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RECURRING TRACKS MASTER REGISTRY — VOL 1
RECURRING_TRACKS_MASTER_REGISTRY_VOL1.txt
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Generated: May 9, 2026
Role: Mixed Claude 3 — Cross-Catalog Canon Stabilization
Source: Verified from 34_ALBUMS_BOOKS_1_and_2_back_to_back.pdf (47,073 lines)
Scope: All 34 collections — cross-collection track re-use mapping
Purpose: Ensure generator deploys correct metadata per collection for re-used tracks.
         Ensure AIO pages do not inherit wrong summaries or ratings from sibling collections.
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SECTION 1 — CONFIRMED RECURRING TRACKS (INTENTIONAL RE-USE)
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TRACK: "LEARN FROM THE MASTERS"
--------------------------------
  STATUS: CONFIRMED INTENTIONAL RE-USE
  APPEARS IN: 2 collections

  Instance 1:
    Collection:      Set List 16 — Kneel, Heal and Rise
    Track Position:  12 of 13
    Rating:          PG-13
    GX Points:       2
    Four-Word Summary: "Fight you with pen"
    Context:         Religious trauma, creative struggle — the track closes the
                     collection as a defiant artistic declaration.

  Instance 2:
    Collection:      Set List 20 — The Cost of Light
    Track Position:  12 of 13
    Rating:          PG-13
    GX Points:       2
    Four-Word Summary: "Paper cuts never heal"
    Context:         Burnout and idealism — the track serves as a worn, battle-tested
                     creative manifesto in an exhausted but resilient set.

  GENERATOR INSTRUCTION:
    When building Set List 16 AIO: use summary "Fight you with pen"
    When building Set List 20 AIO: use summary "Paper cuts never heal"
    DO NOT allow one to override the other.

  SOURCE CONFIRMATION:
    Track listing line 38176: Set List 16 context — "Fight you with pen"
    Track listing line 38235: Set List 20 context — "Paper cuts never heal"
    Quick guide instances: confirmed at lines 2612, 2729 (Set List 16)
                           and lines 16316, 16382 (Set List 20)


TRACK: "NIGHT LIGHT"
---------------------
  STATUS: CONFIRMED INTENTIONAL RE-USE
  APPEARS IN: 2 collections

  Instance 1:
    Collection:      Set List 3 — Self in the Mirror
    Track Position:  5 of 13
    Rating:          PG
    GX Points:       1
    Four-Word Summary: "Beacon through the void"
    Context:         Emotional fatigue, existential doubt — Night Light as a
                     moment of spiritual or emotional orientation amid confusion.

  Instance 2:
    Collection:      Set List 14 — 6,000 km to Denmark
    Track Position:  5 of 13
    Rating:          PG
    GX Points:       1
    Four-Word Summary: "cry tears of joy"
    Context:         Healing, spirituality, hope — Night Light as emotional catharsis
                     and release within a warm, hopeful set.

  NOTE: Same position (Track 5) in both collections. Same rating.
        Rolling Stone review for Set List 14 specifically references "Night Light" as
        drawing from LadyWeaver's "poetic and musical meditations."

  GENERATOR INSTRUCTION:
    When building Set List 3 AIO: use summary "Beacon through the void"
    When building Set List 14 AIO: use summary "cry tears of joy"

  SOURCE CONFIRMATION:
    Set List 3 quick guide line 1200: "Beacon through the void"
    Set List 14 quick guide line 4944 / track listing: "cry tears of joy"


TRACK: "DANCE FLOOR"
---------------------
  STATUS: CONFIRMED INTENTIONAL RE-USE
  APPEARS IN: 2 collections

  Instance 1:
    Collection:      Set List 3 — Self in the Mirror
    Track Position:  7 of 13
    Rating:          PG-13
    GX Points:       2
    Four-Word Summary: "Lose yourself completely"
    Context:         The club as confession booth — dance floor as emotional
                     avoidance and desperate release.

  Instance 2:
    Collection:      Set List 11 — Noise, Lies and Longing
    Track Position:  13 of 13 (closing track)
    Rating:          PG-13
    GX Points:       2
    Four-Word Summary: "find peace in movement"
    Context:         Closing the set with a crooked smile — choosing joy for one
                     night because everything else stays broken come morning.
                     (Rolling Stone description: "sends us off with one final
                     cigarette and a crooked smile")

  NOTE: Dance Floor closes Set List 11. It is the final track of a 13-track set.
        This gives it elevated narrative weight compared to its mid-set position in
        Set List 3.

  GENERATOR INSTRUCTION:
    When building Set List 3 AIO: use summary "Lose yourself completely"
    When building Set List 11 AIO: use summary "find peace in movement"

  SOURCE CONFIRMATION:
    Set List 3 quick guide line 1216: "Lose yourself completely"
    Set List 11 quick guide line 2499: "find peace in movement"


SECTION 2 — UNRESOLVED RECURRING TRACK (PENDING TOM CONFIRMATION)
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TRACK: "TIME'S UP" / "TIMES UP"
---------------------------------
  STATUS: [FLAG — NEEDS TOM CONFIRMATION]
  APPEARS IN: 2 collections (with spelling variant)

  Instance 1:
    Collection:      Set List 11 — Noise, Lies and Longing
    Track Position:  8 of 13
    Spelling:        "Time's Up" (apostrophe present)
    Rating:          PG
    GX Points:       1
    Four-Word Summary: "facing the big wave"
    Context:         A bruised survivor's anthem for those who learned too late
                     not to play with fire. (Rolling Stone description)

  Instance 2:
    Collection:      Set List 17 — Smirks, Swears, Moans and Cries
    Track Position:  7 of 13
    Spelling:        "Times Up" (no apostrophe)
    Rating:          PG-13
    GX Points:       2
    Four-Word Summary: "jump when you should have ducked"
    Context:         Per trigger warning: contains violent metaphors, gun references,
                     and personal collapse.

  CONFLICT ANALYSIS:
    Different spelling: "Time's Up" vs "Times Up"
    Different rating: PG vs PG-13 (1-point difference in GX contribution)
    Different four-word summaries
    If same track: re-rated between collections (unusual but possible)
    If different tracks: two distinct compositions with similar names

  RESOLUTION REQUIRED:
    Tom must confirm whether these are the same track or two distinct compositions.
    Until resolved: treat as separate tracks with their own metadata per collection.
    Use "Time's Up" (apostrophe) for Set List 11 per source spelling.
    Use "Times Up" (no apostrophe) for Set List 17 per source spelling.


SECTION 3 — CROSS-COLLECTION CHARACTER / THEMATIC THREAD TRACKS
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These tracks are not re-used but form explicit narrative or thematic connections
across collections. Listed for pipeline awareness, not as duplicates.

"COREY STORY" (Set List 7 Track 1) — Tom Personal
  Source note: "said Corey works for the state now, doing better than the author
  in the eyes of Our Lord." (Rolling Stone review, Set List 7)
  Real-world person referenced. Confirms Tom Personal category.

"HARRY PATCH" (Song List 10 Track 2) — Tom Personal / Historical
  Real-world source: Harry Patch (1898–2009), last surviving combat soldier of WWI.
  Tom Personal + Historical categories confirmed.

"SNIPER'S SONG" (Set List 7 Track 6) — Tom Personal / Political
  Real-world source: Washington Post, October 4, 2002.
  DC Sniper event (John Allen Muhammad and Lee Boyd Malvo).
  Black Claude 1 documented: NC-17 rating definitively correct given real-world source.

"WHEAT AND CHAFF" (Set List 7 Track 4)
  Real-world source: Anthony Bourdain death. Rolling Stone references "quiet collapse
  of Anthony Bourdain" explicitly.

"OBAMAFICATION" (Set List 10 Track 4)
  Real-world political figure referenced. Tom Personal category. Confirmed in source.

"TEN PERCENT TOM" (Set List 21 Track 2)
  Direct autobiographical reference: "sums up the last 15 rotten years since returning
  from a failed quest to win the hand of the fair LadyWeaver." (Rolling Stone, Set List 21)
  Tom Personal category confirmed.


SECTION 4 — RECURRING THEMATIC ANCHORS ACROSS CATALOG
======================================================

The following themes appear with high frequency across multiple collections,
establishing the catalog's thematic universe. Listed for context — not for
generator action. For reference when building Block 11 and Block 12.

THEME: LADYWEAVER (person + muse + loss)
  Explicit presence: Song List 8 (entire collection), Set List 14 (partial influence),
    Set List 21 ("Ten Percent Tom" explicitly references failed quest for LadyWeaver)
  Implicit presence: Multiple collections reference the narrator's muse, the woman
    who was lost, the inspiration behind the catalog's existence
  Canon fact: LadyWeaver died of cancer. Left behind a young adult son and three babies.
    Tom found out via email from her mother. The entire project was cemented in her honor.

THEME: SELF-CONFRONTATION / NARRATOR ACCOUNTABILITY
  Peak collections: Song List 2 (Sheila Tequila), Set List 7 (Train Off the Tracks),
    Set List 12 (Wounded Masculinity), Set List 18 (Corrugation Row)
  The catalog arc intentionally moves from self-confrontation (early sets)
    toward political rage (middle) toward explicit transgression (final sets).

THEME: POLITICAL FURY / STATE CRITIQUE
  Peak collections: Set List 10 (Go Ask Gramm), Set List 13 (Power Shields),
    Set List 23 (Zionation)
  Consistent presence from Set List 8 onward.

THEME: ROMANTIC LOVE / UNLOVE ARC
  Song List 5 = pure love (the axis)
  Song List 6 = anti-love (the opposite axis — explicitly stated in source)
  Song List 7 = love and unlove at war
  Set List 19 = devotional love (honeypot entry point)
  This arc is confirmed canonical structure, not editorial interpretation.

THEME: ADDICTION AND RECOVERY
  Persistent across: Song List 2 (Sheila Tequila), Song List 4, Set List 4,
    Set List 11, Set List 12
  Category: Drugs & Alcohol confirmed in source index.

THEME: WAR AND ITS HUMAN COST
  Persistent across: Song List 1 (Cost of War), Song List 10 (Harry Patch),
    Set List 7 (various), Set List 13, Set List 23
  Category: Historical, Tom Personal, Social Issues confirmed in source index.


SECTION 5 — ARTIST COLLABORATION RECURRING FIGURES
====================================================

Based on quick guide data across all 34 collections. Listed for Block 6 accuracy.

MOST FREQUENT COLLABORATING ARTISTS (confirmed from quick guide entries):
  Klaus Bluetner      — appears across Song Lists 1–10 and multiple Set Lists
                        Most prolific named collaborator in the catalog
  Justin Justice      — appears across multiple Song Lists and Set Lists
  Tyler Thompson      — appears in Song List 2, Song List 3, Song List 4 areas
  LadyWeaver          — Song List 1 (Knowing the Know), Song List 8 (full collection)
                        Also referenced as inspiration throughout
  Bryan Magsayo       — Song List 4, Song List 6
  Tiffany Anne        — Song List 4
  Jon Jacobs          — Song List 7
  Justin Osowiecki    — Song List 6 (Rainy Day Sunshine / Dead Silence — see conflict)
  Rebekah Ann Curtis  — Song List 9 (Smell the Flowers)
  Lai Youttitham      — Song List 7 (Unity), Song List 9 (Rocking the World)
  William Elmore      — Song List 4 (Fallen Clouds)
  Lynette             — Song List 4 (Coming of Fall)
  Sandy               — Song List 5 (It Could Be You)
  Big Suna            — Song List 1 (Fourteen Days, co-credit with Klaus Bluetner)

NOTE: Many Set List tracks in the full text sections do not carry explicit artist credits
  in the quick guide rows. Artist credit coverage is stronger in Song Lists 1–10
  than in Set Lists. [FLAG — NEEDS VERIFICATION] for Set List artist credits.

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END OF RECURRING TRACKS MASTER REGISTRY — VOL 1
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MIXED CLAUDE 3 | Cross-Catalog Canon Stabilization
Last updated: May 9, 2026
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