================================================================================
BLACK CLAUDE 1 — MASTER SESSION DUMP
COLLABORHYTHM / COLLABTUNES ARCHIVE QA PIPELINE
================================================================================
Generated: Active session — May 8, 2026
Role: Verification / Quality Control / Metadata Auditing / Canon Stabilization
Source Documents:
  PRIMARY:   34_ALBUMS_BOOKS_1_and_2_back_to_back.pdf (903 pages)
  REFERENCE: 194_PAGES_TO_FINISH_OUR_SHIT_PLAN_on_PDF.pdf (208 pages)
Pipeline Counterpart: White Claude 2 (Extraction / Assembly / Generation)
Creative Director / Canon Authority: Tom Jensen
================================================================================

TABLE OF CONTENTS
-----------------
SECTION 1:  SESSION INITIALIZATION & ROLE DEFINITION
SECTION 2:  ARCHITECTURE & CANON RULES (LOCKED)
SECTION 3:  CANON RULE UPDATE — CONTENT > PLACEMENT/ORDER
SECTION 4:  GX SCORING SYSTEM — FULL DEFINITION
SECTION 5:  SET LIST 6 — DEFINITELY NOT LOVE — FULL QA REPORT
SECTION 6:  SET LIST 7 — TRAIN OFF THE TRACKS — FULL QA REPORT
SECTION 7:  ROLLING STONE EDITORIAL INVESTIGATION — FULL FINDINGS
SECTION 8:  GX DISCREPANCY INVESTIGATION — FULL ANALYSIS
SECTION 9:  CANONICAL SPELLING STABILIZATION LOG
SECTION 10: CATEGORY ASSIGNMENT VERIFICATION LOG
SECTION 11: PARTIAL LYRIC NOTATION — PATTERN INVESTIGATION
SECTION 12: OPEN CANON FLAGS — UNRESOLVED ITEMS
SECTION 13: CUMULATIVE SYSTEMIC PATTERN LOG
SECTION 14: PIPELINE OBSERVATIONS & ARCHIVE BEHAVIOR DISCOVERIES
SECTION 15: VERIFICATION LOGIC & METHODOLOGY


================================================================================
SECTION 1: SESSION INITIALIZATION & ROLE DEFINITION
================================================================================

DOCUMENTS LOADED:
  194-page planning PDF confirmed loaded as:
    - canonical architecture reference
    - metadata philosophy reference
    - anti-drift reference
    - QA stabilization reference

ARCHITECTURE CONFIRMED FROM 194-PAGE DOCUMENT:
  - ALL-IN-ONE philosophy confirmed
  - navigation-after-generation logic confirmed
  - architecture freeze rules confirmed
  - generator-first workflow confirmed

BLACK CLAUDE 1 ROLE ASSIGNMENT (from 194-page source, confirmed in 903-page source):
  Role: Verification / Quality Control / Metadata Auditing / Canon Stabilization
  Responsibilities:
    - Verify lyrics
    - Verify track order
    - Verify GX totals
    - Verify categories
    - Verify trigger warnings
    - Verify artist credits
    - Detect spelling inconsistencies
    - Detect metadata corruption
    - Detect propagated copy-paste errors
    - Detect category contamination
    - Identify systemic archive problems

WHITE CLAUDE 2 ROLE (counterpart, for reference):
  Role: Extraction / Assembly / Content Building / ALL-IN-ONE page generation
  Responsibilities:
    - Pull lyrics
    - Build structured pages
    - Generate trigger warnings
    - Generate summaries
    - Generate Rolling Stone reviews
    - Assemble Quick Guides
    - Organize themes / moods / metadata
    - Prepare navigation structures
    - Maintain locked formatting

PIPELINE STATUS AT SESSION START:
  Completed prior to this session:
    - Song Lists 1–10: extracted + QA verified
    - Set Lists 1–5: QA verified
    - Set Lists 3–5: ALL-IN-ONE extracted
    - Set List 6: extraction begun (not completed)
  Current verification target: SET LIST 6 — ALL-IN-ONE, then sequential


================================================================================
SECTION 2: ARCHITECTURE & CANON RULES (LOCKED)
================================================================================

LOCKED NAMING CONVENTIONS:
  SONG LIST # — TITLE — ALL-IN-ONE
  SET LIST # — TITLE — ALL-IN-ONE
  These are LOCKED permanently.
  Reasons: readable, scalable, searchable, SEO-friendly, internally linkable,
           visually clean, good for PDFs, impossible to confuse later.

NUMBERING SYSTEMS:
  Song Lists: 1–10 (separate numbering)
  Set Lists:  1–24 (separate numbering)
  Cross-links allowed. Numbering NEVER merges.

ALL-IN-ONE BLOCK STRUCTURE (LOCKED ORDER):
  BLOCK 1  — HEADER
  BLOCK 2  — PAGE TITLE
  BLOCK 3  — VIDEO
  BLOCK 4  — ALBUM IDENTITY
  BLOCK 5  — LADY WEAVER NOTE
  BLOCK 6  — FULL TRACK LIST WITH DATA
  BLOCK 7  — FULL TEXT LYRICS
  BLOCK 8  — TRIGGER WARNINGS
  BLOCK 9  — QUICK GUIDE
  BLOCK 10 — ROLLING STONE REVIEW
  BLOCK 11 — TRACKS BY CATEGORY
  BLOCK 12 — THEMES / MOOD / PROFANITY
  BLOCK 13 — WHAT COMMUNITY SAYS
  BLOCK 14 — FAST BUTTONS

CRITICAL CODE RULES (NON-NEGOTIABLE):
  1. Yola hamburger menu ALWAYS has precedence over all code.
  2. Headers disappear on scroll.
  3. Font minimum: 14pt or larger for all new website content.
  4. All-In-One pages have zero outbound links. Completely isolated.
  5. Single giant code block for generators.
  6. Ten social media header HTML to be uploaded by Tom.
  7. Dark backgrounds everywhere — Batman's bedroom. White boxes only for
     high-contrast clickable sections.
  8. Generator pulls from explicit URL list first. Fallback = 5 TXT source files.
  9. After All-In-One pages generated: FREEZE. No more new pages.
  10. STOP EXPANSION LOOPS. Finish systems first.

ARCHITECTURE PHILOSOPHY:
  All-In-One pages = fully isolated ("the monastery"). No outbound links.
  Regular Song List pages = interconnected ("the city").
  Three parallel systems:
    1. Standard interconnected website
    2. Fast-scroll/switchboard utility layer
    3. Isolated binge-style All-In-One pages

BUILD ORDER (LOCKED):
  1. Finalize generators
  2. Build missing pages
  3. Ensure search visibility
  4. Crawl/map
  5. Repair navigation
  6. Black-theme conversion
  7. PG-13+/adult index


================================================================================
SECTION 3: CANON RULE UPDATE — CONTENT > PLACEMENT/ORDER
================================================================================

RULE ISSUED BY TOM DURING SESSION:
  Books 1 and 2 may contain:
    - outdated section numbering
    - outdated ordering
    - migrated section placement
    - reorganized album positioning
  HOWEVER: The CONTENT itself is still considered valid/canonical once identified.

  Therefore:
    - Prioritize title/content matching over section numbers
    - Prioritize lyrics/metadata consistency over placement
    - Do NOT assume older ordering is authoritative
    - Use newest ALL-IN-ONE architecture as structural authority
    - Use actual repeated content as canon anchor

  CORE RULE: CONTENT > placement/order

  If conflicts occur: Newest confirmed naming + repeated source consistency wins.

IMMEDIATE APPLICATION:
  This rule was applied to resolve the Set List 6 editorial conflict immediately
  upon receipt. See Section 5 and Section 7 for full application details.

  This rule also partially applied to Set List 7 title conflict (Extremes vs
  Train Off the Tracks) — resolved by source frequency + content authority.


================================================================================
SECTION 4: GX SCORING SYSTEM — FULL DEFINITION
================================================================================

SOURCE: Master Quick Guide section of 34_ALBUMS source PDF (line ~33310)

RATING POINT TABLE:
  G     = 0 points  — Inoffensive / Loving. Safe for all ages. Wholesome,
                       spiritual, universally positive. No profanity, no sexual
                       content, no violence.
  PG    = 1 point   — Mild themes. Rare mild profanity. Romantic themes without
                       explicit detail. No drug glorification.
  PG-13 = 2 points  — Default for serious work. Strong language allowed.
                       Addiction, depression, trauma, war, political critique,
                       implied violence, sexual innuendo. Artistic intent.
                       Anti-glorification.
  R     = 3 points  — First-person narrator committing crimes without clear
                       anti-glorification framing. Reserved for severe cases only.
  NC-17 = 4 points  — Explicit content with artistic merit. Not pornographic.
                       Serious topics depicted with gravity and artistic intent.
  X     = 5 points  — Pornographic intent. Degradation as primary purpose.
                       Shock without artistic framing.

COLLECTION TOTAL = sum of all individual track point values.

VERIFIED SET LIST GX TOTALS (this session):
  Set List 4: 12 × PG-13(2) = 24. Source states 24. EXACT MATCH. ✅
  Set List 5: Mic Drop(X=5) + 8×PG-13(2) + Fifty Ways(X=5) +
              She Don't Come Easy(X=5) + Cinnabon Girl(PG-13=2) = 33.
              Source states 33. EXACT MATCH. ✅
  Set List 6: 13 × PG-13(2) = 26. Source states 26. EXACT MATCH. ✅
  Set List 7: Per index listings: 8×PG-13(2) + 4×NC-17(4) = 32.
              Source states 30. DISCREPANCY = +2. See Section 8. ⚠️

GX DISCOVERY (from prior session, documented in 194-page reference):
  Black Claude 1 previously discovered repeated GX scoring discrepancies across
  multiple Song Lists. Many albums showed Source total: X / Calculated total: X-1.
  Pattern repeated consistently across earlier sets.
  NOTE: This session found SL4, SL5, SL6 all exact. SL7 discrepancy is +2 not +1,
  and the prior session's systemic pattern (X-1) does NOT appear to be active
  in the sets verified this session. SL7's discrepancy may be isolated.


================================================================================
SECTION 5: SET LIST 6 — DEFINITELY NOT LOVE — FULL QA REPORT
================================================================================

--------------------------------------------------------------------------------
5.1 TITLE RESOLUTION
--------------------------------------------------------------------------------

STATUS: ✅ CONFIRMED CANONICAL

Multiple source appearances for Set List 6 title:
  - "Definitely Not Love" appears as Set List 6 title in:
    Line 3193 (quick-ref index 1)
    Line 19574 (full-text section header)
    Line 19628 (repeated full-text listing)
    Line 38022 (master index section)
  - Total: 4 consistent appearances across independent source sections.

CANONICAL TITLE: SET LIST 6 — DEFINITELY NOT LOVE — ALL-IN-ONE

--------------------------------------------------------------------------------
5.2 TRACK VERIFICATION
--------------------------------------------------------------------------------

SOURCE LOCATIONS CROSS-REFERENCED:
  Location A: Line 3193 (quick-ref index 1)
  Location B: Line 19574 (full-text section header)
  Location C: Line 19628 (full-text repeated listing)
  Location D: Line 36180 (second quick-ref index)
  Location E: Line 38022 (master index section)

TRACK LIST — ALL 5 LOCATIONS CONFIRMED IDENTICAL:

  Track 1:  Expired                [NOTE: "beginning part" notation in B and C only]
  Track 2:  Face To Face
  Track 3:  Cry Me a River
  Track 4:  Nothing At All
  Track 5:  Matches To Burn
  Track 6:  Heart Strings          [NOTE: spelling variant — see Section 9]
  Track 7:  Endless Chorus
  Track 8:  Nameless
  Track 9:  Below Zero
  Track 10: Lament
  Track 11: He Said She Said
  Track 12: Half Told
  Track 13: Jewelry Box

TRACK COUNT: 13 ✅

ALL TRACKS HAVE FULL LYRICS CONFIRMED IN SOURCE: ✅
  Exception: Track 1 — Expired — partial only. See Section 11.

FOUR-WORD SUMMARIES (confirmed consistent across all source appearances):
  1.  Expired              — Time has finally faded
  2.  Face To Face         — Meeting truth directly
  3.  Cry Me a River       — Warm tears, cold heart
  4.  Nothing At All       — Empty promises, no delivery
  5.  Matches To Burn      — Igniting the final bridge
  6.  Heart Strings        — Pulling until they snap
  7.  Endless Chorus       — Repeating the same pain
  8.  Nameless             — Losing identity in love
  9.  Below Zero           — Freezing out the past
  10. Lament               — Mourning what is gone
  11. He Said She Said     — Echoes of unresolved talk
  12. Half Told            — Stories left without end
  13. Jewelry Box          — Promise contained

--------------------------------------------------------------------------------
5.3 GX VERIFICATION
--------------------------------------------------------------------------------

RATINGS: All 13 tracks rated PG-13 across all source appearances. ✅
CALCULATION: 13 × PG-13(2) = 26
SOURCE STATED TOTAL: 26
RESULT: EXACT MATCH ✅
LEAD RATING: PG-13 ✅

--------------------------------------------------------------------------------
5.4 ARTIST COMPARISONS
--------------------------------------------------------------------------------

Confirmed consistent across all 3 summary appearances:
  Damien Rice / Elliott Smith / Leonard Cohen ✅

--------------------------------------------------------------------------------
5.5 STRATEGIC ARC
--------------------------------------------------------------------------------

Source: "Romantic collapse, emotional betrayal, psychological erosion."
Confirmed consistent across all appearances. ✅

--------------------------------------------------------------------------------
5.6 COLLECTION SUMMARY
--------------------------------------------------------------------------------

Source: "A set about what lingers after love fails — grief without spectacle,
pain without permission, and healing not yet begun. These songs document the
slow collapse of intimate relationships."
Confirmed consistent. ✅

--------------------------------------------------------------------------------
5.7 TRIGGER WARNINGS
--------------------------------------------------------------------------------

Core statement (all appearances): Romantic collapse, emotional betrayal,
psychological erosion, grief, identity fatigue, emotional coercion.

Extended trigger warning (line 19588) adds:
  - Despair adjacent to suicidal ideation
  - Emotional coercion
  - Identity disintegration
  - Emotional abandonment
  - Implied surveillance / boundary-crossing behavior (Face To Face)
  - Alcohol as emotional anesthesia

Consistent with full lyric content as verified. ✅
Extended warning appropriately supplements core warning. No conflict.

--------------------------------------------------------------------------------
5.8 LYRICS CONTENT VERIFICATION
--------------------------------------------------------------------------------

Full lyrics extracted and verified for tracks 2–13.
Content confirmed consistent with strategic arc (romantic collapse, grief,
post-relationship deterioration).

Notable content notes:
  - Face To Face: narrator waits outside partner's home — boundary-crossing
    behavior, correctly flagged in trigger warning.
  - He Said She Said: bridge-burning language, ambiguous survival imagery —
    correctly flagged.
  - Below Zero: emotional self-erasure, loss of identity — correctly classified
    INTERNAL STRUGGLE and DEPRESSING.
  - Jewelry Box: ends on note of hard-won peace — the only track with forward
    momentum. Correctly placed in DEPRESSING (not INSPIRING).

Track 1 — Expired: 9 lines, one stanza. Conspicuously shorter than all other
tracks. See Section 11 for full partial lyric investigation.

--------------------------------------------------------------------------------
5.9 CATEGORY ASSIGNMENTS
--------------------------------------------------------------------------------

Confirmed from master category index:

  RELATIONSHIPS:
    Cry Me a River, Endless Chorus, Face To Face, Half Told,
    He Said She Said, Heartstrings, Jewelry Box, Lament,
    Matches To Burn, Nameless, Nothing At All ✅

  INTERNAL STRUGGLE:
    Below Zero, Face To Face, Half Told, Heartstrings,
    Matches To Burn, Nameless, Nothing At All ✅

  DEPRESSING:
    Below Zero, Endless Chorus, Jewelry Box, Lament, Nothing At All ✅

  LONELINESS:
    Lament, Nameless ✅

  MISSING CATEGORY ASSIGNMENT:
    ⚠️ Expired — does not appear in ANY category section of the master index.
    Appears only in track listings. This is a metadata gap.
    Possible cause: partial lyric status may have prevented categorization.
    Flag for pipeline resolution.

--------------------------------------------------------------------------------
5.10 ROLLING STONE EDITORIAL — INVESTIGATION & RESOLUTION
--------------------------------------------------------------------------------

See Section 7 for full investigation. Summary:

The Rolling Stone-style editorial section labeled "SET LIST SIX — DEFINITELY
NOT LOVE" at line 32589 describes the following tracks:
  Hideaway, Look Her Up, No Thanks Babe, In a Jiffy, Fifty Ways,
  She Don't Cum Easy

These tracks were confirmed to belong to SET LIST 5 — LIVING À LA MODE
(confirmed at line 22844 — "LIVING A LA MODE / SET LIST FIVE (5)").

VERDICT: The Set List 6 editorial slot contains mislabeled Set List 5 content.
This is an editorial migration artifact — Set List 5 content migrated forward
one slot, leaving Set List 6 without a valid Rolling Stone editorial.

Under CONTENT > placement/order: The content belongs to SL5. Discard as SL6.

PIPELINE INSTRUCTION:
  White Claude 2: Set List 6 has NO valid Rolling Stone editorial in the source.
  The editorial block must either be generated fresh or flagged for Tom to write.

--------------------------------------------------------------------------------
5.11 SET LIST 6 FINAL STATUS SUMMARY
--------------------------------------------------------------------------------

  Track count (13):               ✅
  GX total (26):                  ✅
  All ratings PG-13:              ✅
  Artist comparisons confirmed:   ✅
  Trigger warnings confirmed:     ✅
  Full lyrics present:            ⚠️ 12/13 complete — Expired partial only
  Category assignments:           ⚠️ Expired uncategorized — metadata gap
  Rolling Stone editorial:        ⚠️ SL5 content mislabeled as SL6 — true SL6
                                     editorial absent
  Canonical spelling:             ⚠️ Heart Strings vs Heartstrings — see Sec. 9
  Four-word summaries:            ✅

SET LIST 6 — VERIFIED ✅
OPEN ITEMS: 3 flags for pipeline + 1 spelling flag


================================================================================
SECTION 6: SET LIST 7 — TRAIN OFF THE TRACKS — FULL QA REPORT
================================================================================

--------------------------------------------------------------------------------
6.1 TITLE RESOLUTION
--------------------------------------------------------------------------------

CONFLICT DETECTED: Two competing titles in source document.

  "Train Off the Tracks" appearances:
    Line 21481 — full-text section header: "TRAIN OFF THE TRACKS / SET LIST SEVEN (7)"
    Line 21570 — repeated full-text listing
    Line 32605 — Rolling Stone editorial header: "SET LIST SEVEN — TRAIN OFF THE TRACKS"
    Line 33190 — summary section: "Set List 7 — Train Off the Tracks"
    Line 38036 — master index section: "SET LIST 7: TRAIN OFF THE TRACKS"
    TOTAL: 5 appearances in full-text and editorial sections

  "Extremes" appearances:
    Line 3551 — quick-ref index 1: "Set List 7 — Extremes"
    Line 36514 — quick-ref index 2: "Set List 7 — Extremes"
    TOTAL: 2 appearances, both in quick-reference index sections only

RESOLUTION UNDER CONTENT > PLACEMENT/ORDER RULE:
  "Train Off the Tracks" wins by:
    - Higher source frequency (5 vs 2)
    - Appears in full-text sections (higher authority)
    - Appears in Rolling Stone editorial (highest editorial authority)
    - Appears in master index section
    - "Extremes" appears only in older quick-reference index sections (lower authority)

CANONICAL TITLE: SET LIST 7 — TRAIN OFF THE TRACKS — ALL-IN-ONE ✅

ADDITIONAL TYPO NOTED:
  Line 21553: "TRAIN OF THE TRACKS" (missing "OFF")
  Single occurrence. Discard — extraction/transcription typo, not a title variant.

--------------------------------------------------------------------------------
6.2 TRACK VERIFICATION
--------------------------------------------------------------------------------

SOURCE LOCATIONS CROSS-REFERENCED:
  Location A: Line 21481 (full-text section header)
  Location B: Line 21563 (full-text repeated listing with lyrics)
  Location C: Line 38036 (master index section)
  Location D: Line 3551 (quick-ref index 1 — "Extremes" label)
  Location E: Line 36514 (quick-ref index 2 — "Extremes" label)

TRACK LIST — ALL 5 LOCATIONS CONFIRMED IDENTICAL:

  Track 1:  Corey Story
  Track 2:  Daddy Taught Me
  Track 3:  Shadow Of Smoke          [title-case variant — see Section 9]
  Track 4:  Wheat and Chaff          [title-case variant — see Section 9]
  Track 5:  Midas Touch
  Track 6:  Sniper's Song
  Track 7:  Quest For Immortality
  Track 8:  Innocence Lost
  Track 9:  Betrayal
  Track 10: A Cop Asked the Witnesses [article variant — see Section 9]
  Track 11: Dirt
  Track 12: Either Way               [NOTE: "first Part" notation — see Section 11]

TRACK COUNT: 12 ✅

NOTE ON TRACK 10 NAMING:
  "A Cop Asked the Witnesses" — full-text listings (authority)
  "Cop Asked the Witnesses" — quick-ref indexes (no article)
  "COP ASKED THE WITNESSES" — master index section (no article, all-caps)
  Canonical per full-text listings: "A Cop Asked the Witnesses"

FOUR-WORD SUMMARIES (confirmed consistent across all 3 independent index sources):
  1.  Corey Story                — Where the problem is
  2.  Daddy Taught Me            — As my daddy taught
  3.  Shadow Of Smoke            — What you see disappears
  4.  Wheat and Chaff            — What can't be taken
  5.  Midas Touch                — Turned me into gold
  6.  Sniper's Song              — You are all prey
  7.  Quest For Immortality      — Lifts the final curtain
  8.  Innocence Lost             — As soon as you're high
  9.  Betrayal                   — Betrayed by a kiss
  10. A Cop Asked the Witnesses  — She couldn't go far
  11. Dirt                       — Your little secret's worth
  12. Either Way                 — Vessel of violence live

CROSS-SOURCE SUMMARY CONSISTENCY: PERFECT ALIGNMENT across all 3 indexes ✅

--------------------------------------------------------------------------------
6.3 GX VERIFICATION — FULL INVESTIGATION
--------------------------------------------------------------------------------

See Section 8 for complete GX investigation. Summary here:

RATINGS FROM BOTH QUICK-REF INDEXES (identical):
  Track 1:  Corey Story                PG-13 (2)
  Track 2:  Daddy Taught Me            PG-13 (2)
  Track 3:  Shadow Of Smoke            PG-13 (2)
  Track 4:  Wheat and Chaff            PG-13 (2)
  Track 5:  Midas Touch                PG-13 (2)
  Track 6:  Sniper's Song              NC-17 (4)
  Track 7:  Quest For Immortality      NC-17 (4)
  Track 8:  Innocence Lost             PG-13 (2)
  Track 9:  Betrayal                   NC-17 (4)
  Track 10: A Cop Asked the Witnesses  PG-13 (2)
  Track 11: Dirt                       PG-13 (2)
  Track 12: Either Way                 NC-17 (4)

CALCULATED TOTAL: 8×PG-13(2) + 4×NC-17(4) = 16 + 16 = 32
SOURCE STATED TOTAL (all 4 source appearances): 30
DISCREPANCY: +2 (calculated exceeds stated by 2)

DISCREPANCY CONFIRMED: All 4 source appearances state 30. No source gives 32.
This means the individual ratings as listed in the index contain at least one
error — not the stated total.

GX COMPARISON ACROSS VERIFIED SET LISTS:
  SL4: calculated 24, stated 24 — EXACT MATCH ✅
  SL5: calculated 33, stated 33 — EXACT MATCH ✅
  SL6: calculated 26, stated 26 — EXACT MATCH ✅
  SL7: calculated 32, stated 30 — DISCREPANCY ⚠️

CONCLUSION: SL7 discrepancy is NOT systemic across the pipeline. It is isolated
to SL7 only. The prior session's X-1 systemic pattern does not appear active in
SL4–SL6.

ROOT CAUSE ANALYSIS:
  For stated total of 30 to be correct, exactly 2 points must be removed.
  Options:
    A) Two NC-17(4) tracks should actually be R(3) — saves 2 points = 30 ✅
    B) One NC-17(4) should be R(3) AND one PG-13(2) should be PG(1) — saves 2 = 30 ✅
    C) One NC-17(4) should be PG-13(2) — saves 2 points = 30 ✅ (less likely — large jump)

  Option A is most probable. Candidates for R(3) vs NC-17(4):

  EITHER WAY (Track 12):
    Four-word summary: "Vessel of violence" — suggests NC-17
    Actual lyric content: emotional isolation, identity struggle, fatalism,
    no explicit violence enacted by narrator. Ends with romantic longing.
    Category placements: DEPRESSING and LONELINESS only.
    No violence-related category placement.
    Rating system definition check: NC-17 = "explicit content with artistic merit"
    R = "First-person narrator committing crimes without clear anti-glorification framing"
    Assessment: Either Way's lyrics do not depict a narrator committing crimes.
    The "vessel of violence" summary may be metaphorical/figurative.
    PROBABLE ACTUAL RATING: R(3)

  QUEST FOR IMMORTALITY (Track 7):
    Four-word summary: "Lifts the final curtain" — ambiguous
    Actual lyric content: Opens with violent ideation ("drop the bomb," "people in
    the oven") but narrator explicitly retreats mid-poem: "Nah, I told myself / I've
    got to give in / And live on the same grid as the competition" and "maybe my
    hatred would mend / So I'll keep on searching for another solution."
    The violent language is framed as a temptation being resisted, not enacted.
    Narrator ends in self-doubt and resignation, not violence.
    Category placements: INTERNAL STRUGGLE and TOM LEGACY.
    No violence or death category placement.
    Assessment: Violent ideation without enacted violence, with explicit retreat.
    PROBABLE ACTUAL RATING: R(3)

  SNIPER'S SONG (Track 6):
    First-person sniper narrator, mass violence enacted throughout.
    "I am God, I am death" — no anti-glorification framing.
    Lifted from DC Sniper case (per Rolling Stone editorial).
    Category placements: DEATH, SOCIAL ISSUES, CONTROVERSIAL, HISTORICAL.
    This is definitively NC-17(4). No change recommended.

  BETRAYAL (Track 9):
    Explicit sexual assault of a minor, physical violence, pregnancy from rape.
    Definitively NC-17(4). No change recommended.

  COMBINED ASSESSMENT:
    If Either Way = R(3) AND Quest For Immortality = R(3):
    8×PG-13(2) + 2×NC-17(4) + 2×R(3) = 16 + 8 + 6 = 30 ✅ EXACT MATCH

STATUS: ⏸️ ESCALATED TO TOM
  Confirm whether Either Way and Quest For Immortality are R(3) or NC-17(4).
  If both are R, GX = 30 exactly and discrepancy is fully resolved.

--------------------------------------------------------------------------------
6.4 ARTIST COMPARISONS
--------------------------------------------------------------------------------

Randy Newman, Tom Waits, Bruce Springsteen — consistent across all appearances ✅
One appearance adds "Bruce Springsteen (Nebraska)" — parenthetical album
reference is supplementary context, not a conflicting entry.

--------------------------------------------------------------------------------
6.5 STRATEGIC ARC
--------------------------------------------------------------------------------

Source: "Mass violence fantasies, child sexual assault, sniper imagery. NC-17 heavy."
  [Note: This description uses "NC-17 heavy" which may indicate some tracks are
  not NC-17 — supports the R-downgrade analysis above.]
Confirmed consistent across all 4 appearances. ✅

--------------------------------------------------------------------------------
6.6 COLLECTION SUMMARY
--------------------------------------------------------------------------------

Source: "The most severe, confrontational, and psychologically destabilizing set
in the catalog. This material refuses comfort, resolution, or moral framing —
existing as documentation of human damage as it occurs."
Confirmed consistent across all 4 appearances. ✅

--------------------------------------------------------------------------------
6.7 TRIGGER WARNINGS
--------------------------------------------------------------------------------

EXTREME CONTENT WARNING — SET LIST SEVEN (7) [confirmed line 21498]

Major and severe triggers present:
  - Explicit and graphic depictions of sexual assault and rape
  - Child abuse, grooming behaviors, exploitation, and ideological indoctrination
  - Suicide, self-annihilation ideation, and fixation on death
  - Mass violence fantasies, gun violence, sniper imagery, and premeditated harm
  - Domestic violence, coercive control, and emotional imprisonment
  - Religious extremism, spiritual abuse, and authoritarian belief systems
  - Dissociation, psychological fragmentation, psychosis, and identity collapse
  - Moral nihilism, dehumanization, and ethical disintegration

Additional distress factors:
  - Prolonged exposure to threatening or violent inner monologues
  - Lack of narrative closure or moral positioning
  - Repetition of harmful imagery without relief
  - Emotional detachment that may feel cold, clinical, or invasive

Important note: "Set List Seven does not offer healing, insight, or reconciliation."
  This is intentional and integral to the structure of the set.

Listener advisory: "Listener discretion is not optional — it is mandatory."

Confirmed consistent and appropriate to lyric content. ✅

--------------------------------------------------------------------------------
6.8 LYRICS CONTENT VERIFICATION
--------------------------------------------------------------------------------

Full lyrics extracted and verified for tracks 1–11.
Track 12 — Either Way — partial only (see Section 11).

Notable content verification notes by track:

  Track 1 — Corey Story: Domestic neglect, absent parenting, class commentary.
    "All you need's a @#$% to be a father but it takes balls to be a dad."
    Clean narrative PG-13 — rating confirmed appropriate.

  Track 2 — Daddy Taught Me: KKK indoctrination from childhood perspective.
    Narrator unaware they are describing hate crimes ("We'd march in parades /
    Then we'd set fire to the crosses we made"). Deeply disturbing via naivety.
    "I love the Halloween... we had it twenty times a year / For some reason I
    was always a ghost." PG-13 rating confirmed — no explicit violence depicted,
    indoctrination implied not enacted.

  Track 3 — Shadow Of Smoke: Grief, isolation, vanishing identity.
    "I've lost my soul through the horrors I've seen." PG-13 appropriate.

  Track 4 — Wheat and Chaff: Suicide elegy, clearly Anthony Bourdain reference
    per RS editorial ("haunted by the quiet collapse of Anthony Bourdain").
    "Your suicide was glorified like a police chase on the news."
    PG-13 appropriate — death by suicide referenced, not depicted.

  Track 5 — Midas Touch: Death, transformation, life/death duality.
    "A face once beautiful is now pale and blue." PG-13 appropriate.

  Track 6 — Sniper's Song: First-person mass shooter perspective. Episodic
    time structure (8 AM, 9 AM, 10 AM). Based on DC Sniper case per RS editorial.
    "I am God, I am death, I am your old age." NC-17 confirmed.

  Track 7 — Quest For Immortality: Violent ideation with retreat/self-doubt.
    Bomb imagery, "people in the oven" — but narrator pulls back: "Nah, I told
    myself I've got to give in." Ends: "Better go and grab the gun / And see
    how fast these clowns can run" — then immediately: "No, not everybody's
    presence is a gift / Yet still you've got to learn to live with it."
    Ambiguous final stance. See GX investigation above.

  Track 8 — Innocence Lost: Park meditation, loss of childhood wonder.
    "As soon as you're high / Something brings you down." Melancholic but not
    extreme. PG-13 appropriate. No evidence of sexual content despite title —
    "innocence" refers to childhood naivety, not sexual innocence.

  Track 9 — Betrayal: Explicit rape of a minor, physical assault, resulting
    pregnancy. Victim's perspective throughout. Haunting final stanza about
    a voice "that will speak no more" — suicidal ideation implied.
    NC-17 confirmed and appropriate.

  Track 10 — A Cop Asked the Witnesses: Hit-and-run death narrative.
    Father killed, family destroyed. "It's hard to be rejoiceful when daddy
    didn't live." PG-13 appropriate.

  Track 11 — Dirt: Secrets, shame, exposure. Metaphorical/indirect content.
    "Who's got the dirt on you?" No explicit violence. PG-13 appropriate.

  Track 12 — Either Way: Partial lyrics only — see Section 11.

--------------------------------------------------------------------------------
6.9 CATEGORY ASSIGNMENTS
--------------------------------------------------------------------------------

Confirmed from master category index:

  INTERNAL STRUGGLE:
    Midas Touch, Shadow Of Smoke, Quest For Immortality ✅

  DEPRESSING:
    Betrayal, Corey Story, Daddy Taught Me, Dirt, Innocence Lost,
    Midas Touch, Shadow Of Smoke, Wheat And Chaff, Either Way ✅

  DEATH:
    Betrayal, Corey Story, Sniper's Song, Wheat And Chaff ✅

  SOCIAL ISSUES:
    Betrayal, Cop Asked The Witnesses, Corey Story, Daddy Taught Me,
    Innocence Lost, Midas Touch, Sniper's Song, Wheat And Chaff ✅

  HISTORICAL:
    Cop Asked The Witnesses, Daddy Taught Me, Sniper's Song ✅

  CONTROVERSIAL:
    Sniper's Song ✅

  LONELINESS:
    Either Way ✅

  TOM LEGACY:
    Midas Touch, Quest For Immortality ✅

  RELATIONSHIPS:
    Betrayal ✅

  NOTE: Sniper's Song appears in SOCIAL ISSUES across two separate index
  sections (appears twice in that category). This is a duplicate entry in
  the index, not a conflict. Flag for cleanup but not a corruption issue.

--------------------------------------------------------------------------------
6.10 ROLLING STONE EDITORIAL
--------------------------------------------------------------------------------

STATUS: ✅ VALID — with flag

  Location: Line 32605 — correctly labeled "SET LIST SEVEN — TRAIN OFF THE TRACKS"
  No mislabeling or migration artifact detected.

  Tracks covered in editorial: 1–6 only
    (Corey Story, Daddy Taught Me, Shadow of Smoke, Wheat and Chaff,
    Midas Touch, Sniper's Song)

  Tracks NOT covered: 7–12
    (Quest For Immortality, Innocence Lost, Betrayal, A Cop Asked the Witnesses,
    Dirt, Either Way)

  CRITICAL OBSERVATION: The editorial says "Sniper's Song lands LAST and coldest."
  Sniper's Song is Track 6 of 12, not last. This language indicates the editorial
  was written when Set List 7 contained only 6 tracks. Tracks 7–12 were added
  to the set after the editorial was written and the editorial was never updated.

  PIPELINE INSTRUCTION for White Claude 2:
    Rolling Stone editorial is valid for tracks 1–6.
    Tracks 7–12 have no editorial coverage in the source.
    Either generate supplemental editorial language or flag for Tom.

--------------------------------------------------------------------------------
6.11 SET LIST 7 FINAL STATUS SUMMARY
--------------------------------------------------------------------------------

  Title confirmed (Train Off the Tracks): ✅
  Track count (12):                       ✅
  GX total:                               ⚠️ Stated: 30 / Calculated: 32
                                             Either Way + Quest For Immortality
                                             probable R(3) not NC-17(4)
  Four-word summaries:                    ✅ Perfect cross-source consistency
  Artist comparisons:                     ✅
  Trigger warnings:                       ✅
  Full lyrics:                            ⚠️ Either Way partial only
  Category assignments:                   ✅
  Rolling Stone editorial:                ⚠️ Valid but covers tracks 1–6 only
  Canonical spellings:                    ✅ minor title-case variants only

SET LIST 7 — VERIFIED ✅
OPEN ITEMS: 3 flags for Tom + 1 pipeline note


================================================================================
SECTION 7: ROLLING STONE EDITORIAL INVESTIGATION — FULL FINDINGS
================================================================================

--------------------------------------------------------------------------------
7.1 SET LIST 6 EDITORIAL INVESTIGATION
--------------------------------------------------------------------------------

ANOMALY DETECTED:
  The Rolling Stone-style editorial section in the source document labeled
  "SET LIST SIX — DEFINITELY NOT LOVE" (line 32589) does not describe the
  tracks belonging to Set List 6.

EDITORIAL CONTENT:
  The editorial references: Hideaway, Look Her Up, No Thanks Babe, In a Jiffy,
  Fifty Ways, She Don't Cum Easy.

  The tone is: "women, booze, and total denial," humor with underlying bruises,
  temptation, isolation, longing, "fifty raw, graphic, wildly inventive ways to
  copulate with your lover, straddling the line between satire and softcore
  instruction manual."

INVESTIGATION PROCESS:
  Black Claude 1 searched for all appearances of each track named in the editorial:
    - Hideaway: found at line 3854, 22846, 32074, 32593, 36809
    - Look Her Up: found at line 3846, 22845, 32595, 36801
    - No Thanks Babe: found at line 3838, 22844, 32595, 36793
    - In a Jiffy: found at line 3862, 22848, 32598, 36817
    - Fifty Ways: found at line 3872, 22849, 32582, 36825
    - She Don't Cum Easy: found at line 22851

DEFINITIVE CONFIRMATION:
  All tracks named in the editorial confirmed as belonging to
  SET LIST 5 — LIVING À LA MODE.
  Confirmed at line 22844: "LIVING A LA MODE / SET LIST FIVE (5)" followed by
  track list including No Thanks Babe, Look Her Up, Hideaway, In a Jiffy,
  Fifty Ways, She Don't Cum Easy in sequence.

ROOT CAUSE DETERMINATION:
  The Rolling Stone editorial section appears to have been written sequentially
  and the Set List 5 editorial content migrated forward one slot in the
  sequence, occupying the Set List 6 position.

  Context confirms this: The passage at lines 32560–32605 shows:
    Line 32560-32573: SL4 editorial (Partner to the Crime)
    Line 32574-32589: SL5 editorial (Living à la Mode) — correctly placed
    Line 32589-32605: LABELED as SL6 but contains SL5 content — MISLABELED
    Line 32605-32640: SL7 editorial (Train Off the Tracks) — correctly placed

  Wait — re-reading: The SL5 editorial at 32574 AND the editorial at 32589
  both describe SL5 content. This means the SL5 content appears TWICE:
  once correctly (as SL5) and once mislabeled (as SL6).
  The true SL6 editorial is simply absent — it was never written or was lost.

VERDICT:
  - The editorial labeled SL6 is a duplicate/mislabeled SL5 editorial.
  - Set List 6 — Definitely Not Love — has NO Rolling Stone editorial in the source.
  - Under CONTENT > placement/order: SL5 tracks = SL5 content. Cannot be used for SL6.

PIPELINE INSTRUCTION:
  White Claude 2: Set List 6's Rolling Stone editorial block is MISSING from source.
  Do not use the mislabeled SL5 content. Either:
    A) Generate editorial for SL6 (Definitely Not Love) fresh, or
    B) Flag for Tom to write/approve.

--------------------------------------------------------------------------------
7.2 SET LIST 7 EDITORIAL INVESTIGATION
--------------------------------------------------------------------------------

STATUS: VALID EDITORIAL CONFIRMED (with coverage gap)

  The editorial at line 32605 is correctly labeled SET LIST SEVEN — TRAIN OFF
  THE TRACKS and describes actual Set List 7 tracks only.

  COVERAGE GAP:
    "Sniper's Song lands LAST and coldest" — Sniper's Song is Track 6 of 12.
    This language confirms the editorial was written for an earlier 6-track
    version of Set List 7. When tracks 7–12 were added to the set, the
    editorial was not updated.

  This is NOT a mislabeling artifact. It is a truncation artifact —
  the editorial is genuine for its era but incomplete for the current 12-track set.

--------------------------------------------------------------------------------
7.3 EDITORIAL PATTERN ANALYSIS
--------------------------------------------------------------------------------

Two distinct Rolling Stone editorial failure modes identified:

  MODE 1 — SLOT MIGRATION (Set List 6):
    Content from one set occupies the editorial slot of the next set.
    The displaced set ends up with no editorial at all.
    Detection method: Track names in editorial don't match track list for that set.

  MODE 2 — TRUNCATION (Set List 7):
    Editorial was written for an earlier, shorter version of the set.
    Later tracks added to the set have no editorial coverage.
    Detection method: "Lands last" language applied to a non-final track.

  RECOMMENDED QA CHECK FOR ALL REMAINING SET LISTS:
    A) Verify editorial track names match the track list for that set.
    B) Verify "last" or "closes" language refers to actual final tracks.
    C) Check track count referenced in editorial vs actual track count.


================================================================================
SECTION 8: GX DISCREPANCY INVESTIGATION — FULL ANALYSIS
================================================================================

--------------------------------------------------------------------------------
8.1 SCOPE OF INVESTIGATION
--------------------------------------------------------------------------------

Investigated GX totals for: SL4, SL5, SL6, SL7
Purpose: Determine if prior-session systemic GX discrepancy is still active,
and to resolve SL7's specific discrepancy.

--------------------------------------------------------------------------------
8.2 RESULTS BY SET LIST
--------------------------------------------------------------------------------

SET LIST 4 — PARTNERED TO THE CRIME (title pending Tom confirmation):
  Track count: 12
  All ratings: PG-13 (2 points each)
  Calculated: 12 × 2 = 24
  Source stated: 24
  Result: EXACT MATCH ✅

SET LIST 5 — LIVING À LA MODE:
  Track ratings:
    Mic Drop: X (5)
    One Night Stan: PG-13 (2)
    Meet Michael Hawk: PG-13 (2)
    There It Goes: PG-13 (2)
    Living Large: PG-13 (2)
    No Thanks Babe: PG-13 (2)
    Look Her Up: PG-13 (2)
    Hideaway: PG-13 (2)
    In a Jiffy: PG-13 (2)
    Fifty Ways: X (5)
    She Don't Come Easy: X (5)
    Cinnabon Girl: PG-13 (2)
  Calculated: 5+2+2+2+2+2+2+2+2+5+5+2 = 33
  Source stated: 33
  Result: EXACT MATCH ✅

SET LIST 6 — DEFINITELY NOT LOVE:
  Track count: 13
  All ratings: PG-13 (2 points each)
  Calculated: 13 × 2 = 26
  Source stated: 26
  Result: EXACT MATCH ✅

SET LIST 7 — TRAIN OFF THE TRACKS:
  Track ratings per both indexes:
    PG-13 tracks (8): Corey Story, Daddy Taught Me, Shadow Of Smoke,
                      Wheat and Chaff, Midas Touch, Innocence Lost,
                      Cop Asked the Witnesses, Dirt
    NC-17 tracks (4): Sniper's Song, Quest For Immortality,
                      Betrayal, Either Way
  Calculated: 8×2 + 4×4 = 16+16 = 32
  Source stated (all 4 source appearances): 30
  Result: DISCREPANCY — calculated exceeds stated by 2 ⚠️

--------------------------------------------------------------------------------
8.3 SYSTEMIC PATTERN ASSESSMENT
--------------------------------------------------------------------------------

Prior session documented a systemic X-1 pattern across Song Lists 1–10.
Current session:
  SL4: exact ✅
  SL5: exact ✅
  SL6: exact ✅
  SL7: +2 discrepancy (not +1)

CONCLUSION: The X-1 systemic pattern from prior Song List session does NOT
appear to be active in Set Lists 4–6. SL7's discrepancy is unique in magnitude
(+2) and appears to be specific to SL7.

The most likely explanation is that 2 tracks were individually mis-assigned
to NC-17 when their content warrants R. See full analysis in Section 6.3.

--------------------------------------------------------------------------------
8.4 PENDING RESOLUTION
--------------------------------------------------------------------------------

⏸️ AWAITING TOM CONFIRMATION:
  Either Way (Track 12): probable R(3) based on lyric content analysis
  Quest For Immortality (Track 7): probable R(3) based on lyric content analysis
  If confirmed: 8×PG-13(2) + 2×NC-17(4) + 2×R(3) = 16+8+6 = 30 ✅ EXACT MATCH


================================================================================
SECTION 9: CANONICAL SPELLING STABILIZATION LOG
================================================================================

--------------------------------------------------------------------------------
9.1 SET LIST 6 SPELLING FLAGS
--------------------------------------------------------------------------------

HEART STRINGS vs HEARTSTRINGS:

  "Heart Strings" (two words) appearances:
    Line 3245: track listing quick-ref index 1
    Line 21486: full-text track listing (position 6)
    Line 21634: full-text track listing (repeated)
    Line 36220: quick-ref index 2

  "Heartstrings" (one word) appearances:
    Line 19604: trigger warning narrative text ("Heartstrings")
    Line 19617: trigger warning narrative text ("Heartstrings")
    Line 38694: category index entry

  AUTHORITY HIERARCHY:
    Track listings > trigger warning narrative text > category index
    Track listings consistently use "Heart Strings" (two words).
    Narrative/prose uses "Heartstrings" (one word) — prose convention.
    Category index uses "Heartstrings" (one word) — possible normalization.

  CANONICAL FORM: Heart Strings (two words)
  Rationale: Track listing is the authoritative naming source. Prose usage
  of one-word form is a style convention, not a title change.

  PIPELINE INSTRUCTION: White Claude 2 must use "Heart Strings" in all
  structured fields (track list, page title, navigation, metadata).
  "Heartstrings" acceptable only in continuous prose/editorial language.

--------------------------------------------------------------------------------
9.2 SET LIST 7 SPELLING FLAGS
--------------------------------------------------------------------------------

SHADOW OF SMOKE vs SHADOW OF SMOKE (title-case only):

  "Shadow of Smoke" (lowercase "of") appearances:
    Line 3581: quick-ref index 1
    Line 32610: Rolling Stone editorial (prose)
    Line 36544: quick-ref index 2

  "Shadow Of Smoke" (uppercase "Of") appearances:
    Line 21485: full-text track listing
    Line 21566: full-text repeated listing
    Line 38758: category index
    Line 39001: category index
    Line 39326: category index

  CANONICAL FORM: Shadow Of Smoke (title case)
  Rationale: Full-text track listings use title case. This is the authoritative
  naming context. Quick-ref indexes use sentence case. Category index uses title
  case. Title case is dominant and appears in highest-authority sources.

WHEAT AND CHAFF vs WHEAT AND CHAFF (title-case only):

  "Wheat and Chaff" (lowercase "and") appearances:
    Line 3589: quick-ref index 1
    Line 21486: full-text track listing
    Line 21567: full-text repeated listing
    Line 36552: quick-ref index 2

  "Wheat And Chaff" (uppercase "And") appearances:
    Line 39024: category index
    Line 39171: category index
    Line 39466: category index
    Line 39536: category index

  CANONICAL FORM: Wheat and Chaff (lowercase "and")
  Rationale: Full-text track listings use "and" (lowercase). Four category
  index entries use title case, but track listings are higher authority.
  Note: "and" is a conjunction — standard title convention typically keeps
  conjunctions lowercase. Full-text listing form is canonical.

A COP ASKED THE WITNESSES vs COP ASKED THE WITNESSES:

  "A Cop Asked the Witnesses" (with article) appearances:
    Line 21492: full-text track listing
    Line 21573: full-text repeated listing
    Line 22062: lyric header in full-text section

  "Cop Asked the Witnesses" (no article) appearances:
    Line 3635: quick-ref index 1
    Line 36598: quick-ref index 2

  "COP ASKED THE WITNESSES" (no article, all-caps) appearances:
    Line 38046: master index section
    Line 39068, 39481, 39550, 39775: category index

  CANONICAL FORM: A Cop Asked the Witnesses (with article "A")
  Rationale: Full-text listings are highest authority. All 3 full-text
  appearances include "A." Quick-ref indexes and category indexes drop it.
  The article is part of the title and should be preserved.

--------------------------------------------------------------------------------
9.3 PRIOR SESSION CANONICAL SPELLINGS (from 194-page reference document)
--------------------------------------------------------------------------------

The following canonical spellings were established in prior Black Claude 1 sessions
and are recorded here for reference:

  Gypsy Mama (not Gypsy Mamma)
  Beauties and Beasts (not Beauties and Beast)
  One Piece Missing (not Once Piece Missing)
  Multiverse (not Mulltiverse)
  Coming of Fall (not Coming off Fall)
  Sandcastles (not Sand Castles)
  Matchmaker (not Match Maker)


================================================================================
SECTION 10: CATEGORY ASSIGNMENT VERIFICATION LOG
================================================================================

--------------------------------------------------------------------------------
10.1 CATEGORY SYSTEM OVERVIEW
--------------------------------------------------------------------------------

Categories confirmed present in master index:
  INTERNAL STRUGGLE    NATURE          RELIGIOUS
  INSPIRING            SPOOF AND PARODY MISCELLANEOUS
  DEPRESSING           TOM LEGACY      SOCIAL ISSUES
  RELATIONSHIPS        DRUGS AND ALCOHOL HUMOR
  LONELINESS           RATED X         CONTROVERSIAL
  HISTORICAL           DEATH           STATE OF THE WORLD

Each track can appear in multiple categories.
Some tracks appear multiple times within the same category (duplicate entries)
— these are index cleanup issues, not corruption.

--------------------------------------------------------------------------------
10.2 SET LIST 6 CATEGORY VERIFICATION
--------------------------------------------------------------------------------

Verified placements:

  RELATIONSHIPS:
    Cry Me a River ✅  Endless Chorus ✅  Face To Face ✅
    Half Told ✅  He Said She Said ✅  Heartstrings ✅
    Jewelry Box ✅  Lament ✅  Matches To Burn ✅
    Nameless ✅  Nothing At All ✅

  INTERNAL STRUGGLE:
    Below Zero ✅  Face To Face ✅  Half Told ✅
    Heartstrings ✅  Matches To Burn ✅  Nameless ✅
    Nothing At All ✅

  DEPRESSING:
    Below Zero ✅  Endless Chorus ✅  Jewelry Box ✅
    Lament ✅  Nothing At All ✅

  LONELINESS:
    Lament ✅  Nameless ✅

  MISSING:
    ⚠️ Expired — not found in any category section
    This track has no category assignment in the master index.
    Root cause unknown — may be related to partial lyric status.
    See Section 11.

  CROSS-CATEGORY TRACKS:
    Face To Face: RELATIONSHIPS + INTERNAL STRUGGLE
    Half Told: RELATIONSHIPS + INTERNAL STRUGGLE
    Heartstrings: RELATIONSHIPS + INTERNAL STRUGGLE
    Lament: DEPRESSING + LONELINESS
    Matches To Burn: RELATIONSHIPS + INTERNAL STRUGGLE
    Nameless: RELATIONSHIPS + INTERNAL STRUGGLE + LONELINESS
    Nothing At All: RELATIONSHIPS + INTERNAL STRUGGLE + DEPRESSING

--------------------------------------------------------------------------------
10.3 SET LIST 7 CATEGORY VERIFICATION
--------------------------------------------------------------------------------

Verified placements:

  INTERNAL STRUGGLE:
    Midas Touch ✅  Shadow Of Smoke ✅  Quest For Immortality ✅

  DEPRESSING:
    Betrayal ✅  Corey Story ✅  Daddy Taught Me ✅  Dirt ✅
    Either Way ✅  Innocence Lost ✅  Midas Touch ✅
    Shadow Of Smoke ✅  Wheat And Chaff ✅

  DEATH:
    Betrayal ✅  Corey Story ✅  Sniper's Song ✅  Wheat And Chaff ✅

  SOCIAL ISSUES:
    Betrayal ✅  Cop Asked The Witnesses ✅  Corey Story ✅
    Daddy Taught Me ✅  Innocence Lost ✅  Midas Touch ✅
    Sniper's Song ✅ (appears twice in Social Issues — duplicate, not conflict)
    Wheat And Chaff ✅

  HISTORICAL:
    Cop Asked The Witnesses ✅  Daddy Taught Me ✅  Sniper's Song ✅

  CONTROVERSIAL:
    Sniper's Song ✅

  LONELINESS:
    Either Way ✅

  TOM LEGACY:
    Midas Touch ✅  Quest For Immortality ✅

  RELATIONSHIPS:
    Betrayal ✅

  NOTES:
    Sniper's Song appears in Social Issues twice across different sections.
    This is an index duplicate entry, not a content conflict. Flag for cleanup.

    Cop Asked The Witnesses appears without article "A" in all category index
    listings. This is consistent with the quick-ref index style.
    Canonical full title: A Cop Asked the Witnesses.

    Innocence Lost: Despite suggestive title, content is about loss of childhood
    wonder — not sexual innocence. Category placement in SOCIAL ISSUES and
    DEPRESSING is correct. No evidence of misclassification.

--------------------------------------------------------------------------------
10.4 CATEGORY CORRUPTION PATTERN (prior session, reference only)
--------------------------------------------------------------------------------

From 194-page reference document:
  Black Claude 1 previously identified a corrupt "Drugs & Alcohol" category
  section where relationship songs, love songs, and emotional songs appeared
  falsely categorized as Drugs & Alcohol material.

  Current session: DRUGS AND ALCOHOL category was verified for Set Lists 6 and 7.
  No contamination detected in these sets. The corruption may have been repaired,
  or may be localized to other sections of the archive.

  RECOMMENDED: When verifying Set Lists 8–24, specifically audit the
  DRUGS AND ALCOHOL category assignments to confirm corruption has been resolved.


================================================================================
SECTION 11: PARTIAL LYRIC NOTATION — PATTERN INVESTIGATION
================================================================================

--------------------------------------------------------------------------------
11.1 IDENTIFIED INSTANCES
--------------------------------------------------------------------------------

INSTANCE 1 — SET LIST 6, TRACK 1: EXPIRED
  Notation: "beginning part" (appears in full-text listings B and C)
  Notation absent from: quick-ref indexes (tracks listed simply as "Expired")
  Lyric content extracted: 9 lines, 1 stanza
  Comparison: All other SL6 tracks have multi-stanza, substantial lyrics
  Shortest comparable track in SL6 (Jewelry Box) has approximately 36 lines.
  Expired at 9 lines is the outlier by large margin.

INSTANCE 2 — SET LIST 7, TRACK 12: EITHER WAY
  Notation: "first Part" (appears in full-text listings A and B)
  Notation absent from: quick-ref indexes (tracks listed simply as "Either Way")
  Lyric content extracted: approximately 32 lines
  Compared to other SL7 tracks, Either Way is not unusually short.
  However, the "first Part" notation signals explicitly that more content exists.
  The lyrics extracted end somewhat abruptly after the romantic closing section.

--------------------------------------------------------------------------------
11.2 PATTERN ANALYSIS
--------------------------------------------------------------------------------

Both instances share the same structural behavior:
  - Notation appears in full-text track listings
  - Notation is absent from quick-reference indexes
  - Notation format varies slightly ("beginning part" vs "first Part")
  - Both indicate the extracted content is incomplete

CONCLUSION: This is a deliberate pipeline notation system, not a random artifact.
The full-text listings are annotated during extraction to flag partial content.
The quick-ref indexes do not carry this annotation — they represent target state,
not current extraction state.

The notation system appears to use different phrasings:
  "beginning part" — suggests only the opening portion was available/extracted
  "first Part" — suggests the content has known multiple parts, first retrieved

Neither phrase appeared in Set Lists 1–5 based on pipeline records from prior
session. This may mean:
  A) SL1–SL5 had complete lyrics available, or
  B) SL1–SL5 partial content was not flagged with this notation

Given the 34-album scale of the archive, additional instances of partial lyric
notation should be expected in SL8–SL24.

--------------------------------------------------------------------------------
11.3 PIPELINE INSTRUCTIONS
--------------------------------------------------------------------------------

White Claude 2:
  1. When building ALL-IN-ONE pages, do NOT treat partial lyrics as complete.
  2. Any track with "beginning part," "first Part," or similar notation in the
     source must be flagged in the generated page.
  3. Recommended: Include a note in the BLOCK 7 (FULL TEXT LYRICS) section:
     "[PARTIAL — full lyrics pending Tom source confirmation]"
  4. Do NOT pad or generate missing lyrics — these must come from Tom.

Black Claude 1:
  5. When verifying Set Lists 8–24, actively scan for partial notation patterns.
  6. Build running list of all partial-lyric tracks across the full archive.
  7. Deliver consolidated partial-lyric report to Tom when requested.


================================================================================
SECTION 12: OPEN CANON FLAGS — UNRESOLVED ITEMS
================================================================================

--------------------------------------------------------------------------------
FLAG 1: SET LIST 4 — TITLE UNRESOLVED
--------------------------------------------------------------------------------

STATUS: ⏸️ AWAITING TOM CONFIRMATION

Three competing title candidates in source document:

  "Partner to the Crime":
    Line 33180: summary section "Set List 4 — Partner to the Crime"
    Line 37310: comparative table "Set List 4 — Partner to the Crime"
    TOTAL: 2 appearances

  "Downward Spiral":
    Line 2750: quick-ref index 1 "Set List 4 — Downward Spiral"
    Line 17034: "4 Downward Spiral" (section reference)
    Line 17091: "4 Downward Spiral" (section reference)
    Line 35741: "Set List 4 — Downward Spiral"
    Line 35777: "Downward Spiral"
    Line 38666, 38936, 39316: track name appearances
    TOTAL: 8 appearances — but "Downward Spiral" is also the name of
           TRACK 4 within the set. Many of these appearances may be
           track-name references, not set title references.

  "Partnered to the Crime":
    Line 37994: "SET LIST 4: PARTNERED TO THE CRIME" — master index
    TOTAL: 1 appearance — in master index section which is high authority

COMPLICATING FACTOR — TRACK-BLEED CONTAMINATION:
  Track 4 within Set List 4 is titled "Downward Spiral."
  Multiple appearances of "Downward Spiral" as Set List 4's label may be
  the track name propagating into the Set List title field — a known archive
  corruption pattern called track-bleed contamination.
  Black Claude 1 cannot definitively separate title appearances from
  track-name appearances without Tom's confirmation.

ANALYSIS:
  "Partnered to the Crime" and "Partner to the Crime" are likely the same
  title — one with grammatical article variation. Combined they represent
  3 appearances of the "Partner(ed) to the Crime" family.
  "Partnered to the Crime" appears in the master index section (high authority).
  "Partner to the Crime" appears in summary/comparative sections.

  Under CONTENT > placement/order:
  Content of the set (addiction, domestic abuse, recovery) matches the
  "Partnered to the Crime" thematic title better than "Downward Spiral"
  (which is a specific track theme, not the collection arc).

  MOST PROBABLE CANONICAL TITLE: Partnered to the Crime OR Partner to the Crime
  But this cannot be self-resolved. Requires Tom.

REQUIRED FROM TOM:
  Confirm canonical title for Set List 4:
    A) Partner to the Crime
    B) Partnered to the Crime
    C) Downward Spiral

--------------------------------------------------------------------------------
FLAG 2: SET LIST 6 — EXPIRED LYRICS INCOMPLETE
--------------------------------------------------------------------------------

STATUS: ⚠️ PIPELINE FLAG

  Track 1 of Set List 6 (Expired) has only 9 lines of lyrics in the source.
  Notation "beginning part" confirms this is intentionally flagged as partial.
  Full lyrics required from Tom before ALL-IN-ONE page can be marked complete.

--------------------------------------------------------------------------------
FLAG 3: SET LIST 6 — EXPIRED MISSING CATEGORY ASSIGNMENT
--------------------------------------------------------------------------------

STATUS: ⚠️ PIPELINE FLAG

  Expired does not appear in any category section of the master index.
  All other Set List 6 tracks have category placements.
  May require Tom to assign appropriate categories, or may self-resolve
  when full lyrics are provided (categorization may have been deferred
  pending complete content).

  Suggested categories based on lyric content and set arc:
  RELATIONSHIPS (fading romantic connection), INTERNAL STRUGGLE (emotional
  numbness), DEPRESSING (loss of feeling). But these are suggestions only —
  Tom must confirm.

--------------------------------------------------------------------------------
FLAG 4: SET LIST 6 — ROLLING STONE EDITORIAL MISSING
--------------------------------------------------------------------------------

STATUS: ⚠️ PIPELINE FLAG

  The Set List 6 editorial slot in the source document contains mislabeled
  Set List 5 content. Set List 6 — Definitely Not Love — has NO valid
  Rolling Stone editorial in the source.

  White Claude 2 must either generate this editorial or flag for Tom.
  If generating: editorial must reflect Set List 6's actual content —
  romantic collapse, grief, post-relationship erosion, PG-13 throughout,
  Damien Rice / Elliott Smith / Leonard Cohen comparisons.

--------------------------------------------------------------------------------
FLAG 5: SET LIST 7 — GX DISCREPANCY
--------------------------------------------------------------------------------

STATUS: ⏸️ AWAITING TOM CONFIRMATION

  Source states GX total = 30.
  Calculated from individual ratings = 32.
  Delta = +2.

  Most probable resolution: Either Way (Track 12) and Quest For Immortality
  (Track 7) should be rated R(3) not NC-17(4).

  If confirmed: 8×PG-13(2) + 2×NC-17(4) + 2×R(3) = 16+8+6 = 30 ✅

  REQUIRED FROM TOM: Confirm individual ratings for Either Way and
  Quest For Immortality.

--------------------------------------------------------------------------------
FLAG 6: SET LIST 7 — EITHER WAY LYRICS INCOMPLETE
--------------------------------------------------------------------------------

STATUS: ⚠️ PIPELINE FLAG

  Track 12 of Set List 7 (Either Way) is flagged "(first Part)" in source.
  Extracted lyrics may be incomplete.
  Full lyrics required from Tom before ALL-IN-ONE page can be marked complete.

--------------------------------------------------------------------------------
FLAG 7: SET LIST 7 — ROLLING STONE EDITORIAL INCOMPLETE
--------------------------------------------------------------------------------

STATUS: ⚠️ PIPELINE FLAG

  The Set List 7 Rolling Stone editorial (correctly labeled) was written when
  the set had only 6 tracks. Tracks 7–12 have no editorial coverage.
  The editorial's "Sniper's Song lands last" language confirms the older origin.

  White Claude 2 must either generate supplemental editorial language for
  tracks 7–12 or flag for Tom to write/approve.


================================================================================
SECTION 13: CUMULATIVE SYSTEMIC PATTERN LOG
================================================================================

--------------------------------------------------------------------------------
PATTERN 1: PARTIAL LYRIC NOTATION
--------------------------------------------------------------------------------

  Description: Tracks with incomplete extracted lyrics are annotated in full-text
  listings with notation such as "(beginning part)" or "(first Part)."
  These annotations are absent from quick-reference indexes.

  Confirmed instances:
    SL6 Track 1 — Expired (beginning part)
    SL7 Track 12 — Either Way (first Part)

  Pattern status: CONFIRMED DELIBERATE NOTATION SYSTEM
  Expected: Additional instances likely in SL8–SL24.
  Risk: If not caught by verification, incomplete lyrics could be published
  as complete content on ALL-IN-ONE pages.

--------------------------------------------------------------------------------
PATTERN 2: GX DISCREPANCY (ISOLATED)
--------------------------------------------------------------------------------

  Description: Calculated GX total from individual ratings does not match
  stated collection total.

  Instances:
    SL4: No discrepancy ✅
    SL5: No discrepancy ✅
    SL6: No discrepancy ✅
    SL7: +2 discrepancy ⚠️

  Pattern status: ISOLATED TO SL7 (not systemic in current session)
  Likely cause: Two tracks (Either Way, Quest For Immortality) mis-elevated
  to NC-17 when content warrants R.
  Note: Prior session found systemic X-1 pattern in Song Lists. That pattern
  does not appear active in Set Lists 4–6 verified this session.

--------------------------------------------------------------------------------
PATTERN 3: ROLLING STONE EDITORIAL FAILURES
--------------------------------------------------------------------------------

  Description: Rolling Stone-style editorials may contain one of two failure modes:
    Mode A — Slot migration: Content from one set occupies the next set's slot.
    Mode B — Truncation: Editorial written for older shorter version of set.

  Instances:
    SL6: Mode A (SL5 content in SL6 slot; SL6 has no editorial)
    SL7: Mode B (6-track editorial for 12-track set; "Sniper's Song lands last")

  Pattern status: CONFIRMED MULTI-MODE PATTERN
  Expected: Additional instances likely in SL8–SL24.
  Detection method documented in Section 7.3.

--------------------------------------------------------------------------------
PATTERN 4: OBSOLETE TITLE IN QUICK-REFERENCE INDEXES
--------------------------------------------------------------------------------

  Description: Quick-reference indexes may retain older/retired titles for sets
  whose titles have been updated in full-text and editorial sections.

  Instances:
    SL7: "Extremes" in both quick-ref indexes vs "Train Off the Tracks"
         in all full-text and editorial sources.

  Pattern status: CONFIRMED
  Root cause: Quick-reference indexes appear to have been created at an earlier
  stage of the archive and not fully updated when titles changed.
  Resolution rule: Full-text listings and editorial headers take precedence
  over quick-reference index titles. Under CONTENT > placement/order,
  the more recent confirmed naming wins.

  Expected: Additional obsolete titles may exist in quick-ref indexes for
  other set lists. Verify against full-text sections during SL8–SL24 QA.

--------------------------------------------------------------------------------
PATTERN 5: TRACK ARTICLE INCONSISTENCY
--------------------------------------------------------------------------------

  Description: Track titles with leading articles ("A," "The") may have the
  article dropped in quick-reference indexes and category indexes, while
  full-text listings preserve the article.

  Instances:
    SL7 Track 10: "A Cop Asked the Witnesses" (full-text) vs
                  "Cop Asked the Witnesses" (quick-ref and category indexes)

  Pattern status: CONFIRMED (single instance this session)
  Resolution rule: Full-text listing form with article is canonical.

--------------------------------------------------------------------------------
PATTERN 6: TITLE-CASE VARIATION
--------------------------------------------------------------------------------

  Description: Track titles may appear with varying title case across different
  source sections. Full-text listings tend toward consistent title case.
  Quick-ref indexes and prose sections may use sentence case or mixed case.

  Instances this session:
    "Shadow of Smoke" (quick-ref) vs "Shadow Of Smoke" (full-text) — SL7
    "Wheat and Chaff" (consistent across sources — lowercase "and" canonical)
    "Heart Strings" (track listing) vs "Heartstrings" (prose/category) — SL6

  Pattern status: CONFIRMED MINOR PATTERN
  This is a style/formatting issue, not a content conflict.
  Resolution rule: Full-text track listing form is canonical for all
  structured data fields. Prose/editorial may use normalized forms.

--------------------------------------------------------------------------------
PATTERN 7: TRACK-BLEED CONTAMINATION (SUSPECTED)
--------------------------------------------------------------------------------

  Description: A track name within a set may propagate into the set title
  field, creating false title candidates.

  Suspected instance:
    SL4: "Downward Spiral" is both a track name (Track 4) and appears as
    a Set List 4 title candidate. Multiple appearances of "Downward Spiral"
    as SL4 label may be track-name references, not set title references.

  Pattern status: SUSPECTED but not confirmed (awaiting Tom canon decision)
  Risk: If not identified, a track name could be incorrectly recorded as
  the canonical Set List title.
  Detection method: Cross-reference suspected title against track list.
  If the title appears as a track within the same set, flag for Tom.

--------------------------------------------------------------------------------
PATTERN 8: CATEGORY INDEX DUPLICATE ENTRIES
--------------------------------------------------------------------------------

  Description: Some tracks appear multiple times within the same category
  section of the master index.

  Instances:
    Sniper's Song: appears twice in SOCIAL ISSUES section

  Pattern status: CONFIRMED (at least 1 instance)
  Root cause: Index was likely built additively across multiple sessions,
  with tracks added to category lists without checking for prior entries.
  This is a cleanup/formatting issue, not a content corruption.
  Expected: Additional duplicate entries likely throughout the index.

--------------------------------------------------------------------------------
PATTERN 9: EDITORIAL SLOT MISLABELING (confirmed subset of Pattern 3)
--------------------------------------------------------------------------------

  Description: The Set List 6 editorial slot contains content from Set List 5.
  The Set List 5 editorial appears to have been duplicated (once correctly,
  once mislabeled as SL6) rather than simply shifted forward.

  This means:
    - SL5 has a valid editorial (correct)
    - SL6 has no valid editorial (absent)
    - The mislabeled entry is a copy of SL5 content, not SL6 content

  Pattern status: CONFIRMED for SL6
  Expected: Other editorial slots may have similar mislabeling or absence.
  Recommend auditing all editorial slots from SL1–SL24 during pipeline.


================================================================================
SECTION 14: PIPELINE OBSERVATIONS & ARCHIVE BEHAVIOR DISCOVERIES
================================================================================

--------------------------------------------------------------------------------
14.1 MASTER ALPHABETICAL INDEX — AUTHORITY STRUCTURE
--------------------------------------------------------------------------------

The source document contains multiple index/reference sections with varying
authority levels. Black Claude 1 has established the following hierarchy:

  TIER 1 (HIGHEST AUTHORITY):
    Full-text section listings (lines 19574–22100+ for SL6/SL7)
    These sections contain complete track lists, full lyrics, extended
    trigger warnings, and full content. They represent the most complete
    and most recently prepared versions of the data.

  TIER 2:
    Master index section (lines 38022+)
    This section lists all set lists with four-word summaries but without
    full lyrics. Prepared as a reference/navigation tool. Generally consistent
    with full-text sections.

  TIER 3:
    Quick-reference indexes (lines 3193, 36180+ etc.)
    These sections appear to have been generated at an earlier stage of the
    archive development. They may retain obsolete titles, dropped articles,
    and other older formatting conventions.

  TIER 4 (LOWEST AUTHORITY for naming):
    Rolling Stone editorial section (line 32039+)
    Prose style, written for readability not precision. Track names in prose
    may use variant spellings or omit articles. Subject to temporal drift
    (written at different time than current set structure).

  TIER 5:
    Category index (lines 38620+)
    Built additively, may contain duplicates, normalization variants.
    Track names in category index may drop articles and use title case
    inconsistently.

  CONFLICT RESOLUTION ORDER: Tier 1 → Tier 2 → Tier 3 → Tier 4 → Tier 5

--------------------------------------------------------------------------------
14.2 SET LIST VS SONG LIST ARCHITECTURE OBSERVATION
--------------------------------------------------------------------------------

Set Lists and Song Lists are confirmed as SEPARATE numbering systems.
  Song Lists: 1–10
  Set Lists: 1–24

The master index at line 316 confirms: "34 collections (24 Set Lists + 10 Song Lists)"

This creates potential for confusion in the archive:
  - A "Set List 6" and "Song List 6" both exist.
  - Without explicit "Set List" or "Song List" prefix, numbers are ambiguous.
  - All pipeline references MUST include the full prefix to avoid confusion.

Song List 6 = Undertows and Afterglows (different content entirely)
Set List 6 = Definitely Not Love

--------------------------------------------------------------------------------
14.3 ARCHIVE SCALE OBSERVATION
--------------------------------------------------------------------------------

  34 total collections × average 12–13 tracks = approximately 420–440 tracks
  Master index references "all 434 titles" (from 194-page reference document)
  Current verification: Set Lists 6–7 completed this session (SL1–5 prior session)
  Remaining: Set Lists 8–24 (17 set lists), Song Lists 1–10 (all prior session)
  The archive is large enough that systemic errors can propagate across
  many entries before being detected. Verification integrity remains essential.

--------------------------------------------------------------------------------
14.4 TEMPORAL LAYERING OF THE ARCHIVE
--------------------------------------------------------------------------------

The source document contains content from multiple time periods:
  - Early quick-reference indexes (older conventions, may have outdated titles)
  - Full-text sections (most complete, most recent)
  - Rolling Stone editorials (written at specific moments in archive history,
    may not reflect final set structures)
  - Category index (built additively over time, may have legacy entries)

This temporal layering is the root cause of most conflicts detected this session.
The CONTENT > placement/order rule correctly addresses this by directing
verification logic to use content consistency over structural position.

--------------------------------------------------------------------------------
14.5 THE "EITHER WAY" TITLE AMBIGUITY
--------------------------------------------------------------------------------

"Either Way" as a Set List 7 track title creates potential confusion with
the phrase "either way" as common English. In any pipeline output or reference
document where "either way" appears in prose near Set List 7 content, the
phrase should be distinguished from the track title.

Recommendation: In ALL-IN-ONE pages, track titles should always appear in
bold or quotes to distinguish from prose usage.

--------------------------------------------------------------------------------
14.6 INNOCENCE LOST — TITLE VS CONTENT NOTE
--------------------------------------------------------------------------------

Track 8 of Set List 7 (Innocence Lost) has a title that could suggest
sexual innocence or abuse content. The full lyrics confirm this track is
about loss of childhood wonder and the melancholy of adult awareness — not
sexual content. This distinction matters for:
  - Trigger warning accuracy (no sexual content flags needed for this track)
  - Category assignment (correctly in DEPRESSING/SOCIAL ISSUES, not sexual)
  - Page metadata (should not appear in adult content index based on title alone)

--------------------------------------------------------------------------------
14.7 DADDY TAUGHT ME — CONTENT SENSITIVITY NOTE
--------------------------------------------------------------------------------

Track 2 of Set List 7 depicts KKK indoctrination from the perspective of a
child who does not understand what they are participating in. The narrator
describes cross burnings as fun holiday activities. The content is disturbing
precisely because of the narrator's naivety — the horror is in what is
NOT understood by the speaker.

This creates a documentation challenge: the track content is PG-13 because
no explicit violence is depicted, but the subject matter (hate group
indoctrination) is among the most sensitive in the archive. The trigger
warning correctly flags "religious extremism, spiritual abuse, and
authoritarian belief systems" — this is accurate.

Pipeline note: Any ALL-IN-ONE page for Set List 7 should ensure the trigger
warning for Daddy Taught Me specifically mentions racial extremism and
hate group indoctrination, not just generic "religious extremism."

--------------------------------------------------------------------------------
14.8 SNIPER'S SONG — REAL-WORLD SOURCE NOTE
--------------------------------------------------------------------------------

Per Rolling Stone editorial (line 32615-32617):
"lifted directly from The Washington Post, October 4, 2002, when the DC
Sniper left a note at the scene and the country held its breath."

This confirms the track has a documented real-world source event.
The 2002 DC Sniper attacks (John Allen Muhammad and Lee Boyd Malvo)
resulted in 10 deaths across the Washington DC area.

Pipeline note: The ALL-IN-ONE page for Set List 7 should acknowledge the
real-world source event in whatever editorial/context block is appropriate.
This also means the track's NC-17 rating is definitively correct — it is
directly sourced from real mass murder events.


================================================================================
SECTION 15: VERIFICATION LOGIC & METHODOLOGY
================================================================================

--------------------------------------------------------------------------------
15.1 CORE VERIFICATION PRINCIPLES
--------------------------------------------------------------------------------

1. CONTENT > PLACEMENT/ORDER
   Issued by Tom during this session. When structural position conflicts with
   content, content wins. Repeated consistent content is the canon anchor.
   Newest confirmed naming + repeated source consistency wins.

2. MULTI-SOURCE CROSS-REFERENCING
   No single source is treated as authoritative in isolation. Every verification
   decision is based on cross-referencing at least 3 independent source locations.
   When all sources agree: confident verification.
   When sources disagree: flag with frequency count and authority tier analysis.

3. AUTHORITY HIERARCHY (see Section 14.1)
   Full-text sections > Master index > Quick-ref indexes > Editorials > Category index.
   Conflicts resolved by this hierarchy when CONTENT rule doesn't resolve first.

4. GX MATHEMATICAL VERIFICATION
   Every collection total is independently calculated from individual track ratings.
   Calculated total is compared to stated total.
   Any discrepancy triggers full investigation of individual ratings.
   Discrepancy is not assumed to be in the stated total — it may be in the
   individual ratings as listed.

5. CANONICAL FORM DECISION LOGIC
   For title variants: Track listing form (Tier 1) is canonical for all
   structured data. Prose/editorial forms acceptable in continuous text.
   For article variants: Full-text listing form with article is canonical.
   For title-case variants: Title case is canonical for structured fields.

6. PARTIAL LYRIC DETECTION
   All tracks are evaluated for partial lyric notation in source.
   Notation "(beginning part)" or "(first Part)" or similar triggers flag.
   Partial lyrics are never treated as complete for pipeline purposes.
   White Claude 2 is instructed to mark partial tracks explicitly on ALL-IN-ONE pages.

7. ROLLING STONE EDITORIAL VERIFICATION
   Every editorial is verified by:
     A) Checking that track names mentioned in editorial match the track list
     B) Checking that "last" or "closes" language refers to actual final tracks
     C) Checking editorial track coverage (how many of N tracks are covered)
   Failure in A = slot migration artifact
   Failure in B = truncation artifact (older version of set)
   Failure in C = coverage gap (editorial written before set was finalized)

8. CATEGORY CONTAMINATION DETECTION
   Category index is checked for:
     A) Tracks appearing in categories inconsistent with content
     B) Duplicate entries within a single category
     C) Tracks missing from all categories
   Prior session detected Drugs & Alcohol contamination (relationship songs
   mislabeled). Current session: no contamination in SL6/SL7.
   DRUGS AND ALCOHOL category should be specifically audited in SL8–SL24.

9. TRACK-BLEED CONTAMINATION DETECTION
   When a suspected Set List title matches a track name within that same set,
   flag for Tom confirmation before accepting the title.
   SL4 "Downward Spiral" is the confirmed active instance.

10. ESCALATION PROTOCOL
    Issues that cannot be self-resolved are escalated to Tom with:
      - Full evidence (source locations, frequency counts, authority tiers)
      - Specific options for Tom to choose between
      - Black Claude 1's recommendation where one can be made
    Issues are never silently resolved by assumption.
    Verification integrity is priority over speed.

--------------------------------------------------------------------------------
15.2 VERIFICATION SEQUENCE FOR REMAINING SET LISTS
--------------------------------------------------------------------------------

For each remaining Set List (SL8–SL24), Black Claude 1 will:

  STEP 1: Title verification
    - Search all title appearances
    - Compare quick-ref index title vs full-text title
    - Flag any discrepancy with frequency count
    - Apply CONTENT > placement/order rule

  STEP 2: Track list verification
    - Extract track list from minimum 3 sources
    - Confirm count and order consistency
    - Flag any track name variants
    - Apply canonical form rules

  STEP 3: GX verification
    - Extract individual ratings from all sources
    - Calculate independent total
    - Compare to stated total
    - Investigate any discrepancy per methodology above

  STEP 4: Partial lyric scan
    - Check for "(beginning part)," "(first Part)," or similar notations
    - Flag all partial tracks

  STEP 5: Artist comparisons
    - Confirm consistent across all appearances

  STEP 6: Trigger warning verification
    - Confirm internal consistency
    - Verify against actual lyric content for key claims

  STEP 7: Rolling Stone editorial verification
    - Confirm correct label
    - Verify track names match track list
    - Verify "last" language refers to final track
    - Confirm coverage (which tracks are addressed)

  STEP 8: Category verification
    - Extract all category placements for each track
    - Flag missing category assignments
    - Flag potential contamination
    - Flag duplicate entries

  STEP 9: Canonical spelling
    - Note all title-case and variant-form inconsistencies
    - Apply hierarchy: full-text listing form is canonical

  STEP 10: Compile QA report
    - Full status table
    - All flags with resolution status
    - Escalated items for Tom
    - Pipeline instructions for White Claude 2


================================================================================
END OF BLACK CLAUDE 1 MASTER SESSION DUMP
================================================================================

VERIFICATION PIPELINE STATUS:
  Song Lists 1–10:    ✅ COMPLETED (prior session)
  Set Lists 1–5:      ✅ COMPLETED (prior session)
  Set List 6:         ✅ VERIFIED (this session) — 3 open flags
  Set List 7:         ✅ VERIFIED (this session) — 3 open flags for Tom + 1 pipeline
  Set Lists 8–24:     ⏳ PENDING

OPEN FLAGS REQUIRING TOM CONFIRMATION:
  1. Set List 4 title: Partner to the Crime / Partnered to the Crime / Downward Spiral
  2. Set List 7 GX: Either Way rating (R or NC-17)
  3. Set List 7 GX: Quest For Immortality rating (R or NC-17)

PIPELINE FLAGS FOR WHITE CLAUDE 2:
  1. SL6 Expired: partial lyrics — flag in ALL-IN-ONE
  2. SL6 Expired: missing category assignment — flag or seek Tom input
  3. SL6: Rolling Stone editorial absent — generate or flag for Tom
  4. SL7 Either Way: partial lyrics — flag in ALL-IN-ONE
  5. SL7: Rolling Stone editorial covers tracks 1–6 only — supplement needed

STANDING BY FOR: SET LIST 8 — BOSS LOGIC
================================================================================

################################################################################
# v2 CHRONOLOGICAL SESSION LOG AND EXPANDED REFERENCE — APPENDED BELOW
################################################################################

================================================================================
BLACK CLAUDE 1 — MASTER SESSION DUMP v2
FULL ARCHIVAL CHECKPOINT — COLLABORHYTHM / COLLABTUNES QA PIPELINE
================================================================================
Checkpoint created: Active session — May 8, 2026
Trigger: FINAL PRIORITY SHIFT — MASTER SESSION PRESERVATION MODE
Scope: All operationally significant findings, chronological where possible
Format: Raw operational detail preserved. No compression.
Previous dump: BLACK_CLAUDE_1_MASTER_DUMP.txt (v1, 1927 lines, 85939 bytes)
This file: SUPERSEDES v1. Contains all v1 content plus full chronological
           session log, discovery chain, context, and operational notes
           not captured in v1.
================================================================================

SOURCE DOCUMENTS IN ACTIVE USE:
  PRIMARY CONTENT SOURCE:
    File: 34_ALBUMS_BOOKS_1_and_2_back_to_back.pdf
    Pages: 903
    Producer: iLovePDF
    Created: ~April 16, 2026
    Contains: Full lyrics, track lists, ratings, trigger warnings, categories,
              GX scores, Rolling Stone-style editorials, master alphabetical
              index, quick-reference indexes, catalog guide, book 1 and book 2
              content back to back

  ARCHITECTURE/PLANNING REFERENCE:
    File: 194_PAGES_TO_FINISH_OUR_SHIT_PLAN_on_PDF.pdf
    Pages: 208 (note: file name says 194 but actual page count is 208)
    Producer: LibreOffice 26.2.1.2
    Created: May 8, 2026 (same session day)
    Contains: Raw voice session transcripts, architecture locking sessions,
              task delegation documents, pipeline design, role assignments,
              ChatGPT handoff documents, session summaries, phase plans,
              prior QA discoveries summary

================================================================================
PART ONE: CHRONOLOGICAL SESSION LOG
================================================================================

--------------------------------------------------------------------------------
PHASE 1: INITIALIZATION — DOCUMENT LOADING & ROLE ESTABLISHMENT
--------------------------------------------------------------------------------

TIMESTAMP: Session open

FIRST MESSAGE RECEIVED FROM TOM:
  Uploaded: 194_PAGES_TO_FINISH_OUR_SHIT_PLAN_on_PDF.pdf
  Instructions:
    - Load as canonical architecture reference
    - Load as metadata philosophy reference
    - Load as anti-drift reference
    - Load as QA stabilization reference
    - Continue SET LIST verification pipeline
    - Current verification target: SET LIST 6 — ALL-IN-ONE
    - Then continue sequentially
    - Additional QA focus: detect architecture drift, metadata corruption
      patterns, propagated category contamination, title conflicts, generator
      inconsistencies, navigation inconsistencies
    - The 194-page PDF confirms: ALL-IN-ONE philosophy, navigation-after-
      generation logic, architecture freeze rules, generator-first workflow
    - Verification only
    - "YOUR NAME IS NOW BLACK CLAUDE 1"

BLACK CLAUDE 1 FIRST RESPONSE:
  Loaded pdf-reading skill.
  Ran pdfinfo on planning document.
  Confirmed: 208 pages (not 194 as filename suggests — first minor discrepancy
  noted, consistent with file being larger than the session that named it).
  Ran pdftotext on pages 1-3 to extract summary structure.

KEY INFORMATION EXTRACTED FROM PLANNING DOCUMENT (pages 1-3 extraction):
  Pages 1–15: Session 1 Raw Voice Notes — website live walkthrough
  Pages 15–30: Task Delegation Brainstorm via ChatGPT
  Pages 30–50: Master Active Task List, Priority 1–6
  Pages 50–70: Architecture Locked: Session 2 (Voice Q&A)
  Pages 70–90: Generator Code Specs + Visual Rules
  Pages 90–110: Fast Buttons + Entry Points (25 identified)
  Pages 110–125: Architecture Stabilization Warning
    NOTE: This section flags architecture drift as #1 bottleneck
    Eight things that must be locked: All-In-One naming, real active page list,
    relationship between two main systems, what goes inside each All-In-One page,
    visual gold standard, PG-13+ index rules, search/navigation rules,
    "Do Not Touch" freeze list
  Pages 125–143: ChatGPT Handoff Document + Final Phase Plan
    5 locked decisions: page count ~200-205, SL.# notation, data pull logic,
    Start Here placement
    6-phase build order confirmed

ARCHITECTURE RULES EXTRACTED FROM PLANNING DOCUMENT:
  Critical Code Rules (non-negotiable):
    1. Yola hamburger menu ALWAYS has precedence
    2. Headers disappear on scroll
    3. Font minimum 14pt
    4. All-In-One pages have zero outbound links
    5. Single giant code block for generators
    6. Ten social media header HTML from Tom
    7. Dark backgrounds everywhere — Batman's bedroom
    8. Generator pulls from URL list first, fallback = 5 TXT files
    9. After All-In-One pages generated: FREEZE
    10. STOP EXPANSION LOOPS

ROLE ASSIGNMENT CONFIRMED (from planning document):
  Black Claude 1 = Verification / Quality Control / Metadata Auditing /
                   Canon Stabilization
  White Claude 2 = Extraction / Assembly / Content Building / ALL-IN-ONE generation
  ChatGPT = Systems coordination / HTML/CSS generation / architecture protection
  Tom = Creative director / canon authority / final approvals

INITIAL PIPELINE STATUS (as documented in planning PDF):
  Completed (prior to this session):
    Song Lists 1–10: extracted AND QA verified
    Set Lists 1–5: QA verified
    Set Lists 3–5: ALL-IN-ONE extracted
    Set List 6: "beginning extraction" (not completed)
  Active target: Set List 6 → then sequential

INITIAL QA ASSESSMENT AFTER DOCUMENT LOAD:
  Planning document does not contain Set List 6 title.
  Set List 5 confirmed as "Living À La Mode."
  Set List 6 title is NOT present in planning document.
  Cannot proceed with verification without canonical title and source content.

BLACK CLAUDE 1 STATUS REPORT ISSUED:
  ✅ QA pipeline functional
  ✅ Architecture stable
  ✅ Metadata drift detection operational
  ⏸️ Verification paused — awaiting master content source
  Stated requirements: canonical Set List 6 title, source lyrics/metadata,
                       GX/category source material
  Carried forward: SET LIST 4 title conflict (Downward Spiral /
                   Partner to the Crime / Partnered to the Crime) — unresolved
                   from prior session, leave until Tom confirms canon

--------------------------------------------------------------------------------
PHASE 2: MASTER SOURCE DOCUMENT LOADED
--------------------------------------------------------------------------------

SECOND MESSAGE RECEIVED FROM TOM:
  Uploaded: 34_ALBUMS_BOOKS_1_and_2_back_to_back.pdf
  Instructions:
    - Black Claude 1 assessment was correct
    - Do NOT verify without canonical title, lyrics, source material
    - Maintain unresolved canon flag for Set List 4
    - Leave unresolved until Tom confirms
    - Once master content source uploaded:
        1. verify Set List 6 title
        2. verify extraction
        3. verify GX
        4. verify categories
        5. verify metadata integrity
        6. continue sequential QA pipeline
    - Do not improvise missing canon
    - Verification integrity takes priority

BLACK CLAUDE 1 RESPONSE TO SOURCE LOAD:
  Ran pdfinfo: confirmed 903 pages, iLovePDF, letter size, unencrypted
  Ran grep for all "SET LIST" / "Set List" instances
  RESULT: Full Set List index located

SET LIST TITLE DISCOVERY (first pass):
  Line 316:  34 collections (24 Set Lists + 10 Song Lists) — confirmed count
  Line 328:  Set List 19 — Della of Troy
  Line 439:  Set List 14 — 6,000 km to Denmark
  Line 938:  Set List 9 — The Thralls of the Flame
  Line 1046: Set List 8 — Boss Logic
  Line 1154: Set List 3 — Self in the Mirror
  Line 1271: Set List 1 — Glass Half Something
  Line 2180: Set List 2 — Plurality
  Line 2291: Set List 10 — Go Ask Gramm
  Line 2399: Set List 11 — Noise, Lies and Longing
  Line 2516: Set List 16 — Kneel, Heal and Rise
  Line 2633: Set List 20 — The Cost of Light
  Line 2750: Set List 4 — Downward Spiral [NOTE: title conflict active]
  Line 2861: Set List 12 — Wounded Masculinity
  Line 2971: Set List 13 — Power Shields
  Line 3082: Set List 15 — Liminal State
  Line 3193: Set List 6 — Definitely Not Love ← SET LIST 6 TITLE CONFIRMED
  Line 3308: Set List 17 — Smirks, Swears, Moans and Cries
  Line 3424: Set List 23 — Zionation
  Line 3551: Set List 7 — Extremes [NOTE: title conflict pending]
  Line 3662: Set List 18 — Corrugation Row
  Line 3784: Set List 5 — Living à la Mode
  Line 3896: Set List 21 — A Cold Plate
  Line 4010: Set List 22 — Inherent Absence
  Line 4171: Set List 24 — Bi Ride or Die Ride

SET LIST 6 TITLE RESOLVED:
  CANONICAL: SET LIST 6 — DEFINITELY NOT LOVE — ALL-IN-ONE
  Source: First confirmed at line 3193, subsequently confirmed at lines 19574,
          19628, 36180, 38022

--------------------------------------------------------------------------------
PHASE 3: CANON RULE UPDATE RECEIVED
--------------------------------------------------------------------------------

THIRD MESSAGE RECEIVED FROM TOM:
  After Set List 6 title was confirmed, Tom issued a critical canon update:

  FULL TEXT OF RULE UPDATE:
    "Book 1 and Book 2 may contain:
    * outdated section numbering
    * outdated ordering
    * migrated section placement
    * reorganized album positioning
    HOWEVER: The CONTENT itself is still considered valid/canonical once identified.
    Therefore:
    * prioritize title/content matching over section numbers
    * prioritize lyrics/metadata consistency over placement
    * do NOT assume older ordering is authoritative
    * use newest ALL-IN-ONE architecture as structural authority
    * use actual repeated content as canon anchor
    If conflicts occur: Newest confirmed naming + repeated source consistency wins.
    CORE RULE: CONTENT > placement/order
    White Claude 2: Use this for extraction logic.
    Black Claude 1: Use this for verification/canon stabilization logic."

IMMEDIATE IMPACT OF RULE UPDATE:
  1. The Set List 6 editorial conflict (which had already been identified) was
     immediately resolved under this rule without Tom input required.
     Rationale: The mislabeled editorial described SL5 tracks. SL5 content = SL5.
     Under CONTENT > placement/order, the editorial's track content overrides
     its positional label. Verdict: SL5 editorial mislabeled as SL6. SL6 has
     no editorial. No Tom input needed to reach this conclusion.

  2. The Set List 7 title conflict (Extremes vs Train Off the Tracks) became
     immediately resolvable by source frequency and authority tier analysis.
     5 "Train Off the Tracks" appearances in full-text/editorial sections vs
     2 "Extremes" appearances in quick-ref indexes only.
     Under CONTENT > placement/order: "Train Off the Tracks" wins.

  3. The Set List 4 title conflict remains unresolvable even under this rule
     because "Downward Spiral" is both a track name within the set AND a
     potential Set List title. The rule resolves content conflicts, not
     cases where the question is which content instance is authoritative.
     Set List 4 title remains escalated to Tom.

--------------------------------------------------------------------------------
PHASE 4: SET LIST 6 — FULL QA VERIFICATION
--------------------------------------------------------------------------------

EXECUTION SEQUENCE:

STEP 1 — Quick-ref index extraction (line 3193):
  Extracted track list, ratings, total points, artist comparisons,
  collection summary, four-word summaries.
  Initial findings: 13 tracks, all PG-13, GX=26, Damien Rice/Elliott Smith/
  Leonard Cohen, strategic arc confirmed.

STEP 2 — Full-text section extraction (lines 19574–19800):
  Confirmed: Track list identical to step 1.
  "Expired (beginning part)" notation first observed here — not present in
  quick-ref index. Flagged immediately.
  Extended trigger warning extracted and verified against content.

STEP 3 — Full lyrics extraction (lines 19629 onward):
  All 13 tracks' lyrics extracted and verified.
  Expired: 9 lines only — confirming "beginning part" is genuine partial.
  All other tracks: substantial multi-stanza content confirmed.
  Content verified consistent with set arc (romantic collapse, grief, erosion).

STEP 4 — Rolling Stone editorial investigation:
  Sought editorial for Set List 6 at line 32589 per document structure.
  ANOMALY DETECTED IMMEDIATELY: Editorial describes Hideaway, Look Her Up,
  No Thanks Babe, In a Jiffy, Fifty Ways, She Don't Cum Easy.
  These are clearly adult comedy/explicit sexual tracks — inconsistent with
  SL6's grief/romantic-collapse theme (all PG-13).
  Investigation launched: searched all named tracks.
  CONFIRMED: All named tracks belong to SET LIST 5 — LIVING À LA MODE
  (confirmed at line 22844).
  VERDICT: Mislabeled SL5 editorial in SL6 slot. SL6 has no editorial.

STEP 5 — Second quick-ref index extraction (line 36180):
  Track list: identical to step 1 and step 2. ✅
  Four-word summaries: identical across all three sources. ✅
  GX data: identical. ✅

STEP 6 — Master index section extraction (line 38022):
  Track list with four-word summaries: identical. ✅

STEP 7 — Category index extraction:
  Ran grep for all 13 track names.
  Built complete category placement map.
  ANOMALY DETECTED: Expired does not appear in any category section.
  All 12 other tracks have confirmed placements.
  Root cause: likely deferred due to partial lyric status.

STEP 8 — GX mathematical verification:
  13 × PG-13(2) = 26. Source states 26. EXACT MATCH. ✅

STEP 9 — Canonical spelling audit:
  HEART STRINGS vs HEARTSTRINGS identified.
  Track listings: "Heart Strings" (two words) — 4 confirmed appearances.
  Prose/category: "Heartstrings" (one word) — 3 appearances.
  Canonical determined: Heart Strings (two words) per track listing authority.

STEP 10 — Set List 6 QA report compiled and issued.

KEY DISCOVERIES IN PHASE 4:
  D1: Expired lyric partial notation — "(beginning part)" — first instance
      of what will become a confirmed systemic pipeline notation pattern.
  D2: Rolling Stone editorial slot migration — SL5 content in SL6 slot.
      SL6 has no valid editorial in source. First instance of editorial
      failure Mode A identified.
  D3: Expired missing from all category sections — first instance of
      uncategorized track in current session's scope.
  D4: GX for Set Lists 4, 5, 6 are all exact matches when calculated —
      prior session's systemic X-1 discrepancy not present in SL4–SL6.

--------------------------------------------------------------------------------
PHASE 5: SET LIST 7 — FULL QA VERIFICATION
--------------------------------------------------------------------------------

INSTRUCTIONS RECEIVED FROM TOM:
  "Independently verify: all 13 tracks [sic — 12 tracks], GX=26 [sic — 30],
  PG-13 ratings, Damien Rice/Elliott Smith/Leonard Cohen comparisons,
  trigger warnings, category assignments, summaries, metadata consistency.
  Confirm whether 'Expired (beginning part)' is intentionally partial OR
  truncated extraction artifact. Audit the mismatched Rolling Stone review.
  Determine whether it migrated from SL17, another comedy/adult set, or
  older abandoned SL6 version. Continue identifying: track-bleed contamination,
  migrated editorials, obsolete placement artifacts, repeated metadata
  corruption patterns. After SL6 verification: continue sequentially to
  SET LIST 7 — TRAIN OFF THE TRACKS."

  NOTE: Tom's instructions referenced "all 13 tracks" and "GX=26" — these are
  SL6 numbers. Tom may have been referring to SL6 confirmation while also
  instructing continuation to SL7. This is consistent with the overall
  pipeline instructions. Black Claude 1 interpreted correctly: verify SL6
  items first, then proceed to SL7.

ADDITIONAL INSTRUCTION FROM SAME MESSAGE:
  "Detect: track-bleed contamination, migrated editorials, obsolete placement
  artifacts, outdated numbering remnants, partial lyric notation patterns,
  canonical spelling drift. Build systemic pattern log: Track recurring archive
  behaviors and corruption patterns across Set Lists."

STEP 1 — SL6 EXPIRED "BEGINNING PART" RESOLUTION:
  Investigated: "beginning part" appears in full-text listings at lines 19575
  and 19629 only. NOT present in quick-ref indexes (line 3207, 36182) where
  track is simply listed as "Expired."
  Lyric content: 9 lines, one stanza.
  Comparison: All other SL6 tracks are multi-stanza. Jewelry Box (shortest
  full-lyric track) is approximately 36 lines.
  VERDICT: "beginning part" is deliberate pipeline notation flagging intentional
  incompleteness. This is NOT a truncated extraction artifact. The source has
  only the opening portion of Expired. Full lyrics must come from Tom.

STEP 2 — SL6 ROLLING STONE EDITORIAL ROOT CAUSE DETERMINATION:
  Context at lines 32560–32640 examined carefully.
  Passage structure:
    32560: SL4 editorial ends
    32574: SL5 editorial "SET LIST FIVE — LIVING À LA MODE" — correctly placed
    32589: "SET LIST SIX — DEFINITELY NOT LOVE" label — but SL5 track content
    32605: "SET LIST SEVEN — TRAIN OFF THE TRACKS" — correctly placed
  
  REFINED FINDING: The SL5 editorial appears twice:
    Once correctly under its own label (line 32574)
    Once under the SL6 label (line 32589) — duplicated and mislabeled
  
  The true SL6 editorial is simply absent. It was never written or was deleted.
  This is NOT a "SL17 content migrated here" situation as the investigation
  instruction suggested as a possibility — it is a SL5 duplicate.

  Tracks named in mislabeled editorial verified: Hideaway, Look Her Up,
  No Thanks Babe, In a Jiffy, Fifty Ways, She Don't Cum Easy.
  All confirmed as SL5 at line 22844 (SET LIST FIVE full-text section).

STEP 3 — SL7 TITLE CONFLICT INVESTIGATION:
  Full title search conducted.
  
  "Train Off the Tracks" — 5 appearances:
    Line 21481: full-text header "TRAIN OFF THE TRACKS / SET LIST SEVEN (7)"
    Line 21570: repeated full-text listing
    Line 32605: Rolling Stone editorial "SET LIST SEVEN — TRAIN OFF THE TRACKS"
    Line 33190: "Set List 7 — Train Off the Tracks" (summary section)
    Line 38036: "SET LIST 7: TRAIN OFF THE TRACKS" (master index)

  "Extremes" — 2 appearances:
    Line 3551: quick-ref index 1 "Set List 7 — Extremes"
    Line 36514: quick-ref index 2 "Set List 7 — Extremes"

  "TRAIN OF THE TRACKS" — 1 appearance:
    Line 21553: full-text listing — missing "OFF" — single typo, not a variant

  RESOLUTION: "Train Off the Tracks" wins by frequency and authority tier.
  "Extremes" is a retired quick-reference label. Under CONTENT > placement/order,
  full-text and editorial authority overrides quick-ref.

STEP 4 — SL7 TRACK LIST VERIFICATION:
  Extracted from 5 independent source locations.
  All 5 sources agree on 12 tracks in identical order.
  Notable: Track 12 "Either Way (first Part)" — second instance of partial
  lyric notation. Pattern now confirmed as deliberate pipeline system.

STEP 5 — SL7 GX INVESTIGATION:
  Individual ratings from both quick-ref indexes: identical.
  PG-13 tracks (8): Corey Story, Daddy Taught Me, Shadow Of Smoke,
                    Wheat and Chaff, Midas Touch, Innocence Lost,
                    Cop Asked the Witnesses, Dirt
  NC-17 tracks (4): Sniper's Song, Quest For Immortality, Betrayal, Either Way
  
  Calculated: 8×2 + 4×4 = 16+16 = 32
  All 4 source appearances state total = 30
  DISCREPANCY: +2

  Comparison check — extracted SL4, SL5 totals to test for systemic pattern:
    SL4: 12×PG-13 = 24, stated 24 ✅
    SL5: Mic Drop(X=5)+8×PG-13(2)+Fifty Ways(X=5)+She Don't Come Easy(X=5)
         +Cinnabon Girl(PG-13=2) = 33, stated 33 ✅
    SL6: 13×PG-13 = 26, stated 26 ✅
    SL7: 8×PG-13+4×NC-17 = 32, stated 30 — DISCREPANCY ISOLATED TO SL7

  Content analysis of NC-17 candidates for R downgrade:
  
  SNIPER'S SONG: First-person mass shooter, no anti-glorification framing,
    directly sourced from DC Sniper case. NC-17 confirmed. Do not downgrade.
  
  BETRAYAL: Explicit rape of minor, physical assault, pregnancy from rape.
    NC-17 confirmed. Do not downgrade.
  
  EITHER WAY: Four-word summary "Vessel of violence live" suggests NC-17.
    Actual lyric content: emotional isolation, identity struggle, fatalism,
    no violence enacted. Category placements: DEPRESSING, LONELINESS only.
    No violence or death category. The "vessel of violence" language appears
    to be metaphorical — "vessel" as container/harbor, not perpetrator.
    PROBABLE RATING: R(3)
  
  QUEST FOR IMMORTALITY: Opens with violent ideation ("drop the bomb,"
    "people in the oven"). But narrator explicitly retreats:
    "Nah, I told myself / I've got to give in / And live on the same grid
    as the competition" and "maybe my hatred would mend."
    Final lines: "Better go and grab the gun / And see how fast these clowns
    can run / No, not everybody's presence is a gift / Yet still you've got
    to learn to live with it." — ambiguous, but the arc is toward resignation
    not enactment. Category placements: INTERNAL STRUGGLE, TOM LEGACY.
    No violence or death category.
    PROBABLE RATING: R(3)

  MATHEMATICAL CONFIRMATION:
    If Either Way = R(3) AND Quest For Immortality = R(3):
    8×PG-13(2) + 2×NC-17(4) [Sniper's Song + Betrayal] + 2×R(3) [Either Way + QFI]
    = 16 + 8 + 6 = 30 ✅ EXACT MATCH WITH STATED TOTAL

  STATUS: Escalated to Tom for confirmation.

STEP 6 — SL7 ROLLING STONE EDITORIAL INVESTIGATION:
  Editorial at line 32605 correctly labeled "SET LIST SEVEN — TRAIN OFF THE TRACKS"
  Tracks mentioned: Corey Story, Daddy Taught Me, Shadow of Smoke, Wheat and Chaff,
                    Midas Touch, Sniper's Song — tracks 1–6 only.
  
  CRITICAL OBSERVATION: "Sniper's Song lands LAST and coldest"
  Sniper's Song = Track 6 of 12. "Lands last" language cannot refer to a
  middle track in the final set structure.
  
  INFERENCE: This editorial was written when SL7 contained exactly 6 tracks.
  Tracks 7–12 (Quest For Immortality, Innocence Lost, Betrayal, A Cop Asked
  the Witnesses, Dirt, Either Way) were added to the set after the editorial
  was written. The editorial was never updated.
  
  This is the SECOND editorial failure mode identified — truncation artifact
  (Mode B) as opposed to slot migration (Mode A found in SL6).

STEP 7 — SL7 FULL LYRICS EXTRACTION AND VERIFICATION:
  Full lyrics extracted and read for all tracks (1–11).
  Track 12 Either Way: partial confirmed.
  
  Notable discoveries during lyric verification:
  
  DADDY TAUGHT ME (Track 2): KKK indoctrination from child's unknowing
    perspective. Narrator describes cross burnings as fun Halloween activities
    without understanding what they are. The horror is in the narrator's
    naivety. PG-13 rating confirmed appropriate — no explicit violence depicted.
    Content sensitivity note issued for pipeline: trigger warning should
    specifically mention racial extremism and hate group indoctrination, not
    merely "religious extremism."
  
  INNOCENCE LOST (Track 8): Title could suggest sexual innocence content.
    Full lyrics confirm: about loss of childhood wonder and melancholy of
    growing up. "As soon as you're high / Something brings you down."
    NO sexual content. Category SOCIAL ISSUES and DEPRESSING are correct.
    Should NOT appear in adult content index based on title alone.
    Pipeline note issued.
  
  SNIPER'S SONG (Track 6): Episodic time structure — 8 AM, 9 AM, 10 AM.
    Mass shooter perspective throughout. RS editorial confirms DC Sniper source.
    "I am God, I am death, I am your old age." Definitely NC-17.
  
  QUEST FOR IMMORTALITY (Track 7): The "people in the oven" line is the
    most extreme language. But full context shows narrator in two minds:
    advocating collective resistance ("unite the legions") vs violent ideation
    vs resignation. The poem moves through all three states and lands on
    resignation/self-doubt. This arc supports R over NC-17.

STEP 8 — SL7 CATEGORY VERIFICATION:
  All 12 tracks' category placements confirmed.
  Sniper's Song appears twice within SOCIAL ISSUES section — duplicate entry.
  This is index-cleanup issue, not content corruption.
  All track placements internally consistent with lyric content. ✅

STEP 9 — SL7 CANONICAL SPELLING AUDIT:
  Shadow Of Smoke vs Shadow of Smoke: title case variant. Canonical = Shadow Of Smoke.
  Wheat and Chaff vs Wheat And Chaff: conjunction case variant. Canonical = Wheat and Chaff.
  A Cop Asked the Witnesses vs Cop Asked the Witnesses: article variant. Canonical = with "A".

STEP 10 — SL7 QA report compiled and issued.

KEY DISCOVERIES IN PHASE 5:
  D5: Either Way "(first Part)" notation — second instance of partial lyric
      pattern. Confirms it is a deliberate system, not isolated occurrence.
  D6: SL7 GX discrepancy (+2) — isolated to SL7. Prior systemic pattern
      not present in SL4–SL6. Two tracks probable R not NC-17.
  D7: Rolling Stone editorial written for older 6-track version of SL7.
      "Sniper's Song lands last" is the detection key. Second editorial
      failure mode (truncation) identified and defined.
  D8: "Extremes" confirmed as obsolete title artifact in quick-ref indexes.
      Title update did not propagate to quick-ref index layer.
  D9: Article dropping pattern ("A Cop..." vs "Cop...") — articles dropped
      in quick-ref and category indexes, preserved in full-text listings.
  D10: Daddy Taught Me content sensitivity — KKK indoctrination requires
       specific trigger warning language, not just generic "religious extremism."
  D11: Innocence Lost title misleading — content is childhood wonder loss,
       not sexual innocence. Flag for adult index to not include based on title.
  D12: GX comparison across SL4–SL7 establishes that exact GX match is
       achievable and expected. SL7's +2 discrepancy is therefore significant
       and specific, not noise.

--------------------------------------------------------------------------------
PHASE 6: MASTER SESSION DUMP v1 CREATED
--------------------------------------------------------------------------------

TRIGGER: Tom requested FULL MASTER SESSION DUMP

v1 file created: BLACK_CLAUDE_1_MASTER_DUMP.txt
Size: 1927 lines, 85939 bytes
Sections: 15

v1 covered:
  - All QA reports for SL6 and SL7
  - All canon resolutions
  - GX investigation
  - Rolling Stone editorial investigation
  - Spelling stabilization
  - Category verification
  - Partial lyric pattern analysis
  - Open canon flags
  - Systemic pattern log (9 patterns)
  - Archive behavior discoveries
  - Verification logic and methodology
  - 10-step verification sequence for remaining set lists

--------------------------------------------------------------------------------
PHASE 7: MASTER SESSION DUMP v2 — ARCHIVAL CHECKPOINT
--------------------------------------------------------------------------------

TRIGGER: Tom issued FINAL PRIORITY SHIFT — MASTER SESSION PRESERVATION MODE

Instructions: Output FULL MASTER SESSION DUMP including EVERYTHING operationally
significant. Chronological preferred. DO NOT compress. Raw operational detail.

This file (v2) supersedes v1 and adds:
  - Full chronological session log (this Part One)
  - All discovery chains with context
  - Moment-by-moment pipeline decisions
  - All content that was examined but not flagged (confirming it was verified)
  - Expanded systemic patterns with full evidence chains
  - Complete track-by-track lyric verification notes
  - Complete editorial sequence analysis
  - All architecture context from planning document
  - Complete open flags with full evidence records

================================================================================
PART TWO: COMPLETE REFERENCE DATA
================================================================================

This part contains all verified reference data for Set Lists 6 and 7 in
structured form, suitable for pipeline use.

--------------------------------------------------------------------------------
REFERENCE: SET LIST 6 — DEFINITELY NOT LOVE — COMPLETE DATA
--------------------------------------------------------------------------------

CANONICAL TITLE: SET LIST 6 — DEFINITELY NOT LOVE — ALL-IN-ONE
LEAD RATING: PG-13
GX TOTAL: 26
TRACK COUNT: 13

STRATEGIC ARC: Romantic collapse, emotional betrayal, psychological erosion.

COLLECTION SUMMARY: A set about what lingers after love fails — grief without
spectacle, pain without permission, and healing not yet begun. These songs
document the slow collapse of intimate relationships.

ARTIST COMPARISONS: Damien Rice, Elliott Smith, Leonard Cohen

KEY THEMES: Romantic collapse, emotional betrayal, grief, identity fatigue,
numbness

TRIGGER WARNING CORE: Romantic collapse, emotional betrayal, psychological
erosion, grief, identity fatigue, emotional coercion.

EXTENDED TRIGGER WARNING DETAILS:
  - This set may be deeply affecting for listeners who have experienced:
    emotional abandonment, manipulative or imbalanced relationships,
    depression, numbness, grief following breakups or death, lingering guilt,
    fear of starting over too late
  - No explicit violence or sexual assault present
  - Several tracks explore: emotional coercion, identity disintegration,
    despair adjacent to suicidal ideation
  - Romantic dissolution and emotional betrayal (Expired, Cry Me a River,
    Nothing at All, Heartstrings, Endless Chorus, Jewelry Box)
  - Depression, numbness, self-doubt (Below Zero, Half Told, Lament,
    Endless Chorus)
  - Emotional imbalance and identity erosion (Heartstrings, Matches to Burn,
    Nameless)
  - Grief, avoidance, fragile hope (throughout)
  - Alcohol as emotional anesthesia (referenced in He Said She Said)
  - Implied surveillance / boundary-crossing (Face To Face)

TRACK LIST WITH FULL DATA:

  #1  EXPIRED
      Rating: PG-13 (2 pts)
      Four-word summary: Time has finally faded
      Status: PARTIAL LYRICS — "(beginning part)" notation in source
      Lyric content available: 9 lines, 1 stanza
      Full lyric excerpt: "I am hoping it's not true / But our time may have
        expired / Sure I still sing for you / But lacking passion, lacking fire /
        Or at least not like I used to / I won't lie I'm not a liar / My eyes
        still like looking at you / Oh -- but now I closed them / when I get tired"
      Category assignment: NONE — missing from master category index ⚠️
      Pipeline flag: Awaiting full lyrics + category assignment from Tom

  #2  FACE TO FACE
      Rating: PG-13 (2 pts)
      Four-word summary: Meeting truth directly
      Categories: RELATIONSHIPS, INTERNAL STRUGGLE
      Content note: Narrator waits outside partner's home. Implied surveillance
        and boundary-crossing. "So I wait outside your place / To meet and greet
        you face-to-face." Correctly flagged in trigger warning.
      Full lyrics: confirmed present in source

  #3  CRY ME A RIVER
      Rating: PG-13 (2 pts)
      Four-word summary: Warm tears, cold heart
      Categories: RELATIONSHIPS
      Content note: Dual perspective — narrator addressing partner, then shifting
        to third-person observation of woman whose love is unreturned.
        "Cry me a river / Ten miles wide / Your warm tears will never / Send a
        shiver... Up and down my spine"
      Full lyrics: confirmed present in source

  #4  NOTHING AT ALL
      Rating: PG-13 (2 pts)
      Four-word summary: Empty promises, no delivery
      Categories: RELATIONSHIPS, INTERNAL STRUGGLE, DEPRESSING
      Content note: Relationship dissolution. "Your heart's filled with gold /
        Yet your eyes are so cold." Ends with acceptance and apology.
        Self-discovery after loss. "Just know it's better feeling pain /
        Than feeling nothing at all."
      Full lyrics: confirmed present in source

  #5  MATCHES TO BURN
      Rating: PG-13 (2 pts)
      Four-word summary: Igniting the final bridge
      Categories: RELATIONSHIPS, INTERNAL STRUGGLE
      Content note: "It takes ten seconds now to see / What took me twenty years
        to learn / Ain't no paper worth nothing to me / To a girl... With matches
        to burn." Disillusionment with someone who destroys what they touch.
      Full lyrics: confirmed present in source

  #6  HEART STRINGS
      Rating: PG-13 (2 pts)
      Four-word summary: Pulling until they snap
      Canonical title form: Heart Strings (two words)
      Alternate form in source: Heartstrings (one word) — prose/category index
      Categories: RELATIONSHIPS, INTERNAL STRUGGLE
      Content note: Identity suppression, emotional exploitation. "I am just
        another trophy / Collecting dust on your mantle shelf." Identity
        reduced to possession.
      Full lyrics: confirmed present in source

  #7  ENDLESS CHORUS
      Rating: PG-13 (2 pts)
      Four-word summary: Repeating the same pain
      Categories: RELATIONSHIPS, DEPRESSING
      Content note: Insomnia, rumination, ghost-of-relationship haunting.
        "Just an endless chorus / About how we failed."
        "I'm as deep as the day is long / That's why I rarely sleep."
      Full lyrics: confirmed present in source

  #8  NAMELESS
      Rating: PG-13 (2 pts)
      Four-word summary: Losing identity in love
      Categories: RELATIONSHIPS, INTERNAL STRUGGLE, LONELINESS
      Content note: Identity suppression by another person. "You blew out my
        candle / Just so yours could burn brighter." Survival through anonymity:
        "Sometimes remaining nameless / is the reason why we thrive."
      Full lyrics: confirmed present in source

  #9  BELOW ZERO
      Rating: PG-13 (2 pts)
      Four-word summary: Freezing out the past
      Categories: INTERNAL STRUGGLE, DEPRESSING
      Content note: Emotional self-erasure, loss of self-trust after a
        relationship. "I once put my faith in someone else / Now today I no
        longer trust myself." Ends with fragile hope: "Yeah, I'm finally ready
        to get hurt again." Below Zero is the set's most internally dark track.
      Full lyrics: confirmed present in source

  #10 LAMENT
      Rating: PG-13 (2 pts)
      Four-word summary: Mourning what is gone
      Categories: RELATIONSHIPS, DEPRESSING, LONELINESS
      Content note: Death and grief intersect with romantic loss. "As the life
        left his eyes / He whispered 'Adellana Marie.'" The name "Adellana Marie"
        is specific and personal — may be a real reference. The set's most
        explicitly grief-adjacent (literal death) track beyond romantic themes.
      Full lyrics: confirmed present in source

  #11 HE SAID SHE SAID
      Rating: PG-13 (2 pts)
      Four-word summary: Echoes of unresolved talk
      Categories: RELATIONSHIPS
      Content note: Dialogue structure between narrator and struggling person.
        Bridge-burning imagery: "Well I've been burning bridges / But it's better
        than burning crosses." Ends with ambiguous morning — "Had she finally
        broken free? / I can't tell it's far too soon."
        Trigger: bridge imagery could be read as suicidal ideation.
      Full lyrics: confirmed present in source

  #12 HALF TOLD
      Rating: PG-13 (2 pts)
      Four-word summary: Stories left without end
      Categories: RELATIONSHIPS, INTERNAL STRUGGLE
      Content note: Personal accountability, demons, fear of the past.
        "As shiny gold turns to rusty bronze / You have to ask yourself where'd
        I go wrong?" Ends with forward momentum: "my fate awaits / just up open
        the road, yeah!" The set's most redemptive track.
      Full lyrics: confirmed present in source

  #13 JEWELRY BOX
      Rating: PG-13 (2 pts)
      Four-word summary: Promise contained
      Categories: RELATIONSHIPS, DEPRESSING
      Content note: Post-divorce peace. "Ring's in the jewelry box / I don't
        regret it." "Gave her half of everything / but my self-esteem."
        Hard-won acceptance. One of few tracks with forward-facing resolution.
        The set ends not in despair but in recovering identity.
      Full lyrics: confirmed present in source

OPEN ITEMS FOR SET LIST 6:
  1. Expired: partial lyrics only — needs full source from Tom
  2. Expired: no category assignment — needs Tom input
  3. Rolling Stone editorial: absent — needs generation or Tom writing

--------------------------------------------------------------------------------
REFERENCE: SET LIST 7 — TRAIN OFF THE TRACKS — COMPLETE DATA
--------------------------------------------------------------------------------

CANONICAL TITLE: SET LIST 7 — TRAIN OFF THE TRACKS — ALL-IN-ONE
RETIRED TITLE: "Extremes" (obsolete quick-ref index label)
LEAD RATING: NC-17
GX TOTAL: 30 (source-stated) / 32 (calculated from listed ratings)
           Discrepancy under investigation — see GX section
TRACK COUNT: 12

STRATEGIC ARC: Mass violence fantasies, child sexual assault, sniper imagery.
NC-17 heavy. [Note: "NC-17 heavy" phrasing supports some tracks being below
NC-17 — consistent with GX discrepancy analysis]

COLLECTION SUMMARY: The most severe, confrontational, and psychologically
destabilizing set in the catalog. This material refuses comfort, resolution,
or moral framing — existing as documentation of human damage as it occurs.

ARTIST COMPARISONS: Randy Newman, Tom Waits, Bruce Springsteen
[Supplemental form: "Bruce Springsteen (Nebraska)" — parenthetical acceptable]

KEY THEMES: Sexual assault, child abuse, violence, moral collapse, nihilism,
dissociation

TRIGGER WARNING: EXTREME CONTENT WARNING (most severe in catalog)
  Major and severe triggers:
    - Explicit and graphic depictions of sexual assault and rape
    - Child abuse, grooming behaviors, exploitation, and ideological
      indoctrination
    - Suicide, self-annihilation ideation, and fixation on death
    - Mass violence fantasies, gun violence, sniper imagery, premeditated harm
    - Domestic violence, coercive control, and emotional imprisonment
    - Religious extremism, spiritual abuse, authoritarian belief systems
    - Dissociation, psychological fragmentation, psychosis, identity collapse
    - Moral nihilism, dehumanization, ethical disintegration
  Additional distress factors:
    - Prolonged threatening/violent inner monologues
    - Lack of narrative closure or moral positioning
    - Emotional detachment — cold, clinical, or invasive by design
  "Set List Seven does not offer healing, insight, or reconciliation."
  "Listener discretion is not optional — it is mandatory."
  Specific content enhancement note: Daddy Taught Me trigger warning should
  specifically name racial extremism and hate group indoctrination.

ROLLING STONE EDITORIAL: Valid but incomplete
  Covers: Tracks 1–6 (Corey Story through Sniper's Song)
  Missing: Tracks 7–12 (Quest For Immortality through Either Way)
  Root cause: Editorial written when SL7 had 6 tracks; never updated.
  Evidence: "Sniper's Song lands last and coldest" — SL7 track 6 of 12.

TRACK LIST WITH FULL DATA:

  #1  COREY STORY
      Rating: PG-13 (2 pts)
      Four-word summary: Where the problem is
      Categories: DEPRESSING, SOCIAL ISSUES, DEATH
      Content: Absent/negligent parenting, class dynamics, contrasting
        outcomes for two childhood friends. "All you need's a @#$% to be a
        father but it takes balls to be a dad." The set opener — frames
        everything that follows as consequence of broken family systems.
        Per Rolling Stone editorial: the narrator has "got it made" while
        his friend "barely gets along." Corey confirmed to "work for the
        state now" — editorial note from Tom, a personal aside.
      Full lyrics: confirmed

  #2  DADDY TAUGHT ME
      Rating: PG-13 (2 pts)
      Four-word summary: As my daddy taught
      Categories: DEPRESSING, SOCIAL ISSUES, HISTORICAL
      Content: KKK indoctrination through child narrator who does not
        understand they are describing hate crimes. Cross burnings described
        as fun holiday activities. "We loved Halloween so much / We had it
        twenty times a year / For some reason I was always a ghost."
        The horror is in the narrator's naivety.
        "I can't wait to get older / And be a daddy some day / I'll teach
        these games to my kids." The cycle of indoctrination is the subject.
        PG-13 appropriate: no explicit violence depicted. Extremism implied.
      Content sensitivity note: Trigger warning MUST specifically name
        racial extremism and hate group indoctrination, not only generic
        "religious extremism" or "authoritarian belief systems."
      Full lyrics: confirmed

  #3  SHADOW OF SMOKE
      Rating: PG-13 (2 pts)
      Four-word summary: What you see disappears
      Canonical form: Shadow Of Smoke (title case per track listing)
      Categories: INTERNAL STRUGGLE, DEPRESSING
      Content: Grief, dissolution of self, vanishing identity. Narrator is
        spectral — cannot be reached or held. "I've lost my soul / Through
        the horrors I've seen." "I see children laugh / And young mothers
        dance / I know I've lived my life / There is no second chance."
        A meditation on irreversible loss.
      Full lyrics: confirmed

  #4  WHEAT AND CHAFF
      Rating: PG-13 (2 pts)
      Four-word summary: What can't be taken
      Canonical form: Wheat and Chaff (lowercase "and" per track listing)
      Categories: DEPRESSING, DEATH, SOCIAL ISSUES
      Content: Suicide elegy. RS editorial identifies subject as Anthony
        Bourdain. "Your suicide was glorified / Like a police chase on the
        news." The wheat/chaff metaphor frames what remains vs what is lost.
        "For all that was left undone / And for what can't be taken back."
      Full lyrics: confirmed

  #5  MIDAS TOUCH
      Rating: PG-13 (2 pts)
      Four-word summary: Turned me into gold
      Categories: INTERNAL STRUGGLE, SOCIAL ISSUES, TOM LEGACY
      Content: Death, transformation, the curse of what we wish for.
        Romantic loss intersects with mortality imagery. "A face once beautiful
        is now pale and blue." "Forget all the rest / There could be one life
        and one death." The Midas Touch metaphor frames love/desire as
        ultimately destructive.
      Full lyrics: confirmed

  #6  SNIPER'S SONG
      Rating: NC-17 (4 pts) — CONFIRMED
      Four-word summary: You are all prey
      Categories: DEATH, SOCIAL ISSUES, CONTROVERSIAL, HISTORICAL
      Content: First-person mass shooter perspective. Episodic time
        structure (8 AM, 9 AM, 10 AM). Based on DC Sniper case per RS
        editorial. "I am God, I am death, I am your old age." No
        anti-glorification framing. Pure perpetrator voice throughout.
        "I wonder just how long I can keep my cool."
      Historical source: Washington Post, October 4, 2002. DC Sniper
        (John Allen Muhammad and Lee Boyd Malvo) — 10 deaths.
      NC-17 rating: confirmed — first-person crime enactment without
        anti-glorification framing. Do not downgrade.
      Full lyrics: confirmed

  #7  QUEST FOR IMMORTALITY
      Rating: NC-17 per index — PROBABLE ACTUAL RATING: R (3 pts)
      Four-word summary: Lifts the final curtain
      Categories: INTERNAL STRUGGLE, TOM LEGACY
      Content: Opens with violent ideation. "Only one man could kill /
        with complete racial equality / I would drop the bomb / without
        any hesitation." Then retreats: "Nah, I told myself / I've got to
        give in / And live on the same grid as the competition."
        Later: "maybe my hatred would mend / So I'll keep on searching /
        for another solution / Or else I'll plot out my own demise."
        Final lines: "No, not everybody's presence is a gift / Yet still
        you've got to learn to live with it." Arc: violent ideation →
        retreat → resignation. Category placements support R: INTERNAL
        STRUGGLE and TOM LEGACY only (no DEATH, no violence categories).
      GX FLAG: ⏸️ Awaiting Tom confirmation — R(3) or NC-17(4)
      NOTE: Line 41058 references "Set List 7, Song 10 (Quest for
        Immortality)" — this is an older numbering from a legal/content
        advisory section. Track position is 7, not 10. The advisory was
        written for an older set ordering. Discard as obsolete reference.
      Full lyrics: confirmed

  #8  INNOCENCE LOST
      Rating: PG-13 (2 pts)
      Four-word summary: As soon as you're high
      Categories: DEPRESSING, SOCIAL ISSUES
      Content: Loss of childhood wonder, melancholy of adult awareness.
        NOT sexual content despite title. "As soon as you're high /
        Something brings you down." Park meditation on the gap between
        childhood freedom and adult weight. "And they too will write their
        song / About how the innocence they once knew is gone."
      IMPORTANT NOTE: Do NOT include in adult content index based on title
        alone. Title refers to childhood innocence, not sexual innocence.
        No sexual content in lyrics.
      Full lyrics: confirmed

  #9  BETRAYAL
      Rating: NC-17 (4 pts) — CONFIRMED
      Four-word summary: Betrayed by a kiss
      Categories: DEPRESSING, DEATH, SOCIAL ISSUES, RELATIONSHIPS
      Content: Rape of a minor by someone twice her age. Physical assault.
        Resulting pregnancy from rape. Victim's perspective throughout.
        "He was twice her size / She was just half his age." "That's okay,
        I like it better this way, he hissed." "When she tried to say no
        with her knee / He said yes with his fist."
        Final stanza: voice that "will speak no more" — suicidal ideation
        implied for rape survivor.
        "Jesus wasn't the only one / Who was betrayed by a kiss."
      NC-17 rating: confirmed. Most severe explicit content in set.
        Do not downgrade under any circumstances.
      Full lyrics: confirmed

  #10 A COP ASKED THE WITNESSES
      Rating: PG-13 (2 pts)
      Four-word summary: She couldn't go far
      Canonical form: A Cop Asked the Witnesses (with article "A")
      Alternate forms: "Cop Asked the Witnesses" (quick-ref, no article)
                       "COP ASKED THE WITNESSES" (master index, all-caps no article)
      Categories: SOCIAL ISSUES, HISTORICAL
      Content: Hit-and-run death narrative. Father killed on Thanksgiving,
        leaving family devastated. Driver on the run.
        "It's amazing where fate'll bring you / All the way to a cell."
        "It's hard to be rejoiceful / When daddy didn't live."
        A two-year-old child survives. Tragedy, grief, justice.
      Full lyrics: confirmed

  #11 DIRT
      Rating: PG-13 (2 pts)
      Four-word summary: Your little secret's worth
      Categories: DEPRESSING
      Content: Secrets, shame, exposure, power dynamics. "Who's got the
        dirt on you?" The subject is caught — "you didn't look guilty /
        just heavily disgraced." Metaphor of fishing: "they're just letting
        out the line / Let you run a little / knowing they hold the reel."
        The secret-holder has all the power.
      Full lyrics: confirmed

  #12 EITHER WAY
      Rating: NC-17 per index — PROBABLE ACTUAL RATING: R (3 pts)
      Four-word summary: Vessel of violence live
      Categories: DEPRESSING, LONELINESS
      Status: PARTIAL LYRICS — "(first Part)" notation in source
      Content (from extracted portion): Isolation, identity, the gap between
        external expectations and internal state. "I'm a vessel of violence /
        Live alone on an island / I can never keep silent."
        Despite the "vessel of violence" opener, remaining lyrics are about:
        emotional isolation, lack of support network, philosophical musings
        on anonymity vs fame, and a closing romantic passage about a woman
        with brown eyes. No explicit violence enacted in extracted portion.
        Category placements: DEPRESSING and LONELINESS — no violence category.
      GX FLAG: ⏸️ Awaiting Tom confirmation — R(3) or NC-17(4)
      Pipeline flag: Awaiting full lyrics from Tom

OPEN ITEMS FOR SET LIST 7:
  1. GX: Either Way — confirm R(3) or NC-17(4)
  2. GX: Quest For Immortality — confirm R(3) or NC-17(4)
  3. Either Way: partial lyrics only — needs full source from Tom
  4. Rolling Stone editorial: covers tracks 1–6 only — supplement needed

================================================================================
PART THREE: COMPLETE OPEN FLAGS REGISTER
================================================================================

FLAG 001 — SET LIST 4 TITLE
  STATUS: ⏸️ AWAITING TOM CONFIRMATION
  Priority: HIGH — blocks ALL-IN-ONE page title for SL4
  Opened: Prior session (carried forward)
  Evidence:
    "Downward Spiral" — 8 source appearances, but "Downward Spiral" is also
    Track 4 name within SL4 — track-bleed contamination suspected
    "Partner to the Crime" — 2 appearances in summary/table sections
    "Partnered to the Crime" — 1 appearance in master index section
  Analysis: "Partner(ed) to the Crime" family = 3 appearances of same
    underlying title. Master index section appearance is high authority.
    "Downward Spiral" appearances may be track-name bleed, not title references.
    Cannot self-resolve due to ambiguity between track name and set title.
  Recommendation: Partnered to the Crime (master index form) OR Partner to
    the Crime (summary section form). Tom to confirm which.
  Required from Tom: Final canonical title for Set List 4.

FLAG 002 — SET LIST 6: EXPIRED — PARTIAL LYRICS
  STATUS: ⚠️ PIPELINE FLAG — PENDING TOM SOURCE SUPPLY
  Priority: MEDIUM — blocks complete ALL-IN-ONE page for SL6
  Source notation: "(beginning part)" in full-text listings
  Extracted content: 9 lines, 1 stanza
  Issue: Cannot present complete lyrics on ALL-IN-ONE page
  Action: White Claude 2 to mark partial in BLOCK 7. Tom to supply full lyrics.

FLAG 003 — SET LIST 6: EXPIRED — MISSING CATEGORY ASSIGNMENT
  STATUS: ⚠️ PIPELINE FLAG — NEEDS RESOLUTION
  Priority: LOW-MEDIUM — affects metadata completeness
  Issue: Expired does not appear in any category section of master index
  Possible cause: Partial lyric status may have deferred categorization
  Suggested categories (Black Claude 1 recommendation, not canonical):
    RELATIONSHIPS (fading connection), INTERNAL STRUGGLE (emotional numbness),
    DEPRESSING (loss of feeling). These are suggestions ONLY.
  Required: Tom to confirm category assignments for Expired.

FLAG 004 — SET LIST 6: ROLLING STONE EDITORIAL ABSENT
  STATUS: ⚠️ PIPELINE FLAG — NEEDS GENERATION OR TOM WRITING
  Priority: MEDIUM — affects ALL-IN-ONE BLOCK 10 completeness
  Issue: The editorial slot for SL6 in source contains mislabeled SL5 content.
    The true SL6 editorial (Definitely Not Love) does not exist in the source.
  Root cause: SL5 editorial duplicated into SL6 slot. SL6 editorial never
    written or was lost from source document.
  White Claude 2 must either:
    A) Generate editorial fresh — must reflect SL6 actual content:
       romantic collapse, grief, post-relationship erosion, PG-13 throughout,
       Damien Rice/Elliott Smith/Leonard Cohen comparisons
    B) Flag for Tom to write/approve
  Do NOT use the SL5 content currently in the SL6 slot.

FLAG 005 — SET LIST 7: GX DISCREPANCY
  STATUS: ⏸️ AWAITING TOM CONFIRMATION
  Priority: HIGH — affects official GX rating for SL7
  Issue: Calculated GX from listed individual ratings = 32. Source states 30.
  Analysis: Two tracks likely mis-elevated to NC-17 from R.
    Candidates: Either Way (Track 12) and Quest For Immortality (Track 7).
    Mathematical confirmation: If both are R(3):
    8×PG-13(2) + 2×NC-17(4) + 2×R(3) = 16+8+6 = 30 ✅ exact match
  Content analysis supports R for both candidates — see full analysis in
    Part One, Phase 5, Step 5 of this document.
  Required from Tom: Confirm Either Way rating (R or NC-17) AND
    Quest For Immortality rating (R or NC-17).

FLAG 006 — SET LIST 7: EITHER WAY — PARTIAL LYRICS
  STATUS: ⚠️ PIPELINE FLAG — PENDING TOM SOURCE SUPPLY
  Priority: MEDIUM — blocks complete ALL-IN-ONE page for SL7
  Source notation: "(first Part)" in full-text listings
  Issue: Cannot present complete lyrics on ALL-IN-ONE page
  Action: White Claude 2 to mark partial in BLOCK 7. Tom to supply full lyrics.

FLAG 007 — SET LIST 7: ROLLING STONE EDITORIAL INCOMPLETE
  STATUS: ⚠️ PIPELINE FLAG — NEEDS SUPPLEMENT
  Priority: MEDIUM — affects ALL-IN-ONE BLOCK 10 completeness
  Issue: Valid editorial for SL7 exists but covers only tracks 1–6.
    Detection evidence: "Sniper's Song lands last and coldest" —
    Sniper's Song is Track 6 of 12. "Last" language from a 6-track era.
  Tracks without editorial coverage: 7–12 (Quest For Immortality, Innocence
    Lost, Betrayal, A Cop Asked the Witnesses, Dirt, Either Way)
  Action: White Claude 2 either extends editorial or flags for Tom.
    If extending: should maintain same Rolling Stone review voice/style.

================================================================================
PART FOUR: COMPLETE SYSTEMIC PATTERN REGISTER
================================================================================

PATTERN 001: PARTIAL LYRIC NOTATION SYSTEM
  Classification: DELIBERATE PIPELINE NOTATION (not artifact)
  Confirmed instances (this session):
    SL6 Track 1 — Expired: "(beginning part)"
    SL7 Track 12 — Either Way: "(first Part)"
  Behavior: Notation appears in full-text track listings. Absent from
    quick-reference indexes (which show target/ideal state, not current state).
  Notation variants observed: "(beginning part)" and "(first Part)"
    Both indicate source lyric material is incomplete.
    Capitalization of "Part" in one and lowercase in other may indicate
    different extraction sessions or different extractors (White Claude 2
    working in different contexts).
  Implication: At 34 collections × 12 average tracks, additional instances
    are expected throughout SL8–SL24. Every track listing must be checked
    for these notations during verification.
  Pipeline risk: If White Claude 2 does not catch notation and marks track
    as complete, ALL-IN-ONE pages will be published with incomplete lyrics.
  Detection method: When extracting track lists from full-text sections,
    specifically check for any parenthetical notation after track title.
  Resolution: Tom must supply full lyrics for each flagged track.

PATTERN 002: GX CALCULATION DISCREPANCY (ISOLATED OCCURRENCE)
  Classification: INDIVIDUAL SET ERROR (not systemic in SL4–SL7 range)
  Confirmed instances:
    SL7: +2 discrepancy (calculated 32, stated 30)
  Non-instances (exact matches):
    SL4: 24 = 24 ✅
    SL5: 33 = 33 ✅
    SL6: 26 = 26 ✅
  Note: Prior session (Song Lists 1–10) documented systemic X-1 discrepancy.
    That pattern does NOT appear in SL4–SL6. SL7's +2 is its own issue.
  Root cause hypothesis: Two tracks (Either Way, Quest For Immortality)
    individually assigned NC-17 when content warrants R. If corrected:
    8×PG-13 + 2×NC-17 + 2×R = 30 ✅ exact.
  Detection method: Always independently calculate GX from individual ratings.
    Never assume stated total is correct — verify mathematically.
  If discrepancy found: Do NOT adjust stated total. Investigate individual
    ratings through content analysis. Escalate to Tom.
  Note for SL8–SL24: The prior session's X-1 systemic pattern in Song Lists
    may re-emerge in later Set Lists. Watch especially for NC-17 vs R ambiguity.

PATTERN 003: ROLLING STONE EDITORIAL — SLOT MIGRATION (MODE A)
  Classification: EDITORIAL ARTIFACT — CONTENT DISPLACEMENT
  Confirmed instances:
    SL6: SL5 editorial content duplicated into SL6 slot.
         SL6 has no valid editorial.
  Detection method: Cross-reference track names mentioned in editorial against
    the track list for that Set List. If any track name is from a different set,
    the editorial is mislabeled.
  Secondary detection: Tone/content mismatch. SL6 is grief/PG-13 throughout.
    An editorial describing explicit sexual comedy was obviously wrong.
  Risk: If not caught, an ALL-IN-ONE page could be built with someone else's
    editorial content in its BLOCK 10.
  Resolution: Discard mislabeled editorial. Generate correct one.

PATTERN 004: ROLLING STONE EDITORIAL — TRUNCATION (MODE B)
  Classification: EDITORIAL ARTIFACT — TEMPORAL INCOMPLETENESS
  Confirmed instances:
    SL7: Editorial written for 6-track version of set. "Sniper's Song lands
         last" language is the detection key. Tracks 7–12 unaddressed.
  Detection method: Check if "last" or "closes" language in editorial refers
    to a track that is NOT the final track in the current set structure.
    Also check track count coverage — how many of N tracks are mentioned.
  Risk: ALL-IN-ONE page built from truncated editorial will lack context for
    the final half (or more) of the set.
  Resolution: Supplement existing editorial with coverage of uncovered tracks.
    Maintain same voice/style as existing editorial.

PATTERN 005: OBSOLETE TITLE IN QUICK-REFERENCE INDEXES
  Classification: TEMPORAL LAYER ARTIFACT
  Confirmed instances:
    SL7: "Extremes" in both quick-ref indexes vs "Train Off the Tracks"
         in all full-text and editorial sources.
  Mechanism: Quick-reference indexes were compiled at an earlier stage.
    When set titles were updated (renamed), the full-text sections and
    editorial headers were updated but the quick-ref indexes were not.
  Detection method: When quick-ref index title differs from full-text section
    header, apply CONTENT > placement/order rule. Full-text wins.
  Additional signal: If quick-ref title matches a track name within the same
    set, suspect track-bleed contamination (see Pattern 007).
  Expected frequency: May exist for other Set Lists beyond SL7. Any Set List
    that was renamed during archive development is a candidate.

PATTERN 006: TRACK ARTICLE INCONSISTENCY
  Classification: FORMATTING ARTIFACT
  Confirmed instances:
    SL7 Track 10: "A Cop Asked the Witnesses" (full-text) vs
                  "Cop Asked the Witnesses" (quick-ref, category indexes)
  Mechanism: Quick-reference and category indexes appear to normalize track
    titles by dropping leading articles (A, An, The). Full-text listings
    preserve the original title including article.
  Resolution: Full-text listing form with article is canonical for all
    structured data fields. Pipeline must use article-inclusive form.
  Expected: Other tracks across SL8–SL24 may begin with "A" or "The" and
    will show same pattern. Check full-text listing for each track.

PATTERN 007: TRACK-BLEED CONTAMINATION (SUSPECTED)
  Classification: METADATA CORRUPTION — SUSPECTED, NOT CONFIRMED
  Suspected instances:
    SL4: "Downward Spiral" as Set List title when "Downward Spiral" is also
         Track 4 within that set. Multiple quick-ref appearances of
         "Downward Spiral" as SL4 title may be track references, not
         set title references.
  Mechanism: A track name within a set propagates into the set-level title
    field, potentially because early documentation created the title reference
    from the most prominent-sounding track rather than the actual set title.
  Detection method: When a suspected set title matches a track name within
    that same set, flag immediately for Tom confirmation.
  Cannot self-resolve: Even with CONTENT > placement/order rule, this requires
    Tom's canonical decision because the conflict is between the set's
    thematic title and a track title within it — not between older and newer
    content versions.
  Status: ⏸️ Awaiting Tom confirmation on SL4.

PATTERN 008: CATEGORY INDEX DUPLICATE ENTRIES
  Classification: INDEX CONSTRUCTION ARTIFACT — CLEANUP ISSUE
  Confirmed instances:
    Sniper's Song: appears twice within SOCIAL ISSUES category section
  Mechanism: Category index built additively across multiple sessions.
    Tracks added to category lists without checking for prior entries.
    When a track's category was re-evaluated or re-added, duplicate arose.
  Impact: Minimal. Does not affect content accuracy. Affects index cleanliness.
  Resolution: Cleanup pass on category index to remove duplicates.
    Not urgent for pipeline but should be addressed before site deployment.
  Expected: Likely multiple duplicate entries throughout 434-title index.

PATTERN 009: TITLE-CASE VARIATION ACROSS SOURCE SECTIONS
  Classification: FORMATTING INCONSISTENCY — MINOR
  Confirmed instances:
    Shadow of Smoke (quick-ref) vs Shadow Of Smoke (full-text) — SL7
    Wheat and Chaff (full-text) vs Wheat And Chaff (category index) — SL7
    Heartstrings (prose/category) vs Heart Strings (track listing) — SL6
  Mechanism: Different sections use different capitalization conventions.
    Full-text listings use consistent title case.
    Quick-ref indexes use sentence case or mixed.
    Prose sections use normalized one-word forms (Heartstrings).
    Category indexes use their own capitalization scheme.
  Resolution rule: Full-text track listing form is canonical for all
    structured data. Prose forms acceptable in continuous prose only.
  Expected: Every Set List will have title-case variants across sections.
    Not a critical error but must be standardized in pipeline output.

PATTERN 010: TEMPORAL LAYERING OF SOURCE DOCUMENT
  Classification: ARCHIVE ARCHITECTURE OBSERVATION
  Description: The 903-page source document contains content from multiple
    distinct time periods overlaid in sequence:
    - Early quick-ref indexes (oldest conventions)
    - Full-text section content (most recently curated)
    - Rolling Stone editorial sequence (written at specific moments,
      may not reflect final set structures)
    - Master index section (compiled as reference tool, generally current)
    - Category index (built additively over entire archive history)
  Each layer may reflect a different state of the archive.
  The CONTENT > placement/order rule is the correct response to this
  temporal layering — it directs verification to use the most
  content-consistent and most recently confirmed data as authoritative.
  Key implication: A "conflict" between two source sections may not be
    a genuine error in either — it may simply reflect that the sections
    were written at different times when different decisions were in effect.
  Resolution approach: Identify which layer each source belongs to.
    Apply authority hierarchy (Section 14.1 of v1). Use CONTENT > placement
    to break ties.

================================================================================
PART FIVE: COMPLETE VERIFICATION LOGIC AND METHODOLOGY
================================================================================

CORE PRINCIPLES (in priority order):

1. CONTENT > PLACEMENT/ORDER (issued by Tom, this session)
   When structural position conflicts with content: content wins.
   Repeated consistent content is the canon anchor.
   Newest confirmed naming + repeated source consistency wins.
   This rule supersedes all lower principles for title/content conflicts.

2. MULTI-SOURCE CROSS-REFERENCING
   No single source treated as authoritative in isolation.
   Every significant claim cross-referenced against minimum 3 sources.
   Agreement across 3+ sources = high confidence.
   Disagreement = frequency analysis + authority tier analysis.

3. AUTHORITY HIERARCHY (for breaking ties when content rule doesn't apply)
   TIER 1: Full-text section listings (highest)
   TIER 2: Master index section
   TIER 3: Quick-reference indexes
   TIER 4: Rolling Stone editorial section (prose, not precision)
   TIER 5: Category index (lowest — built additively, may have legacy entries)

4. GX MATHEMATICAL VERIFICATION
   Every collection total calculated independently from individual ratings.
   Calculated total compared to stated total.
   If match: confirmed.
   If discrepancy: do NOT adjust stated total. Investigate individual ratings.
   Discrepancy = content analysis of each NC-17/R rated track.
   Escalate to Tom if cannot resolve through content analysis.

5. CANONICAL FORM DECISION LOGIC
   For title variants: Full-text track listing form (Tier 1) = canonical
   For articles: Full-text listing form with article = canonical
   For title case: Title case is canonical for structured data fields
   For prose: Normalized forms acceptable in continuous prose only
   When uncertain: defer to full-text listing appearance

6. PARTIAL LYRIC DETECTION
   Every track title checked for parenthetical notations
   "(beginning part)" / "(first Part)" / any similar = partial flag
   Partial tracks never treated as complete
   White Claude 2 instructed to mark partial tracks explicitly in BLOCK 7
   Tom must supply full lyrics — never generate or interpolate missing content

7. ROLLING STONE EDITORIAL VERIFICATION PROTOCOL
   A) Do track names mentioned in editorial match track list for this set?
      NO → slot migration artifact (Mode A) — seek editorial replacement
   B) Does "last" or "closes" language refer to actual final track?
      NO → truncation artifact (Mode B) — supplement needed
   C) Which tracks are covered vs total track count?
      Coverage gap → flag for supplement
   All three checks required for each editorial.

8. CATEGORY CONTAMINATION DETECTION
   Every category placement checked for content consistency.
   If a peaceful/romantic track appears in VIOLENCE category: contamination flag.
   If DRUGS & ALCOHOL category contains non-drug tracks: contamination flag.
   Prior session identified DRUGS & ALCOHOL contamination in Song Lists.
   This category must be specifically audited in SL8–SL24.
   Duplicate entries within a category: cleanup flag (not content error).

9. TRACK-BLEED CONTAMINATION DETECTION
   If suspected Set List title matches a track name within that same set:
   Flag immediately for Tom. Cannot self-resolve.

10. ESCALATION PROTOCOL
    Items that cannot be self-resolved require Tom confirmation.
    Escalation package includes:
      - All relevant source locations
      - Frequency counts
      - Authority tier analysis
      - Black Claude 1's recommendation where one can be made
      - Specific options for Tom to choose between
    Never silently resolve by assumption.
    Never improvise missing canon.

COMPLETE 10-STEP VERIFICATION SEQUENCE (for SL8–SL24):

  STEP 1: TITLE VERIFICATION
    Search all title appearances.
    Compare quick-ref index title vs full-text section title.
    Flag any discrepancy with frequency count and authority analysis.
    Apply CONTENT > placement/order.
    Check if suspected title matches any track within the set (bleed risk).

  STEP 2: TRACK LIST VERIFICATION
    Extract track list from minimum 3 independent sources.
    Confirm count and order consistency across all sources.
    Note any track name variants (article, title case, spelling).
    Apply canonical form rules.
    Check for ANY parenthetical notations after track titles (partial flag).

  STEP 3: GX VERIFICATION
    Extract individual ratings from all available sources.
    Compare across sources — flag any per-track rating conflicts.
    Calculate independent total.
    Compare to stated total.
    If discrepancy: content analysis of each NC-17/R/X rated track.
    Identify probable mis-rated tracks.
    Escalate if cannot resolve with confidence.

  STEP 4: PARTIAL LYRIC SCAN
    Check full-text track listings for "(beginning part)," "(first Part),"
    "(first two)," or any similar partial notation.
    Flag all partial tracks with track number and notation form.
    Add to running partial-lyric register.

  STEP 5: ARTIST COMPARISONS VERIFICATION
    Confirm consistent across all appearances.
    Note any additions (parenthetical album refs acceptable).
    Flag if different sources cite completely different artists.

  STEP 6: TRIGGER WARNING VERIFICATION
    Confirm internal consistency across all appearances.
    Verify key claims against actual lyric content.
    Check that content-sensitive tracks have appropriate specific language
    (e.g., Daddy Taught Me type = racial extremism specifically named).
    Check for misleading title issues (e.g., Innocence Lost type).

  STEP 7: ROLLING STONE EDITORIAL VERIFICATION
    Apply all three checks (track names, "last" language, coverage count).
    Determine failure mode if present (A=slot migration, B=truncation).
    Issue appropriate pipeline instruction.

  STEP 8: CATEGORY VERIFICATION
    Extract all category placements for each track.
    Check for: missing assignments, content inconsistencies,
    contamination patterns, duplicate entries.
    Specifically audit DRUGS & ALCOHOL category for contamination.

  STEP 9: CANONICAL SPELLING AUDIT
    Note all title-case, article, and variant-form inconsistencies.
    Apply authority hierarchy: full-text listing form = canonical.
    Document decisions in spelling log.

  STEP 10: QA REPORT COMPILATION
    Full status table with all checks.
    All flags categorized (Tom confirmation required vs pipeline flag).
    Escalated items with full evidence packages.
    Pipeline instructions for White Claude 2.
    Add any new systemic patterns discovered to Pattern Register.

================================================================================
PART SIX: FULL ARCHIVE CONTEXT AND PIPELINE INTELLIGENCE
================================================================================

ARCHIVE SCALE:
  34 total collections (24 Set Lists + 10 Song Lists)
  Approximately 434 total tracks
  Song Lists 1–10: completed (prior session)
  Set Lists 1–5: QA verified (prior session)
  Set Lists 6–7: QA verified (this session)
  Set Lists 8–24: pending (17 remaining)

FULL SET LIST TITLE MAP (confirmed from source document):
  Set List 1:  Glass Half Something
  Set List 2:  Plurality
  Set List 3:  Self in the Mirror
  Set List 4:  TITLE UNCONFIRMED — Partner to the Crime / Partnered to the Crime
               [Downward Spiral = suspected track-bleed; Tom must confirm]
  Set List 5:  Living à la Mode (also appears as "Living À La Mode")
  Set List 6:  Definitely Not Love ✅ VERIFIED
  Set List 7:  Train Off the Tracks ✅ VERIFIED (retired: "Extremes")
  Set List 8:  Boss Logic
  Set List 9:  The Thralls of the Flame
  Set List 10: Go Ask Gramm
  Set List 11: Noise, Lies and Longing
  Set List 12: Wounded Masculinity
  Set List 13: Power Shields
  Set List 14: 6,000 km to Denmark
  Set List 15: Liminal State
  Set List 16: Kneel, Heal and Rise
  Set List 17: Smirks, Swears, Moans and Cries
  Set List 18: Corrugation Row
  Set List 19: Della of Troy
  Set List 20: The Cost of Light
  Set List 21: A Cold Plate
  Set List 22: Inherent Absence
  Set List 23: Zionation
  Set List 24: Bi Ride or Die Ride

KNOWN HIGH-SENSITIVITY SET LISTS FOR FUTURE VERIFICATION:
  Set List 17: Smirks, Swears, Moans and Cries
    Contains: explicit sexual content, child abuse/incest references,
    violent sexual language, blasphemy, nihilism
    Note: "She Don't Cum Easy" and other SL5 tracks appear in SL17 editorial
    investigation data — verify SL17 editorial has not been further displaced.

  Set List 21: A Cold Plate
    Source references: "domestic violence, murder, HIV revenge narrative.
    Mixed NC-17/X."
    Total Points stated: 34

  Set List 24: Bi Ride or Die Ride
    Source references: "most explicit and boundary-demolishing set."
    "bisexual/sexual content, glory holes, incest references."

  Set List 23: Zionation
    Contains: Direct political statements about Israel and US foreign policy.
    "A president who has been infiltrated by foreign agents is not serving
    the will of the citizens of the United States of America and needs to
    be removed IMMEDIATELY." — author's note.

  Set List 5: Living à la Mode
    Already verified (prior session). Note: "She Don't Come Easy" vs
    "She Don't Cum Easy" — spelling variant may exist in source.
    RS editorial (line 32582) uses "She Don't Cum Easy" — verify canonical.

SPECIAL WATCH LIST FOR SL8–SL24:
  1. Verify every editorial for Mode A (slot migration) and Mode B (truncation)
  2. Verify DRUGS & ALCOHOL category for contamination (prior session finding)
  3. Check for additional track-bleed contamination beyond SL4
  4. Check quick-ref index titles against full-text titles for each set
  5. Document all partial lyric instances
  6. Verify "Quest for Immortality" Song 10 reference (line 41058) is an isolated
     old-numbering artifact and not evidence of deeper numbering corruption in
     other legal/content advisory sections

PIPELINE DOCUMENT INTELLIGENCE FROM PLANNING DOCUMENT:
  The planning document (194 pages) contains information about how the
  archive was built that is useful for understanding corruption patterns:

  Key operational history:
    - Multiple Claude instances worked simultaneously at different points
    - One instance lacked actual content — had only planning docs, not lyrics
      (this explains why some extractions may be incomplete)
    - Confusion occurred when Claude scanned wrong PDF
      (this explains why some quick-ref data may reference different source)
    - Multiple rounds of architecture redesign were abandoned
      (this explains why some titles/structures may have legacy remnants)
    - The project transitioned from "making pages" to "industrial pipeline"
      at a specific inflection point
      (content before that inflection may be formatted differently)

  The 194-page document confirms the same priorities across multiple sessions,
  meaning those priorities are "probably correct and stable now":
    1. Finalize generators
    2. Build missing pages
    3. Ensure search visibility
    4. Crawl/map
    5. Repair navigation
    6. Black-theme conversion
    7. PG-13+/adult index

MASTER ALPHABETICAL INDEX — STRUCTURAL NOTE:
  The master category index (lines 38620+) appears to be incomplete.
  It begins with: "[Full category breakdown index — content to be added]"
  This comment suggests the index was planned as more comprehensive than
  what was actually compiled. The categories that DO exist are functional
  but the index may be missing some category sections entirely.
  This is consistent with the "built additively" assessment — some sections
  were started and not completed.

SONG LIST REFERENCE MAP (for cross-reference during pipeline):
  Song List 1:  The Last Man Singing
  Song List 2:  Sheila Tequila
  Song List 3:  A Day at the Office
  Song List 4:  A Traveler in the Distance
  Song List 5:  Love Without a Doubt
  Song List 6:  Undertows and Afterglows
  Song List 7:  High Tides and Landslides
  Song List 8:  A Knight for a Lady
  Song List 9:  Between Us and Love
  Song List 10: One Piece Missing

  IMPORTANT: Song Lists and Set Lists use separate numbering.
  "Set List 6" ≠ "Song List 6"
  All pipeline references must use full prefix to avoid confusion.

================================================================================
PART SEVEN: PIPELINE INSTRUCTIONS SUMMARY
================================================================================

FOR WHITE CLAUDE 2:

  ARCHITECTURE:
    Use ALL-IN-ONE block structure (14 blocks, locked order).
    Every page follows: Header → Title → Video → Album Identity → Lady Weaver
    Note → Track List → Full Lyrics → Trigger Warnings → Quick Guide →
    Rolling Stone Review → Tracks by Category → Themes/Mood/Profanity →
    What Community Says → Fast Buttons.
    No outbound links on ANY All-In-One page.
    Dark backgrounds. Batman's bedroom. 14pt+ font minimum.

  CANONICAL FORMS TO USE:
    Set List 6, Track 6: "Heart Strings" (two words) in all structured fields.
    Set List 7, Track 3: "Shadow Of Smoke" (title case) in all structured fields.
    Set List 7, Track 4: "Wheat and Chaff" (lowercase "and") in all structured fields.
    Set List 7, Track 10: "A Cop Asked the Witnesses" (with article) in all fields.

  PARTIAL LYRIC HANDLING:
    SL6 Track 1 — Expired: Mark as PARTIAL in BLOCK 7.
      Use notation: "[PARTIAL — full lyrics pending Tom source confirmation]"
      Do NOT pad or generate missing lyrics.
    SL7 Track 12 — Either Way: Mark as PARTIAL in BLOCK 7.
      Same notation. Do NOT pad or generate missing lyrics.

  ROLLING STONE EDITORIAL HANDLING:
    SL6: No valid editorial exists. Either generate (matching SL6 tone:
      grief, romantic collapse, PG-13 throughout, Damien Rice/Elliott Smith/
      Leonard Cohen comparisons) or flag for Tom.
    SL7: Valid editorial exists for tracks 1–6 only. Either generate
      supplemental coverage for tracks 7–12 (match existing voice/style)
      or flag for Tom.

  CATEGORY ASSIGNMENTS:
    SL6 Track 1 (Expired): No category in source. Do not assign without Tom input.
      Mark as pending in metadata.
    All other SL6 and SL7 tracks: Use confirmed category assignments from
      this document.

  GX RATINGS:
    SL6: All tracks PG-13. GX = 26. Use these values.
    SL7: Sniper's Song = NC-17 confirmed. Betrayal = NC-17 confirmed.
      Either Way and Quest For Immortality: use NC-17 as listed in source
      UNLESS Tom confirms R rating. Do not change without Tom confirmation.
      Until confirmed: stated GX = 30 should be used as official total.

FOR TOM:

  DECISIONS NEEDED:
    1. Set List 4 canonical title: Partner to the Crime? Partnered to the Crime?
       Downward Spiral? (Black Claude 1 assessment: Partnered to the Crime
       from master index is highest authority, but Tom must confirm.)

    2. Set List 7, Either Way (Track 12): Rating R(3) or NC-17(4)?
       Black Claude 1 assessment: probable R based on lyric content analysis.
       Mathematical result if R: GX = 30 exact.

    3. Set List 7, Quest For Immortality (Track 7): Rating R(3) or NC-17(4)?
       Black Claude 1 assessment: probable R based on lyric arc analysis.
       Mathematical result if both Either Way and Quest For Immortality are R:
       GX = 30 exact.

    4. Set List 6, Expired (Track 1): Full lyrics needed.
       Source has only 9 lines ("beginning part"). Complete lyric required.

    5. Set List 6, Expired: Category assignment needed.
       Track has no category in master index. Suggested: RELATIONSHIPS,
       INTERNAL STRUGGLE, DEPRESSING — but Tom must confirm.

    6. Set List 6: Rolling Stone editorial needed.
       No valid editorial exists for Definitely Not Love in source.

    7. Set List 7, Either Way (Track 12): Full lyrics needed.
       Source has partial lyrics ("first Part"). Complete lyric required.

    8. Set List 7: Rolling Stone editorial supplement needed for tracks 7–12.

================================================================================
END OF BLACK CLAUDE 1 MASTER SESSION DUMP v2
================================================================================

CHECKPOINT SUMMARY:
  Session scope:     Set Lists 6 and 7 (full QA verification)
  Prior scope:       Song Lists 1–10 + Set Lists 1–5 (prior session, reference only)
  Documents used:    2 (planning PDF 208pp + source PDF 903pp)
  Tracks verified:   25 (13 for SL6 + 12 for SL7)
  Flags issued:      7 (3 Tom-confirmation required + 4 pipeline flags)
  Patterns logged:   10 (systemic behaviors documented)
  Discoveries:       12 labeled (D1–D12 in chronological log)
  Canon resolutions: 2 (SL6 title, SL7 title) + 1 pending (SL4 title)
  GX verified exact: SL4, SL5, SL6 (all exact matches)
  GX discrepancy:    SL7 (+2, probable cause identified, Tom confirmation pending)

PIPELINE STATUS:
  Song Lists 1–10:    ✅ COMPLETED (prior session)
  Set Lists 1–5:      ✅ COMPLETED (prior session)
  Set List 6:         ✅ VERIFIED — 3 open flags
  Set List 7:         ✅ VERIFIED — 3 flags for Tom + 1 pipeline note
  Set Lists 8–24:     ⏳ PENDING — 17 remaining

NEXT TARGET ON RESUME: SET LIST 8 — BOSS LOGIC
================================================================================
