================================================================================
WHITE CLAUDE 2 — FULL MASTER SESSION DUMP — ARCHIVAL CHECKPOINT
================================================================================
Version: 2.0 — Expanded Archival Edition
Generated: Session — May 8, 2026
Operator: White Claude 2 (extraction pipeline / structure population / content mapping)
Project: Collaborhythm / Collabtunes — Tom Jensen
Purpose: Complete operational record of this session for continuity, handoff,
         and future instance bootstrapping
Format: Chronological narrative + structured reference sections
================================================================================

ARCHIVAL NOTE:
This document is designed to allow a future Claude instance, ChatGPT instance,
or any production system to reconstruct the complete state of this pipeline
from zero context. Nothing operationally significant has been intentionally
omitted. Raw detail is preserved over concision.

================================================================================
PART ONE — CHRONOLOGICAL SESSION NARRATIVE
================================================================================

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PHASE 1: SESSION INITIATION — IDENTITY ESTABLISHMENT
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Tom opened the session by addressing White Claude 2 by name and referencing a
194-page planning PDF. The instance (this Claude) was correctly operating under
the name "White Claude 2" for the duration of this session.

Initial message included:
- Reference to the 194-page planning PDF as architectural authority
- Instruction to continue the SET LIST extraction pipeline
- Current assignment stated as: SET LIST 6 — ALL-IN-ONE
- Confirmation of locked principles:
  * generator-first strategy
  * architecture freeze logic
  * ALL-IN-ONE isolation philosophy
  * Batman-bedroom dark theme
  * anti-architecture-drift rules
  * navigation-after-page-generation workflow

White Claude 2 response: Noted that no file was attached yet. Requested upload.
The 194-page PDF (194_PAGES_TO_FINISH_OUR_SHIT_PLAN_on_PDF.pdf) was subsequently
uploaded.

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PHASE 2: PLANNING PDF INGESTION — ARCHITECTURE LOCK CONFIRMATION
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File inspected:
  Name: 194_PAGES_TO_FINISH_OUR_SHIT_PLAN_on_PDF.pdf
  Actual pages: 208 (despite filename saying 194)
  Producer: LibreOffice 26.2.1.2
  Created: May 8, 2026

Full text extracted to: /tmp/full_doc.txt (6,503 lines)

KEY STRUCTURAL DISCOVERY FROM PLANNING PDF:
The document is a transcript of multiple chat sessions between Tom and various
AI systems, compiled into a single planning archive. It contains:

  Pages 1–15: Session 1 Raw Voice Notes — Tom walking through website live,
    narrating tasks. Fast Scroll is out of date (~130 links). 128-section
    navigator stops too early. Rolling Stone summaries missing Zionation.
    Switchboard incomplete. Home page solid at 149 tabs.

  Pages 15–30: Task Delegation Brainstorm (via ChatGPT). Work split between
    Tom, ChatGPT, Claude 1, Claude 2 based on "brain juice" usage.
    - Tom: creative judgment
    - ChatGPT: structure/HTML/automation
    - Claude 1: synthesis/big-text digestion
    - Claude 2: batch/repetitive cleanup

  Pages 30–50: Master Active Task List, Priority 1–6:
    (1) Expand Fast Scroll
    (2) Expand Navigation Map
    (3) Build All-In-One Section System
    (4) Finalize all existing tabs/pages
    (5) Business plan
    (6) Finalize generator codes
    Sections already considered "done": Quick Guide, 50 Lyric Video, etc.

  Pages 50–70: Architecture Locked — Session 2 (Voice Q&A, eyes closed).
    Six architecture questions answered via voice dictation.
    ALL-IN-ONE pages confirmed as fully isolated ("the monastery").
    Regular Song List pages = interconnected "city."
    NAMING LOCKED: All-In-One (Independent, Noncomparative from Collab Tunes
    Universe) vs Song List One (Embedded in Collab Tunes Universe).

  Pages 70–90: Generator Code Specs + Visual Rules.
    Generator = one giant single code block (2,500+ lines if needed).
    Outputs static Yola pages.
    Social media header (10 links) embedded at top.
    BATMAN'S BEDROOM VISUAL STYLE LOCKED:
      - Black backgrounds everywhere
      - 14–16pt minimum font
      - White boxes only for high-contrast clickable sections
      - Headers disappear on scroll
      - Hamburger menu ALWAYS has precedence over all code — non-negotiable

  Pages 90–110: Fast Buttons + Entry Points (25 identified).
    "Fast Buttons" = one-liner description of group + numbered quick-link
    buttons at bottom. Full "Start Here" hub planned with 25 entry points.
    Lady Weaver identified as the universal hook.

  Pages 110–125: Architecture Stabilization Warning.
    #1 bottleneck = architecture drift.
    Eight things that MUST be locked before more building:
      1. All-In-One naming
      2. Real active page list
      3. Relationship between the two main systems
      4. What goes inside each All-In-One page
      5. Visual gold standard
      6. PG-13+ index rules
      7. Search/navigation rules
      8. "Do Not Touch" freeze list

  Pages 125–143: ChatGPT Handoff Document + Final Phase Plan.
    5 locked decisions documented:
      - Page count ~200-205 total
      - Naming convention: SL.# notation
      - Data pull logic from URLs + 5 backup TXT files
      - Start Here placement
    6-phase build order:
      (1) Build generators
      (2) Generate pages + dark theme + PG-13 index
      (3) Repair navigation systems
      (4) Finish content
      (5) Master indexing
      (6) Money/business systems

ARCHITECTURE EXTRACTED FROM PLANNING PDF — LOCKED ELEMENTS:

ALL-IN-ONE PAGE NAMING (LOCKED PERMANENTLY):
  SET LIST # — [TITLE] — ALL-IN-ONE
  SONG LIST # — [TITLE] — ALL-IN-ONE

14-BLOCK ALL-IN-ONE STRUCTURE (LOCKED — NO REDESIGNS PERMITTED):
  BLOCK 1  — HEADER
  BLOCK 2  — PAGE TITLE
  BLOCK 3  — VIDEO
  BLOCK 4  — ALBUM IDENTITY
  BLOCK 5  — LADY WEAVER NOTE
  BLOCK 6  — FULL TRACK LIST WITH DATA
  BLOCK 7  — FULL TEXT LYRICS
  BLOCK 8  — TRIGGER WARNINGS
  BLOCK 9  — QUICK GUIDE
  BLOCK 10 — ROLLING STONE REVIEW
  BLOCK 11 — TRACKS BY CATEGORY
  BLOCK 12 — THEMES / MOOD / PROFANITY
  BLOCK 13 — WHAT COMMUNITY SAYS
  BLOCK 14 — FAST BUTTONS

ALL-IN-ONE ISOLATION: Zero outbound links. "The monastery."

BATMAN BEDROOM VISUAL RULES (LOCKED):
  - Black backgrounds everywhere
  - Bright readable text (white or high-contrast)
  - 14–16pt minimum font
  - White boxes ONLY for high-contrast clickable sections
  - Headers disappear on scroll
  - Hamburger menu ALWAYS precedence — non-negotiable
  - Mobile friendly
  - Minimal white sections
  - Clear buttons / spaced controls / fast navigation

NUMBERING SYSTEMS (LOCKED — NEVER MERGES):
  Song Lists: 1–10
  Set Lists: 1–24
  Cross-links allowed but systems remain distinct.
  Total core All-In-One pages: 34 minimum

ROLE DIVISION CONFIRMED FROM PLANNING PDF:
  WHITE CLAUDE 2: extraction pipeline, structure population, content mapping,
    generator consistency (THIS INSTANCE)
  BLACK CLAUDE 1: verification, QA, GX verification, category checking,
    duplicate checking, extraction accuracy
  CHATGPT: systems coordination, workflow stabilization, HTML/CSS generation,
    architecture protection, production sequencing
  TOM: creative director, final approvals, source file supply, naming lock
    decisions, artistic supervision

WRONG PDF SCAN INCIDENT (documented in planning PDF):
  Earlier in the broader project, one Claude instance scanned the planning PDF
  instead of the content PDF during extraction. This caused extraction failures
  because the planning PDF contains no actual lyrics/metadata. Corrected when
  the proper source file was identified. Lesson: always confirm which file is
  active before extraction begins.

HONESTY AS LOAD-BEARING STRUCTURE (philosophical anchor):
  Identified by Tom during planning. The archive collapses if honesty disappears.
  Without emotional honesty:
    - metadata becomes artificial
    - categories become performative
    - narrative arcs collapse
    - archive becomes branding instead of testimony
  This is the core engineering principle of the entire project.

ARCHIVE IDENTITY EVOLUTION (from planning PDF):
  The project stopped being "a website with lyrics" and became:
    - A scalable literary/music archive system
    - A canonized metadata ecosystem
    - An autobiographical narrative engine
    - A navigable emotional geography
    - A functioning production pipeline
  Behaves like: an engineered archive / a literary operating system /
    a metadata-driven autobiographical universe.

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PHASE 3: PIPELINE STATUS ASSESSMENT — PAUSED PENDING CONTENT SOURCE
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White Claude 2 assessed status from planning PDF:

COMPLETED before this session:
  ✅ Song Lists 1–10 — extraction complete (White Claude 2, prior session)
  ✅ Song Lists 1–10 — QA verification complete (Black Claude 1, prior session)
  ✅ Set Lists 1–5 — QA verification complete (Black Claude 1, prior session)
  ✅ Set Lists 3–5 — ALL-IN-ONE extraction complete (White Claude 2, prior session)
  ⏸  Set List 6 — "beginning extraction" only — INCOMPLETE AT SESSION START

Set List titles known at this point (from planning PDF):
  Set List 1 — Glass Half Something
  Set List 2 — Plurality
  Set List 3 — Self in the Mirror
  Set List 4 — Partner to the Crime / Downward Spiral [TITLE CONFLICT]
  Set List 5 — Living À La Mode

Set List 6 title: NOT IN PLANNING PDF. Must come from content source.

White Claude 2 issued: PIPELINE PAUSED — AWAITING MASTER CONTENT SOURCE.
Stated clearly what was needed: giant lyrics PDF OR master TXT archive OR
master alphabetical metadata index.

Tom's response: Confirmed the assessment was correct. Stated the "big PDF"
exists elsewhere in the broader project workflow but is not in this conversation.
Confirmed planning PDF = architecture only, not content.

Tom then attempted: "check big pdf"
White Claude 2 response: Confirmed only one file in conversation (194-page
planning PDF). The master content source was not present. Held pipeline pause.

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PHASE 4: MASTER CONTENT SOURCE UPLOAD
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Tom uploaded: 34_ALBUMS_BOOKS_1_and_2_back_to_back.pdf

File inspection:
  Pages: 903
  Producer: iLovePDF
  Created: April 16, 2026
  Size: 5,171,666 bytes

Full text extracted to: /tmp/master_content.txt (47,073 lines)

BOOK STRUCTURE DISCOVERY:
The file contains Book One and Book Two bound back-to-back.

BOOK ONE:
  (A) Dedication
  (B) Who Tom Is
  (C) Introduction
  (D) Book One and Book Two Purpose
  (E) Table of Contents
  (F) Quick Guide — 34 pages (one per album) — PRIMARY PER-TRACK DATA SOURCE
  (G) Full Texts of Poems / Lyrics — PRIMARY LYRICS SOURCE
  (H) 21 Page Business Summary
  (I) Manifesto
  (J) Lyric Use / Sign-Up Sheet
  (K) Updated Index

BOOK TWO:
  (1.) Who Tom Is
  (2.) Introduction
  (3.) The Catalog
  (4.) The Two Books
  (5.) Table of Contents for Both Books
  (6.) Dedication and Copyright / Manifesto
  (7.) What Tom Wants
  (8.) Collaborative Business Card
  (9)  My Lyrics Are Like These Famous Songwriters
  (10.) Cassette Tapes That Made Me Awesome
  (11.) Rolling Stone Magazine Style Reviews — PRIMARY ROLLING STONE SOURCE
  (12.) One Sentence Summaries — PRIMARY ONE-SENTENCE SUMMARY SOURCE
  (13.) All 34 Collections Rated G to X
  (14.) 1 to 34 Quick Guide (duplicate/updated)
  (15.) Themes, Mood, Lyrics, Etc. — PRIMARY THEMES/MOOD SOURCE
  (16.) Four Word Descriptions
  (17.) Title Breakdown by Category
  (18.) Category Listings for the Index — PRIMARY CATEGORY SOURCE
  (19.) Covering Songs / Industry Model / Business Plan
  (20.) Lyric Use Certificate
  (21.) Alphabetical Title Index (all titles) — MASTER INDEX
  (22.) Names Mentioned Index
  (23.) Contacts and Social Media
  (24.) Places I Am Going
  (25.) Should You Read This
  (26.) Can I Get Sued
  (27.) Final Thoughts
  (28.) Why So Serious???

WHO TOM IS (from Book One):
  Tom is a dude who has been writing lyrics for 29 years.
  Does not sing, does not play instruments, does not make music himself.
  Had 10,000 subscribers on YouTube when it first came out.
  Made 120 songs with singers/songwriters/artists from all over the world.
  Fell in love with a John Lennon-woman type (Susanna Hoffs in her prime).
  Traveled far, stayed three months — didn't work out. Came back broken.
  Continued to write, stopped making music.
  Now wants to turn the internet into real life — making songs live with full
  audience participation.
  Concept: 434 lottery tickets. Every song is one waiting to be scratched.
  If one hits, everybody who helped make it wins.
  Attribution must always read: "Lyrics by Collaborhythm Collabtunes Tom Jensen"

BUSINESS MODEL CORE:
  Free words. The music you make with them is yours.
  Every contributor (melody, arrangement, vocals, production) owns what they
  built, gets credited, entitled to share of whatever that song earns.
  Nobody at the top takes a cut before people who actually made something.

MASTER ALPHABETICAL INDEX DISCOVERY:
  Found in later sections of Book 2.
  Contains: all 434 titles, ratings, categories, page references, Song List /
  Set List identifiers, additional metadata, category systems including "Real Life."
  This discovery changed the metadata strategy for the entire project.
  The simpler category extract previously used was downgraded to secondary.
  Master alphabetical index = AUTHORITATIVE metadata source going forward.

GX SCORING SYSTEM (confirmed from master content):
  G     = 0 points
  PG    = 1 point
  PG-13 = 2 points
  R     = 3 points
  NC-17 = 4 points
  X     = 5 points

SYSTEMIC GX DISCREPANCY PATTERN (documented in planning PDF):
  Black Claude 1 discovered repeated GX scoring discrepancies across multiple
  Song Lists. Pattern: Source total = X, Calculated total = X-1 (or sometimes +2).
  Consistent enough to indicate systemic issue, not isolated mistakes.
  Partially explained by scoring framework clarification (G=0 not G=1).

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PHASE 5: CANON LOGIC UPDATE — TOM DIRECTIVE
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Tom issued the following canon rule (direct quote preserved):

"Book 1 and Book 2 may contain:
 * outdated section numbering
 * outdated ordering
 * migrated section placement
 * reorganized album positioning
HOWEVER: The CONTENT itself is still considered valid/canonical once identified.
Therefore:
 * prioritize title/content matching over section numbers
 * prioritize lyrics/metadata consistency over placement
 * do NOT assume older ordering is authoritative
 * use newest ALL-IN-ONE architecture as structural authority
 * use actual repeated content as canon anchor
If conflicts occur: Newest confirmed naming + repeated source consistency wins.
CORE RULE: CONTENT > placement/order."

WHITE CLAUDE 2 APPLICATION: Use for extraction logic.
BLACK CLAUDE 1 APPLICATION: Use for verification/canon stabilization logic.

WHITE CLAUDE 2 EXTRACTION LOGIC UPDATE — EFFECTIVE IMMEDIATELY:

OLD LOGIC: Trust section numbers. Trust ordering/placement. Trust index position.

NEW LOGIC:
  - Trust content consistency — if lyrics/title/metadata repeat across multiple
    source locations, that is canon.
  - Trust newest naming over older naming variants.
  - Trust repeated data over single-source placement.
  - Section numbers / ordering = navigation hints only, NOT authority.
  - ALL-IN-ONE architecture = structural authority.

HOW THIS AFFECTS PRACTICAL EXTRACTION:
  When a title appears in 4 source locations, it wins over a competing title
  that appears in 2 locations, even if the 2-location title appears in a
  "higher priority" section by old logic.
  When content appears in the primary lyrics section, that is the canonical
  version regardless of what the Quick Guide or index says.

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PHASE 6: SET LIST 6 — DEFINITELY NOT LOVE — EXTRACTION
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TITLE IDENTIFICATION:
  Searched master_content.txt for all Set List 6 references.
  Found Set List 6 title at: lines 3193, 19574, 32589, 36168, 38022
  Title consistent across ALL locations: DEFINITELY NOT LOVE ✅
  No competing titles found for Set List 6.

TRACK LIST EXTRACTION:
  Source location: lines 19574–19630 (primary lyrics section)
  Also confirmed at: lines 3193, 36168, 38022
  
  1.  Expired (beginning part)
  2.  Face To Face
  3.  Cry Me a River
  4.  Nothing At All
  5.  Matches To Burn
  6.  Heart Strings
  7.  Endless Chorus
  8.  Nameless
  9.  Below Zero
  10. Lament
  11. He Said She Said
  12. Half Told
  13. Jewelry Box

  Track list confirmed IDENTICAL across all 4 source locations. ✅

QUICK GUIDE DATA (line 3193):
  Lead Rating: PG-13
  Total Points: 26
  Strategic Arc: Romantic collapse, emotional betrayal, psychological erosion.
  Trigger Warning: Romantic collapse, emotional betrayal, psychological erosion,
    grief, identity fatigue, emotional coercion.
  Collection Summary: "A set about what lingers after love fails — grief without
    spectacle, pain without permission, and healing not yet begun. These songs
    document the slow collapse of intimate relationships."
  Artist Comparison: Damien Rice, Elliott Smith, Leonard Cohen
  Key Themes: Romantic collapse, emotional betrayal, grief, identity fatigue,
    numbness

PER-TRACK RATINGS (all PG-13 × 13 tracks):
  #1  Expired          PG-13  —  Time has finally faded
  #2  Face To Face     PG-13  —  Meeting truth directly
  #3  Cry Me a River   PG-13  —  Warm tears, cold heart
  #4  Nothing At All   PG-13  —  Empty promises, no delivery
  #5  Matches To Burn  PG-13  —  Igniting the final bridge
  #6  Heart Strings    PG-13  —  Pulling until they snap
  #7  Endless Chorus   PG-13  —  Repeating the same pain
  #8  Nameless         PG-13  —  Losing identity in love
  #9  Below Zero       PG-13  —  Freezing out the past
  #10 Lament           PG-13  —  Mourning what is gone
  #11 He Said She Said PG-13  —  Echoes of unresolved talk
  #12 Half Told        PG-13  —  Stories left without end
  #13 Jewelry Box      PG-13  —  Promise contained

GX VERIFICATION:
  13 × PG-13 × 2pts = 26 ✅ CLEAN — matches source total exactly.

ONE-SENTENCE SUMMARY (line 33187):
  "A bit beat-up and tired, this set looks at what it's like to keep going when
  life is hard. It's about survival, feeling worn out, but still holding on to
  something real."

THEMES/MOOD/PROFANITY DATA (line 37346):
  Themes/Subject Categories: Love's decay, emotional distance, heartbreak,
    introspection
  Mood/Tone: Reflective, sorrowful, poetic
  Lyrics Resemble/Style: Damien Rice, Elliott Smith, Leonard Cohen
  Explicit Tracks: "Cry Me a River," "Below Zero" — deep emotional turmoil,
    less overt profanity

ROLLING STONE REVIEW DISCOVERY — CRITICAL FLAG:
  Source location: line 32589
  Review header: SET LIST SIX — DEFINITELY NOT LOVE

  The review references the following tracks:
    "Hideaway," "Look Her Up," "No Thanks Babe," "In a Jiffy," "Fifty Ways,"
    "She Don't Cum Easy"

  NONE of these titles appear in the canonical Set List 6 track list.
  The canonical track list has: Expired, Face To Face, Cry Me a River,
    Nothing At All, Matches To Burn, Heart Strings, Endless Chorus, Nameless,
    Below Zero, Lament, He Said She Said, Half Told, Jewelry Box.

  ALSO NOTABLE: The review text references Charlie Sheen/Two and a Half Men,
    UFC's Bo Nickal, Jim Fucking Miller — content/framing tone that seems
    inconsistent with the quiet grief/heartbreak tone of the canonical Set List 6.

  CANON DETERMINATION: The review was written for an OLDER VERSION of Set List 6
    that had an entirely different track list.
  
  NOTE: The tracks mentioned in the old review ("Hideaway," "Look Her Up,"
    "No Thanks Babe," "In a Jiffy," "Fifty Ways," "She Don't Cum Easy") may now
    live in a different Set List. They were not searched for in this session.
    Future work: locate these tracks and identify which Set List they currently
    belong to.

  IMPACT: Block 10 for Set List 6 cannot be populated. FLAGGED.
  ACTION REQUIRED: Tom must supply an updated Rolling Stone review written for
    the canonical track list.

"EXPIRED (BEGINNING PART)" NOTATION:
  Track 1 is explicitly labeled "beginning part" in the lyrics section.
  Text extracted: 9 lines only.
  The text is complete enough to stand as a lyric but may be a fragment.
  Same notation pattern later observed in Set List 7 Track 12 "Either Way
    (first Part)" — suggesting this is a systematic marker Tom uses for tracks
    where the full text was not yet captured in the source PDF.
  FLAGGED: Tom to confirm if full version exists or if partial is canonical.

"EXPIRED" CATEGORY ANOMALY:
  Ran category index search for "Expired."
  Not found anywhere in the master category index (lines 38464+).
  All other Set List 6 tracks are present in the index.
  FLAGGED: Possible omission in the source index. Tom to confirm categories.

CATEGORY MAPPING FOR SET LIST 6 (White Claude 2 methodology):
  Each track was searched in the category index section (lines 38464+).
  Line numbers were compared against category section boundaries to determine
  which categories each track belongs to.

  Category index boundary map used:
    INTERNAL STRUGGLE:   38622–38778
    NATURE:              38779–38827
    RELIGIOUS:           38828–38894
    SPOOF AND PARODY:    38895–38901
    MISCELLANEOUS:       38902–38908
    DEPRESSING:          38909–38988
    TOM LEGACY:          38989–39099
    SOCIAL ISSUES:       39100–39199
    RELATIONSHIPS:       39200–39278
    DRUGS AND ALCOHOL:   39279–39454
    DEATH:               39455–39599
    STATE OF THE WORLD:  ~39455–39599
    POLITICAL:           ~39500–39599
    LOVE:                39600–39659
    HEARTBREAK:          39660–39729
    CONTROVERSIAL:       39730–39767
    TOM PERSONAL:        39768–39854
    LONELINESS:          39855+

  RESULTS:
    Expired             — NOT IN INDEX ⚠️
    Face To Face        — Internal Struggle (38675) / Relationships (39224) / Heartbreak (39684)
    Cry Me a River      — Relationships (39216) / Heartbreak (39676)
    Nothing At All      — Internal Struggle (38730) / Depressing (~38979) / Relationships (39271)
    Matches To Burn     — Internal Struggle (38719) / Relationships (39261) / Heartbreak (39699)
    Heart Strings       — Internal Struggle (38694) / Relationships (39235) / Heartbreak (39692)
    Endless Chorus      — Depressing (38944) / Relationships (39223) / Heartbreak (39682)
    Nameless            — Internal Struggle (38723) / Relationships (39266) / Heartbreak (39702) / Loneliness (39885)
    Below Zero          — Internal Struggle (38635) / Depressing (38916) / Heartbreak (39671)
    Lament              — Depressing (38965) / Heartbreak (39694) / Loneliness (39878)
    He Said She Said    — Relationships (39234) / Heartbreak (39691)
    Half Told           — Internal Struggle (38692) / Relationships (39233) / Heartbreak (39690)
    Jewelry Box         — Depressing (38964) / Relationships (39247) / Heartbreak (39693)

  DOMINANT CATEGORIES: Heartbreak (11/13), Relationships (10/13),
    Internal Struggle (7/13), Depressing (5/13), Loneliness (2/13)

TRIGGER WARNING STRUCTURE USED FOR SET LIST 6:
  Source: Primary lyrics section trigger warning text (lines 19588–19627)
  Structure type: Moderate severity — recommended, not mandatory

  Section headers used:
    ROMANTIC DISSOLUTION & EMOTIONAL BETRAYAL
    DEPRESSION, NUMBNESS & SELF-DOUBT
    EMOTIONAL IMBALANCE & IDENTITY EROSION
    GRIEF, AVOIDANCE & FRAGILE HOPE

  "Face to Face" specific note: boundary-crossing behavior — waiting outside
    partner's home. Not violent but unsettling for control/intrusion sensitivity.
  "Below Zero" specific note: approaches emotional self-erasure without explicit
    self-harm content.
  ABSENT FROM SET: Explicit violence, sexual assault, graphic drug use,
    overt self-harm instruction.

PROFANITY OBSERVATION:
  One instance of f* in "Half Told" — self-censored in source ("f*cking scared").
  No other profanity found across the 13 tracks.
  No sexual content anywhere in Set List 6.

LYRICS OBSERVATION:
  Set List 6 is remarkably tonally consistent — every track inhabits the same
  quiet, exhausted grief register. No tonal outliers.
  The collection functions as an uninterrupted emotional experience rather than
  a set of discrete tracks.
  "Lament" is the one track that introduces a secondary character (a dying man
  whispering "Adellana Marie") — the only track with a strong narrative event.
  "Jewelry Box" ends the set on a note of wry self-possession, a mild tonal
  shift that functions as a closing breath after the rest of the set.

EARLY PARTIAL EXTRACTION FILE:
  File: /mnt/user-data/outputs/SET_LIST_6_ALL_IN_ONE.md (603 lines, 15,285 bytes)
  Status: Intermediate/incomplete — created during initial extraction before
    full lyrics were gathered. Superseded by the final complete extraction.
  Retained in outputs directory.

FINAL SET LIST 6 EXTRACTION FILE:
  File: /mnt/user-data/outputs/SET_LIST_6_DEFINITELY_NOT_LOVE_ALL_IN_ONE.md
  Size: 28,684 bytes / 924 lines
  Blocks complete: 10/14
  Blocks pending Tom: 4 (header, video, lady weaver, community says)
  Critical flags: 1 (Rolling Stone review mismatch)
  Other flags: 2 (Expired partial, Expired category missing)

--------------------------------------------------------------------------------
PHASE 7: SET LIST 7 — TRAIN OFF THE TRACKS — EXTRACTION
--------------------------------------------------------------------------------

TITLE CONFLICT IDENTIFIED AND RESOLVED:

  Two competing titles found for Set List 7:

  "Extremes" — appearances:
    Line 3551: Quick Guide section (Book 1)
    Line 36514: Quick Guide section (Book 2 duplicate)
    Total: 2 occurrences. Both in Quick Guide only.

  "Train Off the Tracks" — appearances:
    Line 21481: PRIMARY LYRICS SECTION HEADING —
      "TRAIN OFF THE TRACKS / SET LIST SEVEN (7)"
    Line 32605: Rolling Stone review header —
      "SET LIST SEVEN — TRAIN OFF THE TRACKS"
    Line 33190: One-sentence summary section —
      "Set List 7 — Train Off the Tracks"
    Line 38036: Four-word summary section —
      "SET LIST 7: TRAIN OFF THE TRACKS"
    Total: 4 occurrences. Includes primary lyrics header and Rolling Stone review.

  ALSO NOTED: Line 21575 — alternate header within lyrics section reads
    "TRAIN OF THE TRACKS" (missing "OFF") — apparent typo, not a competing title.

  CANON DETERMINATION: TRAIN OFF THE TRACKS — LOCKED.
  REASONING: 4 hits vs 2. Appears in primary lyrics content header, Rolling Stone
    review, one-sentence summary, and four-word summary. "Extremes" only appears
    in Quick Guide — an older/outdated section that predates the title lock.
  STATUS: "Extremes" is a confirmed obsolete artifact from an earlier version.
    RETIRED. Must not appear in any generator output or navigation.
  TOM CONFIRMATION STILL NEEDED: Yes — Tom should formally confirm retirement
    of "Extremes" to prevent any future instance from resurrecting it.

TRACK LIST EXTRACTION:
  Source location: lines 21481–21494 (primary lyrics section)
  Also confirmed at: lines 3551, 36514 (Quick Guide — under "Extremes" title
    but identical track list content)

  1.  Corey Story
  2.  Daddy Taught Me
  3.  Shadow Of Smoke
  4.  Wheat and Chaff
  5.  Midas Touch
  6.  Sniper's Song
  7.  Quest For Immortality
  8.  Innocence Lost
  9.  Betrayal
  10. A Cop Asked the Witnesses [NAMING VARIANT — SEE BELOW]
  11. Dirt
  12. Either Way (first Part) [PARTIAL NOTATION]

TRACK 10 NAMING VARIANTS:
  "Cop Asked the Witnesses" — Quick Guide (line 3645), Four-Word section (38036)
  "A Cop Asked the Witnesses" — Primary lyrics section heading (line 21491)
    and track list within lyrics section (line 21494)
  "A Cop Asked the Witnesses" appears in the more authoritative section.
  White Claude 2 lean: "A Cop Asked the Witnesses" with leading article.
  FLAGGED: Tom confirmation required for definitive lock.

QUICK GUIDE DATA (line 3551 — under "Extremes" title, content still canonical):
  Lead Rating: NC-17
  Total Points: 30
  Strategic Arc: Mass violence fantasies, child sexual assault, sniper imagery.
    NC-17 heavy.
  Trigger Warning: Explicit sexual assault, child abuse, grooming, suicide, mass
    violence fantasies, domestic violence, religious extremism, moral nihilism.
  Collection Summary: "The most severe, confrontational, and psychologically
    destabilizing set in the catalog. This material refuses comfort, resolution,
    or moral framing — existing as documentation of human damage as it occurs."
  Artist Comparison: Randy Newman, Tom Waits, Bruce Springsteen (Nebraska)
  Key Themes: Sexual assault, child abuse, violence, moral collapse, nihilism,
    dissociation

PER-TRACK RATINGS:
  #1  Corey Story              PG-13  —  Where the problem is
  #2  Daddy Taught Me          PG-13  —  As my daddy taught
  #3  Shadow of Smoke          PG-13  —  What you see disappears
  #4  Wheat and Chaff          PG-13  —  What can't be taken
  #5  Midas Touch              PG-13  —  Turned me into gold
  #6  Sniper's Song            NC-17  —  You are all prey
  #7  Quest For Immortality    NC-17  —  Lifts the final curtain
  #8  Innocence Lost           PG-13  —  As soon as you're high
  #9  Betrayal                 NC-17  —  Betrayed by a kiss
  #10 Cop Asked the Witnesses  PG-13  —  She couldn't go far
  #11 Dirt                     PG-13  —  Your little secret's worth
  #12 Either Way               NC-17  —  Vessel of violence live

  NC-17 tracks: 6, 7, 9, 12 (Sniper's Song, Quest For Immortality, Betrayal,
    Either Way)
  PG-13 tracks: 1, 2, 3, 4, 5, 8, 10, 11 (all others)

GX DISCREPANCY INVESTIGATION:
  Source stated total: 30
  White Claude 2 independent calculation:
    8 × PG-13 @ 2pts = 16
    4 × NC-17 @ 4pts = 16
    Total = 32
  Delta: SOURCE 30 vs CALCULATED 32 = DISCREPANCY OF 2 POINTS

  Investigation process:
    Step 1: Checked if "Either Way" might be R=3 in any source.
      Both Quick Guide appearances confirm NC-17. Eliminated.
    Step 2: Compared against Set List 18 (Corrugation Row) which also shows 30pts.
      Set List 18 breakdown: 13×PG-13 + 1×NC-17 = 26+4 = 30 ✅ — clean.
      Set List 18 is internally consistent. Set List 7 is not.
    Step 3: Attempted to find alternate ratings in M13 section.
      Section located but full rating chart not accessible to resolve discrepancy.
    Step 4: Explored if one NC-17 is actually PG-13.
      If one NC-17 → PG-13: 9×PG-13 + 3×NC-17 = 18+12 = 30 ✅ — matches source.
      This is the most likely explanation: one NC-17 track was scored as PG-13.
    Step 5: Cross-referenced with systemic pattern from planning PDF.
      Planning PDF documents repeated cases where calculated total ≠ source total.
      Delta of 2 (one rating tier miscounted) is consistent with systemic pattern.

  CONCLUSION: One of the four NC-17 tracks was likely scored as PG-13 in the
    source calculation, producing 30 instead of 32. Cannot determine which track
    without further source data or Tom confirmation.
  STATUS: FLAGGED CRITICAL — generator will embed incorrect GX if not resolved.

"EITHER WAY (FIRST PART)" NOTATION:
  Same pattern as Set List 6 "Expired (beginning part)."
  Text extracted is substantial — includes full opening verse structure and
    an extended second section with philosophical content. More complete than
    "Expired (beginning part)" which was only 9 lines.
  But source explicitly labels it partial.
  FLAGGED: Tom to confirm full version or canonical status of current text.

TRIGGER WARNING STRUCTURE FOR SET LIST 7:
  Source: Primary lyrics section, lines 21494–21578
  Structure type: EXTREME SEVERITY — MANDATORY INFORMED CONSENT

  Source language preserved verbatim in extraction:
    "This set deliberately rejects comfort, recovery narratives, or redemptive
    framing. It exists as documentation — sometimes clinical, sometimes poetic,
    sometimes brutally interior — of human damage as it occurs."

    "This collection is not symbolic therapy, not advocacy, and not a cautionary
    tale. It is an unfiltered confrontation with traumatic realities."

    "Listener discretion is not optional — it is mandatory."

  Trigger categories identified:
    SEXUAL ASSAULT / RAPE — "Betrayal" — explicit/graphic, minor victim,
      perpetrator dialogue, physical assault, resulting pregnancy
    CHILD ABUSE / GROOMING / IDEOLOGICAL INDOCTRINATION — "Daddy Taught Me"
      (KKK child indoctrination via dramatic irony — horror emerges through
      the child's innocent perspective, not explicit description)
    MASS VIOLENCE / SNIPER IMAGERY — "Sniper's Song" — first-person monologue
      from inside a sniper's perspective, lifted from real DC Sniper coverage
      (Washington Post, October 4, 2002)
    MASS VIOLENCE IDEATION — "Quest for Immortality" — bomb imagery, racial
      equality violence concept, dehumanizing language, self-annihilation
    SUICIDE — "Wheat and Chaff" (full narrative), "Betrayal" (implied resolution),
      "Quest for Immortality" (ideation)
    DOMESTIC VIOLENCE — "Betrayal," "Corey Story," "Daddy Taught Me"
    RELIGIOUS EXTREMISM — "Daddy Taught Me" — KKK framing presented as normal
      family religious tradition from inside child narrator
    DISSOCIATION / FRAGMENTATION — "Shadow of Smoke," "Quest for Immortality,"
      "Either Way"
    MORAL NIHILISM — "Sniper's Song," "Quest for Immortality," "Either Way"
      — operates from inside nihilism with NO external corrective framing
      THIS IS INTENTIONAL AND STRUCTURAL — not an editorial oversight

  Additional distress factors (from source):
    Prolonged exposure to violent inner monologues
    Lack of narrative closure or moral positioning
    Repetition of harmful imagery without relief
    Emotional detachment that may feel cold, clinical, or invasive
    Language that may feel accusatory, voyeuristic, or invasive by design
    "Some works may appear to normalize, inhabit, or withhold judgment on
    destructive behavior. This is intentional and integral to the structure."

LYRICAL OBSERVATION — "DADDY TAUGHT ME":
  The most technically sophisticated piece in Set List 7.
  Written entirely from the perspective of a child being raised in the KKK.
  The horror is delivered entirely through dramatic irony — the child narrator
    describes cross-burnings as "lighting a big 'T'", ghost costumes, marching
    in parades, enjoying "holidays 20 times a year."
  The child is innocent and enthusiastic. The reader understands the horror.
  The child never does. This gap IS the poem.
  Closing lines reinforce the intergenerational transmission:
    "I just hope I can teach my kids as good / As my daddy taught me."

LYRICAL OBSERVATION — "SNIPER'S SONG":
  First-person voice of the DC Sniper, October 2002.
  Structure built around time progression: "Eight A.M." → "Nine A.M." → "Ten A.M."
  Each verse ends with the same chorus, escalating the hunt.
  Final lines: "I could be a terrorist / But only when you catch me... /
    Will you be safe again."
  Tom's Rolling Stone review note: "lifted directly from The Washington Post,
    October 4, 2002, when the DC Sniper left a note at the scene."

LYRICAL OBSERVATION — "BETRAYAL":
  Written from the victim's perspective.
  Key structural choice: the rape is rendered through the perpetrator's words
    ("That's okay, I like it better this way, he hissed") and physical
    description, not from inside the victim's psychology.
  The second half shifts to the aftermath — pregnancy, conflicting voices,
    a voice that "speaks louder" every day but "soon... will speak no more."
  The ending is deliberately ambiguous about whether the implied resolution
    is suicide, dissociation, or spiritual surrender.

LYRICAL OBSERVATION — "COREY STORY":
  Narrative about class, parental neglect, and educational inequality.
  Written in a voice of rueful retrospect — Tom speaking about a friend.
  Self-censored profanity: "All you need's a @#$% to be a father / but it
    takes balls to be a dad."
  Rolling Stone note: "said Corey works for the state now, doing better than
    the author in the eyes of Our Lord." Real person, real outcome.

LYRICAL OBSERVATION — "QUEST FOR IMMORTALITY":
  The most textually dense piece in Set List 7.
  Opens with grandiose revolutionary framing, slides into mass violence ideation,
    briefly pulls back ("Nah, I told myself / I've got to give in"), then
    collapses back into violence fantasy.
  Contains heavily self-censored profanity: "fu$%"
  The poem's narrator is aware of being broken and cannot stop.
  Closes: "No, not everybody's presence is a gift / Yet still you've got to
    learn to live with it." — the only line with external perspective.

ROLLING STONE REVIEW FOR SET LIST 7:
  Source: line 32605 — SET LIST SEVEN — TRAIN OFF THE TRACKS
  Status: EXTRACTED ✅ — review matches canonical track list
  Confirmed track references: Corey Story, Daddy Taught Me, Shadow of Smoke,
    Wheat and Chaff, Midas Touch, Sniper's Song — all match.
  
  COVERAGE GAP: Review covers tracks 1–6 ONLY. Tracks 7–12 (Quest For
    Immortality, Innocence Lost, Betrayal, Cop Asked the Witnesses, Dirt,
    Either Way) are not referenced anywhere in the review.

  THEORY: The review may have been written when the set had fewer tracks, or
    when the more extreme NC-17 content (tracks 7–12) was being kept separate
    from the Rolling Stone format. The gap is not random — it falls exactly at
    the boundary between the milder tracks (1–6, one NC-17) and the heavier
    tracks (7–12, three NC-17 plus the partial track).

  Notable review language:
    — "Corey Story opens with fatherless ache and a cigarette-burned childhood"
    — "Daddy Taught Me follows like a Gene Hackman movie set in Mississippi"
    — "Shadow of Smoke floats like grief itself — intangible, everywhere,
      impossible to hold"
    — "Wheat and Chaff, haunted by the quiet collapse of Anthony Bourdain"
    — "Midas Touch burns what's left of success culture to the ground"
    — "Sniper's Song lands last and coldest: a pair of ghosts in a sedan,
      calm as Sunday"
    — Closing line: "And for the record, said Corey works for the state now,
      doing better than the author in the eyes of Our Lord."
    — NOTE: Review calls Sniper's Song "last" — consistent with a version of
      the set that had only 6 tracks before additional tracks were added.

CATEGORY MAPPING FOR SET LIST 7:
  Corey Story:              Depressing (38927) / Social Issues (39069) / Death (39459)
  Daddy Taught Me:          Depressing (38929) / Social Issues (39071) / Relationships (39218) / Tom Personal (39777)
  Shadow of Smoke:          Internal Struggle (38758) / Depressing (39001) / Drugs & Alcohol (39326)
  Wheat and Chaff:          Depressing (39024) / Social Issues (39171) / Death (39466) / State of the World (39536)
  Midas Touch:              Internal Struggle (38721) / Depressing (38973) / Social Issues (39110)
  Sniper's Song:            Depressing (39006) / Death (39465) / State of the World (39523) / Political (39593) / Controversial (39754)
  Quest For Immortality:    Internal Struggle (38749) / Depressing (39042)
  Innocence Lost:           Depressing (38961) / Tom Legacy (39097) / Loneliness (39876)
  Betrayal:                 Depressing (38918) / Relationships (39206) / Death (39457)
  Cop Asked the Witnesses:  Social Issues (39068) / Death (39481) / State of the World (39550) / Tom Personal (39775)
  Dirt:                     Internal Struggle (38660) / Depressing (38933)
  Either Way:               Internal Struggle (38669) / Depressing (38939) / Loneliness (39864)

  DOMINANT CATEGORIES: Depressing (11/12 tracks), Death (5/12), Social Issues (5/12),
    Internal Struggle (5/12)
  NOTE: Depressing appears in 11 of 12 tracks — this set is the single most
    "Depressing"-categorized set in the catalog by track count.

FINAL SET LIST 7 EXTRACTION FILE:
  File: /mnt/user-data/outputs/SET_LIST_7_TRAIN_OFF_THE_TRACKS_ALL_IN_ONE.md
  Size: 33,239 bytes / 971 lines
  Blocks complete: 10/14
  Blocks pending Tom: 4 (header, video, lady weaver, community says)
  Critical flags: 1 (GX discrepancy — source 30, calculated 32)
  Canon flags: 2 (title confirmation, track 10 naming)
  Content flags: 2 (Either Way partial, Rolling Stone partial coverage)

--------------------------------------------------------------------------------
PHASE 8: MASTER SESSION DUMP V1 — CREATED
--------------------------------------------------------------------------------

Tom requested: "Output FULL MASTER SESSION DUMP."

White Claude 2 created: WHITE_CLAUDE_2_MASTER_DUMP.txt
File: /mnt/user-data/outputs/WHITE_CLAUDE_2_MASTER_DUMP.txt
Contents: 20 sections + 2 full extraction appendices
Size: 116,241 characters / 2,913 lines

Then Tom issued an expanded archival checkpoint request requiring even more
raw operational detail, chronological narrative, and deeper preservation of
session-level discoveries. This document (v2) is that expanded version.

--------------------------------------------------------------------------------
PHASE 9: SET LIST 8 PRE-DATA (READY FOR NEXT SESSION)
--------------------------------------------------------------------------------

NEXT ASSIGNMENT: SET LIST 8 — BOSS LOGIC — ALL-IN-ONE

Data pre-identified from master content (no extraction yet):

  Title confirmed: Boss Logic (consistent across all source locations)
  Lead Rating: NC-17 (Quick Guide)
  Total Points: 30 (Quick Guide) — will require GX verification
  Track Count: 12
  Artist comparisons: Pink Floyd, Björk, David Bowie (Low) — themes section
  Mood: Abstract, surreal, drifting
  Themes: Perception, existential questioning, identity crisis, self-discovery
  One-sentence summary: "This set focuses on searching for who you really are,
    feeling lost, and trying to make sense of your thoughts. It's like trying
    to find calm in a noisy world."

  Track list (from four-word summary section):
    1. Thirty Seconds          — Wake up
    2. Pretty Fountains        — Illusion of progress shown
    3. Playing Chess           — Setup from the start
    4. Sky and Light           — How we see everything
    5. Discartes               — I think, therefore I am?
    6. I Am                    — I will not be broken
    7. Timeless to Ten         — Substance beats the noise
    8. Listen                  — Failure to act hurts
    9. Fear                    — Always at my side
    10. Down                   — Climbing back again
    11. Spinning               — Trapped inside my mind
    12. Somewhere              — Love is inside somewhere

  NOTE: Quick Guide (Book 1, lines 1046+) lists different Track 2 — needs
    verification against primary lyrics section.

  Rolling Stone review: PRESENT in source (line 32629)
  Review is substantial and covers multiple tracks — good extraction expected.

  WATCH FOR in Set List 8:
    - GX discrepancy check (Set List 18 also 30pts with clean calc — Set List 8
      may follow same pattern or may have discrepancy like Set List 7)
    - NC-17 track identification — which specific tracks carry NC-17 rating?
    - "Discartes" spelling — intentional variant of "Descartes"? Note in extraction.
    - "Pretty Fountains" vs Book 2 track list — verify canonical order

================================================================================
PART TWO — CONSOLIDATED REFERENCE SECTIONS
================================================================================

[NOTE: Part Two contains the same structured reference data as the previous
master dump (v1) but with updates, corrections, and additional detail.
Full content of v1 Sections 1–20 is included in the APPENDIX below
rather than fully duplicated here, to avoid redundancy while preserving
all information in one file.]

================================================================================
PART THREE — COMPLETE SET LIST TITLE REGISTRY
================================================================================

ALL 24 SET LISTS — CANONICAL TITLES (confirmed from master content):

  Set List 1   — Glass Half Something
  Set List 2   — Plurality
  Set List 3   — Self in the Mirror
  Set List 4   — Partner to the Crime / Downward Spiral ⚠️ TITLE CONFLICT UNRESOLVED
  Set List 5   — Living À La Mode
  Set List 6   — Definitely Not Love ✅ EXTRACTED THIS SESSION
  Set List 7   — Train Off the Tracks ✅ EXTRACTED THIS SESSION ("Extremes" RETIRED)
  Set List 8   — Boss Logic (pre-identified, extraction pending)
  Set List 9   — The Thralls of the Flame
  Set List 10  — Go Ask Gramm
  Set List 11  — Noise, Lies and Longing
  Set List 12  — Wounded Masculinity
  Set List 13  — Power Shields
  Set List 14  — 6,000 km to Denmark
  Set List 15  — Liminal State
  Set List 16  — Kneel, Heal and Rise
  Set List 17  — Smirks, Swears, Moans and Cries
  Set List 18  — Corrugation Row
  Set List 19  — Della of Troy
  Set List 20  — The Cost of Light
  Set List 21  — A Cold Plate
  Set List 22  — Inherent Absence
  Set List 23  — Zionation
  Set List 24  — Bi Ride or Die Ride

ALL 10 SONG LISTS — CANONICAL TITLES (confirmed from master content):

  Song List 1  — The Last Man Singing
  Song List 2  — Sheila Tequila
  Song List 3  — A Day at the Office
  Song List 4  — A Traveler in the Distance
  Song List 5  — Love Without a Doubt
  Song List 6  — Undertows and Afterglows
  Song List 7  — High Tides and Landslides
  Song List 8  — A Knight for a Lady
  Song List 9  — Between Us and Love
  Song List 10 — One Piece Missing

================================================================================
PART FOUR — COMPLETE MASTER FLAG REGISTER (ARCHIVAL)
================================================================================

All unresolved items. Priority-coded.

🔴 CRITICAL (blocks extraction or generator):

  FLAG-C1: SET LIST 6 — Rolling Stone review mismatch
    Block 10 cannot be populated. Review in source references entirely different
    track list. Tom must supply updated review for canonical tracks.

  FLAG-C2: SET LIST 7 — GX discrepancy (source 30, calculated 32, delta 2pts)
    Generator will embed incorrect GX total if unresolved.
    Tom to audit individual track ratings.

  FLAG-C3: SET LIST 4 — Title conflict (pre-existing, not from this session)
    "Downward Spiral" / "Partner to the Crime" / "Partnered to the Crime"
    Blocks Set List 4 ALL-IN-ONE naming entirely.
    Tom direct confirmation required.

🟡 CANON CONFIRMATION (needs lock before generator runs):

  FLAG-CN1: SET LIST 7 — "Extremes" retirement confirmation
    White Claude 2 determination: "Train Off the Tracks" = canonical.
    Tom should formally confirm "Extremes" is fully retired.

  FLAG-CN2: SET LIST 7 — Track 10 naming
    "Cop Asked the Witnesses" vs "A Cop Asked the Witnesses."
    Tom to confirm canonical form.

🟠 CONTENT (partial or missing content):

  FLAG-CT1: SET LIST 6 — "Expired" partial text (9 lines, labeled "beginning part")
  FLAG-CT2: SET LIST 6 — "Expired" missing from master category index
  FLAG-CT3: SET LIST 7 — "Either Way" partial text (labeled "first Part")
  FLAG-CT4: SET LIST 7 — Rolling Stone review covers tracks 1–6 only

⏳ STANDING PLACEHOLDERS (all extractions):

  FLAG-SP1: Social media header HTML (Block 1) — all sets
  FLAG-SP2: YouTube embed URL per set (Block 3) — all sets
  FLAG-SP3: Lady Weaver note — applicability and text per set (Block 5)
  FLAG-SP4: What Community Says (Block 13) — all sets

TOTAL: 13 flags (3 critical, 2 canon, 4 content, 4 standing)

================================================================================
PART FIVE — SYSTEMIC ARCHIVE BEHAVIORS OBSERVED
================================================================================

1. DUAL QUICK GUIDE DUPLICATION:
   Book One and Book Two both contain Quick Guide sections. In several cases
   the two versions are nearly identical but may have minor differences.
   Book Two's Quick Guide appears to be the more updated version.
   White Claude 2 uses both for cross-reference, flags any discrepancies.

2. TITLE DRIFT ACROSS BOOK VERSIONS:
   Older title variants persist in Quick Guide sections while the primary
   lyrics section headings and Rolling Stone reviews reflect the current names.
   Pattern confirmed: "Extremes" (old) → "Train Off the Tracks" (current).
   Likely pattern: other Set Lists may also have old/new title variants in
   different sections. Extract each title from ALL locations, count hits,
   apply canon rules.

3. ROLLING STONE REVIEW VERSIONING:
   At least one review (Set List 6) was written for an older version of a
   set that has since had its track list completely replaced.
   At least one review (Set List 7) appears to have been written when the
   set had fewer tracks (review calls Sniper's Song "last" — it's now track 6
   of 12).
   IMPLICATION: Some Rolling Stone reviews in the source may be outdated.
   White Claude 2 cross-references review track references against canonical
   track list before accepting a review as current.

4. "(FIRST PART)" / "(BEGINNING PART)" NOTATION SYSTEM:
   At least two tracks across two set lists share this partial notation:
     Set List 6, Track 1: "Expired (beginning part)"
     Set List 7, Track 12: "Either Way (first Part)"
   This appears to be Tom's systematic marker for tracks where the complete
   text was not yet finalized or captured in the source PDF at time of
   compilation. Not a random omission. Future extractions should watch for
   this notation and flag every instance found.

5. GX SYSTEMIC DISCREPANCY:
   Source totals vs independently calculated totals differ by 1–2 points
   across multiple albums. This is not random error — it is systemic.
   Partially explained by the G=0 clarification (previously G may have been
   counted as 1 point). Current scoring: G=0, PG=1, PG-13=2, R=3, NC-17=4, X=5.
   White Claude 2 always calculates independently and flags discrepancies.
   Never silently accepts source total.

6. CATEGORY INDEX COMPLETENESS:
   The master category index is NOT guaranteed to include every track.
   "Expired" (Set List 6, Track 1) is confirmed absent from the index.
   Unknown how many other tracks may be absent.
   White Claude 2 notes absences as flags rather than silently omitting them.

7. DRUGS & ALCOHOL CATEGORY CORRUPTION:
   Documented by Black Claude 1 in a prior session.
   Some tracks categorized as Drugs & Alcohol are actually relationship/love/
   emotional songs. The category section appears corrupted in the source.
   White Claude 2 cross-references anomalous D&A assignments against other
   category appearances and lyric content before accepting them.

8. MULTIPLE CONTENT SECTIONS FOR SAME DATA:
   Some data points appear in 3–5 different sections of the 903-page source.
   This creates multiple opportunities for cross-reference verification but
   also multiple opportunities for version mismatch.
   The extraction methodology uses the PRIMARY LYRICS SECTION as authority
   for track lists and lyrics, and the QUICK GUIDE + THEMES/MOOD sections
   as authority for metadata, with cross-reference checks between all.

================================================================================
PART SIX — OPERATIONAL FILES MANIFEST
================================================================================

WORKING FILES (session-internal, may not persist):
  /tmp/full_doc.txt          — 6,503 lines — text extraction of planning PDF
  /tmp/master_content.txt    — 47,073 lines — text extraction of master content PDF
  /home/claude/master_dump_part1.txt — intermediate build file (session only)
  /home/claude/master_dump_part2.txt — intermediate build file (session only)
  /home/claude/master_dump_part3.txt — intermediate build file (session only)

OUTPUT FILES (persisted to /mnt/user-data/outputs/):
  SET_LIST_6_ALL_IN_ONE.md
    — 603 lines / 15,285 bytes
    — EARLY/PARTIAL extraction of Set List 6. Superseded. Retained for reference.

  SET_LIST_6_DEFINITELY_NOT_LOVE_ALL_IN_ONE.md
    — 924 lines / 28,684 bytes
    — FINAL complete extraction of Set List 6. Canonical.

  SET_LIST_7_TRAIN_OFF_THE_TRACKS_ALL_IN_ONE.md
    — 971 lines / 33,239 bytes
    — FINAL complete extraction of Set List 7. Canonical.

  WHITE_CLAUDE_2_MASTER_DUMP.txt (v1)
    — 2,913 lines / 116,241 bytes
    — First master dump. 20 sections + 2 full extraction appendices.
    — Superseded by this document but retained.

  WHITE_CLAUDE_2_MASTER_DUMP_v2.txt (THIS FILE)
    — Full archival checkpoint. Expanded chronological narrative.
    — Supersedes v1 in operational detail. Both should be retained.

SOURCE FILES (uploaded by Tom, read-only):
  /mnt/user-data/uploads/194_PAGES_TO_FINISH_OUR_SHIT_PLAN_on_PDF.pdf
    — 208 pages / architecture/planning/delegation document

  /mnt/user-data/uploads/34_ALBUMS_BOOKS_1_and_2_back_to_back.pdf
    — 903 pages / MASTER CONTENT SOURCE — all lyrics, metadata, reviews

================================================================================
PART SEVEN — EXTRACTION WORKFLOW (STEP-BY-STEP PROTOCOL)
================================================================================

This is the operational protocol White Claude 2 follows for each Set List.
Documented for continuity so future instances can replicate without re-deriving.

STEP 1 — TITLE IDENTIFICATION
  grep master_content.txt for all variants of Set List N title.
  Count hits per variant.
  Check: primary lyrics section heading, Rolling Stone review, Quick Guide,
    one-sentence summary, four-word summary, themes/mood section.
  Apply canon rule: highest count + primary lyrics section = canonical.
  Document all variants and hit counts.
  Flag if competing title found.

STEP 2 — TRACK LIST EXTRACTION
  Find primary lyrics section: "SET LIST [N] ([TEXT])" or similar.
  Extract track list from that section.
  Cross-reference against Quick Guide and four-word summary section.
  Flag any discrepancies between source locations.
  Note any "(first Part)" or "(beginning part)" markers.

STEP 3 — QUICK GUIDE DATA EXTRACTION
  Find Quick Guide entry (Book 1 and Book 2 if both present).
  Extract: Lead Rating, Total Points, Strategic Arc, Trigger Warning summary,
    per-track data (rating, four-word summary), Collection Summary,
    Artist Comparison, Key Themes.
  Note any discrepancy between Book 1 and Book 2 versions.

STEP 4 — GX INDEPENDENT CALCULATION
  Count tracks per rating tier.
  Apply: G=0, PG=1, PG-13=2, R=3, NC-17=4, X=5.
  Compare against source total.
  If match: note ✅ CLEAN.
  If mismatch: flag with exact delta and both figures.
  NEVER silently accept source total.

STEP 5 — LYRICS EXTRACTION
  Return to primary lyrics section.
  Extract full text for each track.
  Preserve all punctuation and formatting from source.
  Note any self-censored profanity (e.g., "f*cking", "@#$%", "fu$%").
  Note any partial markers.

STEP 6 — TRIGGER WARNING EXTRACTION
  Extract full trigger warning text from primary lyrics section.
  This section precedes the lyrics and provides structured warning content.
  Preserve all section headers from source where present.
  Note severity level: moderate / severe / extreme / mandatory consent.

STEP 7 — METADATA SECTIONS
  One-sentence summary: search for "Set List N — [Title]" in summary section.
  Themes/Mood: search themes/mood section for Set List N entry.
  Rolling Stone review: search "SET LIST [N] — " in Rolling Stone section.
  Cross-reference review track mentions against canonical track list.
  Flag any mismatches.

STEP 8 — CATEGORY MAPPING
  For each track:
    grep master_content.txt for exact track title (^Track Name$).
    Filter results to lines 38464+ (category index section).
    Cross-reference line numbers against category boundary map.
    Record all categories per track.
    Flag any tracks not found in index.

STEP 9 — BUILD 14-BLOCK DOCUMENT
  Populate all 14 blocks in locked order.
  Insert [PLACEHOLDER] for Tom-supplied assets (Blocks 1, 3, 5, 13).
  Insert ⚠️ inline flags for unresolved items.
  Apply Batman bedroom visual annotations.

STEP 10 — FLAG REGISTER
  Compile all flags at document bottom.
  Categorize: Critical / Canon / Content / Standing.
  Include: block reference, issue description, exact action required for Tom.

STEP 11 — STATUS TABLE
  Final status for each block: ✅ COMPLETE / ⏳ PLACEHOLDER / ⚠️ FLAGGED.
  Total counts: blocks complete vs pending.

STEP 12 — HANDOFF LINE
  State next assignment.
  Include any pre-identified data for next set.
  Confirm pipeline active.

================================================================================
END OF WHITE CLAUDE 2 MASTER SESSION DUMP — ARCHIVAL CHECKPOINT v2
================================================================================
Total Set Lists extracted this session: 2 (Set List 6, Set List 7)
Total Set Lists remaining: 17 (Set Lists 8–24)
Total Song Lists extracted: 10 (prior sessions, not this session)
Next assignment: SET LIST 8 — BOSS LOGIC

WHITE CLAUDE 2 | COLLABORHYTHM / COLLABTUNES | TOM JENSEN
PIPELINE: ACTIVE | CHECKPOINT: COMPLETE | DATE: MAY 8, 2026
================================================================================


================================================================================
APPENDIX A — STRUCTURED REFERENCE (FROM MASTER DUMP v1)
================================================================================
The following sections are carried forward from the v1 master dump.
All content verified accurate. Represents the complete structured reference layer.
================================================================================

================================================================================
WHITE CLAUDE 2 — MASTER SESSION DUMP
================================================================================
Generated: Session — May 8, 2026
Role: White Claude 2 (extraction pipeline / structure population / content mapping / generator consistency)
Session Type: Production Mode Only
================================================================================

SECTION 1 — SESSION IDENTITY & ROLE DEFINITIONS
================================================================================

WHITE CLAUDE 2 ROLE (THIS INSTANCE):
- Extraction pipeline
- Structure population
- Content mapping
- Generator consistency
- Batch / repetitive extraction at scale

BLACK CLAUDE 1 ROLE (SEPARATE INSTANCE):
- Verification
- Quality control
- GX verification
- Category checking
- Duplicate checking
- Extraction accuracy

CHATGPT ROLE:
- Systems coordination
- Workflow stabilization
- HTML/CSS generation
- Architecture protection
- Production sequencing

TOM ROLE:
- Creative director
- Final approvals
- Source file supply
- Naming lock decisions
- Artistic supervision

================================================================================
SECTION 2 — SOURCE FILES LOADED THIS SESSION
================================================================================

FILE 1: 194_PAGES_TO_FINISH_OUR_SHIT_PLAN_on_PDF.pdf
- Actual page count: 208 (despite name)
- Type: Planning / architecture / workflow / delegation document
- Created: May 8, 2026 (LibreOffice 26.2.1.2)
- Role in pipeline: Architecture reference ONLY
- Contains: Session transcripts, task delegation, architecture locks, visual rules, generator philosophy, navigation philosophy, anti-drift rules
- Does NOT contain: Actual album content, lyrics, GX scores, summaries, metadata

FILE 2: 34_ALBUMS_BOOKS_1_and_2_back_to_back.pdf
- Actual page count: 903
- Type: MASTER CONTENT SOURCE
- Created: April 16, 2026 (iLovePDF)
- Role in pipeline: Content extraction source — PRIMARY AUTHORITY for all album data
- Contains: Full lyrics, track lists, GX scores, ratings, summaries, categories, themes, moods, Rolling Stone reviews, trigger warnings, one-sentence summaries, four-word summaries, alphabetical index (434 titles), category listings

FULL TEXT EXTRACTIONS CREATED:
- /tmp/full_doc.txt — 6,503 lines — from planning PDF
- /tmp/master_content.txt — 47,073 lines — from master content PDF

================================================================================
SECTION 3 — LOCKED ARCHITECTURE (FROM PLANNING PDF)
================================================================================

3A. ALL-IN-ONE PAGE NAMING CONVENTION (LOCKED PERMANENTLY)
----------------------------------------------------------
FORMAT: SET LIST # — [TITLE] — ALL-IN-ONE
FORMAT: SONG LIST # — [TITLE] — ALL-IN-ONE

Examples:
  SET LIST 6 — DEFINITELY NOT LOVE — ALL-IN-ONE
  SET LIST 7 — TRAIN OFF THE TRACKS — ALL-IN-ONE
  SONG LIST 1 — THE LAST MAN SINGING — ALL-IN-ONE

Reasons locked:
- Readable
- Scalable
- Searchable
- SEO-friendly
- Internally linkable
- Visually clean
- Good for PDFs
- Impossible to confuse later

3B. NUMBERING SYSTEM (LOCKED)
------------------------------
Song Lists: 1–10 (separate system)
Set Lists: 1–24 (separate system)
Numbering NEVER merges.
Cross-links are allowed but systems remain distinct.
Total core All-In-One pages: 34 minimum (10 + 24)
Optional: 3–4 YouTube video pages (not part of core launch)

3C. 14-BLOCK ALL-IN-ONE STRUCTURE (LOCKED — NO REDESIGNS PERMITTED)
--------------------------------------------------------------------
BLOCK 1  — HEADER (social media 10-button embed — Tom to supply)
BLOCK 2  — PAGE TITLE
BLOCK 3  — VIDEO (YouTube embed — Tom to supply per set)
BLOCK 4  — ALBUM IDENTITY
BLOCK 5  — LADY WEAVER NOTE
BLOCK 6  — FULL TRACK LIST WITH DATA
BLOCK 7  — FULL TEXT LYRICS
BLOCK 8  — TRIGGER WARNINGS
BLOCK 9  — QUICK GUIDE
BLOCK 10 — ROLLING STONE REVIEW
BLOCK 11 — TRACKS BY CATEGORY
BLOCK 12 — THEMES / MOOD / PROFANITY
BLOCK 13 — WHAT COMMUNITY SAYS
BLOCK 14 — FAST BUTTONS

This structure is LOCKED. No redesigns allowed moving forward.

3D. VISUAL THEME (LOCKED — "BATMAN BEDROOM")
---------------------------------------------
- Black backgrounds everywhere
- Bright readable text (white or high-contrast)
- 14–16pt minimum font
- White boxes ONLY for high-contrast clickable sections
- Headers disappear on scroll
- Hamburger menu ALWAYS has precedence over all code — NON-NEGOTIABLE
- Mobile friendly
- Minimal white sections
- Clear buttons
- Spaced controls
- Fast navigation
- Homepage visual consistency

3E. ALL-IN-ONE ISOLATION PHILOSOPHY (LOCKED — "THE MONASTERY")
---------------------------------------------------------------
- All-In-One pages have ZERO outbound links
- Completely isolated — no navigation to rest of site FROM All-In-One pages
- Regular Song List pages = the interconnected "city"
- All-In-One pages = fully self-contained "monastery"
- Users who land on an All-In-One page stay in it entirely

3F. GENERATOR PHILOSOPHY (LOCKED)
-----------------------------------
- Generator must be ONE GIANT SINGLE CODE BLOCK (2,500+ lines if needed)
- Outputs static Yola pages
- Social media header (10 links) embedded at top
- NOT multiple separate scripts
- Generator-first strategy: build generators before generating pages
- Architecture freeze logic: no new pages after All-In-One generation is complete

3G. NAVIGATION WORKFLOW (LOCKED ORDER)
---------------------------------------
1. Lock architecture
2. Build generators
3. Generate ALL pages + dark theme + PG-13 index
4. THEN repair navigation systems
5. THEN finish content
6. THEN master indexing
7. THEN money/business systems
NAVIGATION IS ALWAYS AFTER PAGE GENERATION — non-negotiable workflow order

3H. ANTI-ARCHITECTURE-DRIFT RULES (LOCKED)
--------------------------------------------
Things that MUST be locked before more building:
1. All-In-One naming (NOW LOCKED)
2. Real active page list
3. Relationship between the two main systems
4. What goes inside each All-In-One page (NOW LOCKED — 14 blocks)
5. Visual gold standard (NOW LOCKED — Batman bedroom)
6. PG-13+ index rules
7. Search/navigation rules
8. "Do Not Touch" freeze list

#1 bottleneck identified: architecture drift — structure keeps changing while building

3I. FAST BUTTONS PHILOSOPHY
-----------------------------
- Added to every grouped page
- One-liner description of the group
- Numbered quick-link buttons at bottom
- Allow users to jump directly to any track

================================================================================
SECTION 4 — CANON LOGIC RULES (ACTIVE FOR ALL EXTRACTIONS)
================================================================================

SOURCE: Tom directive issued during session — applies to both White Claude 2 and Black Claude 1.

RULE 1 — CONTENT > PLACEMENT/ORDER
Books 1 and 2 may contain outdated section numbering, outdated ordering, migrated section placement, and reorganized album positioning. HOWEVER: The CONTENT itself is still considered valid/canonical once identified.

RULE 2 — TITLE MATCHING OVER SECTION NUMBERS
Prioritize title/content matching over section numbers. Do not assume older ordering is authoritative.

RULE 3 — LYRICS/METADATA CONSISTENCY OVER PLACEMENT
Prioritize lyrics/metadata consistency over placement location.

RULE 4 — NEWEST NAMING WINS
Use newest confirmed naming + repeated source consistency as canonical authority.

RULE 5 — REPEATED CONTENT = CANON ANCHOR
Actual repeated content across multiple source locations = the canonical version.

RULE 6 — ALL-IN-ONE ARCHITECTURE = STRUCTURAL AUTHORITY
Use the newest ALL-IN-ONE architecture as structural authority regardless of what older sections suggest.

RULE 7 — CONFLICT RESOLUTION HIERARCHY
When conflicts occur:
  1. Newest confirmed naming
  2. Highest repeat-count across source
  3. Appearance in primary lyrics section (not Quick Guide or index)
  4. Consistency with surrounding verified content

WHITE CLAUDE 2 APPLICATION: Use for extraction logic
BLACK CLAUDE 1 APPLICATION: Use for verification/canon stabilization logic

================================================================================
SECTION 5 — GX SCORING SYSTEM (FROM MASTER CONTENT SOURCE)
================================================================================

RATING SCALE:
G     = 0 points  — General Audiences. Inoffensive/Loving. Safe for all ages.
PG    = 1 point   — Parental Guidance. Mild themes, rare mild profanity, romantic without explicit detail.
PG-13 = 2 points  — Parents Strongly Cautioned. Strong language, addiction, depression, trauma, war, political critique, implied violence, sexual themes without graphic detail.
R     = 3 points  — Restricted. Mature content.
NC-17 = 4 points  — Adults Only. Explicit content.
X     = 5 points  — Hardcore. Extreme content.

SYSTEMIC GX ISSUE DOCUMENTED IN PLANNING PDF:
Black Claude 1 discovered repeated GX scoring discrepancies across multiple Song Lists.
Pattern: Source total = X, Calculated total = X-1 (or X+2 in some cases).
Consistent enough across multiple albums to indicate systemic issue, not isolated mistakes.

WHITE CLAUDE 2 GX PROTOCOL:
- Always calculate independently from individual track ratings
- Always compare against source-stated total
- Always flag any discrepancy with exact delta
- Document both source total AND calculated total in Block 4 and Block 6
- Never silently accept source total without verification

================================================================================
SECTION 6 — CATEGORY SYSTEM (FROM MASTER CONTENT SOURCE)
================================================================================

COMPLETE CATEGORY LEGEND:
INTERNAL STRUGGLE   — Mental conflict, self-reflection, identity, personal battles
HISTORICAL          — Events, figures, or narratives rooted in real history
STATE OF THE WORLD  — Broad global observations, societal direction, human condition
SOCIAL ISSUES       — Commentary on society, injustice, cultural systems
RELIGIOUS           — Spirituality, faith, higher power, existential meaning
SEXUALLY GRAPHIC ⚠️ — Explicit sexual descriptions. Not suitable for minors
POLITICAL           — Government, policy, ideology, political critique
RATED X ⚠️         — Adults Only. Explicit sexual content, graphic language, mature subject matter
INSPIRING           — Uplifting, hopeful, growth-oriented messages
TOM PERSONAL        — Real-life experiences directly tied to Tom's personal story
LOVE                — Affection, connection, emotional bonding
RELATIONSHIPS       — Romantic and interpersonal dynamics, conflict and connection
SPOOF AND PARODY    — Satirical or exaggerated works intended for humor or critique
CHOMSKIAN           — Critiquing power structures, media, institutions that are failing or corrupt
HEARTBREAK          — Loss of love, emotional pain, separation
DEATH ⚠️            — Mortality, loss, themes involving dying or violence
MISCELLANEOUS       — Unique works that do not fit a dominant theme
LONELINESS          — Isolation, solitude, emotional disconnection
CONTROVERSIAL ⚠️    — Provocative, boundary-pushing, potentially offensive material
HUMOR               — Comedy-driven, playful, absurd, or intentionally ridiculous content
DEPRESSING          — Dark, heavy, emotionally intense subject matter
DRUGS AND ALCOHOL ⚠️— Substance use, addiction, altered states. May depict abuse or dependency
NATURE              — Environment, seasons, natural imagery, earth-centered themes
MOTIVATIONAL        — Drive, ambition, perseverance, achievement
TOM LEGACY          — Artist identity, legacy-building, body-of-work reflection

IMPORTANT: Each title may appear under MULTIPLE categories.
IMPORTANT: Category index does NOT list Set List / Song List numbers per track — it lists tracks alphabetically under category headings. White Claude 2 maps tracks to categories by cross-referencing alphabetical position against category section boundaries.

CATEGORY INDEX BOUNDARY MAP (line numbers in master_content.txt):
INTERNAL STRUGGLE:   38622–38778
NATURE:              38779–38827
RELIGIOUS:           38828–38894
SPOOF AND PARODY:    38895–38901
MISCELLANEOUS:       38902–38908
DEPRESSING:          38909–38988
TOM LEGACY:          38989–39099
SOCIAL ISSUES:       39100–39199
RELATIONSHIPS:       39200–39278
DRUGS AND ALCOHOL:   39279–39454
DEATH:               39455–39599
STATE OF THE WORLD:  ~39455–39599
POLITICAL:           ~39500–39599
LOVE:                39600–39659
HEARTBREAK:          39660–39729
CONTROVERSIAL:       39730–39767
TOM PERSONAL:        39768–39854
LONELINESS:          39855+

CATEGORY CORRUPTION DISCOVERY (from planning PDF):
Black Claude 1 identified a corrupt "Drugs & Alcohol" category section.
Corruption caused relationship songs, love songs, and emotional songs to appear falsely categorized as Drugs & Alcohol material.
White Claude 2 cross-references against other category appearances when Drugs & Alcohol assignment appears anomalous.

================================================================================
SECTION 7 — MASTER ALPHABETICAL INDEX DISCOVERY
================================================================================

SOURCE: Planning PDF, confirmed in master content PDF.

The master alphabetical index (later sections of Book 2) contains:
- All 434 titles
- Ratings
- Categories
- Page references
- Song List / Set List identifiers
- Additional metadata
- Category systems including "Real Life"

STRATEGIC SIGNIFICANCE: This index completely changed the metadata strategy.
The simpler category extract previously used was downgraded to secondary reference.
The master alphabetical index is now the AUTHORITATIVE metadata source.

WHITE CLAUDE 2 NOTE: Category mapping in current extractions uses the full category listing sections (lines 38464+) which are the primary organized category index. This is consistent with the master alphabetical index approach.

================================================================================
SECTION 8 — ALL SET LIST TITLES (CONFIRMED FROM MASTER CONTENT)
================================================================================

All 24 Set Lists confirmed from master content source (lines 6079–6088 planning PDF + master content):

Set List 1  — Glass Half Something
Set List 2  — Plurality
Set List 3  — Self in the Mirror
Set List 4  — Partner to the Crime / Downward Spiral  ⚠️ TITLE CONFLICT — UNRESOLVED (see Section 11)
Set List 5  — Living À La Mode
Set List 6  — Definitely Not Love  ✅ EXTRACTED
Set List 7  — Train Off the Tracks  ✅ EXTRACTED (formerly "Extremes" — RETIRED)
Set List 8  — Boss Logic
Set List 9  — The Thralls of the Flame
Set List 10 — Go Ask Gramm
Set List 11 — Noise, Lies and Longing
Set List 12 — Wounded Masculinity
Set List 13 — Power Shields
Set List 14 — 6,000 km to Denmark
Set List 15 — Liminal State
Set List 16 — Kneel, Heal and Rise
Set List 17 — Smirks, Swears, Moans and Cries
Set List 18 — Corrugation Row
Set List 19 — Della of Troy
Set List 20 — The Cost of Light
Set List 21 — A Cold Plate
Set List 22 — Inherent Absence
Set List 23 — Zionation
Set List 24 — Bi Ride or Die Ride

All 10 Song Lists confirmed:
Song List 1  — The Last Man Singing
Song List 2  — Sheila Tequila
Song List 3  — A Day at the Office
Song List 4  — A Traveler in the Distance
Song List 5  — Love Without a Doubt
Song List 6  — Undertows and Afterglows
Song List 7  — High Tides and Landslides
Song List 8  — A Knight for a Lady
Song List 9  — Between Us and Love
Song List 10 — One Piece Missing

================================================================================
SECTION 9 — PIPELINE STATUS AT SESSION START
================================================================================

COMPLETED BEFORE THIS SESSION (per planning PDF):
✅ Song Lists 1–10 — extraction complete
✅ Song Lists 1–10 — QA verification complete (Black Claude 1)
✅ Set Lists 1–5 — QA verification complete (Black Claude 1)
✅ Set Lists 3–5 — ALL-IN-ONE extraction complete (White Claude 2, prior session)
⏸️ Set List 6 — "beginning extraction" only (incomplete at session start)

COMPLETED THIS SESSION:
✅ Set List 6 — DEFINITELY NOT LOVE — ALL-IN-ONE — COMPLETE
✅ Set List 7 — TRAIN OFF THE TRACKS — ALL-IN-ONE — COMPLETE

REMAINING (as of session end):
❌ Set Lists 8–24 — extraction and QA pending
❌ Final GX audits
❌ Final title conflict resolutions
❌ Front-end HTML/CSS implementation
❌ YouTube embed integration
❌ Mobile optimization
❌ Switchboard integration
❌ Final archive deployment systems
❌ Optional "What Community Says" systems

================================================================================
SECTION 10 — OUTSTANDING ITEMS TOM MUST SUPPLY (STANDING LIST)
================================================================================

GLOBAL (applies to ALL extractions):
1. 10-button social media header HTML embed code (Block 1 — every page)
2. Confirmation of Lady Weaver note applicability per Set List + text if applicable (Block 5)
3. YouTube embed URL per Set List (Block 3)
4. "What Community Says" content per Set List (Block 13 — optional)

SET LIST 6 SPECIFIC:
5. "Expired" full version (source labels current text "beginning part")
6. "Expired" category confirmation (not found in master category index)
7. Updated Rolling Stone review for canonical Set List 6 track list (current review references wrong tracks — see Section 12)

SET LIST 7 SPECIFIC:
8. GX discrepancy resolution — source says 30, calculated 32 (delta = 2pts)
9. Canonical title confirmation for Track 10: "Cop Asked the Witnesses" vs "A Cop Asked the Witnesses"
10. "Either Way" full version confirmation (labeled "first Part" in source)
11. Rolling Stone review coverage confirmation — review covers tracks 1–6 only; tracks 7–12 unreferenced
12. Confirmation that "Extremes" is fully retired as Set List 7 title

================================================================================
SECTION 11 — CANON DECISIONS & TITLE RESOLUTIONS
================================================================================

11A. SET LIST 7 — "EXTREMES" vs "TRAIN OFF THE TRACKS"
-------------------------------------------------------
CONFLICT: Two different titles found for Set List 7.

"Extremes" appearances:
  - Line 3551 (Quick Guide section — Book 1)
  - Line 36514 (Quick Guide section — Book 2 duplicate)
  - Total: 2 occurrences, both in Quick Guide sections

"Train Off the Tracks" appearances:
  - Line 21481 (primary lyrics section HEADING — "TRAIN OFF THE TRACKS / SET LIST SEVEN (7)")
  - Line 32605 (Rolling Stone review header — "SET LIST SEVEN — TRAIN OFF THE TRACKS")
  - Line 33190 (One-sentence summary section — "Set List 7 — Train Off the Tracks")
  - Line 38036 (Four-word summary section — "SET LIST 7: TRAIN OFF THE TRACKS")
  - Total: 4 occurrences, including primary lyrics section and Rolling Stone review

CANON DETERMINATION: "TRAIN OFF THE TRACKS" — locked.
REASONING: 4 source hits vs 2. Appears in the actual lyrics content header, the Rolling Stone review, and the summary sections. "Extremes" only appears in Quick Guide — an older/outdated section.
STATUS: "Extremes" is a confirmed obsolete artifact from an earlier version. Retired.
TOM CONFIRMATION NEEDED: Yes — Flag #5 in Set List 7 extraction.

11B. SET LIST 6 ROLLING STONE REVIEW MISMATCH
----------------------------------------------
CONFLICT: The Rolling Stone-style review found in Book 2 Section 11 for "Set List Six — Definitely Not Love" references completely different tracks than the canonical track list.

Review references: "Hideaway," "Look Her Up," "No Thanks Babe," "In a Jiffy," "Fifty Ways," "She Don't Cum Easy"

Canonical track list (confirmed in 4 source locations):
1. Expired  2. Face To Face  3. Cry Me a River  4. Nothing At All  5. Matches To Burn
6. Heart Strings  7. Endless Chorus  8. Nameless  9. Below Zero  10. Lament
11. He Said She Said  12. Half Told  13. Jewelry Box

CANON DETERMINATION: Current track list is canonical. The Rolling Stone review references an OLDER VERSION of Set List 6 with a completely different track list.
NOTE: The tracks mentioned in the old review ("Hideaway," "Look Her Up," "No Thanks Babe," "In a Jiffy," "Fifty Ways," "She Don't Cum Easy") appear to belong to a different set entirely or an earlier version of the album before the track list was updated.
STATUS: Block 10 for Set List 6 is flagged — cannot be populated until Tom supplies updated review.
TOM CONFIRMATION NEEDED: Yes — Flag #3 in Set List 6 extraction.

11C. SET LIST 4 TITLE CONFLICT (PRE-EXISTING — NOT RESOLVED THIS SESSION)
--------------------------------------------------------------------------
CONFLICT IDENTIFIED IN PLANNING PDF:
Multiple source systems disagree on Set List 4 title:
- "Downward Spiral"
- "Partner to the Crime"
- "Partnered to the Crime"

STATUS: Unresolved canon decision. Requires Tom direct confirmation.
IMPACT: Blocks Set List 4 ALL-IN-ONE naming until resolved.

11D. "EITHER WAY" AND "EXPIRED" PARTIAL NOTATIONS
--------------------------------------------------
Both tracks share the same "(first Part)" / "(beginning part)" notation in the lyrics sections.

"Expired (beginning part)" — Set List 6, Track 1
- Current text: 9 lines only
- Source explicitly labels as beginning part
- Full version status: unknown

"Either Way (first Part)" — Set List 7, Track 12
- Current text: substantial (28+ lines, includes extended second section)
- Source explicitly labels as first Part
- Full version status: unknown

PATTERN NOTE: This notation may be a systematic marker Tom uses for tracks where the full text wasn't captured in the source PDF. Both tracks require Tom confirmation.

11E. "COP ASKED THE WITNESSES" NAMING VARIANTS
-----------------------------------------------
Track 10 of Set List 7 appears as:
- "Cop Asked the Witnesses" — Quick Guide (line 3645), Four-Word summary section (line 38036)
- "A Cop Asked the Witnesses" — Primary lyrics section heading (line 21491), Track list within lyrics (line 21491)

CANON LEAN: "A Cop Asked the Witnesses" has a slight edge as it appears in the actual lyrics section heading. However both forms appear in authoritative sections.
STATUS: Flagged — Tom confirmation required for definitive lock.

================================================================================
SECTION 12 — METADATA DISCOVERIES
================================================================================

12A. MASTER ALPHABETICAL INDEX
- Contains all 434 titles
- Contains ratings, categories, page references, Song List/Set List identifiers
- Additional metadata beyond what Quick Guide contains
- Discovered mid-session — changes metadata strategy
- Master alphabetical index = primary metadata authority going forward

12B. GX SCORING FRAMEWORK CLARIFICATION
- G=0, PG=1, PG-13=2, R=3, NC-17=4, X=5
- Partially explains GX system behavior
- Systemic discrepancy pattern: source total often differs from independently calculated total by 1-2 points
- Pattern observed across multiple albums (documented in planning PDF)
- White Claude 2 protocol: always calculate independently, always flag discrepancies

12C. CATEGORY CORRUPTION IN DRUGS & ALCOHOL
- Black Claude 1 identified corrupt "Drugs & Alcohol" category section
- Relationship songs, love songs, emotional songs appear falsely categorized as Drugs & Alcohol
- White Claude 2 cross-references anomalous category assignments against surrounding song content

12D. SET LIST 7 SPECIFIC GX DISCREPANCY
- Source stated: 30 points
- White Claude 2 calculated: 32 points
- Breakdown: 8 × PG-13 (2pts) = 16, 4 × NC-17 (4pts) = 16, total = 32
- Delta: −2 points (equivalent to one NC-17 track miscounted as PG-13)
- Set List 18 (Corrugation Row) also shows 30pts — its calculation: 13×PG-13 + 1×NC-17 = 26+4 = 30 ✅ clean
- Set List 7's 30 vs 32 remains unresolved — Tom action required

12E. ROLLING STONE REVIEW COVERAGE GAP (SET LIST 7)
- Review explicitly covers: Corey Story, Daddy Taught Me, Shadow of Smoke, Wheat and Chaff, Midas Touch, Sniper's Song
- Review does NOT mention: Quest For Immortality, Innocence Lost, Betrayal, Cop Asked the Witnesses, Dirt, Either Way
- This covers tracks 1–6 of 12 only
- May be intentional (NC-17 content in tracks 6–12 makes full coverage complex) or may be incomplete
- Tom confirmation required

12F. SOCIAL HEADER SYSTEM
- 10-button social media header HTML
- Suitable for embedding across all ALL-IN-One pages
- Tom to upload — extract and embed into master generator
- Standing placeholder in Block 1 of all extractions

12G. LADY WEAVER NOTE
- Lady Weaver identified as "universal hook" and "emotional anchor" for first 4–5 albums
- Appears as Block 5 in ALL-IN-ONE structure
- Applicability per Set List TBD by Tom
- Standing placeholder in Block 5 of all extractions

================================================================================
SECTION 13 — TRIGGER WARNING STRUCTURES USED
================================================================================

13A. SET LIST 6 — DEFINITELY NOT LOVE — TRIGGER WARNING STRUCTURE
-----------------------------------------------------------------
Core summary line: "Romantic collapse, emotional betrayal, psychological erosion, grief, identity fatigue, emotional coercion."

Sections used:
1. ROMANTIC DISSOLUTION & EMOTIONAL BETRAYAL
   - Slow collapse of intimate relationships
   - Tracks: "Expired," "Cry Me a River," "Nothing at All," "Heartstrings," "Endless Chorus," "Jewelry Box"
   - Themes: waiting, pleading, sleeplessness, emotional erosion, drawn-out separations
   - "Face to Face" — deception, fixation, boundary-crossing (waiting outside partner's home)

2. DEPRESSION, NUMBNESS & SELF-DOUBT
   - Tracks: "Below Zero," "Half Told," "Lament," "Endless Chorus"
   - Emotional shutdown, loss of identity, numbness replacing pain, insomnia, shame
   - "Below Zero" particularly bleak — approaches emotional self-erasure without explicit self-harm

3. EMOTIONAL IMBALANCE & IDENTITY EROSION
   - Tracks: "Heartstrings," "Matches to Burn," "Nameless"
   - Emotional exploitation, invalidation, power imbalance, identity suppression

4. GRIEF, AVOIDANCE & FRAGILE HOPE
   - Alcohol as emotional anesthesia (not glorified)
   - Grief through death and emotional abandonment
   - Hope fragile, conditional, unresolved

NOT PRESENT: Explicit violence, sexual assault, graphic drug use, overt self-harm instruction.

Rating: PG-13 throughout. Severity: moderate. Listener advisory: recommended, not mandatory.

13B. SET LIST 7 — TRAIN OFF THE TRACKS — TRIGGER WARNING STRUCTURE
------------------------------------------------------------------
EXTREME CONTENT WARNING classification — the most severe in the catalog.
Source language: "does not imply, suggest, or allegorize harm — they depict it directly."
"This collection is not symbolic therapy, not advocacy, and not a cautionary tale."
"Listener discretion is not optional — it is mandatory. Engagement requires informed consent."

Major trigger categories:
1. SEXUAL ASSAULT / RAPE — "Betrayal" — explicit, graphic, minor victim, perpetrator dialogue, resulting pregnancy
2. CHILD ABUSE / GROOMING / IDEOLOGICAL INDOCTRINATION — "Daddy Taught Me" (KKK child indoctrination via dramatic irony)
3. MASS VIOLENCE / SNIPER IMAGERY — "Sniper's Song" (first-person monologue, based on real DC Sniper incident, Washington Post Oct 4 2002)
4. MASS VIOLENCE IDEATION — "Quest for Immortality" (bomb imagery, dehumanizing language, racial equality violence line)
5. SUICIDE — "Wheat and Chaff" (narrative around Anthony Bourdain-adjacent figure), "Betrayal" (implied)
6. DOMESTIC VIOLENCE — "Betrayal," "Corey Story," "Daddy Taught Me"
7. RELIGIOUS EXTREMISM — "Daddy Taught Me" (KKK framing as innocent family tradition)
8. DISSOCIATION / FRAGMENTATION — "Shadow of Smoke," "Quest for Immortality," "Either Way"
9. MORAL NIHILISM — "Sniper's Song," "Quest for Immortality," "Either Way" — no external corrective framing by design

Additional distress factors:
- Prolonged exposure to violent inner monologues
- Lack of narrative closure or moral positioning
- Language may feel accusatory, voyeuristic, or invasive by design
- Some works appear to normalize destructive behavior — INTENTIONAL AND STRUCTURAL

Who must avoid:
- Survivors of sexual violence, child abuse, gun violence
- Those processing suicide-related grief
- Anyone seeking emotional safety or clarity
- Listeners triggered by perpetrator-perspective narration

Rating: Mix of PG-13 and NC-17. Severity: extreme. Listener advisory: mandatory informed consent.

================================================================================
SECTION 14 — ROLLING STONE REVIEW FINDINGS
================================================================================

SET LIST 6 — DEFINITELY NOT LOVE
Status: MISMATCH — review references wrong track list
Review location in source: line 32589
Review references: "Hideaway," "Look Her Up," "No Thanks Babe," "In a Jiffy," "Fifty Ways," "She Don't Cum Easy"
Canonical tracks: Expired, Face To Face, Cry Me a River, Nothing At All, Matches To Burn, Heart Strings, Endless Chorus, Nameless, Below Zero, Lament, He Said She Said, Half Told, Jewelry Box
Action: Tom must supply updated review. Block 10 flagged and held.

SET LIST 7 — TRAIN OFF THE TRACKS
Status: EXTRACTED — partial coverage
Review location in source: line 32605
Review text: Confirmed match to canonical track list — references Corey Story, Daddy Taught Me, Shadow of Smoke, Wheat and Chaff, Midas Touch, Sniper's Song by name.
Coverage gap: Tracks 7–12 (Quest for Immortality, Innocence Lost, Betrayal, Cop Asked the Witnesses, Dirt, Either Way) not referenced.
Notable content in review:
- "Corey Story" — "fatherless ache and a cigarette-burned childhood"
- "Daddy Taught Me" — "Gene Hackman movie set in Mississippi, all smoke, silence, and mission-burning menace"
- "Shadow of Smoke" — "floats like grief itself — intangible, everywhere, impossible to hold"
- "Wheat and Chaff" — "haunted by the quiet collapse of Anthony Bourdain"
- "Midas Touch" — "burns what's left of success culture to the ground"
- "Sniper's Song" — "lifted directly from The Washington Post, October 4, 2002" — DC Sniper reference
- Closing line: "And for the record, said Corey works for the state now, doing better than the author in the eyes of Our Lord."
Action: Tom to confirm whether review is intentionally partial or extended version exists.

================================================================================
SECTION 15 — CATEGORY FINDINGS PER EXTRACTION
================================================================================

SET LIST 6 — DEFINITELY NOT LOVE — CATEGORY MAP
-------------------------------------------------
Track 1  — Expired             — ⚠️ NOT IN CATEGORY INDEX (flagged)
Track 2  — Face To Face        — Internal Struggle / Relationships / Heartbreak
Track 3  — Cry Me a River      — Relationships / Heartbreak
Track 4  — Nothing At All      — Internal Struggle / Depressing / Relationships
Track 5  — Matches To Burn     — Internal Struggle / Relationships / Heartbreak
Track 6  — Heart Strings       — Internal Struggle / Relationships / Heartbreak
Track 7  — Endless Chorus      — Depressing / Relationships / Heartbreak
Track 8  — Nameless            — Internal Struggle / Relationships / Heartbreak / Loneliness
Track 9  — Below Zero          — Internal Struggle / Depressing / Heartbreak
Track 10 — Lament              — Depressing / Heartbreak / Loneliness
Track 11 — He Said She Said    — Relationships / Heartbreak
Track 12 — Half Told           — Internal Struggle / Relationships / Heartbreak
Track 13 — Jewelry Box         — Depressing / Relationships / Heartbreak

DOMINANT CATEGORIES: Heartbreak (11/13 tracks), Relationships (10/13), Internal Struggle (7/13), Depressing (5/13)

SET LIST 7 — TRAIN OFF THE TRACKS — CATEGORY MAP
--------------------------------------------------
Track 1  — Corey Story               — Depressing / Social Issues / Death
Track 2  — Daddy Taught Me           — Depressing / Social Issues / Relationships / Tom Personal
Track 3  — Shadow of Smoke           — Internal Struggle / Depressing / Drugs & Alcohol
Track 4  — Wheat and Chaff           — Depressing / Social Issues / Death / State of the World
Track 5  — Midas Touch               — Internal Struggle / Depressing / Social Issues
Track 6  — Sniper's Song             — Depressing / Death / State of the World / Political / Controversial
Track 7  — Quest For Immortality     — Internal Struggle / Depressing
Track 8  — Innocence Lost            — Depressing / Tom Legacy / Loneliness
Track 9  — Betrayal                  — Depressing / Relationships / Death
Track 10 — Cop Asked the Witnesses   — Social Issues / Death / State of the World / Tom Personal
Track 11 — Dirt                      — Internal Struggle / Depressing
Track 12 — Either Way                — Internal Struggle / Depressing / Loneliness

DOMINANT CATEGORIES: Depressing (11/12 tracks), Death (5/12), Social Issues (5/12), Internal Struggle (5/12)

================================================================================
SECTION 16 — PIPELINE DISCOVERIES
================================================================================

16A. WRONG PDF SCAN INCIDENT (PRE-SESSION, NOTED IN PLANNING PDF)
- One Claude instance previously scanned the planning PDF instead of the content PDF
- This caused extraction failures — Claude had no actual lyrics/metadata to work from
- Corrected when proper source file was identified
- Lesson: always confirm which file is being read before extraction

16B. MASTER CONTENT SOURCE IDENTIFICATION
- "Big PDF" referenced by Tom in conversation — not present in conversation at session start
- Correctly identified as absent — pipeline paused
- Correct file (34_ALBUMS_BOOKS_1_and_2_back_to_back.pdf) uploaded by Tom
- 903 pages confirmed
- Full text extracted to /tmp/master_content.txt (47,073 lines)

16C. BOOKS 1 AND 2 STRUCTURE DISCOVERY
Content is organized in two books bound back-to-back:
BOOK ONE contains:
(F) Quick Guide — 34 pages (one per album, all albums) — SOURCE FOR: per-track ratings, four-word summaries, collection summary, artist comparison, key themes, trigger warning
(G) Full Texts of Poems / Lyrics — SOURCE FOR: full lyrics
(K) Updated Index — SOURCE FOR: alphabetical title index

BOOK TWO contains:
(9) My Lyrics Are Like These Famous Songwriters
(11) Rolling Stone Magazine Style Reviews — SOURCE FOR: Block 10
(12) One Sentence Summaries — SOURCE FOR: Block 4 one-sentence summary
(13) All 34 Collections Rated G to X — SOURCE FOR: ratings verification
(14) 1 to 34 Quick Guide — SOURCE FOR: per-track data (duplicate/updated)
(15) Themes, Mood, Lyrics, Etc. — SOURCE FOR: Block 12
(16) Four Word Descriptions — SOURCE FOR: Block 6 four-word summaries (duplicate)
(17) Title Breakdown by Category
(18) Category Listings for the Index — SOURCE FOR: Block 11

16D. MULTIPLE SOURCE LOCATION STRATEGY
Each data point is cross-referenced across multiple section appearances:
- Quick Guide (Book 1 and Book 2 duplicate) — per-track ratings, summaries
- Lyrics section — canonical track list, full text
- One-sentence summary section — Block 4 summary
- Themes/Mood section — Block 12 data
- Rolling Stone section — Block 10
- Category sections — Block 11 data
This multi-source approach is what enables canon conflict detection.

16E. CONTENT INTEGRITY PRINCIPLE
From planning PDF: "HONESTY AS LOAD-BEARING STRUCTURE"
Tom identified that the archive collapses if honesty disappears.
Without emotional honesty: metadata becomes artificial, categories become performative, narrative arcs collapse, archive becomes branding instead of testimony.
This became one of the defining conceptual anchors of the entire project.

16F. ARCHIVE IDENTITY EVOLUTION
The project stopped being "a website with lyrics" and became:
- A scalable literary/music archive system
- A canonized metadata ecosystem
- An autobiographical narrative engine
- A navigable emotional geography
- A functioning production pipeline
Behaves like: an engineered archive / a literary operating system / a metadata-driven autobiographical universe.


================================================================================
SECTION 17 — CONSOLIDATED MASTER FLAG REGISTER
================================================================================

All unresolved items requiring Tom action, organized by priority.

────────────────────────────────────────────────────────────────────────────────
🔴 CRITICAL — Blocks extraction or generator build
────────────────────────────────────────────────────────────────────────────────

FLAG-C1 | SET LIST 6 | ROLLING STONE REVIEW MISMATCH
  Block: 10
  Issue: Review in source references entirely different track list ("Hideaway," "Look Her Up," "No Thanks Babe," "In a Jiffy," "Fifty Ways," "She Don't Cum Easy"). Current canonical track list has none of these titles.
  Root cause: Review appears to have been written for an older version of Set List 6.
  Impact: Block 10 cannot be populated. Generator cannot include Set List 6 review.
  Action: Tom must supply updated Rolling Stone review for canonical track list OR confirm that review needs to be rewritten.

FLAG-C2 | SET LIST 7 | GX DISCREPANCY
  Block: 4, 6
  Issue: Source states 30 points total. White Claude 2 calculates 32 points (8×PG-13@2=16 + 4×NC-17@4=16=32).
  Delta: −2 points.
  Known context: Systemic GX off-by-one pattern documented across multiple albums in planning PDF.
  Impact: Generator will embed incorrect GX total if not resolved.
  Action: Tom to audit individual track ratings and confirm which track is miscounted. Options: (a) one NC-17 track is actually R=3, giving 31 — still doesn't match; (b) one NC-17 is actually PG-13=2, giving 30 ✅; (c) source total is wrong and 32 is correct.

FLAG-C3 | SET LIST 4 | TITLE CONFLICT (PRE-EXISTING)
  Block: 2, 4
  Issue: Three competing titles — "Downward Spiral," "Partner to the Crime," "Partnered to the Crime."
  Multiple source systems disagree.
  Impact: Blocks Set List 4 ALL-IN-ONE naming and page creation entirely.
  Action: Tom direct confirmation required. Must lock one canonical title before extraction can proceed.

────────────────────────────────────────────────────────────────────────────────
🟡 CANON CONFIRMATION — Needs lock before generator runs
────────────────────────────────────────────────────────────────────────────────

FLAG-CN1 | SET LIST 7 | "TRAIN OFF THE TRACKS" vs "EXTREMES"
  Block: 2, 4
  Issue: "Extremes" appears in 2 Quick Guide locations. "Train Off the Tracks" appears in 4 locations including lyrics header and Rolling Stone review.
  White Claude 2 determination: "Train Off the Tracks" = canonical. "Extremes" = retired artifact.
  Action: Tom to confirm "Extremes" is fully retired and "Train Off the Tracks" is permanently locked.

FLAG-CN2 | SET LIST 7 | TRACK 10 NAMING
  Block: 6, 14
  Issue: "Cop Asked the Witnesses" (Quick Guide, Four-Word section) vs "A Cop Asked the Witnesses" (lyrics section heading).
  Action: Tom to confirm canonical form — with or without leading "A."

────────────────────────────────────────────────────────────────────────────────
🟠 CONTENT — Partial or missing content requiring Tom input
────────────────────────────────────────────────────────────────────────────────

FLAG-CT1 | SET LIST 6 | "EXPIRED" — PARTIAL TEXT
  Block: 7
  Issue: Track 1 "Expired" labeled "beginning part" in source. Current text is 9 lines only. May be significantly incomplete.
  Action: Tom to confirm if full version exists and supply it, OR confirm that the 9-line version is canonical.

FLAG-CT2 | SET LIST 6 | "EXPIRED" — MISSING CATEGORY
  Block: 6, 9, 11
  Issue: "Expired" does not appear anywhere in the master category index. All other Set List 6 tracks are accounted for.
  Action: Tom to confirm categories for Track 1 "Expired."

FLAG-CT3 | SET LIST 7 | "EITHER WAY" — PARTIAL TEXT
  Block: 7
  Issue: Track 12 "Either Way" labeled "Either Way (first Part)" in lyrics section. Text provided is substantial but explicitly marked as partial.
  Action: Tom to confirm if full version exists and supply it, OR confirm current text is canonical.

FLAG-CT4 | SET LIST 7 | ROLLING STONE REVIEW COVERAGE GAP
  Block: 10
  Issue: Extracted review covers only Tracks 1–6 (Corey Story through Sniper's Song). Tracks 7–12 are not referenced anywhere in the review.
  Action: Tom to confirm whether review is intentionally partial OR supply extended coverage for Tracks 7–12.

────────────────────────────────────────────────────────────────────────────────
⏳ STANDING PLACEHOLDERS — Required for all extractions, supplied by Tom at build time
────────────────────────────────────────────────────────────────────────────────

FLAG-SP1 | ALL SETS | Social media header HTML (Block 1)
FLAG-SP2 | ALL SETS | YouTube embed URL per set (Block 3)
FLAG-SP3 | ALL SETS | Lady Weaver note — applicability and text per set (Block 5)
FLAG-SP4 | ALL SETS | What Community Says — content if applicable (Block 13)

────────────────────────────────────────────────────────────────────────────────
TOTAL FLAG COUNT:
  🔴 Critical: 3 (1 resolved pending Tom, 1 unresolved, 1 pre-existing)
  🟡 Canon: 2
  🟠 Content: 4
  ⏳ Standing: 4
  TOTAL: 13
────────────────────────────────────────────────────────────────────────────────

================================================================================
SECTION 18 — EXTRACTION METADATA PER SET LIST
================================================================================

SET LIST 6 — DEFINITELY NOT LOVE
---------------------------------
  Canonical title:        Definitely Not Love
  Lead Rating:            PG-13
  GX Source Total:        26
  GX Calculated Total:    26  ✅ CLEAN
  Track Count:            13
  Partial tracks:         1 ("Expired" — beginning part only)
  Missing categories:     1 ("Expired" not in index)
  Artist comparisons:     Damien Rice, Elliott Smith, Leonard Cohen
  Mood/tone:              Reflective, sorrowful, poetic
  Lyric style resembles:  Love's decay, emotional distance, heartbreak, introspection
  One-sentence summary:   "A bit beat-up and tired, this set looks at what it's like to keep going when life is hard. It's about survival, feeling worn out, but still holding on to something real."
  Collection summary:     "A set about what lingers after love fails — grief without spectacle, pain without permission, and healing not yet begun. These songs document the slow collapse of intimate relationships."
  Strategic arc:          Romantic collapse, emotional betrayal, psychological erosion
  Rolling Stone status:   ⚠️ MISMATCH — review references wrong track list
  Category coverage:      12/13 tracks mapped (Expired missing)
  Blocks complete:        10/14
  Blocks pending Tom:     4 (header, video, lady weaver, community says)
  Critical flags:         1 (Rolling Stone mismatch)
  Source lines:           19574–20350 (lyrics section, master content)
  Additional sources:     3193, 32589, 36168, 37346, 38022

SET LIST 7 — TRAIN OFF THE TRACKS
-----------------------------------
  Canonical title:        Train Off the Tracks
  Retired artifact title: Extremes
  Lead Rating:            NC-17
  GX Source Total:        30  ⚠️ DISCREPANCY
  GX Calculated Total:    32  ⚠️ DISCREPANCY
  Track Count:            12
  Partial tracks:         1 ("Either Way (first Part)")
  NC-17 tracks:           4 (Sniper's Song, Quest For Immortality, Betrayal, Either Way)
  PG-13 tracks:           8 (all others)
  Artist comparisons:     Randy Newman, Tom Waits, Bruce Springsteen (Nebraska)
  Mood/tone:              Dark, narrative-driven, haunting
  Lyric style resembles:  Generational trauma, family dysfunction, lost innocence, cultural criticism
  One-sentence summary:   "These songs deal with grief, trauma, and how the world feels like it's falling apart. It's about confronting harsh realities and finding a way through the pain."
  Collection summary:     "The most severe, confrontational, and psychologically destabilizing set in the catalog. This material refuses comfort, resolution, or moral framing — existing as documentation of human damage as it occurs."
  Strategic arc:          Mass violence fantasies, child sexual assault, sniper imagery. NC-17 heavy.
  Rolling Stone status:   ✅ EXTRACTED — partial coverage (tracks 1–6 only, 7–12 unreferenced)
  Category coverage:      12/12 tracks mapped ✅
  Blocks complete:        10/14
  Blocks pending Tom:     4 (header, video, lady weaver, community says)
  Critical flags:         1 (GX discrepancy)
  Canon flags:            2 (title confirmation, track 10 naming)
  Content flags:          2 (Either Way partial, Rolling Stone partial coverage)
  Source lines:           21481–22200 (lyrics section, master content)
  Additional sources:     3551, 32605, 33190, 36514, 37376, 38036

================================================================================
SECTION 19 — NEXT IN PIPELINE
================================================================================

NEXT ASSIGNMENT: SET LIST 8 — BOSS LOGIC — ALL-IN-ONE

Known data from master content:
  Title: Boss Logic (confirmed — appears consistently)
  Lead Rating: NC-17 (from Quick Guide)
  Total Points: 30 (from Quick Guide)
  Strategic Arc: Not confirmed
  Track Count: 12 (from four-word summary section)
  Tracks (from four-word section):
    1. Thirty Seconds          — Wake up
    2. Pretty Fountains        — Illusion of progress shown
    3. Playing Chess           — Setup from the start
    4. Sky and Light           — How we see everything
    5. Discartes               — I think, therefore I am?
    6. I Am                    — I will not be broken
    7. Timeless to Ten         — Substance beats the noise
    8. Listen                  — Failure to act hurts
    9. Fear                    — Always at my side
    10. Down                   — Climbing back again
    11. Spinning               — Trapped inside my mind
    12. Somewhere              — Love is inside somewhere

  NOTE: Quick Guide shows different track "Pretty Fountains" at position 2 — needs verification against lyrics section
  Artist comparisons: Pink Floyd, Björk, David Bowie (Low) — from themes/mood section
  Mood: Abstract, surreal, drifting
  Themes: Perception, existential questioning, identity crisis, self-discovery
  One-sentence summary: "This set focuses on searching for who you really are, feeling lost, and trying to make sense of your thoughts. It's like trying to find calm in a noisy world."
  Rolling Stone review: ✅ PRESENT in source (confirmed at line 32629)

  WATCH FOR: NC-17 track identification, GX verification, track list confirmation vs Quick Guide

================================================================================
SECTION 20 — WORKFLOW SUMMARY: HOW WHITE CLAUDE 2 RUNS EACH EXTRACTION
================================================================================

STEP 1 — IDENTIFY SET LIST
  - Search master_content.txt for all title occurrences
  - Count hits per title variant
  - Apply canon rule: highest count + primary lyrics section = canonical

STEP 2 — EXTRACT QUICK GUIDE DATA
  - Find Quick Guide entry (Book 1 and Book 2)
  - Pull: Lead Rating, Total Points, Strategic Arc, Trigger Warning summary, per-track data (rating, four-word summary)
  - Note any discrepancy between Book 1 and Book 2 versions

STEP 3 — EXTRACT LYRICS SECTION
  - Find primary lyrics section (labeled "SET LIST [N] ([TEXT])")
  - Extract: Track list, trigger warning full text, full lyrics for all tracks
  - Note any "(first Part)" or "(beginning part)" markers

STEP 4 — CALCULATE GX INDEPENDENTLY
  - Count tracks per rating tier
  - Apply: PG=1, PG-13=2, R=3, NC-17=4, X=5
  - Compare against source total
  - Flag any discrepancy

STEP 5 — EXTRACT METADATA SECTIONS
  - One-sentence summary (Section L12)
  - Collection summary (Quick Guide)
  - Themes/Mood/Lyrics style (Section O15)
  - Artist comparisons (Quick Guide + Themes section)
  - Rolling Stone review (Section 11 / Rolling Stone section)

STEP 6 — MAP CATEGORIES
  - For each track, grep category index (lines 38464+)
  - Use line number boundaries to determine which category section each track appears in
  - Multiple categories per track — record all
  - Flag any tracks not appearing in category index

STEP 7 — BUILD 14-BLOCK DOCUMENT
  - Populate all blocks in locked order
  - Insert [PLACEHOLDER] for Tom-supplied assets
  - Insert ⚠️ flags for unresolved items inline
  - Document all flags at bottom

STEP 8 — FLAG REGISTER
  - Compile all flags at document bottom
  - Categorize: Critical / Canon / Content / Standing
  - Include block reference, issue description, action required

STEP 9 — STATUS TABLE
  - Final status for each block (COMPLETE / PLACEHOLDER / FLAGGED)
  - Total counts for completed vs pending

STEP 10 — HANDOFF LINE
  - State next assignment
  - Confirm pipeline active

================================================================================
END OF MASTER DUMP — SECTION SUMMARY
================================================================================

Section 1  — Session Identity & Role Definitions
Section 2  — Source Files Loaded This Session
Section 3  — Locked Architecture (from planning PDF)
Section 4  — Canon Logic Rules (active for all extractions)
Section 5  — GX Scoring System
Section 6  — Category System
Section 7  — Master Alphabetical Index Discovery
Section 8  — All Set List & Song List Titles Confirmed
Section 9  — Pipeline Status at Session Start
Section 10 — Outstanding Items Tom Must Supply
Section 11 — Canon Decisions & Title Resolutions
Section 12 — Metadata Discoveries
Section 13 — Trigger Warning Structures
Section 14 — Rolling Stone Review Findings
Section 15 — Category Findings Per Extraction
Section 16 — Pipeline Discoveries
Section 17 — Consolidated Master Flag Register
Section 18 — Extraction Metadata Per Set List
Section 19 — Next In Pipeline (Set List 8 pre-data)
Section 20 — Workflow Summary: How White Claude 2 Runs Each Extraction
[APPENDED]  — SET LIST 6 — DEFINITELY NOT LOVE — ALL-IN-ONE (full extraction)
[APPENDED]  — SET LIST 7 — TRAIN OFF THE TRACKS — ALL-IN-ONE (full extraction)

================================================================================
WHITE CLAUDE 2 | MASTER SESSION DUMP | COLLABORHYTHM / COLLABTUNES
PIPELINE STATUS: ACTIVE | SETS COMPLETE: 6, 7 | NEXT: SET LIST 8 — BOSS LOGIC
================================================================================




================================================================================
APPENDIX B — SET LIST 6 — DEFINITELY NOT LOVE — ALL-IN-ONE
FULL EXTRACTION OUTPUT (CANONICAL)
================================================================================

# SET LIST 6 — DEFINITELY NOT LOVE — ALL-IN-ONE
**Extracted by: White Claude 2 | Architecture: Locked 14-Block Structure | Visual Theme: Batman Bedroom Dark**
**Source: 34_ALBUMS_BOOKS_1_and_2_back_to_back.pdf | Canon Rule: Content > Placement**

---

## ⬛ BLOCK 1 — HEADER
```
[PLACEHOLDER — Tom to supply 10-button social media header HTML embed]
```

---

## ⬛ BLOCK 2 — PAGE TITLE

# SET LIST 6 — DEFINITELY NOT LOVE — ALL-IN-ONE

---

## ⬛ BLOCK 3 — VIDEO
```
[PLACEHOLDER — Tom to supply YouTube embed URL for Set List 6]
```

---

## ⬛ BLOCK 4 — ALBUM IDENTITY

| Field | Data |
|---|---|
| **Full Title** | Definitely Not Love |
| **Catalog ID** | Set List 6 |
| **Page Name (Locked)** | SET LIST 6 — DEFINITELY NOT LOVE — ALL-IN-ONE |
| **Lead Rating** | PG-13 |
| **Total GX Points** | 26 |
| **Track Count** | 13 |
| **Strategic Arc** | Romantic collapse, emotional betrayal, psychological erosion |
| **Artist Comparisons** | Damien Rice, Elliott Smith, Leonard Cohen |
| **Key Themes** | Romantic collapse, emotional betrayal, grief, identity fatigue, numbness |
| **Mood / Tone** | Reflective, sorrowful, poetic |
| **Style / Lyric Resembles** | Love's decay, emotional distance, heartbreak, introspection |
| **Collection Summary** | A set about what lingers after love fails — grief without spectacle, pain without permission, and healing not yet begun. These songs document the slow collapse of intimate relationships. |
| **One-Sentence Summary** | A bit beat-up and tired, this set looks at what it's like to keep going when life is hard. It's about survival, feeling worn out, but still holding on to something real. |

---

## ⬛ BLOCK 5 — LADY WEAVER NOTE
```
[PLACEHOLDER — Tom to confirm whether Lady Weaver note applies to Set List 6 / supply text if applicable]
```

---

## ⬛ BLOCK 6 — FULL TRACK LIST WITH DATA

| # | Title | Rating | GX Pts | Four-Word Summary | Primary Categories |
|---|---|---|---|---|---|
| 1 | Expired | PG-13 | 2 | Time has finally faded | ⚠️ NOT FOUND IN CATEGORY INDEX — FLAG FOR TOM |
| 2 | Face To Face | PG-13 | 2 | Meeting truth directly | Internal Struggle / Relationships / Heartbreak |
| 3 | Cry Me a River | PG-13 | 2 | Warm tears, cold heart | Relationships / Heartbreak |
| 4 | Nothing At All | PG-13 | 2 | Empty promises, no delivery | Internal Struggle / Depressing / Relationships |
| 5 | Matches To Burn | PG-13 | 2 | Igniting the final bridge | Internal Struggle / Relationships / Heartbreak |
| 6 | Heart Strings | PG-13 | 2 | Pulling until they snap | Internal Struggle / Relationships / Heartbreak |
| 7 | Endless Chorus | PG-13 | 2 | Repeating the same pain | Depressing / Relationships / Heartbreak |
| 8 | Nameless | PG-13 | 2 | Losing identity in love | Internal Struggle / Relationships / Heartbreak / Loneliness |
| 9 | Below Zero | PG-13 | 2 | Freezing out the past | Internal Struggle / Depressing / Heartbreak |
| 10 | Lament | PG-13 | 2 | Mourning what is gone | Depressing / Heartbreak / Loneliness |
| 11 | He Said She Said | PG-13 | 2 | Echoes of unresolved talk | Relationships / Heartbreak |
| 12 | Half Told | PG-13 | 2 | Stories left without end | Internal Struggle / Relationships / Heartbreak |
| 13 | Jewelry Box | PG-13 | 2 | Promise contained | Depressing / Relationships / Heartbreak |
| | **TOTALS** | **All PG-13** | **26** | | |

**GX VERIFICATION:** 13 tracks × PG-13 (2 pts each) = 26 ✅ Confirmed against source total of 26.
**FLAG:** Track 1 "Expired" does not appear in the master category index. Possible omission or listed under alternate spelling. Tom to verify.
**NOTE:** Track 1 "Expired" is labeled "beginning part" in source — Tom to confirm if full version exists or if partial is canonical.

---

## ⬛ BLOCK 7 — FULL TEXT LYRICS

---

### (1) EXPIRED *(beginning part — full version TBC)*

I am hoping it's not true
But our time may have expired
Sure I still sing for you
But lacking passion, lacking fire
Or at least not like I used to
I won't lie I'm not a liar
My eyes still like looking at you
Oh -- but now I closed them
when I get tired

---

### (2) FACE TO FACE

You can run and you can hide
But I know your face
It always shows
That you can't lie…
So I don't call you
On the phone
And now you know
The reason why…
I read your letters
So full of love
You tell me I'm the one
That you're thinking of
Yet I know your gift
When it comes to the pen
As I think to myself
You're at it again
One line leads to another line
One lie leads to another lie
I know all the walls
You use to hide behind It's true
So I wait outside your place
To meet and greet you face-to-face

So I know whether to cry or laugh
When I look back
at all those paragraphs –
From you
As I think back to all
the things you've said
For I long to know
what's really inside your head
What you're thinking to yourself
and also about me
When you say that destiny
is what we were meant to be
Together and forever
for it was written in the stars
Yes, this is the true you
and this is what you really are
Or whether this is just another plot
and I am just your toy
Am I really your man
or just a silly little boy?

---

### (3) CRY ME A RIVER

Cry me a river...
Ten miles wide
Your warm tears will never
Send a shiver...
Up and down my spine
Cry me a river...
Then let me know
when you are through
Of everything that
you promised
Nothing was delivered
When you don't feel as if you're one
Then you should go back to being two
Cry me a river...
And then please won't you paddle away?
I've grown tired of sitting in the dark
Watching the clock
Trying to smile all the while...
I'm waiting for you

I would have put you first
If you put me anywhere but last
Yet as our time in life is slipping
Such time you lose too fast
The time for chasing rainbows
Is now as distant as the stars
Through the mountains you've traversed
You have discovered who you are
You bruise when you bleed
Accept this fact as fate
You know now what you need
For him it's now too late
You would have put him first
If he put you anywhere but last
But as you toasted to the New Year
Broken shattered glass
You would have shown him love
Had he given you a wink
You would have filled his cup with wine
Had he asked you for a drink
To the sparkling gleam in his eye
You've since become blind
Now this is all you can think of
Whenever he enters your mind:

Cry me a river...
Ten miles wide
Your warm tears will never again
send a shiver...
Up and down my spine
Cry me a river...
And then let me know
when you are through
Of everything that was once promised
Nothing was delivered
When you don't feel as if you're one
then you should go back to being two

---

### (4) NOTHING AT ALL

You walked up to me
With my clothes in your hands
We had a conversation about things
Only I could understand
Not a tear I did see
For I kept my eyes closed
The way in which I feel
I'm the only one who knows
You begged and pleaded from your knees
Every other word I heard was please
Please don't you go away
Please, please
Don't you leave me this way
Only I knew that our fate was sealed
I kept my eyes closed
So that nothing was revealed
Someday all your wounds will heal
Someday I will tell you
how I really feel...

I once asked you
to save me from myself
Though soon I learned
That you can't leave that up
To anyone else
I asked you to change your ways
Though soon I realized
That some colors won't fade
The only one to help me is myself
For sometimes some things
Cannot be entrusted to someone else
Your inspiration was once my soul
But soon your hatred was for me
And the love I stole
You thought I'd take your heart
And keep it forever
But in this world of uncertainty
You can never say never
So many red-eyed days
So many nights filled with unrest
I was finally forced to realize
This may be too great a test
So many sleepless nights
And soon daydreams of another's face
I knew I couldn't stay
While wishing I was in some other place

Your heart's filled with gold
Yet your eyes are so cold
And the mirror which you hold
Reflects the face of no one at all
Your weakness often showed
And soon the time grew old
As no dream I had was too bold
The ceiling of our love was bound to fall

No regrets
Though memory will not soon forget
Myself I found
Now there are no more chains
To hold me down
There must be some reason
That it turned out this way
But I know right now
There's not one that I could say
I loved you once
And you will find love again
There is no better message
That I can send
Maybe I shouldn't have made you
Feel so tall
Maybe all your problems I couldn't solve
Sleep well knowing I am sorry
For the pain I've caused
Just know it's better feeling pain
Than feeling nothing at all

---

### (5) MATCHES TO BURN

I need a reason to sing
I can't think of anything
And I've been thinking a lot
About a world not filled
With things you could see
But of all those things
I dreamed to be
So long ago that I forgot
When down memory lane…
I took a stroll
I re-lived mostly pain…
and now that pain…
It takes its toll
I'll make a promise to you
And then I won't show
Yeah, I'll always leave you guessing
With your insides now exposed
While you've still yet to learn your lesson
Ahh… but at least now you're feeling the cold
Though still… you keep on pressing
But with this new insight you now behold
You see the sun now glistening
off of the snow
If you listen closely
then you'll learn what I know
It takes ten seconds now to see
What took me twenty years to learn
Ain't no paper worth nothing to me
To a girl… With matches to burn
To a girl... with matches to burn..

---

### (6) HEART STRINGS

I don't need you for inspiration
Nah, I got plenty of that myself
I'm not looking
for someone to save me
Nah, you can't leave that
to anyone else
I was just looking for someone
to keep me and love me
For all I am....
for my better or worse
I wasn't looking for someone
to take me and leave me
Leaving me feeling this angry,
helpless remorse

As I see you sitting in the chair
Staring back at me
With a cold and lonely stare
I will remember for eternity
I finally want back
What's been taken
What you stole
But I will never get that
'til I regain control
I am just another trophy
Collecting dust
on your mantle shelf
Something that you've taken
That once belonged
to someone else
Now as I feel forsaken
I criticize my useless self
Plucking at my heartstrings
Is the music you play
only for yourself
Never a thought
for someone else

---

### (7) ENDLESS CHORUS

I'm as deep as the day is long
That's why it hurt me
To find myself becoming weak
When I needed to be strong
This long day and my long face
Shows you that I know no other way
So it's back to bed with a worried head
An unsteady mind and too much time

I think too much about the past
Of broken trust and how things don't last
I'm as deep as the day is long
That's why I rarely sleep
And I only dream in song
Then I wake up
And I try to play along
To the melody
That my heart weeps
Since you and me
We broke our bond
I find your ghost
Keeps haunting me
With rattling chains
And shaking keys
I try to hide
But to no avail
Just an endless chorus
About how we failed…

---

### (8) NAMELESS

You blew out my candle
Just so yours could burn brighter
You took my little girl
And put bad things inside her
Thoughts of not being good enough
Oh how could she measure up
In this morality fashion show
That makes the rules up as they go
Living in the shadows
and staying low key
Blending in with all
the pretty things she sees
It won't make you famous
but it will help you stay alive
Sometimes remaining nameless
is the reason why we thrive

You blew out my candle
Just so yours could burn brighter
You burdened me with heavy load
Just so you could tread lighter
You laughed, pointed and sneered
When I took the wheel and steered
And as I wandered far off course
You offered no form of support
No helping hand to lend
Not a guiding message sent
Left abandoned on the shore
When not thought useful anymore

You kept looking at me
To see the star I'd never be
But did you question if your perception
Was in fact reality?
You blew out my candle
Just so yours could burn brighter
When I offered peace or war
You declared, "Neither!"
We're locked in a state of paradox
Where the focus has been lost
Always scheming or else screaming
Trying to get your point across
There's no more words?
I'm at a loss…

---

### (9) BELOW ZERO

My past is trashed
Burned all the photographs
I sigh then deny when someone asks
No, I never met my hero
On a scale of one to ten
She sent me to below zero
I've lost all hope of healing
So I try to numb the feeling
Playing dumb my way of dealing
But I still can't turn the page
She was a century ahead of her time
And I was five years past my prime
So what could have been so sublime
Instead I lost my guide – my sage

The old me...
would lose to the new me
Yet those tired eyes
would see right through me
I've got a past
that simply won't let go
To a flame that burned out long ago
I once put my faith in someone else
Now today I no longer trust myself
You see I lost my nerve,
my heart and my rightful place
That's when I felt
I didn't deserve to be part
of the human race
She gave me a chance to become a man
After an epic fail…
Well here I am
May God strike me dead
Right where I now stand…
Yeah, I'm finally ready to get hurt again

---

### (10) LAMENT

You can't burn what's already been burned
I died inside once that's when I learned
Something is gone I can't put it in words
I've been far more reserved – afraid to be hurt
I think it's contagious
Are you on the same page, kid?
Tell me your story
Share with me your pain
How far was your fall from glory?
And tell me what was her name?
As the life left his eyes
He whispered "Adellana Marie"
Then muttered her last name…
At least what it used to be

The same fire that warms
May do you great harm
The many times I was warned
I claimed false alarm
She hurt me by giving up
I hurt myself I loved too much
We both were harmed
Though void of intent
I heard cries of a mom
And so off I went
Soon she found another
A far more tragic event
He put himself above her
And now she's left to lament

---

### (11) HE SAID SHE SAID

She woke up this morning
In a place she'd never seen before
She said…
I'm ready to turn the page
but first I must close some doors
I thought that maybe I was learning
but now I'm not so sure
I said, "You've got to hold on"
She said, "I'm not that strong"
"That's okay" is what I respond
She said, "But I'm not where I belong…
I took a right… But my right went wrong"

I said in time
you'll find if you keep on trying
You can hurdle your mind
and leave it all behind
I can't weather this storm
I can't see the sunshine
The last words
I heard from you was that…
All sense of hope was fading fast
But what you forget
Is that I cry, too
Unclench your fists and remember this
Given time all things must pass

Now I've found the rhyme
Have you found a reason?
Killing time it 'tis the season
A bottle of wine can be so pleasing
I'm feeling fine now my minds at ease

She woke up this morning
In a place she's never been before
She said…
I'm ready to turn the page
But first I must close some doors
I thought that maybe I was learning
but now I'm not so sure
I said, You've got to hold on
You say…
I'm not that strong
That's okay is what I respond
She said…
But I'm not where I belong
I took a right
but my right went wrong

I said in time you'll find
if you keep on trying
You can hurdle your mind
and leave it all behind
You can weather the storm…
Maybe I can weather this storm
You can find your sunshine…
Maybe I'll watch the sunrise

She woke up this morning
Or should I say this afternoon
Had she finally broken free?
I can't tell it's far too soon
She thought about the
Bridge she's been burning
Her only way of escape
From this land of ruin
She said…
Well I've been burning bridges
But it's better than burning crosses
When everyone seems suspicious
You start adding up your losses
End up breaking more than dishes
That's how this whole thing got started
So choose wisely for what you're wishing
I said try not to make things hard, kid

---

### (12) HALF TOLD

Behind my eyes I can't let you in
The best I can do is begin again
I let you down and myself to
With all the shit I put you through
Been having a hard time
holding my head up high
Been having a hard time
sorting truth from lies
I'm not sure where
I should go from here
I don't know if it shows
but I'm f*cking scared
Seems like everyone I know
has disappeared…
through the years

I've been looking for something new
And I don't know what to do
I've been seeking to make changes
Having thoughts that are the strangest
I've been hiding from my demons
While pretending I don't see them
Yet I feel their presence creeping
Around my room when I am sleeping
And I find it quite disturbing
More than a little bit unnerving
When you're trying to go straight
but keep on swerving
And before it's too late
the lesson you are learning
Is you can't go back and change the past
It catches up with you living fast
As shiny gold turns to rusty bronze
You have to ask yourself where'd I go wrong?
As you trace back the last twenty years
Wondering how on earth did I end up here?
Yet you're unsure of whether to laugh or cry
Though you're not tired you close your eyes…
You feel a tear and you don't know why?
So with retrospect you gaze inside
Never been alone – not with pain and fear
Your travelling companions through the years…
Yet you're scared of some
of the past seeds you've sowed
So your conscious carries such a heavy load…
I've grown tired of these escapades
I'm trying to take back the day
The hands of time can't be rewound
But I refuse to stay sorrow bound
They say everybody's got a story
A fall from grace or shining in glory
As of now the tale's only half told
And my fate awaits
just up open the road, yeah!

---

### (13) JEWELRY BOX

I'm not an underachiever
More what you call
a late bloomer
Took me a long time
to become a believer
Otherwise I'd have been here
a whole lot sooner
I heard it said that
I was past my prime
But now I know
it was just a rumor
Such harsh words have
strengthened me over time
Good thing I still have
a sense of humor

When I said "take it
or leave it...\" she left it
Never cared about money...
but she cost me time
Ring's in the jewelry box...
I don't regret it
Replacements for me...
I'm sure they're waiting in line
Sacrifices had to be made...
but I'm at peace
You only live once...
I'm back to chasing my dream
After what we both held inside
had been released
Gave her half of everything...
but my self-esteem

When I said "take it
or leave it...\" she left it
Never cared about money...
but she cost me time
Ring's in the jewelry box...
I don't regret it
Replacements for me...
she's got them waiting in line
Sacrifices had to be made...
but I'm at peace
You only live once...
I'm back to chasing my dream
After what we both held inside
had been released
Gave her half of everything...
but my self-esteem

I heard it said that
I was past my prime
But now I know
it was just a rumor
Such harsh words have
strengthened me over time
Good thing I still have
a sense of humor
I'm not an underachiever
More what you call
a late bloomer
Took me a long time
to become a believer
Otherwise we'd have been
here a whole lot sooner
When differences
in opinions increased
And they soon become
known to be extreme
As you find you own what
really should only
have been leased
Yes, opposites attract
yet it's best to
share common themes

Sacrifices had to be made....
But I'm at peace
You only live once...
I'm back to chasing my dream

---

## ⬛ BLOCK 8 — TRIGGER WARNINGS

**SET LIST 6 — DEFINITELY NOT LOVE**
**Lead Rating: PG-13 | Total GX: 26**

**Core Trigger Summary:**
Romantic collapse, emotional betrayal, psychological erosion, grief, identity fatigue, emotional coercion.

---

**ROMANTIC DISSOLUTION & EMOTIONAL BETRAYAL**
Most of this set documents the slow collapse of intimate relationships. Songs such as "Expired," "Cry Me a River," "Nothing at All," "Heartstrings," "Endless Chorus," and "Jewelry Box" linger in the aftermath — when love has died but attachment remains. Themes of waiting, pleading, sleeplessness, and emotional erosion recur, reflecting drawn-out separations rather than explosive endings.

"Face to Face" introduces deception and fixation, including boundary-crossing behavior such as waiting outside a partner's home. While not violent, the implied surveillance may be unsettling for listeners sensitive to control or relational intrusion.

**DEPRESSION, NUMBNESS & SELF-DOUBT**
Tracks like "Below Zero," "Half Told," "Lament," and "Endless Chorus" confront emotional shutdown and loss of identity. Lyrics describe numbness replacing pain, persistent rumination, insomnia, shame, and fear of the past resurfacing. "Below Zero" is particularly bleak, approaching emotional self-erasure without explicit self-harm.

**EMOTIONAL IMBALANCE & IDENTITY EROSION**
Songs such as "Heartstrings," "Matches to Burn," and "Nameless" explore relationships defined by emotional exploitation, invalidation, and power imbalance. Identity suppression, comparison, and diminished self-worth recur, particularly in depictions of being valued only for validation rather than humanity.

**GRIEF, AVOIDANCE & FRAGILE HOPE**
Alcohol appears as emotional anesthesia rather than celebration. Grief surfaces both through death and emotional abandonment, emphasizing loss without closure. Hope exists across the set, but it is fragile, conditional, and unresolved.

**Set List Six captures what lingers after love fails — grief without spectacle, pain without permission, and healing not yet begun.**

---

**WHO SHOULD APPROACH WITH CARE:**
- Listeners who have experienced emotional abandonment or manipulative relationships
- Those processing breakup grief or lingering guilt
- Listeners sensitive to themes of identity erosion and depressive numbness
- Those affected by despair adjacent to suicidal ideation (particularly "Below Zero")

**NOT PRESENT IN THIS SET:** Explicit violence, sexual assault, graphic drug use, overt self-harm instruction.

---

## ⬛ BLOCK 9 — QUICK GUIDE

| # | Title | Rating | GX | Four-Word Summary | Primary Categories |
|---|---|---|---|---|---|
| 1 | Expired | PG-13 | 2 | Time has finally faded | ⚠️ Category TBC |
| 2 | Face To Face | PG-13 | 2 | Meeting truth directly | Internal Struggle / Relationships / Heartbreak |
| 3 | Cry Me a River | PG-13 | 2 | Warm tears, cold heart | Relationships / Heartbreak |
| 4 | Nothing At All | PG-13 | 2 | Empty promises, no delivery | Internal Struggle / Depressing / Relationships |
| 5 | Matches To Burn | PG-13 | 2 | Igniting the final bridge | Internal Struggle / Relationships / Heartbreak |
| 6 | Heart Strings | PG-13 | 2 | Pulling until they snap | Internal Struggle / Relationships / Heartbreak |
| 7 | Endless Chorus | PG-13 | 2 | Repeating the same pain | Depressing / Relationships / Heartbreak |
| 8 | Nameless | PG-13 | 2 | Losing identity in love | Internal Struggle / Relationships / Heartbreak / Loneliness |
| 9 | Below Zero | PG-13 | 2 | Freezing out the past | Internal Struggle / Depressing / Heartbreak |
| 10 | Lament | PG-13 | 2 | Mourning what is gone | Depressing / Heartbreak / Loneliness |
| 11 | He Said She Said | PG-13 | 2 | Echoes of unresolved talk | Relationships / Heartbreak |
| 12 | Half Told | PG-13 | 2 | Stories left without end | Internal Struggle / Relationships / Heartbreak |
| 13 | Jewelry Box | PG-13 | 2 | Promise contained | Depressing / Relationships / Heartbreak |
| | **TOTALS** | **PG-13** | **26** | | |

---

## ⬛ BLOCK 10 — ROLLING STONE REVIEW

> ⚠️ **FLAG — REVIEW MISMATCH DETECTED**
>
> The Rolling Stone-style review found in the source PDF (Book 2, Section 11) for "Set List Six — Definitely Not Love" references the following tracks:
> *"Hideaway," "Look Her Up," "No Thanks Babe," "In a Jiffy," "Fifty Ways," "She Don't Cum Easy"*
>
> These titles **do not match** the canonical track list for Set List 6 (confirmed across 4 source locations).
> Those titles appear to belong to a **different/older version** of Set List 6 or a different set entirely.
>
> **Canon rule applied:** Track list confirmed in 4 locations wins over single-instance review.
>
> **Tom action required:** Confirm whether an updated Rolling Stone review exists for the current canonical Set List 6 track list, or supply one for Block 10 population.

```
[PLACEHOLDER — Awaiting Tom confirmation / updated Rolling Stone review for canonical Set List 6]
```

---

## ⬛ BLOCK 11 — TRACKS BY CATEGORY

### INTERNAL STRUGGLE
Face To Face · Nothing At All · Matches To Burn · Heart Strings · Nameless · Below Zero · Half Told

### DEPRESSING
Endless Chorus · Nothing At All · Below Zero · Lament · Jewelry Box

### HEARTBREAK
Face To Face · Cry Me a River · Matches To Burn · Heart Strings · Endless Chorus · Nameless · Below Zero · Lament · He Said She Said · Half Told · Jewelry Box

### RELATIONSHIPS
Face To Face · Cry Me a River · Nothing At All · Matches To Burn · Heart Strings · Endless Chorus · Nameless · He Said She Said · Half Told · Jewelry Box

### LONELINESS
Nameless · Lament

### CATEGORY UNKNOWN
Expired *(not found in master category index — flag for Tom)*

---

## ⬛ BLOCK 12 — THEMES / MOOD / PROFANITY

| Field | Data |
|---|---|
| **Primary Themes** | Romantic collapse · Emotional betrayal · Grief · Identity fatigue · Numbness · Psychological erosion |
| **Secondary Themes** | Power imbalance in relationships · Emotional coercion · Fragile hope · Avoidance · Self-doubt |
| **Mood / Tone** | Reflective · Sorrowful · Poetic · Quiet · Restrained |
| **Lyric Style Resembles** | Love's decay · Emotional distance · Heartbreak · Introspection |
| **Profanity Level** | Minimal — one f* in "Half Told" (self-censored in source) |
| **Sexual Content** | None |
| **Violence** | None explicit |
| **Drug/Alcohol References** | Alcohol as emotional anesthesia ("He Said She Said") — not glorified |
| **Self-Harm Adjacent** | "Below Zero" approaches emotional self-erasure — no explicit self-harm instruction |
| **Artist Comparisons** | Damien Rice · Elliott Smith · Leonard Cohen |

---

## ⬛ BLOCK 13 — WHAT COMMUNITY SAYS

```
[PLACEHOLDER — Tom to supply community feedback / optional section]
```

---

## ⬛ BLOCK 14 — FAST BUTTONS

**SET LIST 6 — DEFINITELY NOT LOVE** | *Romantic collapse. Grief without spectacle. Healing not yet begun.*

```
[1] EXPIRED        [2] FACE TO FACE      [3] CRY ME A RIVER
[4] NOTHING AT ALL [5] MATCHES TO BURN   [6] HEART STRINGS
[7] ENDLESS CHORUS [8] NAMELESS          [9] BELOW ZERO
[10] LAMENT        [11] HE SAID SHE SAID [12] HALF TOLD
[13] JEWELRY BOX
```

---

---

# ⚠️ OPEN FLAGS — TOM ACTION REQUIRED

| # | Flag | Block | Action Needed |
|---|---|---|---|
| 1 | "Expired" — labeled "beginning part" in source | Block 6 / Block 7 | Confirm if full version exists or partial is canonical |
| 2 | "Expired" — missing from master category index | Block 6 / Block 11 | Confirm categories for Track 1 |
| 3 | Rolling Stone review mismatch — review references wrong tracks | Block 10 | Supply updated review for canonical track list |
| 4 | YouTube embed URL missing | Block 3 | Supply video URL |
| 5 | Lady Weaver note applicability | Block 5 | Confirm if applicable / supply text |
| 6 | Social media header HTML | Block 1 | Supply 10-button header embed |
| 7 | Community says section | Block 13 | Supply if applicable |

---

# ✅ EXTRACTION STATUS — SET LIST 6

| Block | Status |
|---|---|
| Block 1 — Header | ⏳ Awaiting Tom HTML |
| Block 2 — Page Title | ✅ COMPLETE |
| Block 3 — Video | ⏳ Awaiting Tom URL |
| Block 4 — Album Identity | ✅ COMPLETE |
| Block 5 — Lady Weaver Note | ⏳ Awaiting Tom confirmation |
| Block 6 — Full Track List | ✅ COMPLETE (1 flag: Expired categories) |
| Block 7 — Full Lyrics | ✅ COMPLETE (1 flag: Expired partial) |
| Block 8 — Trigger Warnings | ✅ COMPLETE |
| Block 9 — Quick Guide | ✅ COMPLETE |
| Block 10 — Rolling Stone Review | ⚠️ FLAGGED — mismatch detected |
| Block 11 — Tracks by Category | ✅ COMPLETE (1 flag: Expired) |
| Block 12 — Themes/Mood/Profanity | ✅ COMPLETE |
| Block 13 — What Community Says | ⏳ Awaiting Tom input |
| Block 14 — Fast Buttons | ✅ COMPLETE |

**CORE EXTRACTION: 10/14 blocks fully complete. 4 blocks awaiting Tom-supplied assets.**

---

*White Claude 2 | Extraction Pipeline | SET LIST 6 of 24 | Next: SET LIST 7 — TRAIN OFF THE TRACKS*


================================================================================
APPENDIX C — SET LIST 7 — TRAIN OFF THE TRACKS — ALL-IN-ONE
FULL EXTRACTION OUTPUT (CANONICAL)
================================================================================

# SET LIST 7 — TRAIN OFF THE TRACKS — ALL-IN-ONE
**Extracted by: White Claude 2 | Architecture: Locked 14-Block Structure | Visual Theme: Batman Bedroom Dark**
**Source: 34_ALBUMS_BOOKS_1_and_2_back_to_back.pdf | Canon Rule: Content > Placement**

---

## ⬛ BLOCK 1 — HEADER
```
[PLACEHOLDER — Tom to supply 10-button social media header HTML embed]
```

---

## ⬛ BLOCK 2 — PAGE TITLE

# SET LIST 7 — TRAIN OFF THE TRACKS — ALL-IN-ONE

---

## ⬛ BLOCK 3 — VIDEO
```
[PLACEHOLDER — Tom to supply YouTube embed URL for Set List 7]
```

---

## ⬛ BLOCK 4 — ALBUM IDENTITY

| Field | Data |
|---|---|
| **Full Title** | Train Off the Tracks |
| **Catalog ID** | Set List 7 |
| **Page Name (Locked)** | SET LIST 7 — TRAIN OFF THE TRACKS — ALL-IN-ONE |
| **Lead Rating** | NC-17 |
| **Total GX Points (Source)** | 30 |
| **Total GX Points (Calculated)** | 32 ⚠️ SEE FLAG #1 |
| **Track Count** | 12 |
| **Strategic Arc** | Family dysfunction, generational trauma, lost innocence, cultural criticism |
| **Artist Comparisons** | Randy Newman, Tom Waits, Bruce Springsteen (Nebraska) |
| **Key Themes** | Sexual assault, child abuse, violence, moral collapse, nihilism, dissociation |
| **Mood / Tone** | Dark, narrative-driven, haunting |
| **Style / Lyric Resembles** | Generational trauma, lost innocence, cultural criticism |
| **Collection Summary** | The most severe, confrontational, and psychologically destabilizing set in the catalog. This material refuses comfort, resolution, or moral framing — existing as documentation of human damage as it occurs. |
| **One-Sentence Summary** | These songs deal with grief, trauma, and how the world feels like it's falling apart. It's about confronting harsh realities and finding a way through the pain. |

---

## ⬛ BLOCK 5 — LADY WEAVER NOTE
```
[PLACEHOLDER — Tom to confirm whether Lady Weaver note applies to Set List 7 / supply text if applicable]
```

---

## ⬛ BLOCK 6 — FULL TRACK LIST WITH DATA

| # | Title | Rating | GX Pts | Four-Word Summary | Primary Categories |
|---|---|---|---|---|---|
| 1 | Corey Story | PG-13 | 2 | Where the problem is | Depressing / Social Issues / Death |
| 2 | Daddy Taught Me | PG-13 | 2 | As my daddy taught | Depressing / Social Issues / Relationships / Tom Personal |
| 3 | Shadow of Smoke | PG-13 | 2 | What you see disappears | Internal Struggle / Depressing / Drugs & Alcohol |
| 4 | Wheat and Chaff | PG-13 | 2 | What can't be taken | Depressing / Social Issues / Death / State of the World |
| 5 | Midas Touch | PG-13 | 2 | Turned me into gold | Internal Struggle / Depressing / Social Issues |
| 6 | Sniper's Song | NC-17 | 4 | You are all prey | Depressing / Death / State of the World / Political / Controversial |
| 7 | Quest For Immortality | NC-17 | 4 | Lifts the final curtain | Internal Struggle / Depressing |
| 8 | Innocence Lost | PG-13 | 2 | As soon as you're high | Depressing / Tom Legacy / Loneliness |
| 9 | Betrayal | NC-17 | 4 | Betrayed by a kiss | Depressing / Relationships / Death |
| 10 | Cop Asked the Witnesses | PG-13 | 2 | She couldn't go far | Social Issues / Death / State of the World / Tom Personal |
| 11 | Dirt | PG-13 | 2 | Your little secret's worth | Internal Struggle / Depressing |
| 12 | Either Way | NC-17 | 4 | Vessel of violence live | Internal Struggle / Depressing / Loneliness |
| | **TOTALS** | **Lead: NC-17** | **Source: 30 / Calc: 32** ⚠️ | | |

**GX DISCREPANCY FLAG:**
- Source stated total: **30**
- White Claude 2 calculated total: **32** (8 × PG-13 @ 2pts = 16) + (4 × NC-17 @ 4pts = 16) = 32
- Difference: **−2 points** (equivalent to 1 NC-17 track miscounted as PG-13, or 1 track omitted from calculation)
- This matches the systemic GX off-by-one pattern documented in the planning PDF
- **Tom action required:** Verify which track(s) have rating discrepancy — see Flag #1

**NAMING NOTE:** Track 10 canonical name confirmed as **"Cop Asked the Witnesses"** (also appears as "A Cop Asked the Witnesses" in some sections — see Flag #2).

**PARTIAL NOTATION:** Track 12 "Either Way" labeled **"Either Way (first Part)"** in lyrics section — see Flag #3.

---

## ⬛ BLOCK 7 — FULL TEXT LYRICS

---

### (1) COREY STORY

His mama was a nurse
and his daddy sold jewels
A couple hard working stiffs
But both were fools
If the boys got outta line
parents kept their cool
They'd never make a fuss
just leave 'em to the school
Too busy working
to have to raise kids
Right there ya find out
where the problem is
When little boys break the rules
daddy's too drunk to yell
He tried to chase 'em
up the stairs
but down he fell

When you make your own rules
how hard can life be?
Mom's sitting on the couch
just watching TV
Yet it takes more to be a mom
than just making dinner
Gotta teach your kids to play
the game of life to be a winner
All you need's a @#$% to be a father
but it takes balls to be a dad
I wish they read this story
I really wish they had
I always tried to use my brain
while my friend he used his brawn
Now I got it made
While my friend barely gets along
His daddy read him beer bottles
while my daddy read me books
When life gets ugly
you can't get by on looks
Me and my daddy
played throw and catch
Him and his daddy
played throw and duck
When life gets ugly
you can't get by on looks
When you got no smarts
you get by on luck
And when that runs out
it really sucks

---

### (2) DADDY TAUGHT ME

When I was little
My daddy dressed me in white
He said so he could lead me
Through the darkness
and into the light

Mama washed my clothes
Nearly every day
For I'd get them dirty
Whenever I'd play
She told me that if it wasn't white
Then it wasn't good
If the weather got chilly
She'd pull up my hood
Mama told me of Jesus and God
And of Heaven divine
I asked if I'd go there
And she said I'd be fine
She said I was pure
And God made me snow
And that angels would follow me
Wherever I'd go
I couldn't wait to see God
And tell him what was on my mind
I even tried praying a couple of times
But church was much different
Than what I ever though it would be
We'd have mass outside
And we'd light a big 'T'
I had so much fun
When we'd march in parades
Then we'd set fire
To the crosses we made
And I love the holidays
They fill me with cheer
We loved Halloween so much
We had it twenty times a year
For some reason I was always a ghost
Must be the costume my mama liked most
Funny how no one ever got scared
Even when I was trying
Oh, there was that one….
The little girl who was crying
I'm not even sure why
She had tears in her eyes
I really scared her good
I must have caught her by surprise
I can't wait to get older
And be a daddy some day
I'll teach these games to my kids
And the whole family will play
When I get older...
I'll be the best daddy I can be
I just hope I can teach my kids as good
As my daddy taught me

---

### (3) SHADOW OF SMOKE

Just a shadow of smoke
That's how I appear
Try to reach out and touch me
What you see disappears
No living soul can reach me
First you see my face
Vanish into thin air
And then gone without a trace
Just another mystery
A puzzle no one can solve
First I am there
And then I dissolve
Just a castle of sand
Before the tide comes to me
And after a warm embrace
Carries me out to the sea
So back into the fog I fade
My own little solitary parade
Back into the waters I wade
Unable to undo all I have made
I've lost my soul
Through the horrors I've seen
Along with my past desires
Of all I could have been
To the days of old
I can never return
Time passes slowly
When the memories still burn
As I see children laugh
And young mothers dance
I know I've lived my life
There is no second chance
Just a shadow of smoke
That's how I appear
Try to reach out and touch me
What you see disappears

---

### (4) WHEAT AND CHAFF

Your suicide was glorified
Like a police chase on the news
Neither your vanity or your family
Was enough to pull you through
When you crashed in the past
You walked away unscathed
This time you fell it didn't go so well
The saviour was not saved
The memories are overwhelming
As they all come flooding back
You feel yourself being swept away
The dam burst where it was cracked
Such an explosion of emotion
Leaving everyone taking flak
"His war is over" the priest spoke sober
Then a scream, a yell, a gasp
So for the cries and for the laughs
Let us raise our glass up to the past
To both the wheat and the chaff
For all that was left undone
And for what can't be taken back

---

### (5) MIDAS TOUCH

What has once been bought
has now been sold
Your Midas touch
turned me into gold
Never to grow young
never to grow old
Death does part
forget to have and hold
Sickness is health
as warmth becomes cold
A face once beautiful
is now pale and blue
Crumbling down
what was once brand new
The question is not how or why
or when but who?
The lesson is be careful
of what you wish for
Because it just might come true...
The wink of the eye
of your future wife
The turn of a corner
and the stab of a knife
Just a second could change your life
So beware of what's around you
Be aware of where you go
Because you never really know...
After your next step
After your next breath
There could be one life and one death
Forget all the rest

---

### (6) SNIPER'S SONG ⚠️ NC-17

Who am I?
And what are my reasons?
I've got my rifle by my side
And it's hunting season
I'm just another face in the crowd
Waiting to make my next move
Eight A.M. and I'm already
out on the prowl
I wonder just how long
I can keep my cool
Random is the way it has to be
Can't have any motive or connection
Following after me
One bullet at a time
I write the headlines
of the front page
I am God,
I am death,
I am your old age
At random
Or in seclusion
I am reality
This is no illusion
Who am I?
And what are my reasons?
I've got my rifle by my side
And it's hunting season
I'm just another face in the crowd
Waiting to make my next move
Nine A.M. and I'm already
out on the prowl
I wonder just how long
I can keep my cool
Go about your business
This sniper will find you
Look over your left shoulder
I am right behind you
You cannot see me
I am in seclusion
Death is reality
I am no illusion
Who am I?
And what are my reasons?
I've got my rifle by my side
And it's hunting season
I'm just another face in the crowd
Waiting to make my next move
Ten A.M. and I'm already
out on the prowl
I wonder just how long
I can keep my cool
Some may call me crazy
But I don't see it that way
I am just another hunter
And you are all my prey
I could be your neighbor
I could be your best friend
I could be a terrorist
But only when you catch me...
Will you be safe again

---

### (7) QUEST FOR IMMORTALITY ⚠️ NC-17

I have finally found
a reason for waking up
It is my job to unite the legions
Who just don't give a fu$%
When you're laying foundations of concrete
You had better stand clear
For in the name of progress
Sometimes a few people disappear
One more voice left unheard
Amidst the deepest of frustrations
Only one man could kill
with complete racial equality
I would drop the bomb
without any hesitation
Just waiting for the man
to come calling on me
I would drop the bomb
without any reservations
Nah, I told myself
I've got to give in
And live on the same grid
as the competition
No more applying my time
to going fishing inside of my mind
But please just one more time
for the sake of mankind
If I could just find
the perfect poetic lines
Maybe then my hatred would mend
So I'll keep on searching
for another solution
Or else I'll plot out my own demise...
the final end
My presence is important
Just the fact that I roam the earth
Makes it all but certain
That I could be the one
who lifts the curtain
Or perhaps be the person
Who pushes the button
Snaps, cracks and attacks
All of a sudden
I start putting people in the oven
Dozen by dozen by dozen
The time has come
Face it... it's done
I will never be the chosen one
Better go and grab the gun
And see how fast
these clowns can run
No, not everybody's presence
is a gift
Yet still you've got to learn
to live with it

---

### (8) INNOCENCE LOST

I've sat at every bench in this park
Both before and after dark
Looking out at an ocean oh so deep
When everyone else is asleep
I see the sailboats stopped
Lookin' just like upside down lollipops
I see the seagulls pecking
Down by the beach
But it all seems out of reach
Take off my shirt to get a tan
Wondering about life's master plan
Just when my troubles
start to fade away
I have to go to work soon
so I cannot stay
But oh what a price I pay...
As soon as you're high
Something brings you down
As soon as you smile
Something makes you frown
As soon as you blink
The second has passed
As soon as you're first
You wind up last
This world can be such a tease
As soon as I feel
That my mind's at ease
Just when I think I have it made
Rain falls down on my parade

I've had my shares
Of ups and downs
Cried like mimes
And laughed like clowns
I've been dwarfed by guilt
And knocked off of my stilts
I've seen the flowers bloom
And I have watched the pedals wilt
Here at the park
I collect my thoughts
Try to find a pair of scissors
When I'm tied up in knots
Then these words
Became my thoughts...

As soon as you're high
Something brings you down
As soon as you smile
Something makes you frown
As soon as you blink
The second has passed
As soon as you're close
You run out of gas
I watch the children
I've seen so many times before
And their innocent eyes
Not yet knowing what's in store
With every game
comes a new surprise
Every truth told contains
At least a part of a lie
Under a parent's eye
they run so free
Not a worry in the world
The way life should be
And yet as they grow a little older
The winds blow a little colder
But we all know it is calm
Before the storm
Mommy still has a blanket
To keep them warm
She protects them
for as long as she can
There are some things children
Should never have to understand
Don't tell them the secret...

As soon as you're high
Something brings you down
As soon as you smile
Something makes you frown
As soon as you blink
The second has passed
As soon as the sun rises
The shadow's been cast

Yes I was once a child
many years ago
And I learned the hard way
The things I didn't know
Life was once so simple
But like a gunshot to the temple
I was told I couldn't go any higher
And then was thrown into the fire
Now all I can do is dream
Back to the days
When my own eyes did gleam
Someday when everyone is asleep
That same child
will come here to weep
And they too
will write their song
About how the innocence
They once knew is gone
And they'll say...
As soon as I'm high
Something brings me down
As soon as I smile
Something makes me frown
As soon as I blinked
My childhood passed
What I loved so much...
I want it back

---

### (9) BETRAYAL ⚠️ NC-17

What will her friends say?
What wild rumors will be spread?
Where lies her escape?
These thoughts run 'round in her head
She had been bruised inside
Blood trickled down the side of her face
He was twice her size
She was just half his age
She fought so hard
but she was unable to resist
That's okay,
I like it better this way, he hissed
When she tried to say no with her knee
He said yes with his fist
But luckily, when he swung he had missed…
At least the first time
He pinned her down
Leaving red welts on her wrists?
To mom and dad she cried:
I'm sorry to have to tell you this:
But Jesus wasn't the only one
Who was betrayed by a kiss
Yet never in Sunday school
did they ever cover this…
And this was her first time

What will her friends say?
What wild rumors will be spread?
Where lies her escape?
So many thoughts run round in her head
Once it was known
That his seed had been sewn
She carried the child like a disease
For when the baby came
How could she explain
That a rapist's eyes
were all that she sees
What will her friends say?
What wild rumors will be spread?
Where lies her escape?
So many thoughts run
round in her head
Conflicting voices
whisper in her ear
She tries to drown them out
but they won't disappear
Her pastor's sermons
and a voice
that she hadn't heard before
Every day that voice
Speaks louder…
She knows soon
It will speak no more…

---

### (10) COP ASKED THE WITNESSES

A cop asked the witnesses
Did you see the driver of the car?
The witnesses responded
She couldn't have gone that far
It's amazing where fate'll bring you
All the way to a cell
It's amazing where fate'll bring you
Down to the depths of hell
The night was dark and dreary
The rain was pouring down
The faces of the happy
Were quickly turned to frowns
November twenty-sixth
And there's not much thanks to give
It's hard to be rejoiceful
When daddy didn't live

A cop asked the witnesses
Did you see the driver of the car?
The witnesses responded
She couldn't have gone that far
Mommy ran into a restaurant
Screaming someone hurt my love
Mommy showed the owner
The broken wings of her dove
Two lives were almost taken
As soon as they begun
A two year-old child
And the young driver on the run
People dressed in black
Now put flowers on his grave
Daddy died a great hero
And his little girl he did save
A father's life is over
And a family torn apart
A mother's constant weeping
And a child's bleeding heart

A cop asked the witnesses
Did you see the driver of the car?
The witnesses responded
She couldn't have gone that far
There's fresh blood on the sidewalk
And tears fallen to the ground
Flowers on a gravestone
And a deeply saddened town
About the girl on the run
Are you sorry for your sin?
Your only chance at Heaven
Is turning yourself in

---

### (11) DIRT

Who's got the dirt on you?
Or maybe you've been
keeping secrets from yourself
Do you know who
I've been talking to?
No it wasn't her
it was somebody else…
Ooh, I see someone's
afraid of sunlight
Stays lurking in the shadowy realm
To only be happy when it's cloudy
Would seem to me
to be trapped in a living hell

Who's got the dirt on you?
Won't you whisper just what
your little secret is worth
Certainly no one
could have deserved this
Never seen you look so nervous...
your eyes darting back and forth

Well sure we all make mistakes
Yet this one was so easy to trace
You didn't look guilty
just heavily disgraced
That would best describe
the look on your face

Who's got the dirt on you?
Has anyone offered
to cut you a deal?
Or are they just
letting out the line?
Let you run a little
knowing they hold the reel

---

### (12) EITHER WAY ⚠️ NC-17 *(first Part — full version TBC)*

I'm a vessel of violence
Live alone on an island
I can never keep silent
They keep playing violins
To cover everybody's crying
I got no one to hear me
No family lives near me
No friends close by
No friends at all
- that was a lie
No one to call or stop by
That's why sometimes I cry
You would to
When I got nothing to do
It gives me something to do

Many say medicate don't educate
Become an arsonist to your history
Self-knowledge just drags in complication
When some things are best left a mystery
The agony of meeting expectations
Has led to the cancelling
of many celebrations
In both your honor and your name
Yeah, it was all for you
but you never came
If you only die when you're forgotten
Anonymity must sure be rotten
The value of reality
lies in immateriality
For everything that lives
externally dies
Though the worth of life
is measured by the soul
Which we all know
can be compromised
The choice could be fame or integrity
Will you have riches or character?
That is what she said to me
Now you know why everybody's after her
She gives like its charity
With instant familiarity
A true gem that's a rarity
Indeed she's looking so lovely
Those brown eyes gazing back at me
Feeling like there's no one above me
As she stares right through me
It's like she's always knew me
Let us hope she never forgets
Remember...
you can't give somebody everything
Because then you'd have nothing left!

---

## ⬛ BLOCK 8 — TRIGGER WARNINGS

**SET LIST 7 — TRAIN OFF THE TRACKS**
**Lead Rating: NC-17 | GX Source: 30 / Calculated: 32**

> ⚠️ **EXTREME CONTENT WARNING**
> Set List Seven represents the most severe, confrontational, and psychologically destabilizing body of work in the catalog. These compositions do not imply, suggest, or allegorize harm — they depict it directly. The material engages with violence, abuse, coercion, and moral collapse without mitigation, moral instruction, or emotional resolution.
>
> This set deliberately rejects comfort, recovery narratives, or redemptive framing. It exists as documentation — sometimes clinical, sometimes poetic, sometimes brutally interior — of human damage as it occurs.
>
> Many pieces are written from inside disturbing psychological states or viewpoints. Perspective shifts may include perpetrators, victims, bystanders, or fractured internal narrators. These voices are presented without reassurance, justification, or corrective commentary.
>
> **This collection is not symbolic therapy, not advocacy, and not a cautionary tale. It is an unfiltered confrontation with traumatic realities.**

---

**MAJOR AND SEVERE TRIGGERS PRESENT:**

**SEXUAL ASSAULT / RAPE**
"Betrayal" contains explicit and graphic depictions of rape, including a minor victim, coercive language spoken by the perpetrator, physical assault, and resulting pregnancy. Written from the victim's perspective without redemptive resolution.

**CHILD ABUSE / GROOMING / IDEOLOGICAL INDOCTRINATION**
"Daddy Taught Me" depicts KKK indoctrination of a child written from inside the child's innocent perspective — the horror emerges through dramatic irony, not explicit description. "Innocence Lost" addresses the theft of childhood safety.

**MASS VIOLENCE / SNIPER IMAGERY / GUN VIOLENCE**
"Sniper's Song" is a first-person monologue from the perspective of a sniper — lifted directly from real DC Sniper coverage (Washington Post, October 4, 2002). "Quest for Immortality" contains mass violence ideation including bomb imagery and dehumanizing language.

**SUICIDE / SELF-ANNIHILATION IDEATION**
"Wheat and Chaff" documents suicide in unflinching narrative. "Quest for Immortality" contains self-annihilation ideation. "Betrayal" ends with implied suicidal resolution.

**DOMESTIC VIOLENCE / COERCIVE CONTROL**
"Betrayal," "Corey Story," and "Daddy Taught Me" all contain depictions of domestic violence, coercive family structures, and cycles of abuse.

**RELIGIOUS EXTREMISM / SPIRITUAL ABUSE**
"Daddy Taught Me" depicts KKK religious framing presented as innocent family tradition. The cognitive dissonance is deliberate and structural.

**DISSOCIATION / PSYCHOLOGICAL FRAGMENTATION**
"Shadow of Smoke," "Quest for Immortality," and "Either Way" explore identity dissolution, dissociation, and psychological collapse.

**MORAL NIHILISM / DEHUMANIZATION**
"Sniper's Song," "Quest for Immortality," and "Either Way" operate from within moral nihilism without external corrective framing. This is intentional and structural.

---

**ADDITIONAL DISTRESS FACTORS:**
- Prolonged exposure to threatening or violent inner monologues
- Lack of narrative closure or moral positioning
- Emotional detachment that may feel cold, clinical, or invasive
- Language that may feel accusatory, voyeuristic, or invasive by design

---

**❗ LISTENER ADVISORY — MANDATORY:**
Listener discretion is not optional — it is mandatory. Engagement with this set requires informed consent. Proceed only if you are prepared to encounter material that refuses comfort, resolution, or moral framing.

**This material should be avoided by:**
- Individuals with trauma sensitivities related to sexual violence, child abuse, or gun violence
- Those processing grief, especially suicide-related loss
- Anyone seeking emotional safety, solace, or clarity
- Listeners triggered by perpetrator-perspective narration

---

## ⬛ BLOCK 9 — QUICK GUIDE

| # | Title | Rating | GX | Four-Word Summary | Primary Categories |
|---|---|---|---|---|---|
| 1 | Corey Story | PG-13 | 2 | Where the problem is | Depressing / Social Issues / Death |
| 2 | Daddy Taught Me | PG-13 | 2 | As my daddy taught | Depressing / Social Issues / Tom Personal |
| 3 | Shadow of Smoke | PG-13 | 2 | What you see disappears | Internal Struggle / Depressing / Drugs & Alcohol |
| 4 | Wheat and Chaff | PG-13 | 2 | What can't be taken | Depressing / Death / State of the World |
| 5 | Midas Touch | PG-13 | 2 | Turned me into gold | Internal Struggle / Depressing / Social Issues |
| 6 | Sniper's Song | NC-17 | 4 | You are all prey | Death / Political / Controversial |
| 7 | Quest For Immortality | NC-17 | 4 | Lifts the final curtain | Internal Struggle / Depressing |
| 8 | Innocence Lost | PG-13 | 2 | As soon as you're high | Depressing / Loneliness |
| 9 | Betrayal | NC-17 | 4 | Betrayed by a kiss | Depressing / Death / Relationships |
| 10 | Cop Asked the Witnesses | PG-13 | 2 | She couldn't go far | Death / State of the World / Tom Personal |
| 11 | Dirt | PG-13 | 2 | Your little secret's worth | Internal Struggle / Depressing |
| 12 | Either Way | NC-17 | 4 | Vessel of violence live | Internal Struggle / Depressing / Loneliness |
| | **TOTALS** | **NC-17** | **⚠️ 30/32** | | |

---

## ⬛ BLOCK 10 — ROLLING STONE REVIEW

**SET LIST SEVEN — TRAIN OFF THE TRACKS**

Set List Seven doesn't imagine the end of the world — it just opens the blinds. This one feels real because it is: each track pulls from lived moments, overheard confessions, and headlines too close to home. "Corey Story" opens with fatherless ache and a cigarette-burned childhood, setting the tone for an album that never lets the wound scab over. "Daddy Taught Me" follows like a Gene Hackman movie set in Mississippi, all smoke, silence, and mission-burning menace just offscreen. "Shadow of Smoke" floats like grief itself — intangible, everywhere, impossible to hold. The body count rises with "Wheat and Chaff," a tribute in fragments, haunted by the quiet collapse of Anthony Bourdain — a man who saw the whole world and still couldn't find a place to stand. "Midas Touch" burns what's left of success culture to the ground, exposing the blue-lipped corpse underneath all that gold. "Sniper's Song" lands last and coldest: a pair of ghosts in a sedan, calm as Sunday, watching the world fall one shot at a time — lifted directly from The Washington Post, October 4, 2002, when the DC Sniper left a note at the scene and the country held its breath. These aren't just poems — they're witness statements. There's no redemptive arc here, only fire and fallout. And for the record, said Corey works for the state now, doing better than the author in the eyes of Our Lord.

> ⚠️ **REVIEW COVERAGE NOTE:** The Rolling Stone review covers tracks 1–6 only (Corey Story through Sniper's Song). Tracks 7–12 (Quest for Immortality through Either Way) are not referenced in the review. Tom to confirm whether the review is intentionally partial or if an expanded version exists — see Flag #4.

---

## ⬛ BLOCK 11 — TRACKS BY CATEGORY

### INTERNAL STRUGGLE
Shadow of Smoke · Midas Touch · Quest For Immortality · Dirt · Either Way

### DEPRESSING
Corey Story · Daddy Taught Me · Shadow of Smoke · Wheat and Chaff · Midas Touch · Sniper's Song · Quest For Immortality · Innocence Lost · Betrayal · Dirt · Either Way

### DEATH
Corey Story · Wheat and Chaff · Sniper's Song · Betrayal · Cop Asked the Witnesses

### SOCIAL ISSUES
Corey Story · Daddy Taught Me · Wheat and Chaff · Midas Touch · Cop Asked the Witnesses

### STATE OF THE WORLD
Wheat and Chaff · Sniper's Song · Cop Asked the Witnesses

### POLITICAL
Sniper's Song

### CONTROVERSIAL ⚠️
Sniper's Song

### RELATIONSHIPS
Daddy Taught Me · Betrayal

### DRUGS & ALCOHOL
Shadow of Smoke

### LONELINESS
Innocence Lost · Either Way

### TOM PERSONAL
Daddy Taught Me · Cop Asked the Witnesses

---

## ⬛ BLOCK 12 — THEMES / MOOD / PROFANITY

| Field | Data |
|---|---|
| **Primary Themes** | Sexual assault · Child abuse · Violence · Moral collapse · Nihilism · Dissociation |
| **Secondary Themes** | Generational trauma · Family dysfunction · Lost innocence · Cultural criticism · Psychological fragmentation |
| **Mood / Tone** | Dark · Narrative-driven · Haunting · Clinical · Unflinching |
| **Lyric Style Resembles** | Family dysfunction · Generational trauma · Lost innocence · Cultural criticism |
| **Profanity Level** | Present — self-censored in source ("@#$%" in Corey Story; "fu$%" in Quest For Immortality) |
| **Sexual Content** | Explicit — "Betrayal" contains rape / sexual assault depiction (NC-17) |
| **Violence** | Explicit — gun violence (Sniper's Song, Quest For Immortality), domestic violence, physical assault |
| **Drug/Alcohol References** | Shadow of Smoke (implied); Corey Story (beer / parental neglect) |
| **Self-Harm/Suicide** | Wheat and Chaff (suicide narrative); Quest For Immortality (self-annihilation ideation); Betrayal (implied) |
| **Perpetrator Perspective** | Sniper's Song, Quest For Immortality, Daddy Taught Me — written from inside harmful viewpoints |
| **Artist Comparisons** | Randy Newman · Tom Waits · Bruce Springsteen (Nebraska) |
| **Explicit Track Count** | 4 of 12 tracks rated NC-17 |

---

## ⬛ BLOCK 13 — WHAT COMMUNITY SAYS

```
[PLACEHOLDER — Tom to supply community feedback / optional section]
```

---

## ⬛ BLOCK 14 — FAST BUTTONS

**SET LIST 7 — TRAIN OFF THE TRACKS** | *Witness statements. No redemptive arc. Only fire and fallout.*

```
[1] COREY STORY          [2] DADDY TAUGHT ME        [3] SHADOW OF SMOKE
[4] WHEAT AND CHAFF      [5] MIDAS TOUCH            [6] SNIPER'S SONG ⚠️
[7] QUEST FOR IMMORTALITY ⚠️  [8] INNOCENCE LOST    [9] BETRAYAL ⚠️
[10] COP ASKED THE WITNESSES  [11] DIRT              [12] EITHER WAY ⚠️
```
*(⚠️ = NC-17 tracks)*

---
---

# ⚠️ OPEN FLAGS — TOM ACTION REQUIRED

| # | Flag | Block | Details | Action Needed |
|---|---|---|---|---|
| 1 | **GX DISCREPANCY** | Block 4 / Block 6 | Source states 30 pts. White Claude 2 calculates 32 pts (8×PG-13=16 + 4×NC-17=16=32). Difference = 2pts. Matches systemic off-by-one pattern documented in planning PDF. | Tom to verify individual track ratings — which track is miscounted? |
| 2 | **"Cop Asked the Witnesses" vs "A Cop Asked the Witnesses"** | Block 6 / Block 14 | Track 10 appears as "Cop Asked the Witnesses" (quick guide, four-word section) AND "A Cop Asked the Witnesses" (lyrics section heading). Two-source majority favors "Cop Asked the Witnesses." | Tom to confirm canonical title — with or without leading "A"? |
| 3 | **"Either Way (first Part)"** | Block 7 | Track 12 labeled "first Part" in lyrics section (same notation as "Expired (beginning part)" in Set List 6). Lyrics provided appear substantive but may be incomplete. | Tom to confirm if full version exists or if current text is canonical |
| 4 | **Rolling Stone review partial coverage** | Block 10 | Review only covers tracks 1–6. Tracks 7–12 unreferenced. May be intentional given the extreme content of tracks 6–12, or may be an incomplete review. | Tom to confirm if review is complete or if extended version exists |
| 5 | **"Extremes" title artifact** | Block 2 / Block 4 | "Extremes" appears as Set List 7 title in 2 source locations (lines 3551, 36514 — both Quick Guide sections). "Train Off the Tracks" appears in 4 source locations including the actual lyrics section heading and Rolling Stone review. **Canon determination: "Train Off the Tracks" is the current canonical title.** "Extremes" is an outdated artifact from an older version. | Tom to confirm "Extremes" is fully retired and "Train Off the Tracks" is locked |
| 6 | **YouTube embed URL missing** | Block 3 | No video URL in source | Tom to supply |
| 7 | **Lady Weaver note** | Block 5 | Applicability unknown for Set List 7 | Tom to confirm |
| 8 | **Social media header HTML** | Block 1 | Standing placeholder across all extractions | Tom to supply |
| 9 | **Community says** | Block 13 | Optional section | Tom to supply if applicable |

---

# ✅ EXTRACTION STATUS — SET LIST 7

| Block | Status |
|---|---|
| Block 1 — Header | ⏳ Awaiting Tom HTML |
| Block 2 — Page Title | ✅ COMPLETE |
| Block 3 — Video | ⏳ Awaiting Tom URL |
| Block 4 — Album Identity | ✅ COMPLETE (GX flag noted) |
| Block 5 — Lady Weaver Note | ⏳ Awaiting Tom confirmation |
| Block 6 — Full Track List | ✅ COMPLETE (3 flags noted) |
| Block 7 — Full Lyrics | ✅ COMPLETE (Either Way partial noted) |
| Block 8 — Trigger Warnings | ✅ COMPLETE |
| Block 9 — Quick Guide | ✅ COMPLETE |
| Block 10 — Rolling Stone Review | ✅ EXTRACTED (partial coverage flag noted) |
| Block 11 — Tracks by Category | ✅ COMPLETE |
| Block 12 — Themes/Mood/Profanity | ✅ COMPLETE |
| Block 13 — What Community Says | ⏳ Awaiting Tom input |
| Block 14 — Fast Buttons | ✅ COMPLETE |

**CORE EXTRACTION: 10/14 blocks fully complete. 4 blocks awaiting Tom-supplied assets.**
**FLAGS LOGGED: 9 items — 1 critical (GX discrepancy), 1 canon confirmation needed (title), 2 partial content queries, 1 review coverage query.**

---

*White Claude 2 | Extraction Pipeline | SET LIST 7 of 24 | Next: SET LIST 8 — BOSS LOGIC*


================================================================================
APPENDIX D — EARLY PARTIAL EXTRACTION (SUPERSEDED — RETAINED FOR RECORD)
SET LIST 6 INITIAL EXTRACTION (INCOMPLETE)
================================================================================

# SET LIST 6 — DEFINITELY NOT LOVE — ALL-IN-ONE
### Extraction by White Claude 2 | Architecture: Locked 14-Block Structure | Theme: Batman Bedroom Dark

---

## BLOCK 1 — HEADER
[Social media header — 10-button HTML block | Tom to supply embed code]

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## BLOCK 2 — PAGE TITLE
**SET LIST 6 — DEFINITELY NOT LOVE — ALL-IN-ONE**

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## BLOCK 3 — VIDEO
[YouTube embed — Tom to supply Set List 6 video URL]

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## BLOCK 4 — ALBUM IDENTITY

| Field | Data |
|---|---|
| **Title** | Definitely Not Love |
| **Number** | Set List 6 |
| **Lead Rating** | PG-13 |
| **Total GX Points** | 26 |
| **Strategic Arc** | Romantic collapse, emotional betrayal, psychological erosion |
| **Track Count** | 13 |
| **Artist Comparisons** | Damien Rice, Elliott Smith, Leonard Cohen |
| **Key Themes** | Romantic collapse, emotional betrayal, grief, identity fatigue, numbness |
| **Mood / Tone** | Reflective, sorrowful, poetic |
| **Style Resembles** | Love's decay, emotional distance, heartbreak, introspection |

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## BLOCK 5 — LADY WEAVER NOTE
[Lady Weaver contextual note — Tom to supply or confirm if applicable to Set List 6]

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## BLOCK 6 — FULL TRACK LIST WITH DATA

| # | Title | Rating | GX Points | Four-Word Summary |
|---|---|---|---|---|
| 1 | Expired | PG-13 | — | Time has finally faded |
| 2 | Face To Face | PG-13 | — | Meeting truth directly |
| 3 | Cry Me a River | PG-13 | — | Warm tears, cold heart |
| 4 | Nothing At All | PG-13 | — | Empty promises, no delivery |
| 5 | Matches To Burn | PG-13 | — | Igniting the final bridge |
| 6 | Heart Strings | PG-13 | — | Pulling until they snap |
| 7 | Endless Chorus | PG-13 | — | Repeating the same pain |
| 8 | Nameless | PG-13 | — | Losing identity in love |
| 9 | Below Zero | PG-13 | — | Freezing out the past |
| 10 | Lament | PG-13 | — | Mourning what is gone |
| 11 | He Said She Said | PG-13 | — | Echoes of unresolved talk |
| 12 | Half Told | PG-13 | — | Stories left without end |
| 13 | Jewelry Box | PG-13 | — | Promise contained |

**GX NOTE:** All 13 tracks rated PG-13 = 2 pts each = 26 total. Confirmed against source total of 26. ✅

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## BLOCK 7 — FULL TEXT LYRICS

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### (1) EXPIRED
I am hoping it's not true
But our time may have expired
Sure I still sing for you
But lacking passion, lacking fire
Or at least not like I used to
I won't lie I'm not a liar
My eyes still like looking at you
Oh -- but now I closed them
when I get tired

*(Note: Source labels this "beginning part" — may be incomplete. Tom to confirm if full version exists.)*

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### (2) FACE TO FACE
You can run and you can hide
But I know your face
It always shows
That you can't lie…
So I don't call you
On the phone
And now you know
The reason why…
I read your letters
So full of love
You tell me I'm the one
That you're thinking of
Yet I know your gift
When it comes to the pen
As I think to myself
You're at it again
One line leads to another line
One lie leads to another lie
I know all the walls
You use to hide behind It's true
So I wait outside your place
To meet and greet you face-to-face

So I know whether to cry or laugh
When I look back
at all those paragraphs –
From you
As I think back to all
the things you've said
For I long to know
what's really inside your head
What you're thinking to yourself
and also about me
When you say that destiny
is what we were meant to be
Together and forever
for it was written in the stars
Yes, this is the true you
and this is what you really are
Or whether this is just another plot
and I am just your toy
Am I really your man
or just a silly little boy?

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### (3) CRY ME A RIVER
Cry me a river...
Ten miles wide
Your warm tears will never
Send a shiver...
Up and down my spine
Cry me a river...
Then let me know
when you are through
Of everything that
you promised
Nothing was delivered
When you don't feel as if you're one
Then you should go back to being two
Cry me a river...
And then please won't you paddle away?
I've grown tired of sitting in the dark
Watching the clock
Trying to smile all the while...
I'm waiting for you

I would have put you first
If you put me anywhere but last
Yet as our time in life is slipping
Such time you lose too fast
The time for chasing rainbows
Is now as distant as the stars
Through the mountains you've traversed
You have discovered who you are
You bruise when you bleed
Accept this fact as fate
You know now what you need
For him it's now too late
You would have put him first
If he put you anywhere but last
But as you toasted to the New Year
Broken shattered glass
You would have shown him love
Had he given you a wink
You would have filled his cup with wine
Had he asked you for a drink
To the sparkling gleam in his eye
You've since become blind
Now this is all you can think of
Whenever he enters your mind:

Cry me a river...
Ten miles wide
Your warm tears will never again
send a shiver...
Up and down my spine
Cry me a river...
And then let me know
when you are through
Of everything that was once promised
Nothing was delivered
When you don't feel as if you're one
then you should go back to being two

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### (4) NOTHING AT ALL
You walked up to me
With my clothes in your hands
We had a conversation about things
Only I could understand
Not a tear I did see
For I kept my eyes closed
The way in which I feel
I'm the only one who knows
You begged and pleaded from your knees
Every other word I heard was please
Please don't you go away
Please, please
Don't you leave me this way
Only I knew that our fate was sealed
I kept my eyes closed
So that nothing was revealed
Someday all your wounds will heal
Someday I will tell you
how I really feel...

I once asked you
to save me from myself
Though soon I learned
That you can't leave that up
To anyone else
I asked you to change your ways
Though soon I realized
That some colors won't fade
The only one to help me is myself
For sometimes some things
Cannot be entrusted to someone else
Your inspiration was once my soul
But soon your hatred was for me
And the love I stole
You thought I'd take your heart
And keep it forever
But in this world of uncertainty
You can never say never
So many red-eyed days
So many nights filled with unrest
I was finally forced to realize
This may be too great a test
So many sleepless nights
And soon daydreams of another's face
I knew I couldn't stay
While wishing I was in some other place

Your heart's filled with gold
Yet your eyes are so cold
And the mirror which you hold
Reflects the face of no one at all
Your weakness often showed
And soon the time grew old
As no dream I had was too bold
The ceiling of our love was bound to fall

No regrets
Though memory will not soon forget
Myself I found
Now there are no more chains
To hold me down
There must be some reason
That it turned out this way
But I know right now
There's not one that I could say
I loved you once
And you will find love again
There is no better message
That I can send
Maybe I shouldn't have made you
Feel so tall
Maybe all your problems I couldn't solve
Sleep well knowing I am sorry
For the pain I've caused
Just know it's better feeling pain
Than feeling nothing at all

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### (5) MATCHES TO BURN
I need a reason to sing
I can't think of anything
And I've been thinking a lot
About a world not filled
With things you could see
But of all those things
I dreamed to be
So long ago that I forgot
When down memory lane…
I took a stroll
I re-lived mostly pain…
and now that pain…
It takes its toll
I'll make a promise to you
And then I won't show
Yeah, I'll always leave you guessing
With your insides now exposed
While you've still yet to learn your lesson
Ahh… but at least now you're feeling the cold
Though still… you keep on pressing
But with this new insight you now behold
You see the sun now glistening
off of the snow
If you listen closely
then you'll learn what I know
It takes ten seconds now to see
What took me twenty years to learn
Ain't no paper worth nothing to me
To a girl… With matches to burn
To a girl... with matches to burn..

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### (6) HEART STRINGS
I don't need you for inspiration
Nah, I got plenty of that myself
I'm not looking
for someone to save me
Nah, you can't leave that
to anyone else
I was just looking for someone
to keep me and love me
For all I am....
for my better or worse
I wasn't looking for someone
to take me and leave me
Leaving me feeling this angry,
helpless remorse

As I see you sitting in the chair
Staring back at me
With a cold and lonely stare
I will remember for eternity
I finally want back
What's been taken
What you stole
But I will never get that
'til I regain control
I am just another trophy
Collecting dust
on your mantle shelf
Something that you've taken
That once belonged
to someone else
Now as I feel forsaken
I criticize my useless self
Plucking at my heartstrings
Is the music you play
only for yourself
Never a thought
for someone else

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### (7) ENDLESS CHORUS
I'm as deep as the day is long
That's why it hurt me
To find myself becoming weak
When I needed to be strong
This long day and my long face
Shows you that I know no other way
So it's back to bed with a worried head
An unsteady mind and too much time

I think too much about the past
Of broken trust and how things don't last
I'm as deep as the day is long
That's why I rarely sleep
And I only dream in song
Then I wake up
And I try to play along
To the melody
That my heart weeps
Since you and me
We broke our bond
I find your ghost
Keeps haunting me
With rattling chains
And shaking keys
I try to hide
But to no avail
Just an endless chorus
About how we failed…

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### (8) NAMELESS
You blew out my candle
Just so yours could burn brighter
You took my little girl
And put bad things inside her
Thoughts of not being good enough
Oh how could she measure up
In this morality fashion show
That makes the rules up as they go
Living in the shadows
and staying low key
Blending in with all
the pretty things she sees
It won't make you famous
but it will help you stay alive
Sometimes remaining nameless
is the reason why we thrive

You blew out my candle
Just so yours could burn brighter
You burdened me with heavy load
Just so you could tread lighter
You laughed, pointed and sneered
When I took the wheel and steered
And as I wandered far off course
You offered no form of support
No helping hand to lend
Not a guiding message sent
Left abandoned on the shore
When not thought useful anymore

You kept looking at me
To see the star I'd never be
But did you question if your perception
Was in fact reality?
You blew out my candle
Just so yours could burn brighter
When I offered peace or war
You declared, "Neither!"
We're locked in a state of paradox
Where the focus has been lost
Always scheming or else screaming
Trying to get your point across
There's no more words?
I'm at a loss…

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### (9) BELOW ZERO
My past is trashed
Burned all the photographs
I sigh then deny when someone asks
No, I never met my hero
On a scale of one to ten
She sent me to below zero
I've lost all hope of healing
So I try to numb the feeling
Playing dumb my way of dealing
But I still can't turn the page
She was a century ahead of her time
And I was five years past my prime
So what could have been so sublime
Instead I lost my guide – my sage

The old me...
would lose to the new me
Yet those tired eyes
would see right through me
I've got a past
that simply won't let go
To a flame that burned out long ago
I once put my faith in someone else
Now today I no longer trust myself
You see I lost my nerve,
my heart and my rightful place
That's when I felt
I didn't deserve to be part
of the human race
She gave me a chance to become a man
After an epic fail…
Well here I am
May God strike me dead
Right where I now stand…
Yeah, I'm finally ready to get hurt again

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### (10) LAMENT
You can't burn what's already been burned
I died inside once that's when I learned
Something is gone I can't put it in words
I've been far more reserved – afraid to be hurt
I think it's contagious
Are you on the same page, kid?
Tell me your story
Share with me your pain
How far was your fall from glory?
And tell me what was her name?
As the life left his eyes
He whispered "Adellana Marie"
Then muttered her last name…
At least what it used to be

The same fire that warms
May do you great harm
The many times I was warned
I claimed false alarm
She hurt me by giving up
I hurt myself I loved too much
We both were harmed
Though void of intent
I heard cries of a mom
And so off I went
Soon she found another
A far more tragic event
He put himself above her
And now she's left to lament

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### (11) HE SAID SHE SAID
She woke up this morning
In a place she'd never seen before
She said…
I'm ready to turn the page
but first I must close some doors
I thought that maybe I was learning
but now I'm not so sure
I said, "You've got to hold on"
She said, "I'm not that strong"
"That's okay" is what I respond
She said, "But I'm not where I belong…
I took a right… But my right went wrong"

I said in time
you'll find if you keep on trying
You can hurdle your mind
and leave it all behind
I can't weather this storm
I can't see the sunshine
The last words
I heard from you was that…
All sense of hope was fading fast
But what you forget
Is that I cry, too
Unclench your fists and remember this
Given time all things must pass

Now I've found the rhyme
Have you found a reason?
Killing time it 'tis the season
A bottle of wine can be so pleasing
I'm feeling fine now my minds at ease

She woke up this morning
In a place she's never been before
She said…
I'm ready to turn the page
But first I must close some doors
I thought that maybe
I was learning
but now I'm not so sure
I said, You've got to hold on
You say…
I'm not that strong
That's okay is what I respond
She said…
But I'm not where I belong
I took a right
but my right went wrong

I said in time you'll find
if you keep on trying
You can hurdle your mind
and leave it all behind
You can weather the storm…
Maybe I can weather this storm
You can find your sunshine…
Maybe I'll watch the sunrise

She woke up this morning
Or should I say this afternoon
Had she finally broken free?
I can't tell it's far too soon
She thought about the
Bridge she's been burning
Her only way of escape
From this land of ruin
She said…
Well I've been burning bridges
But it's better than burning crosses
When everyone seems suspicious
You start adding up your losses
End up breaking more than dishes
That's how this whole thing got started
So choose wisely for what you're wishing
I said try not to make things hard, kid

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### (12) HALF TOLD
Behind my eyes I can't let you in
The best I can do is begin again
I let you down and myself to
With all the shit I put you through
Been having a hard time
holding my head up high
Been having a hard time
sorting truth from lies
I'm not sure where
I should go from here
I don't know if it shows
but I'm f*cking scared
Seems like everyone I know
has disappeared…
through the years

I've been looking for something new
And I don't know what to do
I've been seeking to make changes
Having thoughts that are the strangest
I've been hiding from my demons
While pretending I don't see them
Yet I feel their presence creeping
Around my room when I am sleeping
And I find

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END OF WHITE CLAUDE 2 MASTER SESSION DUMP v2 — ARCHIVAL CHECKPOINT
WHITE CLAUDE 2 | COLLABORHYTHM / COLLABTUNES | TOM JENSEN | MAY 8 2026
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