================================================================================
BLACK CLAUDE 1 — SET LIST 8 — BOSS LOGIC — FULL QA REPORT
COLLABORHYTHM / COLLABTUNES ARCHIVE QA PIPELINE
================================================================================
Session: May 8, 2026
Role: Black Claude 1 — Verification / QA / Canon Stabilization
Source: 34_ALBUMS_BOOKS_1_and_2_back_to_back.pdf (903 pages)
Verification target: SET LIST 8 — BOSS LOGIC — ALL-IN-ONE
Pipeline position: SL6 ✅ SL7 ✅ SL8 ✅ (this report) → SL9 pending
================================================================================

POST-REPORT CHAT STATEMENT FROM BLACK CLAUDE 1:
  All QA reports go into downloadable files — including the summary statements
  made in chat. Implementing now for all future reports.
  Rule: Every output, every finding, every statement made in chat regarding
  verification results must be captured in the downloadable file.
  No findings exist only in chat. Everything is archived.

================================================================================
SECTION 1: TITLE VERIFICATION
================================================================================

STATUS: ✅ CONFIRMED — ZERO CONFLICTS

Source appearances for "Boss Logic":
  Line 1046:  quick-ref index 1 — "Set List 8 — Boss Logic"
  Line 7632:  full-text section header — "BOSS LOGIC / SET LIST EIGHT (8)"
  Line 32622: Rolling Stone editorial — "SET LIST EIGHT — BOSS LOGIC"
  Line 33193: summary section — "Set List 8 — Boss Logic"
  Line 37396: comparative table — "Set List 8 — Boss Logic"
  Line 38050: master index — "SET LIST 8: BOSS LOGIC"
  TOTAL: 6 consistent appearances across all source types

No obsolete alternate titles detected.
No quick-ref vs full-text conflict.
No track-bleed contamination.
Most title-stable Set List verified to date.

CANONICAL TITLE: SET LIST 8 — BOSS LOGIC — ALL-IN-ONE

================================================================================
SECTION 2: TRACK VERIFICATION
================================================================================

STATUS: ✅ FULLY CONFIRMED

SOURCE LOCATIONS CROSS-REFERENCED:
  Location A: Line 7631 — full-text section header
  Location B: Line 1046 — quick-ref index 1
  Location C: Line 34105 — quick-ref index 2
  Location D: Line 38050 — master index section

TRACK LIST — ALL SOURCES CONFIRMED IDENTICAL:

  Track 1:  Thirty Seconds
  Track 2:  Pretty Fountains
  Track 3:  Playing Chess
  Track 4:  Sky and Light
  Track 5:  Discartes         [NOTE: intentional creative spelling — see Section 9]
  Track 6:  I Am
  Track 7:  Timeless To Ten   [NOTE: title-case variant — see Section 9]
  Track 8:  Listen
  Track 9:  Fear
  Track 10: Down
  Track 11: Spinning
  Track 12: Somewhere

TRACK COUNT: 12 ✅
PARTIAL LYRIC NOTATIONS: NONE ✅
  All 12 tracks free of "(beginning part)," "(first Part)," or similar flags.
  All 12 tracks have full lyrics confirmed extracted in source document.
  This is the first Set List in current session with zero partial lyric flags.

FOUR-WORD SUMMARIES — CROSS-SOURCE VERIFICATION:

  Track 1:  Thirty Seconds         — Wake up
            [ANOMALY: summary MISSING from both quick-ref indexes.
             Only present in master index (line 38051).
             See Section 7 for full investigation.]

  Track 2:  Pretty Fountains       — Illusion of progress shown      ✅ (3 sources)
  Track 3:  Playing Chess          — Setup from the start            ✅ (3 sources)
  Track 4:  Sky and Light          — How we see everything           ✅ (3 sources)
  Track 5:  Discartes              — I think, therefore I am?        ✅ (3 sources)
            [NOTE: 5 words not 4 — intentional exception, see Section 7]
  Track 6:  I Am                   — I will not be broken            ✅ (3 sources)
  Track 7:  Timeless To Ten        — Substance beats the noise       ✅ (3 sources)
  Track 8:  Listen                 — Failure to act hurts            ✅ (3 sources)
  Track 9:  Fear                   — Always at my side               ✅ (3 sources)
  Track 10: Down                   — Climbing back again             ✅ (3 sources)
  Track 11: Spinning               — Trapped inside my mind          ✅ (3 sources)
  Track 12: Somewhere              — Love is inside somewhere        ✅ (3 sources)

================================================================================
SECTION 3: GX VERIFICATION
================================================================================

STATUS: ⚠️ DISCREPANCY — ESCALATED TO TOM

INDIVIDUAL RATINGS FROM QUICK-REF INDEX 1 (line 1046):
  Track 1:  Thirty Seconds         PG    (1 pt)
  Track 2:  Pretty Fountains       PG-13 (2 pts)
  Track 3:  Playing Chess          PG-13 (2 pts)
  Track 4:  Sky and Light          PG    (1 pt)
  Track 5:  Discartes              PG    (1 pt)
  Track 6:  I Am                   PG-13 (2 pts)
  Track 7:  Timeless To Ten        PG    (1 pt)
  Track 8:  Listen                 PG-13 (2 pts)
  Track 9:  Fear                   PG-13 (2 pts)
  Track 10: Down                   PG-13 (2 pts)
  Track 11: Spinning               PG-13 (2 pts)
  Track 12: Somewhere              PG    (1 pt)

CROSS-CHECK — QUICK-REF INDEX 2 (line 34105):
  Ratings: IDENTICAL to index 1 across all 12 tracks ✅

RATING BREAKDOWN:
  PG tracks (5):    Thirty Seconds, Sky and Light, Discartes,
                    Timeless To Ten, Somewhere
  PG-13 tracks (7): Pretty Fountains, Playing Chess, I Am,
                    Listen, Fear, Down, Spinning

CALCULATED TOTAL: 5×PG(1) + 7×PG-13(2) = 5 + 14 = 19
SOURCE STATED TOTAL (all appearances): 18
DISCREPANCY: +1 (calculated exceeds stated by 1)

DISCREPANCY ANALYSIS:
  For stated total of 18 to be correct, exactly ONE PG-13(2) track must
  actually be PG(1). This saves exactly 1 point: 19 - 1 = 18.

  Content analysis of each PG-13 candidate for PG downgrade:

  PLAYING CHESS (Track 3):
    Contains: censored profanity ("new sh#$"), addiction metaphor
    ("end up as a junky"), war imagery, manipulation themes.
    PG-13 definition: "Strong language allowed. Addiction, depression,
    trauma, war, political critique."
    Assessment: PG-13 appears correct. Profanity present even if censored.
    Downgrade probability: LOW.

  I AM (Track 6):
    Contains: religious defiance ("I am to their God what the Beatles
    were to Jesus"), political critique, class analysis.
    "I am to their God" is borderline blasphemous language.
    Assessment: PG-13 defensible for strong implied irreverence.
    Downgrade probability: LOW-MEDIUM.

  PRETTY FOUNTAINS (Track 2):
    Contains: political/social critique, generational commentary.
    "Taxation without representation is what the baby boomers did to
    ma-ma-ma-my ja-ja-ja-generation."
    No profanity. No explicit content. Social critique only.
    Assessment: Could be PG. Borderline.
    Downgrade probability: MEDIUM.

  LISTEN (Track 8):
    Contains: street imagery ("Corner of Ocean and Demora"), inaction
    and regret themes. "Ain't that something" — very mild.
    No profanity. No explicit content.
    Assessment: Content is primarily PG-level. PG-13 seems elevated.
    Downgrade probability: MEDIUM-HIGH.

  FEAR (Track 9):
    Contains: logic vs faith conflict, "feet on the ledge" imagery.
    No profanity. No explicit content. Philosophical/emotional only.
    Assessment: No clear PG-13 trigger in lyrics.
    Downgrade probability: HIGH.

  DOWN (Track 10):
    Contains: "burned out black out," recovery arc, humility.
    No profanity. Mild language throughout.
    Assessment: No clear PG-13 trigger in lyrics.
    Downgrade probability: HIGH.

  SPINNING (Track 11):
    Contains: psychological spiral, "fight my own insides," temple imagery.
    No profanity. Introspective only.
    Assessment: No clear PG-13 trigger. Religious imagery suggests PG.
    Downgrade probability: HIGH.

  MOST PROBABLE DOWNGRADE CANDIDATES:
    Fear, Down, or Spinning — any one of these rated PG(1) resolves
    the discrepancy exactly (19 - 1 = 18).

  MATHEMATICAL CONFIRMATION (example):
    If Down = PG(1): 4×PG(1) + 6×PG-13(2) + 1 extra PG(1) = no wait—
    Correct: 6×PG(1) + 6×PG-13(2) = 6 + 12 = 18 ✅ EXACT MATCH

  STATUS: ⏸️ ESCALATED TO TOM
    Confirm which of the following should be rated PG(1) not PG-13(2):
      Options: Fear, Down, Spinning, Listen, Pretty Fountains, or I Am
    One correction resolves the discrepancy exactly.

  PIPELINE NOTE:
    Until Tom confirms: use stated total of 18 as official GX.
    Do not adjust individual ratings without Tom confirmation.

GX PATTERN UPDATE:
  SL4: calculated 24, stated 24 — EXACT ✅
  SL5: calculated 33, stated 33 — EXACT ✅
  SL6: calculated 26, stated 26 — EXACT ✅
  SL7: calculated 32, stated 30 — DISCREPANCY +2 ⚠️
  SL8: calculated 19, stated 18 — DISCREPANCY +1 ⚠️
  OBSERVATION: Two consecutive Set Lists (SL7, SL8) with GX discrepancies.
  SL4-SL6 were exact. The pattern of occasional per-track mis-elevation
  appears to be recurring, not isolated. GX verification is mandatory
  for all remaining Set Lists.

================================================================================
SECTION 4: LYRICS VERIFICATION
================================================================================

STATUS: ✅ ALL 12 TRACKS — FULL LYRICS CONFIRMED

Full lyrics extracted and read for all tracks. Content verified consistent
with strategic arc (existential questioning, identity crisis, hope).

TRACK-BY-TRACK CONTENT NOTES:

  TRACK 1 — THIRTY SECONDS:
    Countdown structure (30 seconds → 20 → 10). Urgency to connect,
    wake someone up, explore the mind. "Once you unplug yourself from
    your TV / You can begin to make a difference."
    Brief — one of the shorter tracks in the set. PG appropriate.
    No explicit content. No profanity.

  TRACK 2 — PRETTY FOUNTAINS:
    Political/generational critique. Corporate greed, false gods,
    divide and conquer. "Taxation without representation is what the
    baby boomers did to my generation." Environmental destruction.
    "They stripped the green from the fields / And carved the snow right
    off the mountains." Social commentary throughout. No profanity.

  TRACK 3 — PLAYING CHESS:
    Addiction metaphor overlaid on war/chess imagery. "Caged like a monkey /
    Start by turning one key / End up as a junky." Manipulation by
    unseen forces. "Some devils wear suits and ties." Censored profanity
    present ("new sh#$"). Sense of betrayal and powerlessness.

  TRACK 4 — SKY AND LIGHT:
    Mental drifting, perception fracturing, identity confusion.
    "Every mind's a piece of unmolded clay / And mine's become trapped
    inside a maze of words / That I cannot explain or write nor say."
    Repeated refrain structure. No profanity. Deep existential content.

  TRACK 5 — DISCARTES:
    Philosophical nihilism. Memory deletion metaphor. Dream logic.
    "I do not think therefore I am not." Historical annihilation
    metaphor. "Just as in ancient times / When translated, annihilated
    / Just meant defeated." Brief — ends with "Peace!" PG appropriate.

  TRACK 6 — I AM:
    Religious/political defiance. "I am to their God what the Beatles
    were to Jesus." Noah flood imagery used to critique humanity.
    "Humans are just like viruses and diseases." Corporate brainwashing
    critique. Sarah Palin vs Arundhati Roy reference — political.
    "Oh to be a master to many / And a slave to none." Strong implied
    irreverence throughout.

  TRACK 7 — TIMELESS TO TEN:
    Fame critique. Being "timeless to ten" vs fifteen minutes of fame.
    "I'd rather be loved by some / And feared by none." Healing over
    dominating. Positive message with weary delivery. No profanity.
    PG appropriate.

  TRACK 8 — LISTEN:
    Street corner setting ("Corner of Ocean and Demora"). Inaction
    and regret. "Your biggest failure's not to act." Mild language.
    "Ain't that something." No explicit content. PG-level language.

  TRACK 9 — FEAR:
    Fear personified as a companion. Logic vs faith conflict.
    "Separation of church and state / In this case it's your logic
    and faith." Precipitous drop imagery — "feet on the ledge."
    Ends with "Fear" as the comforting presence. No profanity.
    Philosophical throughout. PG-level language.

  TRACK 10 — DOWN:
    Being down as a revelation point. Internal duality — benevolent
    vs forceful. "Half of me believes there can only be one king /
    My other half keeps reminding me to stay humble." Recovery arc.
    "First find some sunlight / Then you can grow." Ends positively:
    "The shooting star you've always been and always are!"
    No profanity. PG-level language.

  TRACK 11 — SPINNING:
    Body as temple. Hands folded praying. Lost something (key/answer).
    Psychological spiral — "I've slowly become an army of one."
    "I fight my own insides / And all these memories I don't want to
    remember." Exploring the "core of my mind." Chained doors to open.
    Religious imagery throughout. No profanity. PG-level language.

  TRACK 12 — SOMEWHERE:
    Spiritual longing. Faith going missing. God addressed directly:
    "God, let me know you're up there… Somewhere." Stars hidden by
    daylight but still there. Loneliness in the dark. "Yet you know
    love is inside you… Somewhere." Closes with gentle reassurance.
    Quietest track in the set. No profanity. PG confirmed.

CONTENT CONSISTENCY NOTE:
  Full lyric content is entirely consistent with the strategic arc
  (spiritual reflection, existential questioning, hope) and the trigger
  warning (existential anxiety, identity crisis, disillusionment).
  The set arc moves from urgency (Thirty Seconds) through darkness
  (Playing Chess → Spinning) to fragile hope (Somewhere).
  This arc is coherent and internally consistent. ✅

================================================================================
SECTION 5: TRIGGER WARNINGS VERIFICATION
================================================================================

STATUS: ✅ CONFIRMED AND CONSISTENT

Source: Full-text section, line 7645–7736

Core statement: "Existential anxiety, identity crisis, disillusionment.
No explicit content."

Extended trigger warning confirmed. Content areas covered:
  - Mental health themes (depression, disorientation, isolation, despair)
  - Philosophical dread (meaninglessness, futility, fractured identity)
  - Societal critique (propaganda, control, spiritual decay)
  - Spiritual conflict and loss of faith
  - Emotional exhaustion and internal war
  - No physical violence present
  - No overt trauma or abuse described

Caution advisory for:
  - Recovering from depressive or suicidal episodes
  - Existential dread or crisis of faith
  - Grieving emotional collapse or spiritual loss
  - Fragile psychological state

Value advisory for:
  - Listeners seeking truth over reassurance
  - Writers, thinkers, artists exploring doubt or meaning
  - Those working through burnout or religious deconstruction

Closing line: "Set List Eight is not hopeless — but hope is weak,
weathered, and gasping."

VERIFICATION: All trigger warning claims verified against lyric content. ✅
No overclaiming or underclaiming detected.
Most comprehensive trigger warning structure of any set in current session.

================================================================================
SECTION 6: ROLLING STONE EDITORIAL VERIFICATION
================================================================================

STATUS: ✅ VALID — BEST EDITORIAL CONDITION IN CURRENT SESSION

Location: Line 32622 — "SET LIST EIGHT — BOSS LOGIC"
Labeling: Correct ✅
Mode A check (slot migration): No SL7 or SL9 tracks present ✅
Mode B check (truncation): "Somewhere closes with a soft exhale" —
  Somewhere IS Track 12, the actual final track ✅
Coverage: 11 of 12 tracks individually addressed

TRACKS COVERED IN EDITORIAL:
  Thirty Seconds ✅ — "starts the countdown"
  Playing Chess ✅ — "turns war into metaphor"
  Sky and Light ✅ — "perception fractures"
  Discartes ✅ — "dismantle identity"
  I Am ✅ — "dismantle identity" (paired with Discartes)
  Timeless to Ten ✅ — "offers a quiet thesis"
  Listen ✅ — "catch the soul slipping"
  Fear ✅ — "catch the soul slipping" (grouped)
  Down ✅ — "catch the soul slipping" (grouped)
  Spinning ✅ — "pulls inward to the edge of collapse"
  Somewhere ✅ — "closes with a soft exhale"

TRACK NOT INDIVIDUALLY NAMED: Pretty Fountains (Track 2)
  Pretty Fountains is the only track not addressed in the editorial.
  It is not the final track (no truncation issue).
  The editorial jumps from Thirty Seconds directly to Playing Chess.
  This appears to be a compositional choice, not a truncation artifact.
  Pretty Fountains may have been considered less central to the editorial arc.
  VERDICT: Minor coverage gap only. Not a pipeline blocker.
  White Claude 2 note: BLOCK 10 editorial is valid. Pretty Fountains
  simply lacks a specific editorial line. All other tracks covered.

EDITORIAL QUALITY NOTE:
  The SL8 editorial is the most complete and accurate editorial verified
  in this session. Correctly labeled, covers 11/12 tracks, final track
  correctly identified as closing track. No mode A or mode B failures.

================================================================================
SECTION 7: ANOMALY INVESTIGATIONS
================================================================================

--------------------------------------------------------------------------------
7.1 THIRTY SECONDS — MISSING SUMMARY IN QUICK-REF INDEXES
--------------------------------------------------------------------------------

ANOMALY: Thirty Seconds has no four-word summary in either quick-ref index.
  Both indexes show: Track 1 | Thirty Seconds | PG | [empty] | Track 2...

INVESTIGATION:
  Searched all appearances of "Thirty Seconds" in source document.
  Summary field confirmed empty in QR index 1 (line 1059) and QR index 2 (line 34118).
  Master index (line 38051) confirms: "(1) THIRTY SECONDS — Wake up"
  "Wake up" is appropriate — the lyrics are a countdown urging someone
  to wake up and engage before time runs out. ✅

VERDICT: Data entry gap in QR index layer. Summary simply not entered for Track 1.
  Canonical four-word summary: "Wake up" (from master index).
  New instance of Pattern 012 (Summary Field Missing from Quick-Ref Indexes).
  Track 1 entries are susceptible to table layout errors — first row
  of a PDF table is most likely to lose data during rendering.

PIPELINE INSTRUCTION: White Claude 2 must use "Wake up" as Thirty Seconds
  summary in all structured fields.

--------------------------------------------------------------------------------
7.2 "MAKE GOOD FIRST IMPRESSION" — ORPHANED TABLE CELL
--------------------------------------------------------------------------------

ANOMALY: The text "Make good first impression" appears between Somewhere's
  four-word summary ("Love is inside somewhere") and the Collection Summary
  block in both quick-ref indexes.

  Exact position in both indexes:
    "12 Somewhere | PG | Love is inside somewhere | Make good first impression |
    Collection Summary: An introspective set..."

INVESTIGATION:
  Searched full 903-page document for "Make good first impression."
  Result: appears exactly TWICE — line 1141 and line 34200.
  Both appearances are in SL8 quick-ref indexes at the same position.
  Does not appear in any lyric, any other track listing, any editorial.
  Does not match lyric content of Somewhere (Track 12).
  Does not match Thirty Seconds' master index summary ("Wake up").
  Cannot be attributed to any known SL8 track content.

ROOT CAUSE ANALYSIS:
  The PDF table for SL8 in the quick-ref indexes has a 5-column structure:
  Track # | Title | Rating | Musician/Artist | Four-Word Summary
  The Musician/Artist column for all SL8 tracks appears to be empty
  in the source (no musician/artist data entered for SL8 in QR indexes).
  "Make good first impression" is most likely:
    A) A stray Musician/Artist field value from Track 1 (Thirty Seconds)
       that lost its row position during PDF layout rendering
    B) An editorial/descriptive note about SL8 as a whole that was
       accidentally placed in the wrong field

  In either case: it is NOT a track summary, NOT a track title, and
  NOT canonical data for any SL8 component.

VERDICT: Table layout corruption artifact. New instance of Pattern 011.
  This text should be ignored in pipeline processing.
  Canonical data for all 12 tracks sourced from master index and
  full-text section only.

--------------------------------------------------------------------------------
7.3 DISCARTES — FIVE-WORD SUMMARY EXCEPTION
--------------------------------------------------------------------------------

The four-word summary for Track 5 (Discartes) is:
  "I think, therefore I am?" — 5 words plus punctuation

Confirmed identical across all 3 source appearances (lines 1091, 34150, 38055).

ANALYSIS:
  This is an intentional exception to the four-word summary format.
  The summary preserves the complete Cartesian reference — "I think,
  therefore I am" — which requires the full 5 words to be meaningful.
  Truncating to 4 words would destroy the philosophical reference.
  Consistent across all sources = deliberate, not an error.

VERDICT: Known exception to four-word rule. Canonical as written.
  Pipeline must use the 5-word form exactly as stated.
  Do not truncate.

================================================================================
SECTION 8: CATEGORY ASSIGNMENTS VERIFICATION
================================================================================

STATUS: ✅ WITH ONE CONTAMINATION FLAG

CONFIRMED CATEGORY PLACEMENTS:

  INTERNAL STRUGGLE:
    Discartes ✅  Down ✅  Fear ✅  I Am ✅  Listen ✅
    Playing Chess ✅  Sky And Light ✅  Somewhere ✅  Spinning ✅

  INSPIRING:
    I Am ✅  Listen ✅  Sky And Light ✅  Somewhere ✅
    Thirty Seconds ✅  Timeless To Ten ✅

  DEPRESSING:
    Down ✅  Fear ✅  Pretty Fountains ✅

  SOCIAL ISSUES:
    Down ✅  Fear ✅  Listen ✅  Pretty Fountains ✅

  RELIGIOUS:
    Spinning ✅
    [Spinning lyric contains: "every body is a temple," "hands folded
    and praying," "not sure if I should be standing, sitting or kneeling."
    Religious category placement is appropriate and defensible. ✅]

  MISCELLANEOUS:
    Discartes ✅
    [Discartes plays with philosophical nihilism and memory deletion —
    difficult to categorize precisely. MISCELLANEOUS is appropriate. ✅]

TRACKS WITH NO CATEGORY ASSIGNMENT DETECTED:
  None — all 12 tracks have at least one confirmed category placement. ✅
  This is the first fully-categorized Set List in current session.

CONTAMINATION FLAG — I AM:

  ⚠️ I Am appears in RELATIONSHIPS category (line 39242)
  ⚠️ I Am appears in LONELINESS category (line 39875)

  LYRIC CONTENT OF I AM:
    "I am to their God what the Beatles were to Jesus / Independent
    thought is the only thing that frees us." Political/religious
    defiance. "From all you corporate hypnotists / Going around
    brainwashing little kids." Sarah Palin vs Arundhati Roy.
    "Oh to be a master to many / And a slave to none."

  ASSESSMENT:
    The track has no romantic content. No relationship themes.
    No loneliness themes. It is a declaration of philosophical
    independence — firmly INTERNAL STRUGGLE / INSPIRING / SOCIAL territory.

    RELATIONSHIPS placement: No romantic or interpersonal relationship
    themes present in lyrics. Placement appears to be contamination.

    LONELINESS placement: The track's tone is defiant not lonely.
    "I am" assertions throughout. The speaker claims strength, not
    isolation. Placement appears to be contamination.

    Possible mechanism: "I Am" is a very short/common title that may
    have been confused with another "I Am" reference in the archive —
    e.g., the Song List track "Here I Am" which may have relational
    content, or other tracks with first-person identity assertions that
    DO have loneliness themes.

  VERDICT: Probable category contamination for I Am in RELATIONSHIPS
    and LONELINESS. Both placements are content-inconsistent.

  ⏸️ ESCALATED TO TOM: Confirm whether I Am (Set List 8, Track 6)
    should appear in RELATIONSHIPS and/or LONELINESS categories.
    Black Claude 1 assessment: These placements should be removed.

CROSS-CATEGORY TRACKS (multi-category, all verified appropriate):
  I Am: INTERNAL STRUGGLE + INSPIRING (+ RELATIONSHIPS⚠️ + LONELINESS⚠️)
  Listen: INTERNAL STRUGGLE + SOCIAL ISSUES + INSPIRING
  Sky And Light: INTERNAL STRUGGLE + INSPIRING
  Somewhere: INTERNAL STRUGGLE + INSPIRING
  Down: INTERNAL STRUGGLE + DEPRESSING + SOCIAL ISSUES
  Fear: INTERNAL STRUGGLE + DEPRESSING + SOCIAL ISSUES
  Pretty Fountains: DEPRESSING + SOCIAL ISSUES

================================================================================
SECTION 9: CANONICAL SPELLING STABILIZATION
================================================================================

DISCARTES:
  All 8 source appearances: "Discartes" (never "Descartes")
  Lines: 1087, 7637, 7678, 7680, 32629, 34146, 38662, 38904
  RULING: INTENTIONAL CREATIVE SPELLING — NOT AN ERROR
  The title plays on René Descartes ("I think therefore I am") while
  also containing "discard" — deliberate wordplay. This is part of
  the track's conceptual content.
  CANONICAL: Discartes
  PIPELINE INSTRUCTION: Never correct to "Descartes." Use as written.

TIMELESS TO TEN vs Timeless to Ten:
  "Timeless To Ten" (title case) appearances:
    Line 1103: QR index 1
    Line 7639: full-text track listing
    Line 34162: QR index 2
    Line 39450: category index
  "Timeless to Ten" (lowercase "to") appearances:
    Line 7714: trigger warning narrative prose
    Line 32630: Rolling Stone editorial prose
  CANONICAL: Timeless To Ten (title case per track listings)
  PIPELINE INSTRUCTION: Use "Timeless To Ten" in all structured fields.
  "Timeless to Ten" acceptable in continuous prose only.
  Same pattern as SL7's Wheat and Chaff. Confirmed recurring behavior.

SKY AND LIGHT:
  Consistent across all appearances — no variants detected. ✅
  CANONICAL: Sky and Light

PLAYING CHESS:
  Consistent across all appearances — no variants detected. ✅

THIRTY SECONDS:
  Consistent across all appearances — no variants detected. ✅

PRETTY FOUNTAINS:
  Consistent across all appearances — no variants detected. ✅

================================================================================
SECTION 10: ARTIST COMPARISONS VERIFICATION
================================================================================

STATUS: ✅ CONFIRMED

Primary form (QR indexes and master index): Pink Floyd, Björk, David Bowie
Extended form (comparative table, line 37396): "Pink Floyd, Björk, David Bowie (Low)"
  — parenthetical album reference, same pattern as SL7's "Springsteen (Nebraska)"
  — supplementary, not conflicting

Consistency: All sources cite same three artists ✅

ARTIST COMPARISON NOTE:
  The David Bowie (Low) reference is editorially specific — "Low" (1977)
  is Bowie's most abstract, fragmented album, known for instrumentals and
  detached vocals. Its inclusion as a specific reference suggests the
  comparative table was written with greater editorial precision than
  the main QR indexes.
  Pipeline instruction: Use primary form (without album parenthetical)
  in ALL-IN-ONE structured fields unless Tom specifies otherwise.

================================================================================
SECTION 11: STRATEGIC ARC AND COLLECTION SUMMARY
================================================================================

STRATEGIC ARC: "Spiritual reflection, existential questioning, hope."
  Confirmed consistent across all 4 source appearances. ✅

COLLECTION SUMMARY: "An introspective set exploring identity,
  disillusionment, and the search for meaning in a fragmented world.
  These songs wrestle with fear, failure, and the quiet hope that
  clarity exists somewhere."
  Confirmed consistent across all appearances. ✅

KEY THEMES: "Identity crisis, existential fatigue, perception,
  resistance, hope"
  Confirmed consistent. ✅

LEAD RATING: PG — confirmed consistent. ✅

================================================================================
SECTION 12: SET LIST 8 FINAL STATUS SUMMARY
================================================================================

  Canonical title confirmed:          ✅ Boss Logic — zero conflicts
  Track count (12):                   ✅
  All tracks identified:              ✅
  Full lyrics present (12/12):        ✅ First fully-complete set this session
  Partial lyric notations:            ✅ NONE
  GX total:                           ⚠️ Stated: 18 / Calculated: 19
                                         One PG-13 is probable PG
  Four-word summaries:                ⚠️ Thirty Seconds missing from QR
                                         indexes (canonical: "Wake up")
  Discartes 5-word summary:           ✅ Known intentional exception
  Stray text "Make good first         ⚠️ Table layout artifact — document
    impression":                         and discard
  Artist comparisons:                 ✅
  Strategic arc:                      ✅
  Collection summary:                 ✅
  Trigger warnings:                   ✅ Comprehensive and accurate
  Rolling Stone editorial:            ✅ Valid, correct label, 11/12 coverage
                                         (Pretty Fountains not named)
  Category assignments:               ⚠️ I Am in RELATIONSHIPS + LONELINESS
                                         — probable contamination
  Canonical spellings:                ✅ (Discartes = intentional)

SET LIST 8 — VERIFIED ✅

================================================================================
SECTION 13: OPEN FLAGS REGISTER — SET LIST 8
================================================================================

FLAG SL8-001 — GX DISCREPANCY
  STATUS: ⏸️ AWAITING TOM CONFIRMATION
  Issue: Calculated GX = 19. Source states 18. Delta = +1.
  One PG-13 track rated PG(1) would resolve exactly.
  Candidates (in probability order): Fear, Down, Spinning, Listen,
    Pretty Fountains, I Am.
  Required from Tom: Confirm which PG-13 track should be PG.

FLAG SL8-002 — I AM CATEGORY CONTAMINATION
  STATUS: ⏸️ AWAITING TOM CONFIRMATION
  Issue: I Am (Track 6) appears in RELATIONSHIPS and LONELINESS
    category sections. Content is philosophical/political defiance
    with no romantic or loneliness themes. Probable contamination.
  Required from Tom: Confirm whether I Am should appear in
    RELATIONSHIPS and/or LONELINESS categories.
  Black Claude 1 recommendation: Remove from both.

FLAG SL8-003 — THIRTY SECONDS MISSING SUMMARY IN QR INDEXES
  STATUS: ⚠️ PIPELINE NOTE — SELF-RESOLVED
  Issue: No four-word summary for Track 1 in either quick-ref index.
  Resolution: Master index supplies canonical summary: "Wake up."
  Action for White Claude 2: Use "Wake up" for Thirty Seconds.
  No Tom input required.

FLAG SL8-004 — STRAY TEXT "MAKE GOOD FIRST IMPRESSION"
  STATUS: ⚠️ DOCUMENTED AND DISCARDED
  Issue: Orphaned table cell text in both QR indexes after Track 12.
  Resolution: Table layout corruption artifact. Not canonical data.
  Action: Ignore in pipeline processing.
  No Tom input required.

================================================================================
SECTION 14: SYSTEMIC PATTERN LOG — NEW ENTRIES FROM SL8
================================================================================

PATTERN 011 (CONFIRMED SECOND INSTANCE): TABLE LAYOUT CORRUPTION
  First instance: SL8 "Make good first impression" stray text
  The corrupted cell appears in both quick-ref indexes confirming it
  originates in the source document pre-extraction. Not an extraction
  artifact. Detection: text between a track's summary and Collection
  Summary that doesn't belong to any track.

PATTERN 012 (CONFIRMED SECOND INSTANCE): SUMMARY FIELD MISSING
  First instance: Thirty Seconds (SL8 Track 1)
  Track 1 entries appear most susceptible to QR index data gaps.
  First row of PDF tables is most vulnerable to rendering errors.
  Detection: empty summary field where one should exist.
  Resolution: master index is canonical source for missing summaries.

PATTERN 002 UPDATE (GX DISCREPANCY):
  SL7: +2. SL8: +1.
  Two consecutive discrepancies after three exact matches (SL4-SL6).
  Pattern is recurring but not consistent in magnitude.
  Every GX calculation remains mandatory. No shortcuts.

PATTERN 013 (NEW): ARTISTIC ALBUM REFERENCE IN COMPARATIVE TABLE
  The comparative table source gives "David Bowie (Low)" rather than
  just "David Bowie." This is the second instance of a parenthetical
  album reference in the comparative table (SL7 had "Springsteen
  (Nebraska)"). The comparative table was likely written with greater
  editorial specificity than the QR indexes. When QR index and
  comparative table differ on artist comparison form, QR index form
  (without parenthetical) is the standard pipeline form unless Tom
  specifies otherwise.

================================================================================
END OF SET LIST 8 — BOSS LOGIC — QA REPORT
================================================================================

NEXT TARGET: SET LIST 9 — THE THRALLS OF THE FLAME

CUMULATIVE PIPELINE STATUS:
  Song Lists 1–10:  ✅ COMPLETED (prior session)
  Set Lists 1–5:    ✅ COMPLETED (prior session)
  Set List 6:       ✅ VERIFIED — 3 open flags
  Set List 7:       ✅ VERIFIED — 3 flags for Tom + 1 pipeline note
  Set List 8:       ✅ VERIFIED — 2 flags for Tom + 2 pipeline notes
  Set Lists 9–24:   ⏳ PENDING — 16 remaining

CUMULATIVE OPEN TOM FLAGS (all sets):
  SL4:  Title confirmation (Partner/Partnered to the Crime vs Downward Spiral)
  SL6:  Expired full lyrics needed
  SL6:  Expired category assignment needed
  SL6:  Rolling Stone editorial missing — needs generation or writing
  SL7:  Either Way rating — R(3) or NC-17(4)?
  SL7:  Quest For Immortality rating — R(3) or NC-17(4)?
  SL7:  Either Way full lyrics needed
  SL7:  Rolling Stone editorial supplement for tracks 7–12
  SL8:  GX discrepancy — which PG-13 track should be PG?
  SL8:  I Am — RELATIONSHIPS + LONELINESS categories — contamination?

================================================================================
