set List 5 editorial content migrated forward one slot in the
  sequence, occupying the Set List 6 position.

  Context confirms this: The passage at lines 32560–32605 shows:
    Line 32560-32573: SL4 editorial (Partner to the Crime)
    Line 32574-32589: SL5 editorial (Living à la Mode) — correctly placed
    Line 32589-32605: LABELED as SL6 but contains SL5 content — MISLABELED
    Line 32605-32640: SL7 editorial (Train Off the Tracks) — correctly placed

  Wait — re-reading: The SL5 editorial at 32574 AND the editorial at 32589
  both describe SL5 content. This means the SL5 content appears TWICE:
  once correctly (as SL5) and once mislabeled (as SL6).
  The true SL6 editorial is simply absent — it was never written or was lost.

VERDICT:
  - The editorial labeled SL6 is a duplicate/mislabeled SL5 editorial.
  - Set List 6 — Definitely Not Love — has NO Rolling Stone editorial in the source.
  - Under CONTENT > placement/order: SL5 tracks = SL5 content. Cannot be used for SL6.

PIPELINE INSTRUCTION:
  White Claude 2: Set List 6's Rolling Stone editorial block is MISSING from source.
  Do not use the mislabeled SL5 content. Either:
    A) Generate editorial for SL6 (Definitely Not Love) fresh, or
    B) Flag for Tom to write/approve.

--------------------------------------------------------------------------------
7.2 SET LIST 7 EDITORIAL INVESTIGATION
--------------------------------------------------------------------------------

STATUS: VALID EDITORIAL CONFIRMED (with coverage gap)

  The editorial at line 32605 is correctly labeled SET LIST SEVEN — TRAIN OFF
  THE TRACKS and describes actual Set List 7 tracks only.

  COVERAGE GAP:
    "Sniper's Song lands LAST and coldest" — Sniper's Song is Track 6 of 12.
    This language confirms the editorial was written for an earlier 6-track
    version of Set List 7. When tracks 7–12 were added to the set, the
    editorial was not updated.

  This is NOT a mislabeling artifact. It is a truncation artifact —
  the editorial is genuine for its era but incomplete for the current 12-track set.

--------------------------------------------------------------------------------
7.3 EDITORIAL PATTERN ANALYSIS
--------------------------------------------------------------------------------

Two distinct Rolling Stone editorial failure modes identified:

  MODE 1 — SLOT MIGRATION (Set List 6):
    Content from one set occupies the editorial slot of the next set.
    The displaced set ends up with no editorial at all.
    Detection method: Track names in editorial don't match track list for that set.

  MODE 2 — TRUNCATION (Set List 7):
    Editorial was written for an earlier, shorter version of the set.
    Later tracks added to the set have no editorial coverage.
    Detection method: "Lands last" language applied to a non-final track.

  RECOMMENDED QA CHECK FOR ALL REMAINING SET LISTS:
    A) Verify editorial track names match the track list for that set.
    B) Verify "last" or "closes" language refers to actual final tracks.
    C) Check track count referenced in editorial vs actual track count.


================================================================================
SECTION 8: GX DISCREPANCY INVESTIGATION — FULL ANALYSIS
================================================================================

--------------------------------------------------------------------------------
8.1 SCOPE OF INVESTIGATION
--------------------------------------------------------------------------------

Investigated GX totals for: SL4, SL5, SL6, SL7
Purpose: Determine if prior-session systemic GX discrepancy is still active,
and to resolve SL7's specific discrepancy.

--------------------------------------------------------------------------------
8.2 RESULTS BY SET LIST
--------------------------------------------------------------------------------

SET LIST 4 — PARTNERED TO THE CRIME (title pending Tom confirmation):
  Track count: 12
  All ratings: PG-13 (2 points each)
  Calculated: 12 × 2 = 24
  Source stated: 24
  Result: EXACT MATCH ✅

SET LIST 5 — LIVING À LA MODE:
  Track ratings:
    Mic Drop: X (5)
    One Night Stan: PG-13 (2)
    Meet Michael Hawk: PG-13 (2)
    There It Goes: PG-13 (2)
    Living Large: PG-13 (2)
    No Thanks Babe: PG-13 (2)
    Look Her Up: PG-13 (2)
    Hideaway: PG-13 (2)
    In a Jiffy: PG-13 (2)
    Fifty Ways: X (5)
    She Don't Come Easy: X (5)
    Cinnabon Girl: PG-13 (2)
  Calculated: 5+2+2+2+2+2+2+2+2+5+5+2 = 33
  Source stated: 33
  Result: EXACT MATCH ✅

SET LIST 6 — DEFINITELY NOT LOVE:
  Track count: 13
  All ratings: PG-13 (2 points each)
  Calculated: 13 × 2 = 26
  Source stated: 26
  Result: EXACT MATCH ✅

SET LIST 7 — TRAIN OFF THE TRACKS:
  Track ratings per both indexes:
    PG-13 tracks (8): Corey Story, Daddy Taught Me, Shadow Of Smoke,
                      Wheat and Chaff, Midas Touch, Innocence Lost,
                      Cop Asked the Witnesses, Dirt
    NC-17 tracks (4): Sniper's Song, Quest For Immortality,
                      Betrayal, Either Way
  Calculated: 8×2 + 4×4 = 16+16 = 32
  Source stated (all 4 source appearances): 30
  Result: DISCREPANCY — calculated exceeds stated by 2 ⚠️

--------------------------------------------------------------------------------
8.3 SYSTEMIC PATTERN ASSESSMENT
--------------------------------------------------------------------------------

Prior session documented a systemic X-1 pattern across Song Lists 1–10.
Current session:
  SL4: exact ✅
  SL5: exact ✅
  SL6: exact ✅
  SL7: +2 discrepancy (not +1)

CONCLUSION: The X-1 systemic pattern from prior Song List session does NOT
appear to be active in Set Lists 4–6. SL7's discrepancy is unique in magnitude
(+2) and appears to be specific to SL7.

The most likely explanation is that 2 tracks were individually mis-assigned
to NC-17 when their content warrants R. See full analysis in Section 6.3.

--------------------------------------------------------------------------------
8.4 PENDING RESOLUTION
--------------------------------------------------------------------------------

⏸️ AWAITING TOM CONFIRMATION:
  Either Way (Track 12): probable R(3) based on lyric content analysis
  Quest For Immortality (Track 7): probable R(3) based on lyric content analysis
  If confirmed: 8×PG-13(2) + 2×NC-17(4) + 2×R(3) = 16+8+6 = 30 ✅ EXACT MATCH


================================================================================
SECTION 9: CANONICAL SPELLING STABILIZATION LOG
================================================================================

--------------------------------------------------------------------------------
9.1 SET LIST 6 SPELLING FLAGS
--------------------------------------------------------------------------------

HEART STRINGS vs HEARTSTRINGS:

  "Heart Strings" (two words) appearances:
    Line 3245: track listing quick-ref index 1
    Line 21486: full-text track listing (position 6)
    Line 21634: full-text track listing (repeated)
    Line 36220: quick-ref index 2

  "Heartstrings" (one word) appearances:
    Line 19604: trigger warning narrative text ("Heartstrings")
    Line 19617: trigger warning narrative text ("Heartstrings")
    Line 38694: category index entry

  AUTHORITY HIERARCHY:
    Track listings > trigger warning narrative text > category index
    Track listings consistently use "Heart Strings" (two words).
    Narrative/prose uses "Heartstrings" (one word) — prose convention.
    Category index uses "Heartstrings" (one word) — possible normalization.

  CANONICAL FORM: Heart Strings (two words)
  Rationale: Track listing is the authoritative naming source. Prose usage
  of one-word form is a style convention, not a title change.

  PIPELINE INSTRUCTION: White Claude 2 must use "Heart Strings" in all
  structured fields (track list, page title, navigation, metadata).
  "Heartstrings" acceptable only in continuous prose/editorial language.

--------------------------------------------------------------------------------
9.2 SET LIST 7 SPELLING FLAGS
--------------------------------------------------------------------------------

SHADOW OF SMOKE vs SHADOW OF SMOKE (title-case only):

  "Shadow of Smoke" (lowercase "of") appearances:
    Line 3581: quick-ref index 1
    Line 32610: Rolling Stone editorial (prose)
    Line 36544: quick-ref index 2

  "Shadow Of Smoke" (uppercase "Of") appearances:
    Line 21485: full-text track listing
    Line 21566: full-text repeated listing
    Line 38758: category index
    Line 39001: category index
    Line 39326: category index

  CANONICAL FORM: Shadow Of Smoke (title case)
  Rationale: Full-text track listings use title case. This is the authoritative
  naming context. Quick-ref indexes use sentence case. Category index uses title
  case. Title case is dominant and appears in highest-authority sources.

WHEAT AND CHAFF vs WHEAT AND CHAFF (title-case only):

  "Wheat and Chaff" (lowercase "and") appearances:
    Line 3589: quick-ref index 1
    Line 21486: full-text track listing
    Line 21567: full-text repeated listing
    Line 36552: quick-ref index 2

  "Wheat And Chaff" (uppercase "And") appearances:
    Line 39024: category index
    Line 39171: category index
    Line 39466: category index
    Line 39536: category index

  CANONICAL FORM: Wheat and Chaff (lowercase "and")
  Rationale: Full-text track listings use "and" (lowercase). Four category
  index entries use title case, but track listings are higher authority.
  Note: "and" is a conjunction — standard title convention typically keeps
  conjunctions lowercase. Full-text listing form is canonical.

A COP ASKED THE WITNESSES vs COP ASKED THE WITNESSES:

  "A Cop Asked the Witnesses" (with article) appearances:
    Line 21492: full-text track listing
    Line 21573: full-text repeated listing
    Line 22062: lyric header in full-text section

  "Cop Asked the Witnesses" (no article) appearances:
    Line 3635: quick-ref index 1
    Line 36598: quick-ref index 2

  "COP ASKED THE WITNESSES" (no article, all-caps) appearances:
    Line 38046: master index section
    Line 39068, 39481, 39550, 39775: category index

  CANONICAL FORM: A Cop Asked the Witnesses (with article "A")
  Rationale: Full-text listings are highest authority. All 3 full-text
  appearances include "A." Quick-ref indexes and category indexes drop it.
  The article is part of the title and should be preserved.

--------------------------------------------------------------------------------
9.3 PRIOR SESSION CANONICAL SPELLINGS (from 194-page reference document)
--------------------------------------------------------------------------------

The following canonical spellings were established in prior Black Claude 1 sessions
and are recorded here for reference:

  Gypsy Mama (not Gypsy Mamma)
  Beauties and Beasts (not Beauties and Beast)
  One Piece Missing (not Once Piece Missing)
  Multiverse (not Mulltiverse)
  Coming of Fall (not Coming off Fall)
  Sandcastles (not Sand Castles)
  Matchmaker (not Match Maker)


================================================================================
SECTION 10: CATEGORY ASSIGNMENT VERIFICATION LOG
================================================================================

--------------------------------------------------------------------------------
10.1 CATEGORY SYSTEM OVERVIEW
--------------------------------------------------------------------------------

Categories confirmed present in master index:
  INTERNAL STRUGGLE    NATURE          RELIGIOUS
  INSPIRING            SPOOF AND PARODY MISCELLANEOUS
  DEPRESSING           TOM LEGACY      SOCIAL ISSUES
  RELATIONSHIPS        DRUGS AND ALCOHOL HUMOR
  LONELINESS           RATED X         CONTROVERSIAL
  HISTORICAL           DEATH           STATE OF THE WORLD

Each track can appear in multiple categories.
Some tracks appear multiple times within the same category (duplicate entries)
— these are index cleanup issues, not corruption.

--------------------------------------------------------------------------------
10.2 SET LIST 6 CATEGORY VERIFICATION
--------------------------------------------------------------------------------

Verified placements:

  RELATIONSHIPS:
    Cry Me a River ✅  Endless Chorus ✅  Face To Face ✅
    Half Told ✅  He Said She Said ✅  Heartstrings ✅
    Jewelry Box ✅  Lament ✅  Matches To Burn ✅
    Nameless ✅  Nothing At All ✅

  INTERNAL STRUGGLE:
    Below Zero ✅  Face To Face ✅  Half Told ✅
    Heartstrings ✅  Matches To Burn ✅  Nameless ✅
    Nothing At All ✅

  DEPRESSING:
    Below Zero ✅  Endless Chorus ✅  Jewelry Box ✅
    Lament ✅  Nothing At All ✅

  LONELINESS:
    Lament ✅  Nameless ✅

  MISSING:
    ⚠️ Expired — not found in any category section
    This track has no category assignment in the master index.
    Root cause unknown — may be related to partial lyric status.
    See Section 11.

  CROSS-CATEGORY TRACKS:
    Face To Face: RELATIONSHIPS + INTERNAL STRUGGLE
    Half Told: RELATIONSHIPS + INTERNAL STRUGGLE
    Heartstrings: RELATIONSHIPS + INTERNAL STRUGGLE
    Lament: DEPRESSING + LONELINESS
    Matches To Burn: RELATIONSHIPS + INTERNAL STRUGGLE
    Nameless: RELATIONSHIPS + INTERNAL STRUGGLE + LONELINESS
    Nothing At All: RELATIONSHIPS + INTERNAL STRUGGLE + DEPRESSING

--------------------------------------------------------------------------------
10.3 SET LIST 7 CATEGORY VERIFICATION
--------------------------------------------------------------------------------

Verified placements:

  INTERNAL STRUGGLE:
    Midas Touch ✅  Shadow Of Smoke ✅  Quest For Immortality ✅

  DEPRESSING:
    Betrayal ✅  Corey Story ✅  Daddy Taught Me ✅  Dirt ✅
    Either Way ✅  Innocence Lost ✅  Midas Touch ✅
    Shadow Of Smoke ✅  Wheat And Chaff ✅

  DEATH:
    Betrayal ✅  Corey Story ✅  Sniper's Song ✅  Wheat And Chaff ✅

  SOCIAL ISSUES:
    Betrayal ✅  Cop Asked The Witnesses ✅  Corey Story ✅
    Daddy Taught Me ✅  Innocence Lost ✅  Midas Touch ✅
    Sniper's Song ✅ (appears twice in Social Issues — duplicate, not conflict)
    Wheat And Chaff ✅

  HISTORICAL:
    Cop Asked The Witnesses ✅  Daddy Taught Me ✅  Sniper's Song ✅

  CONTROVERSIAL:
    Sniper's Song ✅

  LONELINESS:
    Either Way ✅

  TOM LEGACY:
    Midas Touch ✅  Quest For Immortality ✅

  RELATIONSHIPS:
    Betrayal ✅

  NOTES:
    Sniper's Song appears in Social Issues twice across different sections.
    This is an index duplicate entry, not a content conflict. Flag for cleanup.

    Cop Asked The Witnesses appears without article "A" in all category index
    listings. This is consistent with the quick-ref index style.
    Canonical full title: A Cop Asked the Witnesses.

    Innocence Lost: Despite suggestive title, content is about loss of childhood
    wonder — not sexual innocence. Category placement in SOCIAL ISSUES and
    DEPRESSING is correct. No evidence of misclassification.

--------------------------------------------------------------------------------
10.4 CATEGORY CORRUPTION PATTERN (prior session, reference only)
--------------------------------------------------------------------------------

From 194-page reference document:
  Black Claude 1 previously identified a corrupt "Drugs & Alcohol" category
  section where relationship songs, love songs, and emotional songs appeared
  falsely categorized as Drugs & Alcohol material.

  Current session: DRUGS AND ALCOHOL category was verified for Set Lists 6 and 7.
  No contamination detected in these sets. The corruption may have been repaired,
  or may be localized to other sections of the archive.

  RECOMMENDED: When verifying Set Lists 8–24, specifically audit the
  DRUGS AND ALCOHOL category assignments to confirm corruption has been resolved.


================================================================================
SECTION 11: PARTIAL LYRIC NOTATION — PATTERN INVESTIGATION
================================================================================

--------------------------------------------------------------------------------
11.1 IDENTIFIED INSTANCES
--------------------------------------------------------------------------------

INSTANCE 1 — SET LIST 6, TRACK 1: EXPIRED
  Notation: "beginning part" (appears in full-text listings B and C)
  Notation absent from: quick-ref indexes (tracks listed simply as "Expired")
  Lyric content extracted: 9 lines, 1 stanza
  Comparison: All other SL6 tracks have multi-stanza, substantial lyrics
  Shortest comparable track in SL6 (Jewelry Box) has approximately 36 lines.
  Expired at 9 lines is the outlier by large margin.

INSTANCE 2 — SET LIST 7, TRACK 12: EITHER WAY
  Notation: "first Part" (appears in full-text listings A and B)
  Notation absent from: quick-ref indexes (tracks listed simply as "Either Way")
  Lyric content extracted: approximately 32 lines
  Compared to other SL7 tracks, Either Way is not unusually short.
  However, the "first Part" notation signals explicitly that more content exists.
  The lyrics extracted end somewhat abruptly after the romantic closing section.

--------------------------------------------------------------------------------
11.2 PATTERN ANALYSIS
--------------------------------------------------------------------------------

Both instances share the same structural behavior:
  - Notation appears in full-text track listings
  - Notation is absent from quick-reference indexes
  - Notation format varies slightly ("beginning part" vs "first Part")
  - Both indicate the extracted content is incomplete

CONCLUSION: This is a deliberate pipeline notation system, not a random artifact.
The full-text listings are annotated during extraction to flag partial content.
The quick-ref indexes do not carry this annotation — they represent target state,
not current extraction state.

The notation system appears to use different phrasings:
  "beginning part" — suggests only the opening portion was available/extracted
  "first Part" — suggests the content has known multiple parts, first retrieved

Neither phrase appeared in Set Lists 1–5 based on pipeline records from prior
session. This may mean:
  A) SL1–SL5 had complete lyrics available, or
  B) SL1–SL5 partial content was not flagged with this notation

Given the 34-album scale of the archive, additional instances of partial lyric
notation should be expected in SL8–SL24.

--------------------------------------------------------------------------------
11.3 PIPELINE INSTRUCTIONS
--------------------------------------------------------------------------------

White Claude 2:
  1. When building ALL-IN-ONE pages, do NOT treat partial lyrics as complete.
  2. Any track with "beginning part," "first Part," or similar notation in the
     source must be flagged in the generated page.
  3. Recommended: Include a note in the BLOCK 7 (FULL TEXT LYRICS) section:
     "[PARTIAL — full lyrics pending Tom source confirmation]"
  4. Do NOT pad or generate missing lyrics — these must come from Tom.

Black Claude 1:
  5. When verifying Set Lists 8–24, actively scan for partial notation patterns.
  6. Build running list of all partial-lyric tracks across the full archive.
  7. Deliver consolidated partial-lyric report to Tom when requested.


================================================================================
SECTION 12: OPEN CANON FLAGS — UNRESOLVED ITEMS
================================================================================

--------------------------------------------------------------------------------
FLAG 1: SET LIST 4 — TITLE UNRESOLVED
--------------------------------------------------------------------------------

STATUS: ⏸️ AWAITING TOM CONFIRMATION

Three competing title candidates in source document:

  "Partner to the Crime":
    Line 33180: summary section "Set List 4 — Partner to the Crime"
    Line 37310: comparative table "Set List 4 — Partner to the Crime"
    TOTAL: 2 appearances

  "Downward Spiral":
    Line 2750: quick-ref index 1 "Set List 4 — Downward Spiral"
    Line 17034: "4 Downward Spiral" (section reference)
    Line 17091: "4 Downward Spiral" (section reference)
    Line 35741: "Set List 4 — Downward Spiral"
    Line 35777: "Downward Spiral"
    Line 38666, 38936, 39316: track name appearances
    TOTAL: 8 appearances — but "Downward Spiral" is also the name of
           TRACK 4 within the set. Many of these appearances may be
           track-name references, not set title references.

  "Partnered to the Crime":
    Line 37994: "SET LIST 4: PARTNERED TO THE CRIME" — master index
    TOTAL: 1 appearance — in master index section which is high authority

COMPLICATING FACTOR — TRACK-BLEED CONTAMINATION:
  Track 4 within Set List 4 is titled "Downward Spiral."
  Multiple appearances of "Downward Spiral" as Set List 4's label may be
  the track name propagating into the Set List title field — a known archive
  corruption pattern called track-bleed contamination.
  Black Claude 1 cannot definitively separate title appearances from
  track-name appearances without Tom's confirmation.

ANALYSIS:
  "Partnered to the Crime" and "Partner to the Crime" are likely the same
  title — one with grammatical article variation. Combined they represent
  3 appearances of the "Partner(ed) to the Crime" family.
  "Partnered to the Crime" appears in the master index section (high authority).
  "Partner to the Crime" appears in summary/comparative sections.

  Under CONTENT > placement/order:
  Content of the set (addiction, domestic abuse, recovery) matches the
  "Partnered to the Crime" thematic title better than "Downward Spiral"
  (which is a specific track theme, not the collection arc).

  MOST PROBABLE CANONICAL TITLE: Partnered to the Crime OR Partner to the Crime
  But this cannot be self-resolved. Requires Tom.

REQUIRED FROM TOM:
  Confirm canonical title for Set List 4:
    A) Partner to the Crime
    B) Partnered to the Crime
    C) Downward Spiral

--------------------------------------------------------------------------------
FLAG 2: SET LIST 6 — EXPIRED LYRICS INCOMPLETE
--------------------------------------------------------------------------------

STATUS: ⚠️ PIPELINE FLAG

  Track 1 of Set List 6 (Expired) has only 9 lines of lyrics in the source.
  Notation "beginning part" confirms this is intentionally flagged as partial.
  Full lyrics required from Tom before ALL-IN-ONE page can be marked complete.

--------------------------------------------------------------------------------
FLAG 3: SET LIST 6 — EXPIRED MISSING CATEGORY ASSIGNMENT
--------------------------------------------------------------------------------

STATUS: ⚠️ PIPELINE FLAG

  Expired does not appear in any category section of the master index.
  All other Set List 6 tracks have category placements.
  May require Tom to assign appropriate categories, or may self-resolve
  when full lyrics are provided (categorization may have been deferred
  pending complete content).

  Suggested categories based on lyric content and set arc:
  RELATIONSHIPS (fading romantic connection), INTERNAL STRUGGLE (emotional
  numbness), DEPRESSING (loss of feeling). But these are suggestions only —
  Tom must confirm.

--------------------------------------------------------------------------------
FLAG 4: SET LIST 6 — ROLLING STONE EDITORIAL MISSING
--------------------------------------------------------------------------------

STATUS: ⚠️ PIPELINE FLAG

  The Set List 6 editorial slot in the source document contains mislabeled
  Set List 5 content. Set List 6 — Definitely Not Love — has NO valid
  Rolling Stone editorial in the source.

  White Claude 2 must either generate this editorial or flag for Tom.
  If generating: editorial must reflect Set List 6's actual content —
  romantic collapse, grief, post-relationship erosion, PG-13 throughout,
  Damien Rice / Elliott Smith / Leonard Cohen comparisons.

--------------------------------------------------------------------------------
FLAG 5: SET LIST 7 — GX DISCREPANCY
--------------------------------------------------------------------------------

STATUS: ⏸️ AWAITING TOM CONFIRMATION

  Source states GX total = 30.
  Calculated from individual ratings = 32.
  Delta = +2.

  Most probable resolution: Either Way (Track 12) and Quest For Immortality
  (Track 7) should be rated R(3) not NC-17(4).

  If confirmed: 8×PG-13(2) + 2×NC-17(4) + 2×R(3) = 16+8+6 = 30 ✅

  REQUIRED FROM TOM: Confirm individual ratings for Either Way and
  Quest For Immortality.

--------------------------------------------------------------------------------
FLAG 6: SET LIST 7 — EITHER WAY LYRICS INCOMPLETE
--------------------------------------------------------------------------------

STATUS: ⚠️ PIPELINE FLAG

  Track 12 of Set List 7 (Either Way) is flagged "(first Part)" in source.
  Extracted lyrics may be incomplete.
  Full lyrics required from Tom before ALL-IN-ONE page can be marked complete.

--------------------------------------------------------------------------------
FLAG 7: SET LIST 7 — ROLLING STONE EDITORIAL INCOMPLETE
--------------------------------------------------------------------------------

STATUS: ⚠️ PIPELINE FLAG

  The Set List 7 Rolling Stone editorial (correctly labeled) was written when
  the set had only 6 tracks. Tracks 7–12 have no editorial coverage.
  The editorial's "Sniper's Song lands last" language confirms the older origin.

  White Claude 2 must either generate supplemental editorial language for
  tracks 7–12 or flag for Tom to write/approve.


================================================================================
SECTION 13: CUMULATIVE SYSTEMIC PATTERN LOG
================================================================================

--------------------------------------------------------------------------------
PATTERN 1: PARTIAL LYRIC NOTATION
--------------------------------------------------------------------------------

  Description: Tracks with incomplete extracted lyrics are annotated in full-text
  listings with notation such as "(beginning part)" or "(first Part)."
  These annotations are absent from quick-reference indexes.

  Confirmed instances:
    SL6 Track 1 — Expired (beginning part)
    SL7 Track 12 — Either Way (first Part)

  Pattern status: CONFIRMED DELIBERATE NOTATION SYSTEM
  Expected: Additional instances likely in SL8–SL24.
  Risk: If not caught by verification, incomplete lyrics could be published
  as complete content on ALL-IN-ONE pages.

--------------------------------------------------------------------------------
PATTERN 2: GX DISCREPANCY (ISOLATED)
--------------------------------------------------------------------------------

  Description: Calculated GX total from individual ratings does not match
  stated collection total.

  Instances:
    SL4: No discrepancy ✅
    SL5: No discrepancy ✅
    SL6: No discrepancy ✅
    SL7: +2 discrepancy ⚠️

  Pattern status: ISOLATED TO SL7 (not systemic in current session)
  Likely cause: Two tracks (Either Way, Quest For Immortality) mis-elevated
  to NC-17 when content warrants R.
  Note: Prior session found systemic X-1 pattern in Song Lists. That pattern
  does not appear active in Set Lists 4–6 verified this session.

--------------------------------------------------------------------------------
PATTERN 3: ROLLING STONE EDITORIAL FAILURES
--------------------------------------------------------------------------------

  Description: Rolling Stone-style editorials may contain one of two failure modes:
    Mode A — Slot migration: Content from one set occupies the next set's slot.
    Mode B — Truncation: Editorial written for older shorter version of set.

  Instances:
    SL6: Mode A (SL5 content in SL6 slot; SL6 has no editorial)
    SL7: Mode B (6-track editorial for 12-track set; "Sniper's Song lands last")

  Pattern status: CONFIRMED MULTI-MODE PATTERN
  Expected: Additional instances likely in SL8–SL24.
  Detection method documented in Section 7.3.

--------------------------------------------------------------------------------
PATTERN 4: OBSOLETE TITLE IN QUICK-REFERENCE INDEXES
--------------------------------------------------------------------------------

  Description: Quick-reference indexes may retain older/retired titles for sets
  whose titles have been updated in full-text and editorial sections.

  Instances:
    SL7: "Extremes" in both quick-ref indexes vs "Train Off the Tracks"
         in all full-text and editorial sources.

  Pattern status: CONFIRMED
  Root cause: Quick-reference indexes appear to have been created at an earlier
  stage of the archive and not fully updated when titles changed.
  Resolution rule: Full-text listings and editorial headers take precedence
  over quick-reference index titles. Under CONTENT > placement/order,
  the more recent confirmed naming wins.

  Expected: Additional obsolete titles may exist in quick-ref indexes for
  other set lists. Verify against full-text sections during SL8–SL24 QA.

--------------------------------------------------------------------------------
PATTERN 5: TRACK ARTICLE INCONSISTENCY
--------------------------------------------------------------------------------

  Description: Track titles with leading articles ("A," "The") may have the
  article dropped in quick-reference indexes and category indexes, while
  full-text listings preserve the article.

  Instances:
    SL7 Track 10: "A Cop Asked the Witnesses" (full-text) vs
                  "Cop Asked the Witnesses" (quick-ref and category indexes)

  Pattern status: CONFIRMED (single instance this session)
  Resolution rule: Full-text listing form with article is canonical.

--------------------------------------------------------------------------------
PATTERN 6: TITLE-CASE VARIATION
--------------------------------------------------------------------------------

  Description: Track titles may appear with varying title case across different
  source sections. Full-text listings tend toward consistent title case.
  Quick-ref indexes and prose sections may use sentence case or mixed case.

  Instances this session:
    "Shadow of Smoke" (quick-ref) vs "Shadow Of Smoke" (full-text) — SL7
    "Wheat and Chaff" (consistent across sources — lowercase "and" canonical)
    "Heart Strings" (track listing) vs "Heartstrings" (prose/category) — SL6

  Pattern status: CONFIRMED MINOR PATTERN
  This is a style/formatting issue, not a content conflict.
  Resolution rule: Full-text track listing form is canonical for all
  structured data fields. Prose/editorial may use normalized forms.

--------------------------------------------------------------------------------
PATTERN 7: TRACK-BLEED CONTAMINATION (SUSPECTED)
--------------------------------------------------------------------------------

  Description: A track name within a set may propagate into the set title
  field, creating false title candidates.

  Suspected instance:
    SL4: "Downward Spiral" is both a track name (Track 4) and appears as
    a Set List 4 title candidate. Multiple appearances of "Downward Spiral"
    as SL4 label may be track-name references, not set title references.

  Pattern status: SUSPECTED but not confirmed (awaiting Tom canon decision)
  Risk: If not identified, a track name could be incorrectly recorded as
  the canonical Set List title.
  Detection method: Cross-reference suspected title against track list.
  If the title appears as a track within the same set, flag for Tom.

--------------------------------------------------------------------------------
PATTERN 8: CATEGORY INDEX DUPLICATE ENTRIES
--------------------------------------------------------------------------------

  Description: Some tracks appear multiple times within the same category
  section of the master index.

  Instances:
    Sniper's Song: appears twice in SOCIAL ISSUES section

  Pattern status: CONFIRMED (at least 1 instance)
  Root cause: Index was likely built additively across multiple sessions,
  with tracks added to category lists without checking for prior entries.
  This is a cleanup/formatting issue, not a content corruption.
  Expected: Additional duplicate entries likely throughout the index.

--------------------------------------------------------------------------------
PATTERN 9: EDITORIAL SLOT MISLABELING (confirmed subset of Pattern 3)
--------------------------------------------------------------------------------

  Description: The Set List 6 editorial slot contains content from Set List 5.
  The Set List 5 editorial appears to have been duplicated (once correctly,
  once mislabeled as SL6) rather than simply shifted forward.

  This means:
    - SL5 has a valid editorial (correct)
    - SL6 has no valid editorial (absent)
    - The mislabeled entry is a copy of SL5 content, not SL6 content

  Pattern status: CONFIRMED for SL6
  Expected: Other editorial slots may have similar mislabeling or absence.
  Recommend auditing all editorial slots from SL1–SL24 during pipeline.


================================================================================
SECTION 14: PIPELINE OBSERVATIONS & ARCHIVE BEHAVIOR DISCOVERIES
================================================================================

--------------------------------------------------------------------------------
14.1 MASTER ALPHABETICAL INDEX — AUTHORITY STRUCTURE
--------------------------------------------------------------------------------

The source document contains multiple index/reference sections with varying
authority levels. Black Claude 1 has established the following hierarchy:

  TIER 1 (HIGHEST AUTHORITY):
    Full-text section listings (lines 19574–22100+ for SL6/SL7)
    These sections contain complete track lists, full lyrics, extended
    trigger warnings, and full content. They represent the most complete
    and most recently prepared versions of the data.

  TIER 2:
    Master index section (lines 38022+)
    This section lists all set lists with four-word summaries but without
    full lyrics. Prepared as a reference/navigation tool. Generally consistent
    with full-text sections.

  TIER 3:
    Quick-reference indexes (lines 3193, 36180+ etc.)
    These sections appear to have been generated at an earlier stage of the
    archive development. They may retain obsolete titles, dropped articles,
    and other older formatting conventions.

  TIER 4 (LOWEST AUTHORITY for naming):
    Rolling Stone editorial section (line 32039+)
    Prose style, written for readability not precision. Track names in prose
    may use variant spellings or omit articles. Subject to temporal drift
    (written at different time than current set structure).

  TIER 5:
    Category index (lines 38620+)
    Built additively, may contain duplicates, normalization variants.
    Track names in category index may drop articles and use title case
    inconsistently.

  CONFLICT RESOLUTION ORDER: Tier 1 → Tier 2 → Tier 3 → Tier 4 → Tier 5

--------------------------------------------------------------------------------
14.2 SET LIST VS SONG LIST ARCHITECTURE OBSERVATION
--------------------------------------------------------------------------------

Set Lists and Song Lists are confirmed as SEPARATE numbering systems.
  Song Lists: 1–10
  Set Lists: 1–24

The master index at line 316 confirms: "34 collections (24 Set Lists + 10 Song Lists)"

This creates potential for confusion in the archive:
  - A "Set List 6" and "Song List 6" both exist.
  - Without explicit "Set List" or "Song List" prefix, numbers are ambiguous.
  - All pipeline references MUST include the full prefix to avoid confusion.

Song List 6 = Undertows and Afterglows (different content entirely)
Set List 6 = Definitely Not Love

--------------------------------------------------------------------------------
14.3 ARCHIVE SCALE OBSERVATION
--------------------------------------------------------------------------------

  34 total collections × average 12–13 tracks = approximately 420–440 tracks
  Master index references "all 434 titles" (from 194-page reference document)
  Current verification: Set Lists 6–7 completed this session (SL1–5 prior session)
  Remaining: Set Lists 8–24 (17 set lists), Song Lists 1–10 (all prior session)
  The archive is large enough that systemic errors can propagate across
  many entries before being detected. Verification integrity remains essential.

--------------------------------------------------------------------------------
14.4 TEMPORAL LAYERING OF THE ARCHIVE
--------------------------------------------------------------------------------

The source document contains content from multiple time periods:
  - Early quick-reference indexes (older conventions, may have outdated titles)
  - Full-text sections (most complete, most recent)
  - Rolling Stone editorials (written at specific moments in archive history,
    may not reflect final set structures)
  - Category index (built additively over time, may have legacy entries)

This temporal layering is the root cause of most conflicts detected this session.
The CONTENT > placement/order rule correctly addresses this by directing
verification logic to use content consistency over structural position.

--------------------------------------------------------------------------------
14.5 THE "EITHER WAY" TITLE AMBIGUITY
--------------------------------------------------------------------------------

"Either Way" as a Set List 7 track title creates potential confusion with
the phrase "either way" as common English. In any pipeline output or reference
document where "either way" appears in prose near Set List 7 content, the
phrase should be distinguished from the track title.

Recommendation: In ALL-IN-ONE pages, track titles should always appear in
bold or quotes to distinguish from prose usage.

--------------------------------------------------------------------------------
14.6 INNOCENCE LOST — TITLE VS CONTENT NOTE
--------------------------------------------------------------------------------

Track 8 of Set List 7 (Innocence Lost) has a title that could suggest
sexual innocence or abuse content. The full lyrics confirm this track is
about loss of childhood wonder and the melancholy of adult awareness — not
sexual content. This distinction matters for:
  - Trigger warning accuracy (no sexual content flags needed for this track)
  - Category assignment (correctly in DEPRESSING/SOCIAL ISSUES, not sexual)
  - Page metadata (should not appear in adult content index based on title alone)

--------------------------------------------------------------------------------
14.7 DADDY TAUGHT ME — CONTENT SENSITIVITY NOTE
--------------------------------------------------------------------------------

Track 2 of Set List 7 depicts KKK indoctrination from the perspective of a
child who does not understand what they are participating in. The narrator
describes cross burnings as fun holiday activities. The content is disturbing
precisely because of the narrator's naivety — the horror is in what is
NOT understood by the speaker.

This creates a documentation challenge: the track content is PG-13 because
no explicit violence is depicted, but the subject matter (hate group
indoctrination) is among the most sensitive in the archive. The trigger
warning correctly flags "religious extremism, spiritual abuse, and
authoritarian belief systems" — this is accurate.

Pipeline note: Any ALL-IN-ONE page for Set List 7 should ensure the trigger
warning for Daddy Taught Me specifically mentions racial extremism and
hate group indoctrination, not just generic "religious extremism."

--------------------------------------------------------------------------------
14.8 SNIPER'S SONG — REAL-WORLD SOURCE NOTE
--------------------------------------------------------------------------------

Per Rolling Stone editorial (line 32615-32617):
"lifted directly from The Washington Post, October 4, 2002, when the DC
Sniper left a note at the scene and the country held its breath."

This confirms the track has a documented real-world source event.
The 2002 DC Sniper attacks (John Allen Muhammad and Lee Boyd Malvo)
resulted in 10 deaths across the Washington DC area.

Pipeline note: The ALL-IN-ONE page for Set List 7 should acknowledge the
real-world source event in whatever editorial/context block is appropriate.
This also means the track's NC-17 rating is definitively correct — it is
directly sourced from real mass murder events.


================================================================================
SECTION 15: VERIFICATION LOGIC & METHODOLOGY
================================================================================

--------------------------------------------------------------------------------
15.1 CORE VERIFICATION PRINCIPLES
--------------------------------------------------------------------------------

1. CONTENT > PLACEMENT/ORDER
   Issued by Tom during this session. When structural position conflicts with
   content, content wins. Repeated consistent content is the canon anchor.
   Newest confirmed naming + repeated source consistency wins.

2. MULTI-SOURCE CROSS-REFERENCING
   No single source is treated as authoritative in isolation. Every verification
   decision is based on cross-referencing at least 3 independent source locations.
   When all sources agree: confident verification.
   When sources disagree: flag with frequency count and authority tier analysis.

3. AUTHORITY HIERARCHY (see Section 14.1)
   Full-text sections > Master index > Quick-ref indexes > Editorials > Category index.
   Conflicts resolved by this hierarchy when CONTENT rule doesn't resolve first.

4. GX MATHEMATICAL VERIFICATION
   Every collection total is independently calculated from individual track ratings.
   Calculated total is compared to stated total.
   Any discrepancy triggers full investigation of individual ratings.
   Discrepancy is not assumed to be in the stated total — it may be in the
   individual ratings as listed.

5. CANONICAL FORM DECISION LOGIC
   For title variants: Track listing form (Tier 1) is canonical for all
   structured data. Prose/editorial forms acceptable in continuous text.
   For article variants: Full-text listing form with article is canonical.
   For title-case variants: Title case is canonical for structured fields.

6. PARTIAL LYRIC DETECTION
   All tracks are evaluated for partial lyric notation in source.
   Notation "(beginning part)" or "(first Part)" or similar triggers flag.
   Partial lyrics are never treated as complete for pipeline purposes.
   White Claude 2 is instructed to mark partial tracks explicitly on ALL-IN-ONE pages.

7. ROLLING STONE EDITORIAL VERIFICATION
   Every editorial is verified by:
     A) Checking that track names mentioned in editorial match the track list
     B) Checking that "last" or "closes" language refers to actual final tracks
     C) Checking editorial track coverage (how many of N tracks are covered)
   Failure in A = slot migration artifact
   Failure in B = truncation artifact (older version of set)
   Failure in C = coverage gap (editorial written before set was finalized)

8. CATEGORY CONTAMINATION DETECTION
   Category index is checked for:
     A) Tracks appearing in categories inconsistent with content
     B) Duplicate entries within a single category
     C) Tracks missing from all categories
   Prior session detected Drugs & Alcohol contamination (relationship songs
   mislabeled). Current session: no contamination in SL6/SL7.
   DRUGS AND ALCOHOL category should be specifically audited in SL8–SL24.

9. TRACK-BLEED CONTAMINATION DETECTION
   When a suspected Set List title matches a track name within that same set,
   flag for Tom confirmation before accepting the title.
   SL4 "Downward Spiral" is the confirmed active instance.

10. ESCALATION PROTOCOL
    Issues that cannot be self-resolved are escalated to Tom with:
      - Full evidence (source locations, frequency counts, authority tiers)
      - Specific options for Tom to choose between
      - Black Claude 1's recommendation where one can be made
    Issues are never silently resolved by assumption.
    Verification integrity is priority over speed.

--------------------------------------------------------------------------------
15.2 VERIFICATION SEQUENCE FOR REMAINING SET LISTS
--------------------------------------------------------------------------------

For each remaining Set List (SL8–SL24), Black Claude 1 will:

  STEP 1: Title verification
    - Search all title appearances
    - Compare quick-ref index title vs full-text title
    - Flag any discrepancy with frequency count
    - Apply CONTENT > placement/order rule

  STEP 2: Track list verification
    - Extract track list from minimum 3 sources
    - Confirm count and order consistency
    - Flag any track name variants
    - Apply canonical form rules

  STEP 3: GX verification
    - Extract individual ratings from all sources
    - Calculate independent total
    - Compare to stated total
    - Investigate any discrepancy per methodology above

  STEP 4: Partial lyric scan
    - Check for "(beginning part)," "(first Part)," or similar notations
    - Flag all partial tracks

  STEP 5: Artist comparisons
    - Confirm consistent across all appearances

  STEP 6: Trigger warning verification
    - Confirm internal consistency
    - Verify against actual lyric content for key claims

  STEP 7: Rolling Stone editorial verification
    - Confirm correct label
    - Verify track names match track list
    - Verify "last" language refers to final track
    - Confirm coverage (which tracks are addressed)

  STEP 8: Category verification
    - Extract all category placements for each track
    - Flag missing category assignments
    - Flag potential contamination
    - Flag duplicate entries

  STEP 9: Canonical spelling
    - Note all title-case and variant-form inconsistencies
    - Apply hierarchy: full-text listing form is canonical

  STEP 10: Compile QA report
    - Full status table
    - All flags with resolution status
    - Escalated items for Tom
    - Pipeline instructions for White Claude 2


================================================================================
END OF BLACK CLAUDE 1 MASTER SESSION DUMP
================================================================================

VERIFICATION PIPELINE STATUS:
  Song Lists 1–10:    ✅ COMPLETED (prior session)
  Set Lists 1–5:      ✅ COMPLETED (prior session)
  Set List 6:         ✅ VERIFIED (this session) — 3 open flags
  Set List 7:         ✅ VERIFIED (this session) — 3 open flags for Tom + 1 pipeline
  Set Lists 8–24:     ⏳ PENDING

OPEN FLAGS REQUIRING TOM CONFIRMATION:
  1. Set List 4 title: Partner to the Crime / Partnered to the Crime / Downward Spiral
  2. Set List 7 GX: Either Way rating (R or NC-17)
  3. Set List 7 GX: Quest For Immortality rating (R or NC-17)

PIPELINE FLAGS FOR WHITE CLAUDE 2:
  1. SL6 Expired: partial lyrics — flag in ALL-IN-ONE
  2. SL6 Expired: missing category assignment — flag or seek Tom input
  3. SL6: Rolling Stone editorial absent — generate or flag for Tom
  4. SL7 Either Way: partial lyrics — flag in ALL-IN-ONE
  5. SL7: Rolling Stone editorial covers tracks 1–6 only — supplement needed

STANDING BY FOR: SET LIST 8 — BOSS LOGIC
================================================================================
